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"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd(...)
Contemporary Art Monographs
December 2005, Vienna
Splitterwerk : whoop to the duck ! / es lebe die Ente!, buildings and projects
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"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd Wright’s open plan, Adolf Loos’ Raumplan or Margarete Schütte Lihotzky’s Frankfurt Kitchen find their contemporary continuation in the Graz Apartment. In the 21st century, the walls have a custom-made world of images which allows functions to be added “on demand”. The investigation of experimental surfaces has led Splitterwerk to fundamentally reassess imagery in architecture. It is a revival of a different nature for the "duck" (R. Venturi / D. Scott Brown) which calls for a further paradigm shift in architecture.
Contemporary Art Monographs
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A 1976 performance by American artist Barbara T. Smith (born 1931), "I Am Abandoned" featured a conversation in real time between two psychoanalytic computer programs (two of the earliest chatbots) alongside a staging of Goya’s "The Naked Maja," in which the artist projected an image of the famous painting on top of a clothed female model. This publication includes a full(...)
Barbara T. Smith: I am abandoned
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A 1976 performance by American artist Barbara T. Smith (born 1931), "I Am Abandoned" featured a conversation in real time between two psychoanalytic computer programs (two of the earliest chatbots) alongside a staging of Goya’s "The Naked Maja," in which the artist projected an image of the famous painting on top of a clothed female model. This publication includes a full transcript of the "conversation" between the two programs, documentation and ephemera from the performance, and Smith’s reflections on the night. To revisit I Am Abandoned today is to see the critical and liberating potential that art can have when it intervenes in new technologies. Against today’s backdrop of AI, Smith’s early work with emerging technologies, and in this case chatbots, is prophetic and hints at the contemporary conversation around the gendered and racialized machinic biases of our current computational landscape.
Contemporary Art Monographs
Dana Claxton
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Dana Claxton (born 1959) is a critically acclaimed, award-winning artist and filmmaker working across film, video, photography, single and multichannel video installation and performance art. Her practice investigates the body, the socio-political and the spiritual within realms of indigenous beauty. This book consolidates our understanding of Dana Claxton’s dominant(...)
Contemporary Art Monographs
September 2021
Dana Claxton
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Dana Claxton (born 1959) is a critically acclaimed, award-winning artist and filmmaker working across film, video, photography, single and multichannel video installation and performance art. Her practice investigates the body, the socio-political and the spiritual within realms of indigenous beauty. This book consolidates our understanding of Dana Claxton’s dominant and recurring themes—indigenous history, culture, beauty and spirituality. While Claxton’s art often alludes to the destructive legacy of colonialism, it also celebrates the resurgence of First Nations’ presence and contemporary identity. What emerges is an artist delivering works of ever greater power and conviction. With her expansive and genre-defying practice—photography, videos, mixed-media installations, text works, performances and curatorial work—she continues to critically reimagine the space of the gallery to be accessible for wider Indigenous audiences and to uphold new understandings of beauty.
Contemporary Art Monographs
Amy Cutler: Turtle fur
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Polite ladies in Victorian costume dancing on tabletops with chairs worn like hats on their heads; young girls with little foals strapped to their backs; a team of women dutifully mending docile tigers with needle and thread--all of these surreal antics depicted on a bare white ground--this is the jauntily disturbing imagery of Amy Cutler. Cutler's gouaches and drawings(...)
Amy Cutler: Turtle fur
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Polite ladies in Victorian costume dancing on tabletops with chairs worn like hats on their heads; young girls with little foals strapped to their backs; a team of women dutifully mending docile tigers with needle and thread--all of these surreal antics depicted on a bare white ground--this is the jauntily disturbing imagery of Amy Cutler. Cutler's gouaches and drawings on paper have won fans and collectors worldwide, and their winning amalgam of rich imagination and skillful execution, which together update lineages as various as Persian miniature painting, Surrealism, children's fairytale books and Japanese woodblock printing, offers satisfactions rarely found in contemporary art.This volume, published for the artist's 2011 exhibition at SITE Sante Fe, is Cutler's second monograph , and draws from private and public collections to offer a thorough survey of her work from the late 1990s to the present.
Contemporary Art Monographs
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This new Ed Kienholz overview casts the Los Angeles assemblage pioneer as a powerful moral force in postwar art. Kienholz (1927-1994) was a polarizing presence in American art from the start of his career, when his first large-scale installation "Roxy's" - a recreation of a brothel - was shown at the Ferus gallery in 1962 (it later caused a huge stir at Documenta 4 in(...)
Contemporary Art Monographs
February 2012
Kienholz
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This new Ed Kienholz overview casts the Los Angeles assemblage pioneer as a powerful moral force in postwar art. Kienholz (1927-1994) was a polarizing presence in American art from the start of his career, when his first large-scale installation "Roxy's" - a recreation of a brothel - was shown at the Ferus gallery in 1962 (it later caused a huge stir at Documenta 4 in 1968).War, racism, sexism and media exploitation were among his recurrent themes, and he tackled them with an ethical clarity that, at the time, was frequently mistaken for shock tactics. This substantial monograph - the first since his major touring retrospective of 1996 - includes more than 200 color plates of Kienholz's assemblages, reasserting his art as a morally driven enterprise, and pointing towards his ongoing influence among contemporary artists such as Jonathan Meese, Thomas Hirschhorn and John Bock.
Contemporary Art Monographs
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For years, Gerhard Richter (born 1931) hardly even spoke of his own drawings (which were rarely if ever featured in his museum exhibitions or numerous publications), and few knew how frequently or consistently he produced works on paper. On the heels of his major traveling retrospective, this volume compiles around 100 works including drawings, watercolors and an(...)
Contemporary Art Monographs
October 2012
Gerhard Richter: Drawings and Watercolors, 1958-2008
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For years, Gerhard Richter (born 1931) hardly even spoke of his own drawings (which were rarely if ever featured in his museum exhibitions or numerous publications), and few knew how frequently or consistently he produced works on paper. On the heels of his major traveling retrospective, this volume compiles around 100 works including drawings, watercolors and an ink-on-paper series. The drawings range from ballpoint studies of exhibition spaces to delicate sketches of a woman breastfeeding, or the folds in a child’s socks. Also included is the 1971 “Two Sculptures for a Room by Palermo,” which consists of painted bronze busts of Palermo and Richter. Revealing a lesser-known aspect of Richter’s work, and affirming his devotion to drawing, this catalogue gives an intimate view into the mental and aesthetic processes of one of our greatest contemporary painters.
Contemporary Art Monographs
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Berlin-based artist Olaf Holzapfel explores the interstices between art and craft by collaborating with local farmers and craftspeople to create sculptural work that interweaves human settlement, technique and abstraction. The handsome full-color exhibition catalog features both large site-specific installations consisting of hay, straw and wooden frameworks along(...)
Olaf Holzapfel: the technology of the land
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Berlin-based artist Olaf Holzapfel explores the interstices between art and craft by collaborating with local farmers and craftspeople to create sculptural work that interweaves human settlement, technique and abstraction. The handsome full-color exhibition catalog features both large site-specific installations consisting of hay, straw and wooden frameworks along with his smaller woven sculptures from his exhibition at the Lindenau-Museum Altenburg. Using space-generating methods like plaiting, weaving and latticing age-old settler techniques his sculptures don t differentiate between the manufactured and the handcrafted, the functional and the aesthetic. By transforming age-old handiwork into contemporary art, Holzapfel unsettles the division between nature and culture, tradition and modernity. A concluding essay by writer Jennifer Allen explores the pattern-making and abstraction in Holzapfel s work in relationship to Adolf Loos s influential 1908 essay Crime and Ornament.
Contemporary Art Monographs
books
Description:
xvi, 400 pages, 16 unnumbered pages of plates : illustrations ; 25 cm
London : John Murray, 2009.
James Lees-Milne : the life / Michael Bloch.
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xvi, 400 pages, 16 unnumbered pages of plates : illustrations ; 25 cm
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London : John Murray, 2009.
books
Description:
256 pages : illustrations (chiefly color), maps, plans, portraits ; 31 cm
New York, New York : The Museum of Modern Art, [2017], ©2017
Frank Lloyd Wright : unpacking the archive / Barry Bergdoll, Jennifer Gray ; with essays by Michael Desmond, Carole Ann Fabian, Elizabeth S. Hawley, Juliet Kinchin, Neil Levine, Ellen Moody, Therese O'Malley, Ken Tadashi Oshima, Michael Osman, Spyros Papapetros, Janet Parks, Matthew Skjonsberg, David Smiley, Mabel O. Wilson.
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256 pages : illustrations (chiefly color), maps, plans, portraits ; 31 cm
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New York, New York : The Museum of Modern Art, [2017], ©2017
books
Description:
191 pages : illustrations (chiefly color), color map, plans (some color) ; 26 cm
[Novato, CA] : Applied Research and Design Publishing, an imprint of ORO Editions, [2023], ©2023
Becoming urban : the Mongolian city of nomads / Joshua Bolchover.
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191 pages : illustrations (chiefly color), color map, plans (some color) ; 26 cm
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[Novato, CA] : Applied Research and Design Publishing, an imprint of ORO Editions, [2023], ©2023