Space: about a dream
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April 12, 2011 marks the acclaimed fiftieth anniversary of Yuri Gagarin's voyage into space. This volume looks at a huge selection of art and literature inspired by conceptions of outer space, from Sylvie Fleury to Thomas Ruff, Buckminster Fuller to Philip K. Dick. The book is housed in a silkscreened jacket with fluorescent color printing.
July 2011
Space: about a dream
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April 12, 2011 marks the acclaimed fiftieth anniversary of Yuri Gagarin's voyage into space. This volume looks at a huge selection of art and literature inspired by conceptions of outer space, from Sylvie Fleury to Thomas Ruff, Buckminster Fuller to Philip K. Dick. The book is housed in a silkscreened jacket with fluorescent color printing.
World and system
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This publication takes A.R. Penck's System Pictures series (inspired by the idea of images as a global language) as a springboard to examine how contemporary artists such as Mark Dion, Charles and Ray Eames, Öyvind Fahlström, Mark Lombardi, Frank Nitsche, Jorinde Voigt and others devise complex systems of their own.
World and system
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$55.00
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This publication takes A.R. Penck's System Pictures series (inspired by the idea of images as a global language) as a springboard to examine how contemporary artists such as Mark Dion, Charles and Ray Eames, Öyvind Fahlström, Mark Lombardi, Frank Nitsche, Jorinde Voigt and others devise complex systems of their own.
Art Theory
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"The Economy of the Image" presents a newly commissioned suite of 12 large-scale photo-lamination paintings by Vancouver-based artist Ian Wallace (born 1943). The paintings reference photographs taken by the artist in Canada's most important financial district in Toronto. This artist's book reproduces each work individually and then systematically increases the levels of(...)
Ian Wallace: the economy of the image
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"The Economy of the Image" presents a newly commissioned suite of 12 large-scale photo-lamination paintings by Vancouver-based artist Ian Wallace (born 1943). The paintings reference photographs taken by the artist in Canada's most important financial district in Toronto. This artist's book reproduces each work individually and then systematically increases the levels of magnification to focus on details selected by the artist.
Photography monographs
Susanne Kriemann: one day
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‘One Day’ is the third book in a series of Witte de With in which the city of Rotterdam is portrayed by an artist. In order to make a portrait of the city Susanne Kriemann collected as many books as possible, published after the devastating air raids of the German Luftwaffe in 1940 on Rotterdam. From these books she selected 115 images and arranged these in a structure(...)
Contemporary Art Monographs
July 2011
Susanne Kriemann: one day
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‘One Day’ is the third book in a series of Witte de With in which the city of Rotterdam is portrayed by an artist. In order to make a portrait of the city Susanne Kriemann collected as many books as possible, published after the devastating air raids of the German Luftwaffe in 1940 on Rotterdam. From these books she selected 115 images and arranged these in a structure that is radical as well as ordinary.
Contemporary Art Monographs
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Ernst Schwitters (1918-1996) began his career in photography in his teens, converting the family bathroom into a darkroom with the consent of his parents, Kurt and Helma Schwitters, at the age of 15 - by which time Ernst was already experimenting with photograms, following a visit from family friend Man Ray. His father encouraged him to undergo formal training in(...)
The colors of Norway, 1943-1963
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Ernst Schwitters (1918-1996) began his career in photography in his teens, converting the family bathroom into a darkroom with the consent of his parents, Kurt and Helma Schwitters, at the age of 15 - by which time Ernst was already experimenting with photograms, following a visit from family friend Man Ray. His father encouraged him to undergo formal training in photography, but Ernst declined, preferring to teach himself, and by 1930 he was already participating in international exhibitions, having found his preferred subject matter in the landscapes of Norway and England. Having led the Schwitters family's migration from Nazi Germany to Norway, Ernst was to receive great acclaim there for both his landscape and architectural photography, and was also able to establish financial security through assignments for the Norwegian advertising agency SS-UNU-Foto. It is little known that Schwitters is one of color photography's pioneers: he began working with color film in 1943, and within two decades, he had created more than 10,000 slides, many of which have been digitally restored for this new volume. The only monograph on the photographer currently in print, the publication debuts Schwitters' vast oeuvre of color landscape photography, and also includes a fascinating account of the digital restoration process that allowed for their publication here.
Photography monographs
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German photographer Andreas Gefeller (born 1970) creates digital composite photographs that open new perspectives on familiar situations: cherry blossoms appear as a vast cosmos and utility poles are transformed into gorgeous abstractions. This publication focuses on the artist's recent photographs of Japan, which came about as a result of the yearly European Eyes on(...)
Andreas Gefeller: the Japan series
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German photographer Andreas Gefeller (born 1970) creates digital composite photographs that open new perspectives on familiar situations: cherry blossoms appear as a vast cosmos and utility poles are transformed into gorgeous abstractions. This publication focuses on the artist's recent photographs of Japan, which came about as a result of the yearly European Eyes on Japan fellowship.
Photography monographs
Sandra Kantanen: landscapes
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Strongly influenced by traditional Chinese landscape painting, Sandra Kantanen (born 1974) at first sought to replicate its motifs in her art, but it was not until she began printing photographs on hand-painted metal that she attained satisfying equivalent effects. Kantanen digitally processes photographs taken in China, Japan, Finland and Tibet, creating distortion,(...)
Sandra Kantanen: landscapes
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Strongly influenced by traditional Chinese landscape painting, Sandra Kantanen (born 1974) at first sought to replicate its motifs in her art, but it was not until she began printing photographs on hand-painted metal that she attained satisfying equivalent effects. Kantanen digitally processes photographs taken in China, Japan, Finland and Tibet, creating distortion, blurring and streaking with her metal backdrops.
Photography monographs
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For the past five years, Slovenian photographer Roman Bezjak (born 1962) has been traveling to Eastern Europe to document that region's rich heritage of socialist modernist architecture, a subject that is receiving increased attention as attempts to preserve these buildings are initiated. This volume gathers his findings
Roman Bezjak: socialist modernism
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For the past five years, Slovenian photographer Roman Bezjak (born 1962) has been traveling to Eastern Europe to document that region's rich heritage of socialist modernist architecture, a subject that is receiving increased attention as attempts to preserve these buildings are initiated. This volume gathers his findings
Photography monographs
Tel Aviv : the white city
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Because of its more than 4,000 Bauhaus buildings, Tel Aviv is often called “the White City.” The city center, created in the 1930s and 1940s under the influence of international modernism, was declared a UNESCO World Heritage Site in 2003. Photographer Stefan Boness captures the unique atmosphere of the city, juxtaposing classical modernism and contemporary architecture.
Tel Aviv : the white city
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Because of its more than 4,000 Bauhaus buildings, Tel Aviv is often called “the White City.” The city center, created in the 1930s and 1940s under the influence of international modernism, was declared a UNESCO World Heritage Site in 2003. Photographer Stefan Boness captures the unique atmosphere of the city, juxtaposing classical modernism and contemporary architecture.
Arch Southwest Asia & North Africa
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The mastermind behind what he termed beautiful and functional “machines for living,” Le Corbusier has long been recognized as one of the foremost figures in the international style of architecture. Yet, beginning in the 1940s, the famed architect and urbanist increasingly took modernism in a new direction that has until now been insufficiently considered—and little(...)
Le Corbusier: The architect on the beach
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The mastermind behind what he termed beautiful and functional “machines for living,” Le Corbusier has long been recognized as one of the foremost figures in the international style of architecture. Yet, beginning in the 1940s, the famed architect and urbanist increasingly took modernism in a new direction that has until now been insufficiently considered—and little understood. Dispensing with his trademark suit and bowtie, Le Corbusier was spending increasing amounts of time at the shore in the 1940s, collecting stones, shells, and other jetsam, and enjoying the works of the philosopher and ardent shell collector Paul Valéry. And it was here that the seemingly hyper-rational architect developed a revolutionary new theory of design, built around these polished and splintered shapes. Stating that nature was the source of his inspiration, Le Corbusier embarked on a meandering odyssey through the literature and esoteric writings of his day, going on to produce such unorthodox projects as Chandigarh’s Palace of Assembly and the strange and beautiful Ronchamp Chapel in Paris, whose roof is said to have been modeled after an inverted crab’s shell. The development of Le Corbusier’s new approach not only changed modernism but also inspired—and continues to inspire—new shapes and lines in the work of a host of architects. In this superbly written and accessible piece of architectural history, Maak develops the intricate story of a breakthrough in architecture that began on a beach.
Architecture Monographs