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Zeinstra van Gelderen Architects works on a variety of commissions that include architecture, urbanism, public space and interior design. The practice is drawn towards exploring the issues that somehow are related to architecture, art and society. Subsequently, they try to pursue the realisation the designs that follow from this exploration. It’s not so much the(...)
North north west 02 Zeinstra Van Gelderen Architecten
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Zeinstra van Gelderen Architects works on a variety of commissions that include architecture, urbanism, public space and interior design. The practice is drawn towards exploring the issues that somehow are related to architecture, art and society. Subsequently, they try to pursue the realisation the designs that follow from this exploration. It’s not so much the particular scale, but more the experimental challenge they set themselves as designers. The cooperation between Mikel van Gelderen and Jurjen Zeinstra started in 1990, when both were working as editors for the architectural magazine OASE. After winning the Europan competition with their entry 'High-density open space' (1996, together with Ira Koers) this cooperation has become solid and resulted in the design and realisation of many projects.
Architecture Monographs
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Victor Lundy (born 1923) is an important yet underappreciated figure in the history of American architecture. Trained in both the Beaux Arts and Bauhaus traditions, he built an impressive practice ranging from small-scale residential and commercial buildings to expressive religious buildings and two preeminent institutional works: the US Tax Court Building in Washington,(...)
Victor Lundy: Artist Architect
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Victor Lundy (born 1923) is an important yet underappreciated figure in the history of American architecture. Trained in both the Beaux Arts and Bauhaus traditions, he built an impressive practice ranging from small-scale residential and commercial buildings to expressive religious buildings and two preeminent institutional works: the US Tax Court Building in Washington, DC (now on the National Register of Historic Places), and the US Embassy in Sri Lanka. This first book on Lundy's life and career documents his early work in the Sarasota School of Architecture, his churches, and his government buildings. In addition to essays on his use of light and material, many of the architect's original drawings, paintings, and sketches are reproduced here for the first time.
Architecture Monographs
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Since the turn of the 21st century, there has been a significant expansion in the field of transhistorical exhibition practice—that is, exhibitions in which objects from various art-historical periods and cultural contexts are put on display together. These juxtapositions are made in an effort to question traditional museological notions like chronology, context and(...)
The transhistorical museum: mapping the field
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Since the turn of the 21st century, there has been a significant expansion in the field of transhistorical exhibition practice—that is, exhibitions in which objects from various art-historical periods and cultural contexts are put on display together. These juxtapositions are made in an effort to question traditional museological notions like chronology, context and category in the space of the museum itself. Drawing on the expertise of a wide range of international museum professionals, "The Transhistorical Museum: Mapping the Field" considers a range of such transhistorical curatorial efforts, exploring the rationale behind these projects, the particular challenges they present and the particular rewards they can offer. This volume surveys the history and future potential of the phenomenon of the transhistorical museum.
Museology
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Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that(...)
Bureau of the centre for the study of surrealism and its legacy
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Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, egyptian fakes, and the minutiae that have fallen through the cracks of museum practice. Finally back in print, ''Bureau of the Centre for the Study of Surrealism and Its Legacy'', Dion's project and book are a repository for the detritus of museum life and a work in process, classifying the museums unclassifiable while exploring the bureaucratic workings of the institution.
Contemporary Art Monographs
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The photobook contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much of an effect on the viewer as the selection of images, their positioning in the layout, typography, and the texts. Bettina Lockemann provides an approach to the medium from a(...)
Thinking the photobook: A practical guide
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The photobook contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much of an effect on the viewer as the selection of images, their positioning in the layout, typography, and the texts. Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art theories, her phenomenological discussion complements methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates precise terms for analyzing this medium. Through a practice-based examination of contemporary photobooks, this guide emphasizes the status of the photobook as an artwork in its own right.
Book Design
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Produced in the same format & size as ''On intricacy,'' ''Change is the reality'' is the second book in Canalside Press's Modern Architecture in Reflection series. It explores the ethos and ideas of Irish architect Robin Walker (1924-1991), a partner in the RIBA Gold Medal winning Dublin practice of Scott Tallon Walker. Produced in concert with Walker's son, the architect(...)
Change is the reality: The work of Robin Walker Architect
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Produced in the same format & size as ''On intricacy,'' ''Change is the reality'' is the second book in Canalside Press's Modern Architecture in Reflection series. It explores the ethos and ideas of Irish architect Robin Walker (1924-1991), a partner in the RIBA Gold Medal winning Dublin practice of Scott Tallon Walker. Produced in concert with Walker's son, the architect and teacher Simon Walker, ''Change is the reality'' is an archive of Robin's articles and lectures, presented alongside new and original photographs of a number of his seminal projects, including Bothar Bui, An Bord Failte, UCD restaurant, house at Kinsale, etc. The book also includes essays by Simon Walker and Patrick Lynch, Elizabeth Hatz, Tom de Paor, Douglas Carson and Laura Evans.
Architectural Theory
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Traces of India: Photography, Architecture, and the Politics of Representation, 1850–1900 investigates the different cultural roles played by photographs of Indian architecture from the second half of the nineteenth century. Although picturesque views, scientific records of an architectural past, political memorials, travel mementos, and textbook vignettes are the obvious(...)
Traces of India: Photography, Architecture, and the Politics of Representation, 1850–1900
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Traces of India: Photography, Architecture, and the Politics of Representation, 1850–1900 investigates the different cultural roles played by photographs of Indian architecture from the second half of the nineteenth century. Although picturesque views, scientific records of an architectural past, political memorials, travel mementos, and textbook vignettes are the obvious purposes of these images, Traces of India offers a deeper interpretation. Twelve essays show how photographs of architecture reveal the ways in which the practice of image making is aligned with the purposes of power, the presumptions accompanying the encounter with the unfamiliar, and the forces shaping colonial India. The book is published in conjunction with the 2003 CCA exhibition Traces of India: Photography, Architecture, and the Politics of Representation.
CCA Publications
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Yes is more is the first monograph of its kind devoted exclusively to the trailblazing practice of BIG, a Copenhagenbased group of architects, designers and thinkers operating within the fields of architecture, urbanism, research and development. BIG shows how its members respond to the polymorphous demands, complex rules and highly specialized knowledge of(...)
Yes is more: an archicomic on architectural evolution
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Yes is more is the first monograph of its kind devoted exclusively to the trailblazing practice of BIG, a Copenhagenbased group of architects, designers and thinkers operating within the fields of architecture, urbanism, research and development. BIG shows how its members respond to the polymorphous demands, complex rules and highly specialized knowledge of society, creating tangible solutions through artistic processes: solutions that time and again attract the interest of the population at large while earning the respect of aficionados across the globe. YES IS MORE speaks the language of popular culture, allowing the sublime to shine through in the commonplace. It enables readers to gain insights into Big s processes, methods and results through the most approachable and populist means of communication the cartoon.
Architecture Monographs
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The Urban Connection develops a promising actor-relational approach to urban planning. With respect to the usual governmental planning, it is focused outside in, instead of inside out. It derives its leitmotif from the actual debate about state controlled versus neo-liberal planning and reflects on innovative post structuralist scholars in the field of planning,(...)
The urban connection, an actor-relational approch to urban planning
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The Urban Connection develops a promising actor-relational approach to urban planning. With respect to the usual governmental planning, it is focused outside in, instead of inside out. It derives its leitmotif from the actual debate about state controlled versus neo-liberal planning and reflects on innovative post structuralist scholars in the field of planning, economics, social geography and governance. It then takes its own position in that debate, reflecting on actor-oriented experiments in planning practices. These experiments deal with the daily planning practice with a pro-active and operational attitude, contrary to the usual retrospective case studies. Therefore it results in concrete suggestions on how to develop a more robust planning-approach in an ongoing globalising and fragmenting world.
Urban Theory
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La pratique de Bill Vazan est généralement associée au land art et aux montages photographiques. Pourtant, dès la fin des années 1960, cet artiste élabore un langage conceptuel singulier et réalise des œuvres emblématiques. Cette première monographie consacrée à son travail conceptuel espère rendre compte d’une œuvre profonde, inventive et rigoureuse, laquelle n’avait pas(...)
Bill Vazan: Into the vanishing point
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La pratique de Bill Vazan est généralement associée au land art et aux montages photographiques. Pourtant, dès la fin des années 1960, cet artiste élabore un langage conceptuel singulier et réalise des œuvres emblématiques. Cette première monographie consacrée à son travail conceptuel espère rendre compte d’une œuvre profonde, inventive et rigoureuse, laquelle n’avait pas encore fait l’objet d’une telle attention. Bill Vazan's practice is generally associated with land art and photographic montages. Yet in the late 1960s, the artist began developing a singular conceptual language, creating a number of emblematic works. This first monograph devoted to his Conceptual work attempts to pay tribute to an inventive, rigorous, and profound body of work that has not garnered special attention until now.
Contemporary Art Monographs