16540 Results
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415 pages : chiefly color illustrations ; 24 cm.
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415 pages : chiefly color illustrations ; 24 cm.
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Milano : Electa ; [Rome, Italy] : MAXXI, Museo nazionale delle arti del XXI secolo, ©2010.
Milano : Electa ; [Rome, Italy] : MAXXI, Museo nazionale delle arti del XXI secolo, ©2010.
Title:
MAXXI architettura : fotografia : le collezioni / a cura di Francesca Fabiani.
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415 pages : chiefly color illustrations ; 24 cm.
MAXXI architettura : fotografia : le collezioni / a cura di Francesca Fabiani.
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415 pages : chiefly color illustrations ; 24 cm.
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books
books
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Milano : Electa ; [Rome, Italy] : MAXXI, Museo nazionale delle arti del XXI secolo, ©2010.
Milano : Electa ; [Rome, Italy] : MAXXI, Museo nazionale delle arti del XXI secolo, ©2010.
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85 pages : illustrations (chiefly color) ; 21 cm
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85 pages : illustrations (chiefly color) ; 21 cm
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Basel : Christoph Merian, ©2002.
Basel : Christoph Merian, ©2002.
Title:
Walk on / Claudio Moser ; mit Beiträgen von Urs Stahel, Thomas Seelig, Zsuzsanna Gahse ; sowie einem Interview von Peter Bläuer.
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85 pages : illustrations (chiefly color) ; 21 cm
Walk on / Claudio Moser ; mit Beiträgen von Urs Stahel, Thomas Seelig, Zsuzsanna Gahse ; sowie einem Interview von Peter Bläuer.
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85 pages : illustrations (chiefly color) ; 21 cm
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books
books
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Basel : Christoph Merian, ©2002.
Basel : Christoph Merian, ©2002.
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books
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1 volume (unpaged) : chiefly illustrations ; 17 x 23 cm
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1 volume (unpaged) : chiefly illustrations ; 17 x 23 cm
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Barcelona : ACTAR, 1999.
Barcelona : ACTAR, 1999.
Title:
Interrupted city / [Gabriele Basilico].
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1 volume (unpaged) : chiefly illustrations ; 17 x 23 cm
Interrupted city / [Gabriele Basilico].
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1 volume (unpaged) : chiefly illustrations ; 17 x 23 cm
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books
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Barcelona : ACTAR, 1999.
Barcelona : ACTAR, 1999.
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112 pages : color illustrations ; 29 cm
Description:
112 pages : color illustrations ; 29 cm
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Köln : König, 2010.
Köln : König, 2010.
Title:
Imperfekt : Werke 1997-2010 = Works 1997-2010 / Hrsg./ed., Daniel J. Schreiber ; mit Texten von Dieter Bartetzko [and others].
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112 pages : color illustrations ; 29 cm
Imperfekt : Werke 1997-2010 = Works 1997-2010 / Hrsg./ed., Daniel J. Schreiber ; mit Texten von Dieter Bartetzko [and others].
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112 pages : color illustrations ; 29 cm
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books
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Köln : König, 2010.
Köln : König, 2010.
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[137] pages : illustrations ; 19 cm
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[137] pages : illustrations ; 19 cm
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Paris : Nathan, 1998.
Paris : Nathan, 1998.
Title:
René Burri / introd. par Michael Koetzle.
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[137] pages : illustrations ; 19 cm
René Burri / introd. par Michael Koetzle.
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[137] pages : illustrations ; 19 cm
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books
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Paris : Nathan, 1998.
Paris : Nathan, 1998.
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112 pages : illustrations ; 27 cm
Description:
112 pages : illustrations ; 27 cm
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Leipzig : Fotokinoverlag, ©1987.
Leipzig : Fotokinoverlag, ©1987.
Title:
Heinrich Zille : Fotografien von Berlin um 1900 / herausgegeben und mit einer Einführung von Matthias Flügge.
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112 pages : illustrations ; 27 cm
Heinrich Zille : Fotografien von Berlin um 1900 / herausgegeben und mit einer Einführung von Matthias Flügge.
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112 pages : illustrations ; 27 cm
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books
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Leipzig : Fotokinoverlag, ©1987.
Leipzig : Fotokinoverlag, ©1987.
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viii, 153 pages : illustrations ; 30 cm
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viii, 153 pages : illustrations ; 30 cm
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Paris : Bibliothèque nationale, 1976.
Paris : Bibliothèque nationale, 1976.
Title:
Une Invention du XIXe siècle, expression et technique, la photographie : collections de la Société française de photographie : Paris, [12 juin-14 août] 1976, Bibliothèque nationale / [catalogue par Bernard Marbot ; préface par Georges Le Rider].
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viii, 153 pages : illustrations ; 30 cm
Une Invention du XIXe siècle, expression et technique, la photographie : collections de la Société française de photographie : Paris, [12 juin-14 août] 1976, Bibliothèque nationale / [catalogue par Bernard Marbot ; préface par Georges Le Rider].
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viii, 153 pages : illustrations ; 30 cm
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books
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Paris : Bibliothèque nationale, 1976.
Paris : Bibliothèque nationale, 1976.
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books
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$86.00
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Summary:
Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, ''Flora photographica''(...)
$86.00
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Summary:
Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, ''Flora photographica''(...)
Title:
Flora photographica: Masterworks of contemporary flower photography
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$86.00
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Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, ''Flora photographica'' links the very best of flower photography from the past twenty years with its predecessors- canonical floral images from the realms of photography, illustration, and painting that have marked the collective imagination.
Flora photographica: Masterworks of contemporary flower photography
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$86.00
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Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, ''Flora photographica'' links the very best of flower photography from the past twenty years with its predecessors- canonical floral images from the realms of photography, illustration, and painting that have marked the collective imagination.
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books
books
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September 2022
September 2022
Subject:
Photography Collections
Photography Collections
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books
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$32.50
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Summary:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a(...)
$32.50
(available to order)
Summary:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a(...)
Title:
Each wild idea : writing, photography, history
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In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Each wild idea : writing, photography, history
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$32.50
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Summary:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
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books
books
Publication:
April 2002, Cambridge, Mass.
April 2002, Cambridge, Mass.
Subject:
Theory of Photography
Theory of Photography
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books
books
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$52.50
(available to order)
Summary:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in (...)
$52.50
(available to order)
Summary:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in (...)
Title:
Each wild idea : writing, photography, history
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Price:
$52.50
(available to order)
Summary:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Each wild idea : writing, photography, history
Actions:
Price:
$52.50
(available to order)
Summary:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Form:
books
books
Publication:
March 2001, Cambridge
March 2001, Cambridge
Subject:
Theory of Photography
Theory of Photography
