3822 Results
Form:
drawings
drawings
Actions:
Reference number:
PH1979:0603.04:001-057
PH1979:0603.04:001-057
People:
Date:
published 1874
published 1874
Form:
drawings
drawings
Date:
published 1874
published 1874
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1982:0363:081
PH1982:0363:081
People:
Subject:
architecture
architecture
Date:
between 1862 and 1879
between 1862 and 1879
Form:
photographs
photographs
Date:
between 1862 and 1879
between 1862 and 1879
People:
Subject:
architecture
architecture
Level of archival description:
Series
Series
Reference number:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
People:
Date:
2000 - 2007
2000 - 2007
Title:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Level of archival description:
Series
Series
Date:
2000 - 2007
2000 - 2007
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1980:0206:020
PH1980:0206:020
People:
Subject:
portrait
portrait
Date:
between 1865 and 1874
between 1865 and 1874
Title:
Portrait of a Chinese woman holding a fan and seated beside a stand, China
Actions:
PH1980:0206:020
Portrait of a Chinese woman holding a fan and seated beside a stand, China
Actions:
PH1980:0206:020
Form:
photographs
photographs
Date:
between 1865 and 1874
between 1865 and 1874
People:
Subject:
portrait
portrait
Actions:
Reference number:
ARCH281711
Description:
Tape is inscribed "FK/Sian." Sian is the romanized name for Xi'an, China. FK are the initials of Francisco Kripacz.
ARCH281711
Description:
Tape is inscribed "FK/Sian." Sian is the romanized name for Xi'an, China. FK are the initials of Francisco Kripacz.
People:
Date:
circa 1970
circa 1970
Title:
Audio recording of Francisco Kripacz's travel diaries in Xi'An, China.
Actions:
ARCH281711
Description:
Tape is inscribed "FK/Sian." Sian is the romanized name for Xi'an, China. FK are the initials of Francisco Kripacz.
Audio recording of Francisco Kripacz's travel diaries in Xi'An, China.
Actions:
ARCH281711
Description:
Tape is inscribed "FK/Sian." Sian is the romanized name for Xi'an, China. FK are the initials of Francisco Kripacz.
Date:
circa 1970
circa 1970
People:
Actions:
Reference number:
ARCH281713
Description:
Tape is inscribed "FK/Nanking." Nanking is the romanized name for Nanjing, China. FK are the initials of Francisco Kripacz.
ARCH281713
Description:
Tape is inscribed "FK/Nanking." Nanking is the romanized name for Nanjing, China. FK are the initials of Francisco Kripacz.
People:
Date:
circa 1970
circa 1970
Title:
Audio recording of Francisco Kripacz's travel diaries in Nanjing, China.
Actions:
ARCH281713
Description:
Tape is inscribed "FK/Nanking." Nanking is the romanized name for Nanjing, China. FK are the initials of Francisco Kripacz.
Audio recording of Francisco Kripacz's travel diaries in Nanjing, China.
Actions:
ARCH281713
Description:
Tape is inscribed "FK/Nanking." Nanking is the romanized name for Nanjing, China. FK are the initials of Francisco Kripacz.
Date:
circa 1970
circa 1970
People:
Actions:
Reference number:
ARCH281707
Description:
Tape is inscribed "FK/Peking." Peking is the former romanized name of Beijing, China. FK are the initials of Francisco Kripacz.
ARCH281707
Description:
Tape is inscribed "FK/Peking." Peking is the former romanized name of Beijing, China. FK are the initials of Francisco Kripacz.
People:
Date:
circa 1970
circa 1970
Title:
Audio recording of Francisco Kripacz's travel diaries in Beijing, China.
Actions:
ARCH281707
Description:
Tape is inscribed "FK/Peking." Peking is the former romanized name of Beijing, China. FK are the initials of Francisco Kripacz.
Audio recording of Francisco Kripacz's travel diaries in Beijing, China.
Actions:
ARCH281707
Description:
Tape is inscribed "FK/Peking." Peking is the former romanized name of Beijing, China. FK are the initials of Francisco Kripacz.
Date:
circa 1970
circa 1970
People:
Actions:
Reference number:
ARCH281708
Description:
Tape is inscribed "FK/Peking." Peking is the former romanized name of Beijing, China. FK are the initials of Francisco Kripacz.
ARCH281708
Description:
Tape is inscribed "FK/Peking." Peking is the former romanized name of Beijing, China. FK are the initials of Francisco Kripacz.
People:
Date:
circa 1970
circa 1970
Title:
Audio recording of Francisco Kripacz's travel diaries in Beijing, China.
Actions:
ARCH281708
Description:
Tape is inscribed "FK/Peking." Peking is the former romanized name of Beijing, China. FK are the initials of Francisco Kripacz.
Audio recording of Francisco Kripacz's travel diaries in Beijing, China.
Actions:
ARCH281708
Description:
Tape is inscribed "FK/Peking." Peking is the former romanized name of Beijing, China. FK are the initials of Francisco Kripacz.
Date:
circa 1970
circa 1970
People:
Form:
textual records
textual records
Actions:
Reference number:
AP149.S1.1988.PR01.022
AP149.S1.1988.PR01.022
People:
Date:
ca. 1998
ca. 1998
Form:
textual records
textual records
Date:
ca. 1998
ca. 1998
People:
Form:
maps, textual records
maps, textual records
Actions:
Reference number:
ARCH277887
Description:
File's title: New Canal Town, China: info concurso.
ARCH277887
Description:
File's title: New Canal Town, China: info concurso.
People:
Date:
ca. 2004
ca. 2004
Title:
Competition documentation and maps, Shujiajiao new canal town, Shanghai, China
Actions:
ARCH277887
Description:
File's title: New Canal Town, China: info concurso.
Competition documentation and maps, Shujiajiao new canal town, Shanghai, China
Actions:
ARCH277887
Description:
File's title: New Canal Town, China: info concurso.
Form:
maps, textual records
maps, textual records
Date:
ca. 2004
ca. 2004
People:
