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In this book, Lauren Berlant continues to explore our affective engagement with the world. Berlant focuses on the encounter with and the desire for the bother of other people and objects, showing that to be driven toward attachment is to desire to be inconvenienced. Drawing on a range of sources, including Last Tango in Paris, Ralph Waldo Emerson, Claudia Rankine,(...)
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In this book, Lauren Berlant continues to explore our affective engagement with the world. Berlant focuses on the encounter with and the desire for the bother of other people and objects, showing that to be driven toward attachment is to desire to be inconvenienced. Drawing on a range of sources, including Last Tango in Paris, Ralph Waldo Emerson, Claudia Rankine,(...)
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On the inconvenience of other people
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In this book, Lauren Berlant continues to explore our affective engagement with the world. Berlant focuses on the encounter with and the desire for the bother of other people and objects, showing that to be driven toward attachment is to desire to be inconvenienced. Drawing on a range of sources, including Last Tango in Paris, Ralph Waldo Emerson, Claudia Rankine, Christopher Isherwood, Bhanu Kapil, the Occupy movement, and resistance to anti-Black state violence, Berlant poses inconvenience as an affective relation and considers how we might loosen our attachments in ways that allow us to build new forms of life. Collecting strategies for breaking apart a world in need of disturbing, the book’s experiments in thought and writing cement Berlant’s status as one of the most inventive and influential thinkers of our time.
On the inconvenience of other people
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In this book, Lauren Berlant continues to explore our affective engagement with the world. Berlant focuses on the encounter with and the desire for the bother of other people and objects, showing that to be driven toward attachment is to desire to be inconvenienced. Drawing on a range of sources, including Last Tango in Paris, Ralph Waldo Emerson, Claudia Rankine, Christopher Isherwood, Bhanu Kapil, the Occupy movement, and resistance to anti-Black state violence, Berlant poses inconvenience as an affective relation and considers how we might loosen our attachments in ways that allow us to build new forms of life. Collecting strategies for breaking apart a world in need of disturbing, the book’s experiments in thought and writing cement Berlant’s status as one of the most inventive and influential thinkers of our time.
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books
books
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September 2022
September 2022
Subject:
Social
Social
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books
books
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Anselm Kiefer's Die Argonauten series was inspired by a casual dinner with friends. At the end of a meal, the artist noted the table's resemblance to a battlefield, and this quickly led him to delve into the Greek myth of Jason and the Argonauts. Despite the unlikely informality of the original prompt, Kiefer's choice to reinterpret the hero Jason's quest for the golden(...)
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Anselm Kiefer's Die Argonauten series was inspired by a casual dinner with friends. At the end of a meal, the artist noted the table's resemblance to a battlefield, and this quickly led him to delve into the Greek myth of Jason and the Argonauts. Despite the unlikely informality of the original prompt, Kiefer's choice to reinterpret the hero Jason's quest for the golden(...)
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Anselm Kiefer: Die Argonauten
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Anselm Kiefer's Die Argonauten series was inspired by a casual dinner with friends. At the end of a meal, the artist noted the table's resemblance to a battlefield, and this quickly led him to delve into the Greek myth of Jason and the Argonauts. Despite the unlikely informality of the original prompt, Kiefer's choice to reinterpret the hero Jason's quest for the golden fleece continues central motifs in his work of violence, chauvinism and systems of power--derived, as ever, from the artist's assiduous study of poetry, mythology and cultural history. The project evolved into an installation composed of various totemic objects and weathered remnants, left over, so it appears, from Jason's quest. Die Argonauten reproduces this ambitious series for the first time, along with a text by the artist.
Anselm Kiefer: Die Argonauten
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Anselm Kiefer's Die Argonauten series was inspired by a casual dinner with friends. At the end of a meal, the artist noted the table's resemblance to a battlefield, and this quickly led him to delve into the Greek myth of Jason and the Argonauts. Despite the unlikely informality of the original prompt, Kiefer's choice to reinterpret the hero Jason's quest for the golden fleece continues central motifs in his work of violence, chauvinism and systems of power--derived, as ever, from the artist's assiduous study of poetry, mythology and cultural history. The project evolved into an installation composed of various totemic objects and weathered remnants, left over, so it appears, from Jason's quest. Die Argonauten reproduces this ambitious series for the first time, along with a text by the artist.
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books
books
Publication:
March 2011
March 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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De la guerre 1914-1918 témoignent de multiples photographies : la violence des assauts, leurs effrayants résultats s'y inscrivent entre noir et blanc dans toutes ces nuances de gris qu'on accorde si aisément, culturellement, aux visions dramatiques. Mais d'autres images existent, moins connues parce que moins montrées et reproduites, qui rendent à cette guerre ses(...)
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De la guerre 1914-1918 témoignent de multiples photographies : la violence des assauts, leurs effrayants résultats s'y inscrivent entre noir et blanc dans toutes ces nuances de gris qu'on accorde si aisément, culturellement, aux visions dramatiques. Mais d'autres images existent, moins connues parce que moins montrées et reproduites, qui rendent à cette guerre ses(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
May 2006, Paris
May 2006, Paris
Title:
Couleurs de guerre : autochromes 1914-1918 Reims & La Marne
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De la guerre 1914-1918 témoignent de multiples photographies : la violence des assauts, leurs effrayants résultats s'y inscrivent entre noir et blanc dans toutes ces nuances de gris qu'on accorde si aisément, culturellement, aux visions dramatiques. Mais d'autres images existent, moins connues parce que moins montrées et reproduites, qui rendent à cette guerre ses couleurs. Des couleurs étonnamment préservées, grâce au procédé autochrome mis au point par les frères Lumière, comme on peut en juger par les photographies de cet album consacré à la bataille de la Marne, au front de Champagne et à la ville de Reims. Dans cette zone de combats très emblématique du conflit travaillèrent, avec ce même procédé autochrome, des photographes aussi bien français qu'allemand : Jules Gervais-Courtellemont (1863-1931), Hans Hildenbrand (1870-1957), Paul Castelnau (1880-1944) et Fernand Cuville (1887-1927). Introduction par Alain Fleischer.
Couleurs de guerre : autochromes 1914-1918 Reims & La Marne
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De la guerre 1914-1918 témoignent de multiples photographies : la violence des assauts, leurs effrayants résultats s'y inscrivent entre noir et blanc dans toutes ces nuances de gris qu'on accorde si aisément, culturellement, aux visions dramatiques. Mais d'autres images existent, moins connues parce que moins montrées et reproduites, qui rendent à cette guerre ses couleurs. Des couleurs étonnamment préservées, grâce au procédé autochrome mis au point par les frères Lumière, comme on peut en juger par les photographies de cet album consacré à la bataille de la Marne, au front de Champagne et à la ville de Reims. Dans cette zone de combats très emblématique du conflit travaillèrent, avec ce même procédé autochrome, des photographes aussi bien français qu'allemand : Jules Gervais-Courtellemont (1863-1931), Hans Hildenbrand (1870-1957), Paul Castelnau (1880-1944) et Fernand Cuville (1887-1927). Introduction par Alain Fleischer.
Form:
books
books
Publication:
May 2006, Paris
May 2006, Paris
Subject:
Theory of Photography
Theory of Photography
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books
books
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During the Holocaust, approximately 50,000 Jews survived in occupied Poland and Ukraine by seeking shelter in unlikely hiding spots. Driven by necessity, they were forced to take refuge in unexpected and inhospitable spaces such as tree hollows, closets, basements or sewers—remaining there for hours, days and sometimes even months. Architect, scholar and artist Natalia(...)
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Summary:
During the Holocaust, approximately 50,000 Jews survived in occupied Poland and Ukraine by seeking shelter in unlikely hiding spots. Driven by necessity, they were forced to take refuge in unexpected and inhospitable spaces such as tree hollows, closets, basements or sewers—remaining there for hours, days and sometimes even months. Architect, scholar and artist Natalia(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
April 2024
April 2024
Title:
Hideouts: Architecture of survival
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During the Holocaust, approximately 50,000 Jews survived in occupied Poland and Ukraine by seeking shelter in unlikely hiding spots. Driven by necessity, they were forced to take refuge in unexpected and inhospitable spaces such as tree hollows, closets, basements or sewers—remaining there for hours, days and sometimes even months. Architect, scholar and artist Natalia Romik has identified and studied several such hideouts that still exist today. Her research accentuates the material and spatial dimensions of living in hiding, gathering the evidence of vernacular architectural creativity employed under life-threatening conditions. Romik views hideouts as concealed monuments to the ingenuity of Holocaust survivors and their helpers. This interdisciplinary catalog makes tangible the fragile physical reality of these places and addresses the fundamental question of the function of architecture in relation to the history of violence and our culture of commemoration.
Hideouts: Architecture of survival
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During the Holocaust, approximately 50,000 Jews survived in occupied Poland and Ukraine by seeking shelter in unlikely hiding spots. Driven by necessity, they were forced to take refuge in unexpected and inhospitable spaces such as tree hollows, closets, basements or sewers—remaining there for hours, days and sometimes even months. Architect, scholar and artist Natalia Romik has identified and studied several such hideouts that still exist today. Her research accentuates the material and spatial dimensions of living in hiding, gathering the evidence of vernacular architectural creativity employed under life-threatening conditions. Romik views hideouts as concealed monuments to the ingenuity of Holocaust survivors and their helpers. This interdisciplinary catalog makes tangible the fragile physical reality of these places and addresses the fundamental question of the function of architecture in relation to the history of violence and our culture of commemoration.
Form:
books
books
Publication:
April 2024
April 2024
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$23.95
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Summary:
A phenomenology of the mall: If the mall makes us feel bad, why do we keep going back? In a world poisoned by capitalism, is shopping what makes life worth living? Kate Black grew up in West Edmonton Mall – a mall on steroids, notorious for its indoor waterpark, deadly roller coaster, and controversial dolphin shows. But everyone has a favourite mall, or a mall that is(...)
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A phenomenology of the mall: If the mall makes us feel bad, why do we keep going back? In a world poisoned by capitalism, is shopping what makes life worth living? Kate Black grew up in West Edmonton Mall – a mall on steroids, notorious for its indoor waterpark, deadly roller coaster, and controversial dolphin shows. But everyone has a favourite mall, or a mall that is(...)
Title:
Big mall
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A phenomenology of the mall: If the mall makes us feel bad, why do we keep going back? In a world poisoned by capitalism, is shopping what makes life worth living? Kate Black grew up in West Edmonton Mall – a mall on steroids, notorious for its indoor waterpark, deadly roller coaster, and controversial dolphin shows. But everyone has a favourite mall, or a mall that is their own personal memory palace. It's a place people love to hate and hate to love – a site of pleasure and pain, of death and violence, of (sub)urban legend. Blending a history of shopping with a story of coming of age in North America's largest and strangest mall, "Big mall" investigates how these structures have become the ultimate symbol of late-capitalist dread – and, surprisingly, a subversive site of hope.
Big mall
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A phenomenology of the mall: If the mall makes us feel bad, why do we keep going back? In a world poisoned by capitalism, is shopping what makes life worth living? Kate Black grew up in West Edmonton Mall – a mall on steroids, notorious for its indoor waterpark, deadly roller coaster, and controversial dolphin shows. But everyone has a favourite mall, or a mall that is their own personal memory palace. It's a place people love to hate and hate to love – a site of pleasure and pain, of death and violence, of (sub)urban legend. Blending a history of shopping with a story of coming of age in North America's largest and strangest mall, "Big mall" investigates how these structures have become the ultimate symbol of late-capitalist dread – and, surprisingly, a subversive site of hope.
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books
books
Publication:
February 2024
February 2024
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
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books
books
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$40.25
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Summary:
Liberty and freedom are frequently invoked to justify political action. Presidents as diverse as Woodrow Wilson, Franklin Delano Roosevelt, John F. Kennedy, Ronald Reagan, and George W. Bush have built their policies on some version of these noble values. Yet in practice, idealist agendas often turn sour as they confront specific circumstances on the ground. Demonstrated(...)
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Liberty and freedom are frequently invoked to justify political action. Presidents as diverse as Woodrow Wilson, Franklin Delano Roosevelt, John F. Kennedy, Ronald Reagan, and George W. Bush have built their policies on some version of these noble values. Yet in practice, idealist agendas often turn sour as they confront specific circumstances on the ground. Demonstrated(...)
Title:
Cosmopolitanism and the geographies of freedom
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Liberty and freedom are frequently invoked to justify political action. Presidents as diverse as Woodrow Wilson, Franklin Delano Roosevelt, John F. Kennedy, Ronald Reagan, and George W. Bush have built their policies on some version of these noble values. Yet in practice, idealist agendas often turn sour as they confront specific circumstances on the ground. Demonstrated by incidents at Abu Ghraib and Guantánamo Bay, the pursuit of liberty and freedom can lead to violence and repression, undermining our trust in universal theories of liberalism, neoliberalism, and cosmopolitanism. Combining his passions for politics and geography, David Harvey charts a cosmopolitan order more appropriate to an emancipatory form of global governance. Political agendas tend to fail, he argues, because they ignore the complexities of geography. Incorporating geographical knowledge into the formation of social and political policy is therefore a necessary condition for genuine democracy.
Cosmopolitanism and the geographies of freedom
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Summary:
Liberty and freedom are frequently invoked to justify political action. Presidents as diverse as Woodrow Wilson, Franklin Delano Roosevelt, John F. Kennedy, Ronald Reagan, and George W. Bush have built their policies on some version of these noble values. Yet in practice, idealist agendas often turn sour as they confront specific circumstances on the ground. Demonstrated by incidents at Abu Ghraib and Guantánamo Bay, the pursuit of liberty and freedom can lead to violence and repression, undermining our trust in universal theories of liberalism, neoliberalism, and cosmopolitanism. Combining his passions for politics and geography, David Harvey charts a cosmopolitan order more appropriate to an emancipatory form of global governance. Political agendas tend to fail, he argues, because they ignore the complexities of geography. Incorporating geographical knowledge into the formation of social and political policy is therefore a necessary condition for genuine democracy.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Architectural Theory
Architectural Theory
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books
books
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$37.99
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Summary:
''Checkpoint 300'', the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most.(...)
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''Checkpoint 300'', the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most.(...)
Title:
Checkpoint 3000: Colonial space in Palestine
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''Checkpoint 300'', the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most. Offering a nuanced exploration of space, Mark Griffiths reveals ''Checkpoint 300'' as a stark symbol of Israeli colonialism that embodies larger systems of control and violence. Drawing on nearly a decade of fieldwork, Griffiths examines how colonial power infiltrates family dynamics, enforces gendered mobility restrictions, shapes local economies, and extends into the global exchange of capital and security technologies. He also underscores how Palestinians endure and resist under oppressive conditions and how indigenous forms of life and living are sustained, illuminating how colonial space is contested and countered, unmade and remade.
Checkpoint 3000: Colonial space in Palestine
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''Checkpoint 300'', the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most. Offering a nuanced exploration of space, Mark Griffiths reveals ''Checkpoint 300'' as a stark symbol of Israeli colonialism that embodies larger systems of control and violence. Drawing on nearly a decade of fieldwork, Griffiths examines how colonial power infiltrates family dynamics, enforces gendered mobility restrictions, shapes local economies, and extends into the global exchange of capital and security technologies. He also underscores how Palestinians endure and resist under oppressive conditions and how indigenous forms of life and living are sustained, illuminating how colonial space is contested and countered, unmade and remade.
Form:
books
books
Publication:
August 2025
August 2025
Subject:
Arch Middle East
Arch Middle East
Form:
books
books
Title:
Les bords réels
Les bords réels
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La guerre de Bosnie s'est achevée il y a 25 ans et le pays semble plongé dans une léthargie où chacun erre dans son époque et ses croyances. Les morts et les vivants, les vétérans du conflit et la jeunesse née dans ses décombres. La Bosnie ravive les vieux démons, joue avec le feu. Ce n’est plus la guerre, ce n’est pas la paix. Comment traduire en photographie le(...)
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La guerre de Bosnie s'est achevée il y a 25 ans et le pays semble plongé dans une léthargie où chacun erre dans son époque et ses croyances. Les morts et les vivants, les vétérans du conflit et la jeunesse née dans ses décombres. La Bosnie ravive les vieux démons, joue avec le feu. Ce n’est plus la guerre, ce n’est pas la paix. Comment traduire en photographie le(...)
Title:
Les bords réels
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La guerre de Bosnie s'est achevée il y a 25 ans et le pays semble plongé dans une léthargie où chacun erre dans son époque et ses croyances. Les morts et les vivants, les vétérans du conflit et la jeunesse née dans ses décombres. La Bosnie ravive les vieux démons, joue avec le feu. Ce n’est plus la guerre, ce n’est pas la paix. Comment traduire en photographie le sentiment étrange d’un temps qui n’en finit pas de mourir, la violence sourde qui traverse le pays ? En ce sens, ce travail est un état du temps, plus qu’un état des lieux. « Les Bords réels » est à l’image de la Bosnie aujourd'hui : fragmentaire, fantomatique, déboussolée, vibrante et chaotique à la fois. En investissant ce territoire, ce sont les limites même de sa pratique – la photographie documentaire – qu'Adrien Selbert défie ici.
Les bords réels
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La guerre de Bosnie s'est achevée il y a 25 ans et le pays semble plongé dans une léthargie où chacun erre dans son époque et ses croyances. Les morts et les vivants, les vétérans du conflit et la jeunesse née dans ses décombres. La Bosnie ravive les vieux démons, joue avec le feu. Ce n’est plus la guerre, ce n’est pas la paix. Comment traduire en photographie le sentiment étrange d’un temps qui n’en finit pas de mourir, la violence sourde qui traverse le pays ? En ce sens, ce travail est un état du temps, plus qu’un état des lieux. « Les Bords réels » est à l’image de la Bosnie aujourd'hui : fragmentaire, fantomatique, déboussolée, vibrante et chaotique à la fois. En investissant ce territoire, ce sont les limites même de sa pratique – la photographie documentaire – qu'Adrien Selbert défie ici.
Form:
books
books
Publication:
May 2021
May 2021
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
The Funambulist 8: Police
The Funambulist 8: Police
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This eighth issue of The Funambulist Magazine, dedicated to the police, can be read in continuity with Issue 04 (March-April 2016), which was focused on carceral environments. Its axiomatic editorial line is resolutely the same: just as there cannot be “better prisons,” there cannot be “better police,” at least not within the logics through which they are currently(...)
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This eighth issue of The Funambulist Magazine, dedicated to the police, can be read in continuity with Issue 04 (March-April 2016), which was focused on carceral environments. Its axiomatic editorial line is resolutely the same: just as there cannot be “better prisons,” there cannot be “better police,” at least not within the logics through which they are currently(...)
Title:
The Funambulist 8: Police
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This eighth issue of The Funambulist Magazine, dedicated to the police, can be read in continuity with Issue 04 (March-April 2016), which was focused on carceral environments. Its axiomatic editorial line is resolutely the same: just as there cannot be “better prisons,” there cannot be “better police,” at least not within the logics through which they are currently operating in a majority of the world’s societies. In this regard, the numerous murders of Native and Black bodies by the United States police, the violence of the Apartheid police in Jerusalem against Palestinians, the murderous operations of the Brazilian military police in the favelas, or the legalized abuse of power by the French and Turkish police during ongoing states of emergency; not as “police brutality” that would require reforms but, rather, as the very essence of policing itself, which calls for abolition.
The Funambulist 8: Police
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Summary:
This eighth issue of The Funambulist Magazine, dedicated to the police, can be read in continuity with Issue 04 (March-April 2016), which was focused on carceral environments. Its axiomatic editorial line is resolutely the same: just as there cannot be “better prisons,” there cannot be “better police,” at least not within the logics through which they are currently operating in a majority of the world’s societies. In this regard, the numerous murders of Native and Black bodies by the United States police, the violence of the Apartheid police in Jerusalem against Palestinians, the murderous operations of the Brazilian military police in the favelas, or the legalized abuse of power by the French and Turkish police during ongoing states of emergency; not as “police brutality” that would require reforms but, rather, as the very essence of policing itself, which calls for abolition.
Form:
books
books
Publication:
November 2016
November 2016
Subject:
Magazines
Magazines
Form:
books
books
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$55.00
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Summary:
Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian(...)
$55.00
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Summary:
Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian(...)
Title:
Unsettling Canadian Art History
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Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future. ''Unsettling Canadian art history'' affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.
Unsettling Canadian Art History
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Summary:
Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future. ''Unsettling Canadian art history'' affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.
Form:
books
books
Publication:
June 2022
June 2022
