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Using more than fifty interviews, award-winning writer Danny Danziger creates a fascinating mosaic of the people behind New York’s magnificent Metropolitan Museum of Art. From the aristocratic, acerbic director of the museum, Philippe de Montebello, to the curators who have a deep knowledge and passionate appreciation of their collections, from the security guards to the(...)
Museums and Universal Exhibitions
December 2008, London
Museum: behind the scenes at the Metropolitain museum of art
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Using more than fifty interviews, award-winning writer Danny Danziger creates a fascinating mosaic of the people behind New York’s magnificent Metropolitan Museum of Art. From the aristocratic, acerbic director of the museum, Philippe de Montebello, to the curators who have a deep knowledge and passionate appreciation of their collections, from the security guards to the philanthropists who keep the museum’s financial life blood flowing, Danziger brings to life this extraordinary world through the words of those who are devoted to making the Met the American institution it surely is.
Museums and Universal Exhibitions
Archiprix 2008
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The book Archiprix 2008 introduces the latest wave of fledgling design talent. Archiprix is well-known at home and abroad as a platform for promising architects, urban designers and landscape architects
Museums and Universal Exhibitions
June 2008, Amsterdam
Archiprix 2008
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The book Archiprix 2008 introduces the latest wave of fledgling design talent. Archiprix is well-known at home and abroad as a platform for promising architects, urban designers and landscape architects
Museums and Universal Exhibitions
Museum and gallery
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Thirteen outstanding and recently completed museums and galleries take centre stage in this monograph. All have been chosen for both their sensitivity towards their surroundings and their ability to create a specific experience for the visitor. Included are such projects as Chipperfield's, Museum of Modern Literature in Marbach; Nouvels' Musée du Quai Branly; Zumthor's(...)
Museums and Universal Exhibitions
June 2008, Seoul
Museum and gallery
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Thirteen outstanding and recently completed museums and galleries take centre stage in this monograph. All have been chosen for both their sensitivity towards their surroundings and their ability to create a specific experience for the visitor. Included are such projects as Chipperfield's, Museum of Modern Literature in Marbach; Nouvels' Musée du Quai Branly; Zumthor's Kolumba Art Museum; the Ordrupgaard Museum extension by Zaha Hadid; and Steven Holl's Nelson-Atkins Museum of Art. All are surveyed through extensive photographs that are accompanied by plans and elevations.
Museums and Universal Exhibitions
$82.95
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Un voyage architectural à travers tous les projets réalisés à l'occasion des Jeux olympiques de Pékin 2008, accompagné de plans, dessins, imagés de synthèse t photographies, avec notamment les spectaculaires " Nid d'oiseau " et " Aquacube ". A Pékin et dans six autres villes, 37 sites accueillent toutes les épreuves olympiques. Ces réalisations souvent innovantes sont(...)
Museums and Universal Exhibitions
August 2008
Architectures olympiques : Pékin 2008
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Un voyage architectural à travers tous les projets réalisés à l'occasion des Jeux olympiques de Pékin 2008, accompagné de plans, dessins, imagés de synthèse t photographies, avec notamment les spectaculaires " Nid d'oiseau " et " Aquacube ". A Pékin et dans six autres villes, 37 sites accueillent toutes les épreuves olympiques. Ces réalisations souvent innovantes sont présentées, commentées et illustrées par plus de 450 documents.
Museums and Universal Exhibitions
L'effet papillon, 1989-2007
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Cette publication retrace au travers de ses archives, l'histoire et l'évolution d'un lieu particulier, – le Centre d'édition contemporaine –sa production et sa politique artistiques, et détermine sa place, son statut et son engagement dans le champ de l'art contemporain. La période couverte, 1989-2007, se situe très loin du Centre genevois de gravure contemporaine (fondé(...)
Museums and Universal Exhibitions
June 2008, Genève
L'effet papillon, 1989-2007
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Cette publication retrace au travers de ses archives, l'histoire et l'évolution d'un lieu particulier, – le Centre d'édition contemporaine –sa production et sa politique artistiques, et détermine sa place, son statut et son engagement dans le champ de l'art contemporain. La période couverte, 1989-2007, se situe très loin du Centre genevois de gravure contemporaine (fondé dans les années 1960) devenu, en 2001, le Centre d'édition contemporaine. Elle correspond à une phase d'ouverture et de développement à un art contemporain en mutation accélérée. Parcourant ces dix-neuf ans d'activité, cet ouvrage tente de les illustrer et de les commenter, de les cataloguer et de les décrire dans le détail.
Museums and Universal Exhibitions
books
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This book illuminates the history of a century of the artists' association known as the Vienna Secession and traces the evolution of a temple of art into a major exhibition centre.
Museums and Universal Exhibitions
April 1998, Stuttgart
The Vienna Secession : from temple of art to exhibition hall
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This book illuminates the history of a century of the artists' association known as the Vienna Secession and traces the evolution of a temple of art into a major exhibition centre.
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April 1998, Stuttgart
Museums and Universal Exhibitions
books
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In 1993, the artist Vito Acconci and the architect Steven Holl were invited to redesign the then existing façade of the Storefront Gallery in New York. As a response to its urban context and its function as an art space - the gallery is situated on the ground floor(...)
Acconci, Holl : storefront for art and architecture
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In 1993, the artist Vito Acconci and the architect Steven Holl were invited to redesign the then existing façade of the Storefront Gallery in New York. As a response to its urban context and its function as an art space - the gallery is situated on the ground floor of a low building on the outskirts of Soho - Acconci and Holl created a versatile façade which may be opened up in different ways according to the season or function as an optical screen separating the inner space from the street. The different functions, answering to the needs of inner and outer space and creating links and transparencies or establishing borders, serve to provide visitors with ever-changing local and spatial relations.
books
January 2001, Bregenz
Museums and Universal Exhibitions
books
Architecture et musée
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Actes du colloque organisé au Musée royal de Mariemont.
Museums and Universal Exhibitions
March 2001, Tournai
Architecture et musée
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Actes du colloque organisé au Musée royal de Mariemont.
books
March 2001, Tournai
Museums and Universal Exhibitions
$75.00
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The grand exhibitions of the Victorian and Edwardian eras are the lens through which Peter Hoffenberg examines the economic, cultural, and social forces that helped define Britain and the British Empire. He focuses on major exhibitions in England, Australia, and India between the Great Exhibition of 1851 and the Festival of Empire sixty years later, taking special(...)
Museums and Universal Exhibitions
January 1900, Berkeley
An empire on display : English, Indian, and Australian exhibitions from the Crystal Palace to the Great War
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The grand exhibitions of the Victorian and Edwardian eras are the lens through which Peter Hoffenberg examines the economic, cultural, and social forces that helped define Britain and the British Empire. He focuses on major exhibitions in England, Australia, and India between the Great Exhibition of 1851 and the Festival of Empire sixty years later, taking special interest in the interactive nature of the exhibition experience, the long-term consequences for the participants and host societies, and the ways in which such popular gatherings revealed dissent as well as celebration. Hoffenberg shows how exhibitions shaped culture and society within and across borders in the transnational working of the British Empire. The exhibitions were central to establishing and developing a participatory imperial world, and each polity in that world provided distinctive information, visitors, and exhibits. Among the displays were commercial goods, working machines, and ethnographic scenes. Exhibits were intended to promote external commonwealth and internal nationalism. The imperial overlay did not erase significant differences but explained and used them in economic and cultural terms. The exhibitions in cities such as London, Sydney, and Calcutta were living and active public inventories of the Empire and its national political communities. The process of building and consuming such inventories persists today in the cultural bureaucracies, museums, and festivals of modern nation-states, the appeal to tradition and social order, and the actions of transnational bodies.
Museums and Universal Exhibitions
books
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Focusing on the Oxford University Museum, the Edinburgh Museum of Science and Art, and the Natural History Museum of London, Yanni explores how such institutions reflected varying, often contradictory concepts of nature -- from the handiwork of God to a resource to be exploited. She(...)
Nature's museums : Victorian science & the architecture of display
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Focusing on the Oxford University Museum, the Edinburgh Museum of Science and Art, and the Natural History Museum of London, Yanni explores how such institutions reflected varying, often contradictory concepts of nature -- from the handiwork of God to a resource to be exploited. She explains how the rise of museums accompanied and influenced the transformation of science from a "gentleman's hobby" to a paying profession. And she shows how the buildings themselves remain invaluable guides to the Victorians' ambiguous perception of the natural world. Through careful social and historical accounts of the buildings, their displays, and their reception, Yanni's work deepens our understanding of the emerging power of museums in Darwin's century.
books
March 2000, Baltimore
Museums and Universal Exhibitions