8785 Results
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books
books
Title:
Slow Scrape
Slow Scrape
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and(...)
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and(...)
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Slow Scrape
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and embodiment as modes of relational being and knowledge. The book unfolds a poetics of relation and action to counter the settler colonial violences of erasure, extraction, and dispossession. ''Slow scrape'' can be read alongside Lukin Linklater’s practice as a visual artist and choreographer. ''Slow scrape'' includes an introduction by Layli Long Soldier, as well as a dialogue between Lukin Linklater and editor Michael Nardone.
Slow Scrape
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and embodiment as modes of relational being and knowledge. The book unfolds a poetics of relation and action to counter the settler colonial violences of erasure, extraction, and dispossession. ''Slow scrape'' can be read alongside Lukin Linklater’s practice as a visual artist and choreographer. ''Slow scrape'' includes an introduction by Layli Long Soldier, as well as a dialogue between Lukin Linklater and editor Michael Nardone.
Form:
books
books
Publication:
January 2020
January 2020
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$69.95
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With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theatre, dance, film and architecture. This catalogue casts new(...)
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With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theatre, dance, film and architecture. This catalogue casts new(...)
Title:
Fernand Léger and the modern city
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With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theatre, dance, film and architecture. This catalogue casts new light on the painting (reproducing all of its studies together for the first time), the avant-garde use of print media, and Léger's fascination with cinema and architecture, and contextualizes a network of international avant-gardes - including Blaise Cendrars, Le Corbusier, Jean Epstein, Piet Mondrian, Amedee Ozenfant, Francis Picabia and Theo van Doesburg - in relation to Léger.
Fernand Léger and the modern city
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With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theatre, dance, film and architecture. This catalogue casts new light on the painting (reproducing all of its studies together for the first time), the avant-garde use of print media, and Léger's fascination with cinema and architecture, and contextualizes a network of international avant-gardes - including Blaise Cendrars, Le Corbusier, Jean Epstein, Piet Mondrian, Amedee Ozenfant, Francis Picabia and Theo van Doesburg - in relation to Léger.
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books
books
Publication:
November 2013
November 2013
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Description:
xi, 276 pages : illustrations ; 25 cm
Description:
xi, 276 pages : illustrations ; 25 cm
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Publication:
Aldershot ; Brookfield, USA : Avebury, ©1993.
Aldershot ; Brookfield, USA : Avebury, ©1993.
Title:
Surveying and setting out procedures / Frank Bell.
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Description:
xi, 276 pages : illustrations ; 25 cm
Surveying and setting out procedures / Frank Bell.
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Description:
xi, 276 pages : illustrations ; 25 cm
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books
books
Publication:
Aldershot ; Brookfield, USA : Avebury, ©1993.
Aldershot ; Brookfield, USA : Avebury, ©1993.
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books
books
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319 pages : illustrations (chiefly color), portraits ; 24 cm
Description:
319 pages : illustrations (chiefly color), portraits ; 24 cm
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Publication:
Dar es Salaam, Tanzania : Mkuki na Nyota, [2017], ©2017
Dar es Salaam, Tanzania : Mkuki na Nyota, [2017], ©2017
Title:
Things don't really exist until you give them a name : unpacking urban heritage / Rachel Lee, Diane Barbé, Anne-Katrin Fenk and Philipp Misselwitz (eds.) ; translation, Lilli Hantke.
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319 pages : illustrations (chiefly color), portraits ; 24 cm
Things don't really exist until you give them a name : unpacking urban heritage / Rachel Lee, Diane Barbé, Anne-Katrin Fenk and Philipp Misselwitz (eds.) ; translation, Lilli Hantke.
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319 pages : illustrations (chiefly color), portraits ; 24 cm
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books
books
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Dar es Salaam, Tanzania : Mkuki na Nyota, [2017], ©2017
Dar es Salaam, Tanzania : Mkuki na Nyota, [2017], ©2017
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books
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$29.95
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Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic(...)
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Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic(...)
Title:
The culture of curating and the curating of culture(s)
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Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O’Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O’Neill describes how, by the 1980s, curated group exhibitions - large-scale, temporary projects with artworks cast as illustrative fragments - came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O’Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated - and authorized - the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O’Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
The culture of curating and the curating of culture(s)
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Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O’Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O’Neill describes how, by the 1980s, curated group exhibitions - large-scale, temporary projects with artworks cast as illustrative fragments - came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O’Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated - and authorized - the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O’Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
Form:
books
books
Publication:
September 2012
September 2012
Subject:
Museology
Museology
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books
books
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Description:
1 online resource (268 p.) : zahlr. farb. und s/w Abb.
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Publication:
Berlin : JOVIS Verlag GmbH, [2022], ©2022
Berlin : JOVIS Verlag GmbH, [2022], ©2022
Title:
Beyond the Institution: Transforming the Learning Environment in Architectural Education / hrsg. von Architekturfakultät der Technischen Universität Graz, Petra Petersson, Christina Linortner.
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1 online resource (268 p.) : zahlr. farb. und s/w Abb.
Beyond the Institution: Transforming the Learning Environment in Architectural Education / hrsg. von Architekturfakultät der Technischen Universität Graz, Petra Petersson, Christina Linortner.
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Description:
1 online resource (268 p.) : zahlr. farb. und s/w Abb.
Form:
books
books
Publication:
Berlin : JOVIS Verlag GmbH, [2022], ©2022
Berlin : JOVIS Verlag GmbH, [2022], ©2022
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books
books
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$128.00
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Summary:
''The outlands,'' a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist’s lens: vibrant colors and a profound sense of nostalgia echo throughout(...)
$128.00
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''The outlands,'' a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist’s lens: vibrant colors and a profound sense of nostalgia echo throughout(...)
Title:
William Eggleston: The outlands, selected works
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''The outlands,'' a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist’s lens: vibrant colors and a profound sense of nostalgia echo throughout Eggleston’s oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. With its in-depth selection of images—a wood-paneled station wagon, doors flung open, parked in an expansive rural setting; the artist’s grandmother in the moody interior of their family’s Sumner, Mississippi home—''The outlands'' is emblematic of Eggleston’s dynamic, experimental practice.
William Eggleston: The outlands, selected works
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''The outlands,'' a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist’s lens: vibrant colors and a profound sense of nostalgia echo throughout Eggleston’s oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. With its in-depth selection of images—a wood-paneled station wagon, doors flung open, parked in an expansive rural setting; the artist’s grandmother in the moody interior of their family’s Sumner, Mississippi home—''The outlands'' is emblematic of Eggleston’s dynamic, experimental practice.
Form:
books
books
Publication:
November 2022
November 2022
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$100.00
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Summary:
After his untimely death at age forty-seven in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes—including the artist’s body, performative self-portraiture, language, landscapes, and everyday subjects—and served as the(...)
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After his untimely death at age forty-seven in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes—including the artist’s body, performative self-portraiture, language, landscapes, and everyday subjects—and served as the(...)
Title:
Kimowan Metchewais: A kind of prayer
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After his untimely death at age forty-seven in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes—including the artist’s body, performative self-portraiture, language, landscapes, and everyday subjects—and served as the source material for works in other media, such as painting and collage. Metchewais’s exquisitely layered works offer a poetic meditation on his connection to home and land, while challenging conventional narratives and representations of Indigeneity. Metchewais was a contemporary artist of stunning originality, and until now, his work has been woefully understudied and underexposed. This volume is a comprehensive overview that showcases this essential artist’s astonishing vision.
Kimowan Metchewais: A kind of prayer
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$100.00
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Summary:
After his untimely death at age forty-seven in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes—including the artist’s body, performative self-portraiture, language, landscapes, and everyday subjects—and served as the source material for works in other media, such as painting and collage. Metchewais’s exquisitely layered works offer a poetic meditation on his connection to home and land, while challenging conventional narratives and representations of Indigeneity. Metchewais was a contemporary artist of stunning originality, and until now, his work has been woefully understudied and underexposed. This volume is a comprehensive overview that showcases this essential artist’s astonishing vision.
Form:
books
books
Publication:
January 2023
January 2023
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$60.00
(available to order)
Summary:
This volume offers a conversation between Indigenous Peoples of two regions in this time of political and environmental upheaval. Both regions are environmentally sensitive areas that have become hot spots in the debates circling around climate change and have long been contact zones between Indigenous Peoples and outsiders — zones of meeting and clashing, of(...)
$60.00
(available to order)
Summary:
This volume offers a conversation between Indigenous Peoples of two regions in this time of political and environmental upheaval. Both regions are environmentally sensitive areas that have become hot spots in the debates circling around climate change and have long been contact zones between Indigenous Peoples and outsiders — zones of meeting and clashing, of(...)
Title:
Arctic/Amazon: Networks of global indigeneity
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$60.00
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This volume offers a conversation between Indigenous Peoples of two regions in this time of political and environmental upheaval. Both regions are environmentally sensitive areas that have become hot spots in the debates circling around climate change and have long been contact zones between Indigenous Peoples and outsiders — zones of meeting and clashing, of contradictions and entanglement. Opening with an Epistolary Exchange between the editors,the book then widens to include essays by 12 Indigenous artists, curators, and knowledge-keepers about the integration of spirituality, ancestral respect, traditional knowledges, and political critique in artistic practice and more than 100 image reproductions and installation shots. The result is an extraordinary conversation about life, artistic practise, and geopolitical realities faced by Indigenous peoples in regions at risk.
Arctic/Amazon: Networks of global indigeneity
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Price:
$60.00
(available to order)
Summary:
This volume offers a conversation between Indigenous Peoples of two regions in this time of political and environmental upheaval. Both regions are environmentally sensitive areas that have become hot spots in the debates circling around climate change and have long been contact zones between Indigenous Peoples and outsiders — zones of meeting and clashing, of contradictions and entanglement. Opening with an Epistolary Exchange between the editors,the book then widens to include essays by 12 Indigenous artists, curators, and knowledge-keepers about the integration of spirituality, ancestral respect, traditional knowledges, and political critique in artistic practice and more than 100 image reproductions and installation shots. The result is an extraordinary conversation about life, artistic practise, and geopolitical realities faced by Indigenous peoples in regions at risk.
Form:
books
books
Publication:
April 2023
April 2023
Subject:
indigenous
indigenous
Form:
books
books
Title:
Sauerbruch Hutton : archive
Sauerbruch Hutton : archive
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$80.90
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Summary:
Sauerbruch hutton present for the first time a monograph covering their work over the 17 years that their practice has been in existence. This comprehensive book includes detailed descriptions of 60 works as well as 8 essays by the architects, and there is a complete register of all projects. This compendium will provide a new opportunity for insight into the work of(...)
$80.90
(available to order)
Summary:
Sauerbruch hutton present for the first time a monograph covering their work over the 17 years that their practice has been in existence. This comprehensive book includes detailed descriptions of 60 works as well as 8 essays by the architects, and there is a complete register of all projects. This compendium will provide a new opportunity for insight into the work of(...)
Title:
Sauerbruch Hutton : archive
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$80.90
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Summary:
Sauerbruch hutton present for the first time a monograph covering their work over the 17 years that their practice has been in existence. This comprehensive book includes detailed descriptions of 60 works as well as 8 essays by the architects, and there is a complete register of all projects. This compendium will provide a new opportunity for insight into the work of sauerbruch hutton: it allows one to trace the development of their architectural thinking through the vehicle of realised projects, their texts, and a considerable number of unrealised works. While providing a panoramic overview the book also shows how each project was individually developed out of its physical and social context, with its form being a result of func- tional, technical, spatial and sculptural considerations.
Sauerbruch Hutton : archive
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Price:
$80.90
(available to order)
Summary:
Sauerbruch hutton present for the first time a monograph covering their work over the 17 years that their practice has been in existence. This comprehensive book includes detailed descriptions of 60 works as well as 8 essays by the architects, and there is a complete register of all projects. This compendium will provide a new opportunity for insight into the work of sauerbruch hutton: it allows one to trace the development of their architectural thinking through the vehicle of realised projects, their texts, and a considerable number of unrealised works. While providing a panoramic overview the book also shows how each project was individually developed out of its physical and social context, with its form being a result of func- tional, technical, spatial and sculptural considerations.
Form:
books
books
Publication:
September 2006, Baden
September 2006, Baden
Subject:
Architecture Monographs
Architecture Monographs
