1455 Results
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Rohault de Fleury collection
Rohault de Fleury collection
Reference number:
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
People:
Date:
1717-[1884]
1717-[1884]
Title:
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Form:
archives
Level of archival description:
Collection 1
archives
Level of archival description:
Collection 1
Date:
1717-[1884]
1717-[1884]
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Actions:
Reference number:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
People:
Date:
2003-2008
2003-2008
Title:
Aldo Cibic Microrealities project collection
Actions:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Aldo Cibic Microrealities project collection
Actions:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Form:
archives
Level of archival description:
collection
archives
Level of archival description:
collection
Date:
2003-2008
2003-2008
People:
Form:
drawings
Quantity:
4 reprographie(s)
drawings
Quantity:
4 reprographie(s)
Actions:
Reference number:
ARCH172960
Description:
Complexe Desjardins, 1972-1977 Plans du basilaire et du niveau 72, élévation du mail, plan d'infrastructure par Longpré, Marchand et Goudreau
ARCH172960
Description:
Complexe Desjardins, 1972-1977 Plans du basilaire et du niveau 72, élévation du mail, plan d'infrastructure par Longpré, Marchand et Goudreau
People:
Title:
Plans du basilaire, plan d'étage, élévations et plan d'infrastructure
Actions:
ARCH172960
Description:
Complexe Desjardins, 1972-1977 Plans du basilaire et du niveau 72, élévation du mail, plan d'infrastructure par Longpré, Marchand et Goudreau
Plans du basilaire, plan d'étage, élévations et plan d'infrastructure
Actions:
ARCH172960
Description:
Complexe Desjardins, 1972-1977 Plans du basilaire et du niveau 72, élévation du mail, plan d'infrastructure par Longpré, Marchand et Goudreau
Form:
drawings
Quantity:
4 reprographie(s)
drawings
Quantity:
4 reprographie(s)
People:
Form:
exhibitions
exhibitions
Actions:
Description:
At the beginning of powered flight, most airplanes required only a stretch of grassy plain 1,500 feet long for take-off and landing, and a converted barn served as both terminal and hangar. Only with the advent of a profitable commercial aviation industry in the late 1920s, some twenty-five years after Wilbur and Orville Wright’s historic flight, did the modern airport(...)
At the beginning of powered flight, most airplanes required only a stretch of grassy plain 1,500 feet long for take-off and landing, and a converted barn served as both terminal and hangar. Only with the advent of a profitable commercial aviation industry in the late 1920s, some twenty-five years after Wilbur and Orville Wright’s historic flight, did the modern airport(...)
Location:
Hall cases
Hall cases
Date:
12 June 1990 to 16 September 1990
12 June 1990 to 16 September 1990
Title:
Airport Origins: Three Projects by Lloyd Wright
Actions:
Description:
At the beginning of powered flight, most airplanes required only a stretch of grassy plain 1,500 feet long for take-off and landing, and a converted barn served as both terminal and hangar. Only with the advent of a profitable commercial aviation industry in the late 1920s, some twenty-five years after Wilbur and Orville Wright’s historic flight, did the modern airport(...)
Airport Origins: Three Projects by Lloyd Wright
Actions:
Description:
At the beginning of powered flight, most airplanes required only a stretch of grassy plain 1,500 feet long for take-off and landing, and a converted barn served as both terminal and hangar. Only with the advent of a profitable commercial aviation industry in the late 1920s, some twenty-five years after Wilbur and Orville Wright’s historic flight, did the modern airport(...)
Form:
exhibitions
exhibitions
Date:
12 June 1990 to
16 September 1990
12 June 1990 to
16 September 1990
Location:
Hall cases
Hall cases
Level of archival description:
Series
Series
Reference number:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
People:
Date:
2000 - 2007
2000 - 2007
Title:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Level of archival description:
Series
Series
Date:
2000 - 2007
2000 - 2007
People:
Form:
events
events
Actions:
Description:
Territories are the complex set of relations to things that keep us alive. They are bound spaces, where intersecting borders establish semi-stable relations between polities and their material base of operations. A new intensification is reshaping the surface and the cycles of the Earth: the Anthropocene marks an exit from modern forms of territorial organization of(...)
Territories are the complex set of relations to things that keep us alive. They are bound spaces, where intersecting borders establish semi-stable relations between polities and their material base of operations. A new intensification is reshaping the surface and the cycles of the Earth: the Anthropocene marks an exit from modern forms of territorial organization of(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
5 November 2015
5 November 2015
Title:
John Palmesino: Territorial Agency
Actions:
Description:
Territories are the complex set of relations to things that keep us alive. They are bound spaces, where intersecting borders establish semi-stable relations between polities and their material base of operations. A new intensification is reshaping the surface and the cycles of the Earth: the Anthropocene marks an exit from modern forms of territorial organization of(...)
John Palmesino: Territorial Agency
Actions:
Description:
Territories are the complex set of relations to things that keep us alive. They are bound spaces, where intersecting borders establish semi-stable relations between polities and their material base of operations. A new intensification is reshaping the surface and the cycles of the Earth: the Anthropocene marks an exit from modern forms of territorial organization of(...)
Form:
events
events
Date:
5 November 2015
5 November 2015
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Quantity:
4 portfolio(s)
4 portfolio(s)
Actions:
Reference number:
DR1974:0002:036:001-016
Description:
- This group of portfolios and manuscripts contains drawings, prints and documents relating to four early projects for opera houses: projects from 1846 and 1847 for a new opera house for the Académie royale de musique; the unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding infrastructure on the site of the Ministère des Affaires Étrangères and the Hôtel du Timbre; and proposed or completed alterations to an existing opera house, Salle Le Peletier, home to the Académie impériale de musique. An unrelated project for a proposed Grande Halles is also included in the group. - Charles Rohault de Fleury proposed two projects for a new opera house for the Académie royale de musique, in 1846 and 1847. An individual loose drawing included in this group, DR1974:0002:036:013, is possibly another proposal for a new opera house. - Four manuscripts (DR1974:0002:036:006:001-006, DR1974:0002:036:007:001-013, DR1974:0002:036:008:001-004, DR1974:0002:036:016:001-007 R/V) document an unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding houses on a site occupied by the Ministère des Affaires Étrangères and the Hôtel du Timbre. - Portfolio DR1974:0002:036:014:001-022 contains drawings and transfer lithographs of plans, elevations and sections for the proposed alterations and/or record drawings for/of Salle Le Peletier. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien.
DR1974:0002:036:001-016
Description:
- This group of portfolios and manuscripts contains drawings, prints and documents relating to four early projects for opera houses: projects from 1846 and 1847 for a new opera house for the Académie royale de musique; the unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding infrastructure on the site of the Ministère des Affaires Étrangères and the Hôtel du Timbre; and proposed or completed alterations to an existing opera house, Salle Le Peletier, home to the Académie impériale de musique. An unrelated project for a proposed Grande Halles is also included in the group. - Charles Rohault de Fleury proposed two projects for a new opera house for the Académie royale de musique, in 1846 and 1847. An individual loose drawing included in this group, DR1974:0002:036:013, is possibly another proposal for a new opera house. - Four manuscripts (DR1974:0002:036:006:001-006, DR1974:0002:036:007:001-013, DR1974:0002:036:008:001-004, DR1974:0002:036:016:001-007 R/V) document an unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding houses on a site occupied by the Ministère des Affaires Étrangères and the Hôtel du Timbre. - Portfolio DR1974:0002:036:014:001-022 contains drawings and transfer lithographs of plans, elevations and sections for the proposed alterations and/or record drawings for/of Salle Le Peletier. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien.
People:
Subject:
architecture, interior design
architecture, interior design
Date:
1834-1854
1834-1854
Title:
Four portfolios of drawings, prints and manuscripts for opera houses for the Théâtre Royal Italien Opera Company, the Académie royale de musique, and for renovations to Salle Le Peletier for the Académie impériale de musique, Paris
Actions:
DR1974:0002:036:001-016
Description:
- This group of portfolios and manuscripts contains drawings, prints and documents relating to four early projects for opera houses: projects from 1846 and 1847 for a new opera house for the Académie royale de musique; the unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding infrastructure on the site of the Ministère des Affaires Étrangères and the Hôtel du Timbre; and proposed or completed alterations to an existing opera house, Salle Le Peletier, home to the Académie impériale de musique. An unrelated project for a proposed Grande Halles is also included in the group. - Charles Rohault de Fleury proposed two projects for a new opera house for the Académie royale de musique, in 1846 and 1847. An individual loose drawing included in this group, DR1974:0002:036:013, is possibly another proposal for a new opera house. - Four manuscripts (DR1974:0002:036:006:001-006, DR1974:0002:036:007:001-013, DR1974:0002:036:008:001-004, DR1974:0002:036:016:001-007 R/V) document an unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding houses on a site occupied by the Ministère des Affaires Étrangères and the Hôtel du Timbre. - Portfolio DR1974:0002:036:014:001-022 contains drawings and transfer lithographs of plans, elevations and sections for the proposed alterations and/or record drawings for/of Salle Le Peletier. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien.
Four portfolios of drawings, prints and manuscripts for opera houses for the Théâtre Royal Italien Opera Company, the Académie royale de musique, and for renovations to Salle Le Peletier for the Académie impériale de musique, Paris
Actions:
DR1974:0002:036:001-016
Description:
- This group of portfolios and manuscripts contains drawings, prints and documents relating to four early projects for opera houses: projects from 1846 and 1847 for a new opera house for the Académie royale de musique; the unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding infrastructure on the site of the Ministère des Affaires Étrangères and the Hôtel du Timbre; and proposed or completed alterations to an existing opera house, Salle Le Peletier, home to the Académie impériale de musique. An unrelated project for a proposed Grande Halles is also included in the group. - Charles Rohault de Fleury proposed two projects for a new opera house for the Académie royale de musique, in 1846 and 1847. An individual loose drawing included in this group, DR1974:0002:036:013, is possibly another proposal for a new opera house. - Four manuscripts (DR1974:0002:036:006:001-006, DR1974:0002:036:007:001-013, DR1974:0002:036:008:001-004, DR1974:0002:036:016:001-007 R/V) document an unexecuted project of 1838-1840 for the Théâtre Royal Italien and surrounding houses on a site occupied by the Ministère des Affaires Étrangères and the Hôtel du Timbre. - Portfolio DR1974:0002:036:014:001-022 contains drawings and transfer lithographs of plans, elevations and sections for the proposed alterations and/or record drawings for/of Salle Le Peletier. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien. - A manuscript and drawing (DR1974:0002:036:015:001 and DR1974:0002:036:015:002) relating to a proposal for the construction of a Grande Halle near the Seine and the Hôtel de ville are stored in a brown folder with inscriptions relating to the Théâtre Royal Italien.
Quantity:
4 portfolio(s)
4 portfolio(s)
Date:
1834-1854
1834-1854
People:
Subject:
architecture, interior design
architecture, interior design
Level of archival description:
Sub-series
Sub-series
Reference number:
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
People:
Date:
1754-1875
1754-1875
Title:
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Level of archival description:
File 3
File 3
Date:
1754-1875
1754-1875
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP181
Synopsis:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
AP181
Synopsis:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
People:
Date:
1994-2015
1994-2015
Title:
COOP HIMMELB(L)AU BMW Welt project records
Actions:
AP181
Synopsis:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
COOP HIMMELB(L)AU BMW Welt project records
Actions:
AP181
Synopsis:
The COOP HIMMELB(L)AU BMW Welt project records, 1994-2007, document the design of the firm’s BMW Welt project, also known as BMW World, in Munich, Germany. The archive consists of approximately 52, 400 born-digital files representing the greater part of the digital archive of the project, as well as 52 of the study models made in the earlier stages of the project.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1994-2015
1994-2015
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Date:
11 May 2016 to 16 October 2016
11 May 2016 to 16 October 2016
Title:
Archaeology of the Digital: Complexity and Convention
Actions:
Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Archaeology of the Digital: Complexity and Convention
Actions:
Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Form:
exhibitions
exhibitions
Date:
11 May 2016 to
16 October 2016
11 May 2016 to
16 October 2016
