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Ce nouvel ouvrage de Jean-Philippe et Dominique Lenclos explore l’étonnante diversité des décors de façade et poursuit la recherche que ces auteurs ont engagée depuis les années 1960 sur la « géographie de la couleur » dans l’habitat vernaculaire. L’ornementation de la façade prend des aspects très différents d’un lieu à l’autre, d’un pays à l’autre, selon les matériaux(...)
$79.95
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Ce nouvel ouvrage de Jean-Philippe et Dominique Lenclos explore l’étonnante diversité des décors de façade et poursuit la recherche que ces auteurs ont engagée depuis les années 1960 sur la « géographie de la couleur » dans l’habitat vernaculaire. L’ornementation de la façade prend des aspects très différents d’un lieu à l’autre, d’un pays à l’autre, selon les matériaux(...)
Subject:
Green Architecture
Green Architecture
Publication:
May 2007, Paris
May 2007, Paris
Title:
Maisons du monde : couleurs et décors de l'habitat traditionnel
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Ce nouvel ouvrage de Jean-Philippe et Dominique Lenclos explore l’étonnante diversité des décors de façade et poursuit la recherche que ces auteurs ont engagée depuis les années 1960 sur la « géographie de la couleur » dans l’habitat vernaculaire. L’ornementation de la façade prend des aspects très différents d’un lieu à l’autre, d’un pays à l’autre, selon les matériaux employés, la morphologie architecturale et les goûts des habitants, qui expriment leur savoir-faire et leur créativité, mais aussi leur identité, sur les murs de leur maison. La plupart des décors naissent spontanément de l’utilisation des matériaux disponibles sur place et de leur mise en œuvre spécifique. La terre humide se prête aisément à toutes sortes d’incisions, de dessins, de motifs en relief, d’incrustations et, quand elle est sèche, au revêtement d’enduits ou de peintures de couleur. Le bois est sculpté, découpé ou peint. La brique et la pierre enrichissent les façades des nuances de leurs teintes et de leurs textures, ainsi que du dessin de leur assemblage. Enfin, la céramique peut donner lieu à de savantes compositions colorées, abstraites ou figuratives. Ces décors sont le fruit d’une tradition, d’une époque, d’une mode, d’une conjoncture sociale, historique, économique ou politique ; ils font partie d’un rituel religieux, ils illustrent une profession. Toujours, ils traduisent la culture bien particulière d’un groupe humain. À travers une quinzaine d’études en Europe (Suisse, Allemagne, Belgique, France, Grèce, Portugal) et dans le reste du monde (Indonésie, Niger, Égypte, Tunisie, Yémen, Inde, États-Unis, Afrique du Sud), les façades des maisons expriment de façon pas toujours spectaculaire, mais toujours significative, et avec une diversité surprenante, la créativité de l’homme, son besoin instinctif de personnaliser et d’embellir, même de façon modeste, son environnement immédiat. Ces études, datées, constituent un état des lieux à un moment donné de l’histoire d’une communauté villageoise, d’une ethnie ou d’un peuple, sur le patrimoine chromatique, artisanal et artistique de son habitat quotidien. En ce sens, elles font œuvre de mémoire. En effet, les décors de façade, comme les palettes chromatiques, sont sujets à évolution, voire même à disparition totale. Pourtant, ils constituent non seulement un véritable trésor de formes, de dessins, de couleurs et de symboles qu’il convient de faire vivre en tant qu’éléments précieux du patrimoine architectural et culturel mondial, mais aussi une inépuisable source d’inspiration pour tous les métiers d’art.
Maisons du monde : couleurs et décors de l'habitat traditionnel
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$79.95
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Summary:
Ce nouvel ouvrage de Jean-Philippe et Dominique Lenclos explore l’étonnante diversité des décors de façade et poursuit la recherche que ces auteurs ont engagée depuis les années 1960 sur la « géographie de la couleur » dans l’habitat vernaculaire. L’ornementation de la façade prend des aspects très différents d’un lieu à l’autre, d’un pays à l’autre, selon les matériaux employés, la morphologie architecturale et les goûts des habitants, qui expriment leur savoir-faire et leur créativité, mais aussi leur identité, sur les murs de leur maison. La plupart des décors naissent spontanément de l’utilisation des matériaux disponibles sur place et de leur mise en œuvre spécifique. La terre humide se prête aisément à toutes sortes d’incisions, de dessins, de motifs en relief, d’incrustations et, quand elle est sèche, au revêtement d’enduits ou de peintures de couleur. Le bois est sculpté, découpé ou peint. La brique et la pierre enrichissent les façades des nuances de leurs teintes et de leurs textures, ainsi que du dessin de leur assemblage. Enfin, la céramique peut donner lieu à de savantes compositions colorées, abstraites ou figuratives. Ces décors sont le fruit d’une tradition, d’une époque, d’une mode, d’une conjoncture sociale, historique, économique ou politique ; ils font partie d’un rituel religieux, ils illustrent une profession. Toujours, ils traduisent la culture bien particulière d’un groupe humain. À travers une quinzaine d’études en Europe (Suisse, Allemagne, Belgique, France, Grèce, Portugal) et dans le reste du monde (Indonésie, Niger, Égypte, Tunisie, Yémen, Inde, États-Unis, Afrique du Sud), les façades des maisons expriment de façon pas toujours spectaculaire, mais toujours significative, et avec une diversité surprenante, la créativité de l’homme, son besoin instinctif de personnaliser et d’embellir, même de façon modeste, son environnement immédiat. Ces études, datées, constituent un état des lieux à un moment donné de l’histoire d’une communauté villageoise, d’une ethnie ou d’un peuple, sur le patrimoine chromatique, artisanal et artistique de son habitat quotidien. En ce sens, elles font œuvre de mémoire. En effet, les décors de façade, comme les palettes chromatiques, sont sujets à évolution, voire même à disparition totale. Pourtant, ils constituent non seulement un véritable trésor de formes, de dessins, de couleurs et de symboles qu’il convient de faire vivre en tant qu’éléments précieux du patrimoine architectural et culturel mondial, mais aussi une inépuisable source d’inspiration pour tous les métiers d’art.
Form:
books
books
Publication:
May 2007, Paris
May 2007, Paris
Subject:
Green Architecture
Green Architecture
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books
books
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$25.95
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Summary:
We surround ourselves with material things that are invested with memories but can only stand for what we have lost. Physical objects—such as one’s own body—situate and define us; yet at the same time they are fundamentally indifferent to us. The melancholy of this rift is a rich source of inspiration for artists. Peter Schwenger deftly weaves together philosophical(...)
$25.95
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Summary:
We surround ourselves with material things that are invested with memories but can only stand for what we have lost. Physical objects—such as one’s own body—situate and define us; yet at the same time they are fundamentally indifferent to us. The melancholy of this rift is a rich source of inspiration for artists. Peter Schwenger deftly weaves together philosophical(...)
Title:
The tears of things : Melancholy and physical objects
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We surround ourselves with material things that are invested with memories but can only stand for what we have lost. Physical objects—such as one’s own body—situate and define us; yet at the same time they are fundamentally indifferent to us. The melancholy of this rift is a rich source of inspiration for artists. Peter Schwenger deftly weaves together philosophical and psychoanalytical theory with artistic practice. Concerned in part with the act of collecting, The Tears of Things is itself a collection of exemplary art objects—literary and cultural attempts to control and possess things—including paintings by Georgia O’Keeffe and René Magritte; sculpture by Louise Bourgeois and Marcel Duchamp; Joseph Cornell’s boxes; Edward Gorey’s graphic art; fiction by Virginia Woolf, Georges Perec, and Louise Erdrich; the hallucinatory encyclopedias of Jorge Luis Borges and Luigi Serafini; and the corpse photographs of Joel Peter Witkin. However, these representations of objects perpetually fall short of our aspirations. Schwenger examines what is left over—debris and waste—and asks what art can make of these. What emerges is not an art that reassembles but one that questions what it means to assemble in the first place. Contained in this catalog of waste is that ultimate still life, the cadaver, where the subject-object dichotomy receives its final ironic reconciliation. Peter Schwenger is professor of English at Mount St. Vincent University in Halifax, Nova Scotia. He is the author of Fantasm and Fiction: On Textual Envisioning, Letter Bomb: Nuclear Holocaust and the Exploding Word, and Phallic Critiques: Masculinity and Twentieth-Century Literature.
The tears of things : Melancholy and physical objects
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$25.95
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Summary:
We surround ourselves with material things that are invested with memories but can only stand for what we have lost. Physical objects—such as one’s own body—situate and define us; yet at the same time they are fundamentally indifferent to us. The melancholy of this rift is a rich source of inspiration for artists. Peter Schwenger deftly weaves together philosophical and psychoanalytical theory with artistic practice. Concerned in part with the act of collecting, The Tears of Things is itself a collection of exemplary art objects—literary and cultural attempts to control and possess things—including paintings by Georgia O’Keeffe and René Magritte; sculpture by Louise Bourgeois and Marcel Duchamp; Joseph Cornell’s boxes; Edward Gorey’s graphic art; fiction by Virginia Woolf, Georges Perec, and Louise Erdrich; the hallucinatory encyclopedias of Jorge Luis Borges and Luigi Serafini; and the corpse photographs of Joel Peter Witkin. However, these representations of objects perpetually fall short of our aspirations. Schwenger examines what is left over—debris and waste—and asks what art can make of these. What emerges is not an art that reassembles but one that questions what it means to assemble in the first place. Contained in this catalog of waste is that ultimate still life, the cadaver, where the subject-object dichotomy receives its final ironic reconciliation. Peter Schwenger is professor of English at Mount St. Vincent University in Halifax, Nova Scotia. He is the author of Fantasm and Fiction: On Textual Envisioning, Letter Bomb: Nuclear Holocaust and the Exploding Word, and Phallic Critiques: Masculinity and Twentieth-Century Literature.
Form:
books
books
Publication:
May 2006, Minnesota
May 2006, Minnesota
Subject:
Architectural Theory
Architectural Theory
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books
books
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$41.95
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Summary:
Notre habitation, notre habitat, l'espace où nous évoluons est un médium que nous croyons façonner selon notre désir, selon l'image que nous voulons donner de nous-même selon notre ego. En fait, il restitue nos craintes et nos joies, qui ressurgissent du plus lointain de notre mémoire génétique. Notre habitation n'est que le reflet de nous-mêmes. Ce n'est pas seulement(...)
$41.95
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Notre habitation, notre habitat, l'espace où nous évoluons est un médium que nous croyons façonner selon notre désir, selon l'image que nous voulons donner de nous-même selon notre ego. En fait, il restitue nos craintes et nos joies, qui ressurgissent du plus lointain de notre mémoire génétique. Notre habitation n'est que le reflet de nous-mêmes. Ce n'est pas seulement(...)
Title:
Les origines symboliques de notre habitat
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Notre habitation, notre habitat, l'espace où nous évoluons est un médium que nous croyons façonner selon notre désir, selon l'image que nous voulons donner de nous-même selon notre ego. En fait, il restitue nos craintes et nos joies, qui ressurgissent du plus lointain de notre mémoire génétique. Notre habitation n'est que le reflet de nous-mêmes. Ce n'est pas seulement l'architecture sacrée qui véhicule des symboles mais la plus simple demeure reflète aussi des archétypes qui proviennent de la tradition primordiale. Des premières croyances humaines pour les déesses mères, comme Gaia, la terre nourricière jusqu'à la Sophia, la sagesse grecque. vénérée encore par les hermétistes de la Renaissance, la lignée ininterrompue des bâtisseurs qui ont construit selon les principes de la géométrie sacrée, du mythe osirien au corpus hermeticum, issu de l'Hermès trismégiste, il y a eu un fil conducteur pour que l'union du ciel et de la terre puisse se réaliser. Il y a eu une transmission du savoir de constructeurs initiés, qui n'ont cessé, à travers des civilisations très éloignées, semble-t-il, les unes des autres, de rassembler ce qui était épars, qui nous vient encore de la nature et qui n'a pas été inventé par l'homme mais seulement réappris et réutilisé. Suivons l'auteur à la découverte de nos racines profondes et dont le développement s'est fait identiquement et analogiquement à celles de l'Asie, de l'Orient ou du Nouveau Monde.
Les origines symboliques de notre habitat
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$41.95
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Notre habitation, notre habitat, l'espace où nous évoluons est un médium que nous croyons façonner selon notre désir, selon l'image que nous voulons donner de nous-même selon notre ego. En fait, il restitue nos craintes et nos joies, qui ressurgissent du plus lointain de notre mémoire génétique. Notre habitation n'est que le reflet de nous-mêmes. Ce n'est pas seulement l'architecture sacrée qui véhicule des symboles mais la plus simple demeure reflète aussi des archétypes qui proviennent de la tradition primordiale. Des premières croyances humaines pour les déesses mères, comme Gaia, la terre nourricière jusqu'à la Sophia, la sagesse grecque. vénérée encore par les hermétistes de la Renaissance, la lignée ininterrompue des bâtisseurs qui ont construit selon les principes de la géométrie sacrée, du mythe osirien au corpus hermeticum, issu de l'Hermès trismégiste, il y a eu un fil conducteur pour que l'union du ciel et de la terre puisse se réaliser. Il y a eu une transmission du savoir de constructeurs initiés, qui n'ont cessé, à travers des civilisations très éloignées, semble-t-il, les unes des autres, de rassembler ce qui était épars, qui nous vient encore de la nature et qui n'a pas été inventé par l'homme mais seulement réappris et réutilisé. Suivons l'auteur à la découverte de nos racines profondes et dont le développement s'est fait identiquement et analogiquement à celles de l'Asie, de l'Orient ou du Nouveau Monde.
Form:
books
books
Publication:
September 2007, Paris
September 2007, Paris
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Judging architectural value
Judging architectural value
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$24.95
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When it comes to determining the relative quality of architecture, who is best equipped to make the distinctions? Is it the public who lives in and among the buildings? The people who commission and pay for the buildings? Art historians? Or architects themselves? These provocative essays take up the questions of what people value in architecture and how changing(...)
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When it comes to determining the relative quality of architecture, who is best equipped to make the distinctions? Is it the public who lives in and among the buildings? The people who commission and pay for the buildings? Art historians? Or architects themselves? These provocative essays take up the questions of what people value in architecture and how changing(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
April 2007, Mineapolis London
April 2007, Mineapolis London
Title:
Judging architectural value
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When it comes to determining the relative quality of architecture, who is best equipped to make the distinctions? Is it the public who lives in and among the buildings? The people who commission and pay for the buildings? Art historians? Or architects themselves? These provocative essays take up the questions of what people value in architecture and how changing values influence opinions about it. In the intriguing opening essay, Michael Benedikt makes an argument for the role of architects in the delineation of value in architecture. He discusses the differences between icon and canon, a theme threaded through many of the essays. In addition to unexpected analyses of buildings such as Eero Saarinen’s Gateway Arch in St. Louis, Paul Rudolph’s Art and Architecture Building at Yale University, and the work of Antoni Gaudí and Frank Gehry, the collection includes a clear-eyed look at the role of architecture in addressing social problems. Ultimately, these essays assert that judging architecture requires more than a refined sensibility. Buildings also need to be evaluated by their impact on the people living within and around them. Contributors: John Beardsley, Harvard Design School; Michael Benedikt, U of Texas, Austin; Tim Culvahouse, California College of the Arts; Lisa Finley, California College of the Arts; Kurt W. Forster, Bauhaus-Universität, Weimar, Germany; Kenneth Frampton, Columbia U; Diane Ghirardo, U of Southern California; Charles Jencks; David Leatherbarrow, U of Pennsylvania; Nancy Levinson; Hélène Lipstadt; Juhani Pallasmaa, Helsinki U of Technology; Timothy M. Rohan, U of Massachusetts, Amherst; Roger Scruton; Daniel Willis, Pennsylvania State U. William S. Saunders is editor of Harvard Design Magazine and assistant dean for external relations at Harvard University’s Graduate School of Design. He is the author of Modern Architecture: Photographs by Ezra Stoller and editor of three other Harvard Design Magazine Readers. Michael Benedikt is Hal Box Chair in Urbanism and director of the Center for American Architecture and Design at the School of Architecture at the University of Texas at Austin.
Judging architectural value
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$24.95
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Summary:
When it comes to determining the relative quality of architecture, who is best equipped to make the distinctions? Is it the public who lives in and among the buildings? The people who commission and pay for the buildings? Art historians? Or architects themselves? These provocative essays take up the questions of what people value in architecture and how changing values influence opinions about it. In the intriguing opening essay, Michael Benedikt makes an argument for the role of architects in the delineation of value in architecture. He discusses the differences between icon and canon, a theme threaded through many of the essays. In addition to unexpected analyses of buildings such as Eero Saarinen’s Gateway Arch in St. Louis, Paul Rudolph’s Art and Architecture Building at Yale University, and the work of Antoni Gaudí and Frank Gehry, the collection includes a clear-eyed look at the role of architecture in addressing social problems. Ultimately, these essays assert that judging architecture requires more than a refined sensibility. Buildings also need to be evaluated by their impact on the people living within and around them. Contributors: John Beardsley, Harvard Design School; Michael Benedikt, U of Texas, Austin; Tim Culvahouse, California College of the Arts; Lisa Finley, California College of the Arts; Kurt W. Forster, Bauhaus-Universität, Weimar, Germany; Kenneth Frampton, Columbia U; Diane Ghirardo, U of Southern California; Charles Jencks; David Leatherbarrow, U of Pennsylvania; Nancy Levinson; Hélène Lipstadt; Juhani Pallasmaa, Helsinki U of Technology; Timothy M. Rohan, U of Massachusetts, Amherst; Roger Scruton; Daniel Willis, Pennsylvania State U. William S. Saunders is editor of Harvard Design Magazine and assistant dean for external relations at Harvard University’s Graduate School of Design. He is the author of Modern Architecture: Photographs by Ezra Stoller and editor of three other Harvard Design Magazine Readers. Michael Benedikt is Hal Box Chair in Urbanism and director of the Center for American Architecture and Design at the School of Architecture at the University of Texas at Austin.
Form:
books
books
Publication:
April 2007, Mineapolis London
April 2007, Mineapolis London
Subject:
Architectural Theory
Architectural Theory
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books
books
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$22.99
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In The Perfect House, bestselling author Witold Rybczynski, whose previous books have transformed our understanding of domestic architecture, reveals how a handful of Palladio's houses in an obscure corner of the Venetian Republic should have made their presence felt hundreds of years later and halfway across the globe. More than just a study of one of history's seminal(...)
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In The Perfect House, bestselling author Witold Rybczynski, whose previous books have transformed our understanding of domestic architecture, reveals how a handful of Palladio's houses in an obscure corner of the Venetian Republic should have made their presence felt hundreds of years later and halfway across the globe. More than just a study of one of history's seminal(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
September 2003, New York London Toronto Sydney Singapore
September 2003, New York London Toronto Sydney Singapore
Title:
The perfect house : A journey with the renaissance master
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In The Perfect House, bestselling author Witold Rybczynski, whose previous books have transformed our understanding of domestic architecture, reveals how a handful of Palladio's houses in an obscure corner of the Venetian Republic should have made their presence felt hundreds of years later and halfway across the globe. More than just a study of one of history's seminal architectural figures, The Perfect House reflects Rybczynski's enormous admiration for his subject and provides a new way of looking at the special landscapes we call "home" in the modern world.
The perfect house : A journey with the renaissance master
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In The Perfect House, bestselling author Witold Rybczynski, whose previous books have transformed our understanding of domestic architecture, reveals how a handful of Palladio's houses in an obscure corner of the Venetian Republic should have made their presence felt hundreds of years later and halfway across the globe. More than just a study of one of history's seminal architectural figures, The Perfect House reflects Rybczynski's enormous admiration for his subject and provides a new way of looking at the special landscapes we call "home" in the modern world.
Form:
books
books
Publication:
September 2003, New York London Toronto Sydney Singapore
September 2003, New York London Toronto Sydney Singapore
Subject:
Architectural Theory
Architectural Theory
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books
books
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$27.95
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Does turning the thermostat down on a winter's night offset the costs of reheating the house in the morning? What will best prevent energy loss: new windows or insulation in the attic? Is heating oil cheaper than natural gas? Blending science with anecdote and example, Colin Smith answers questions like these, providing an insightful guide to creating an environmentally(...)
$27.95
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Does turning the thermostat down on a winter's night offset the costs of reheating the house in the morning? What will best prevent energy loss: new windows or insulation in the attic? Is heating oil cheaper than natural gas? Blending science with anecdote and example, Colin Smith answers questions like these, providing an insightful guide to creating an environmentally(...)
Title:
This cold house : the simple science of energy efficiency
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Does turning the thermostat down on a winter's night offset the costs of reheating the house in the morning? What will best prevent energy loss: new windows or insulation in the attic? Is heating oil cheaper than natural gas? Blending science with anecdote and example, Colin Smith answers questions like these, providing an insightful guide to creating an environmentally friendly home without sacrificing comfort. "This cold house" helps homeowners identify heating and cooling priorities and choose the most appropriate methods, tools, and equipment. Basic equations allow you to estimate possible savings in annual heating and cooling bills and determine payback times for improvement projects. Practical and entertaining, "This cold house" illuminates the concepts behind energy efficiency and translates them into ideas you can use, whether you live in a castle, igloo, or house.
This cold house : the simple science of energy efficiency
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$27.95
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Does turning the thermostat down on a winter's night offset the costs of reheating the house in the morning? What will best prevent energy loss: new windows or insulation in the attic? Is heating oil cheaper than natural gas? Blending science with anecdote and example, Colin Smith answers questions like these, providing an insightful guide to creating an environmentally friendly home without sacrificing comfort. "This cold house" helps homeowners identify heating and cooling priorities and choose the most appropriate methods, tools, and equipment. Basic equations allow you to estimate possible savings in annual heating and cooling bills and determine payback times for improvement projects. Practical and entertaining, "This cold house" illuminates the concepts behind energy efficiency and translates them into ideas you can use, whether you live in a castle, igloo, or house.
Form:
books
books
Publication:
January 2007, Baltimore
January 2007, Baltimore
Subject:
Green Architecture
Green Architecture
Form:
books
books
Title:
Colères et passions
Colères et passions
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$44.95
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«L'oblique, c'est un laser qu fouaille impitoyablement la réalité, vécue, en débusque les contradictions les plus cachées, force l'esprit à remettre en question les idées reçues auxquelles il tient le plus, culbute le confort de Ia pensée, chasse le conformisme, force la paresse et ouvre les portes de l'imaginaire. Un trait en diagonale tracé sur une page blanche, c'est(...)
$44.95
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«L'oblique, c'est un laser qu fouaille impitoyablement la réalité, vécue, en débusque les contradictions les plus cachées, force l'esprit à remettre en question les idées reçues auxquelles il tient le plus, culbute le confort de Ia pensée, chasse le conformisme, force la paresse et ouvre les portes de l'imaginaire. Un trait en diagonale tracé sur une page blanche, c'est(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
September 2007, Paris
September 2007, Paris
Title:
Colères et passions
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«L'oblique, c'est un laser qu fouaille impitoyablement la réalité, vécue, en débusque les contradictions les plus cachées, force l'esprit à remettre en question les idées reçues auxquelles il tient le plus, culbute le confort de Ia pensée, chasse le conformisme, force la paresse et ouvre les portes de l'imaginaire. Un trait en diagonale tracé sur une page blanche, c'est une colline, peut-être une montagne, une montée, une descente, une chute ou une ascension. Comment savoir ? [...] Ainsi, les choses de l'architecture prennent une autre résonance, un sens communicable, une vérité transmissible. Elles rejoignent les choses de la vie. Car après tout, les architectes n'existent que pour permettre aux hommes de se comprendre entre eux et de faire leur osmose avec la nature. L'architecture se doit d'être un trait d'union et le temps des ghettos n'est plus, ou du moins ne doit plus être, au fond de nos esprits.»
Colères et passions
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«L'oblique, c'est un laser qu fouaille impitoyablement la réalité, vécue, en débusque les contradictions les plus cachées, force l'esprit à remettre en question les idées reçues auxquelles il tient le plus, culbute le confort de Ia pensée, chasse le conformisme, force la paresse et ouvre les portes de l'imaginaire. Un trait en diagonale tracé sur une page blanche, c'est une colline, peut-être une montagne, une montée, une descente, une chute ou une ascension. Comment savoir ? [...] Ainsi, les choses de l'architecture prennent une autre résonance, un sens communicable, une vérité transmissible. Elles rejoignent les choses de la vie. Car après tout, les architectes n'existent que pour permettre aux hommes de se comprendre entre eux et de faire leur osmose avec la nature. L'architecture se doit d'être un trait d'union et le temps des ghettos n'est plus, ou du moins ne doit plus être, au fond de nos esprits.»
Form:
books
books
Publication:
September 2007, Paris
September 2007, Paris
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$35.00
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Summary:
This book celebrates the era of North American barn-building known as "The golden age of barn construction," from the early 1700s to the mid-20th century. The author explores the variety of barn styles, pays tribute to the craftsmanship of their builders, and chronicles the lives and times of both the barns and those who built them. "Barn building" is illustrated(...)
$35.00
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Summary:
This book celebrates the era of North American barn-building known as "The golden age of barn construction," from the early 1700s to the mid-20th century. The author explores the variety of barn styles, pays tribute to the craftsmanship of their builders, and chronicles the lives and times of both the barns and those who built them. "Barn building" is illustrated(...)
Title:
Barn building : the golden age of barn construction
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(available to order)
Summary:
This book celebrates the era of North American barn-building known as "The golden age of barn construction," from the early 1700s to the mid-20th century. The author explores the variety of barn styles, pays tribute to the craftsmanship of their builders, and chronicles the lives and times of both the barns and those who built them. "Barn building" is illustrated throughout with contemporary color interior and exterior photographs, historic black-and-white photos, and the author's own illustrations.
Barn building : the golden age of barn construction
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Price:
$35.00
(available to order)
Summary:
This book celebrates the era of North American barn-building known as "The golden age of barn construction," from the early 1700s to the mid-20th century. The author explores the variety of barn styles, pays tribute to the craftsmanship of their builders, and chronicles the lives and times of both the barns and those who built them. "Barn building" is illustrated throughout with contemporary color interior and exterior photographs, historic black-and-white photos, and the author's own illustrations.
Form:
books
books
Publication:
September 2007, Erin
September 2007, Erin
Subject:
Green Architecture
Green Architecture
Form:
books
books
Actions:
Price:
$69.95
(available to order)
Summary:
The 200 houses showcased in this book spotlight the astounding variety seen in new residential architecture. This collection of contemporary homes comes from North America, South America, Europe, Australia/New Zealand, Asia and Africa. Some homes incorporate an intense dedication to cultural traditions, while others are on the edge of new trends. All share the need of(...)
$69.95
(available to order)
Summary:
The 200 houses showcased in this book spotlight the astounding variety seen in new residential architecture. This collection of contemporary homes comes from North America, South America, Europe, Australia/New Zealand, Asia and Africa. Some homes incorporate an intense dedication to cultural traditions, while others are on the edge of new trends. All share the need of(...)
Subject:
Residential Architecture
Residential Architecture
Publication:
September 2007, Buffalo, Richmond Hill
September 2007, Buffalo, Richmond Hill
Title:
Residential Designs for the 21st century
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Price:
$69.95
(available to order)
Summary:
The 200 houses showcased in this book spotlight the astounding variety seen in new residential architecture. This collection of contemporary homes comes from North America, South America, Europe, Australia/New Zealand, Asia and Africa. Some homes incorporate an intense dedication to cultural traditions, while others are on the edge of new trends. All share the need of providing shelter. The diversity in this global inventory is vast: seaside, energy efficient, hilltop, geometrically shaped, tiny, narrow, inventive extensions, traditional materials, prefab, in-ground, slope-side, elevated, floating. Some of the distinct locations included are Oregon's rugged coastline, Australia's scorching interior, South America's mountainside cities, Finland's wintry forests, Indonesia's steamy beaches, inner city neighborhoods, outlying suburbs and rural locales. A great many of the designs respond to extremely challenging building sites with solutions that are nothing short of brilliant. Concise descriptions of each home include key features, along with floor plans and photographs showing interiors, exteriors and details. Each house is identified by name, location, year built and square footage as well as information on the architect. Profiles of 20 of the world's most creative architectural firms provide depth and background to the portfolio of designs.
Residential Designs for the 21st century
Actions:
Price:
$69.95
(available to order)
Summary:
The 200 houses showcased in this book spotlight the astounding variety seen in new residential architecture. This collection of contemporary homes comes from North America, South America, Europe, Australia/New Zealand, Asia and Africa. Some homes incorporate an intense dedication to cultural traditions, while others are on the edge of new trends. All share the need of providing shelter. The diversity in this global inventory is vast: seaside, energy efficient, hilltop, geometrically shaped, tiny, narrow, inventive extensions, traditional materials, prefab, in-ground, slope-side, elevated, floating. Some of the distinct locations included are Oregon's rugged coastline, Australia's scorching interior, South America's mountainside cities, Finland's wintry forests, Indonesia's steamy beaches, inner city neighborhoods, outlying suburbs and rural locales. A great many of the designs respond to extremely challenging building sites with solutions that are nothing short of brilliant. Concise descriptions of each home include key features, along with floor plans and photographs showing interiors, exteriors and details. Each house is identified by name, location, year built and square footage as well as information on the architect. Profiles of 20 of the world's most creative architectural firms provide depth and background to the portfolio of designs.
Form:
books
books
Publication:
September 2007, Buffalo, Richmond Hill
September 2007, Buffalo, Richmond Hill
Subject:
Residential Architecture
Residential Architecture
Form:
books
books
Title:
Canadian churches
Canadian churches
Actions:
Price:
$85.00
(available to order)
Summary:
the first definitive guide to more than 250 of the most beautiful and significant churches across the country. Peter Richardson and Douglas Richardson provide the history of each church, including its construction, subsequent alterations or additions, the early congregation, and any architectural details that make these churches unique and noteworthy.
$85.00
(available to order)
Summary:
the first definitive guide to more than 250 of the most beautiful and significant churches across the country. Peter Richardson and Douglas Richardson provide the history of each church, including its construction, subsequent alterations or additions, the early congregation, and any architectural details that make these churches unique and noteworthy.
Subject:
Architecture in Canada
Architecture in Canada
Publication:
September 2007, Buffalo, Richmond Hill
September 2007, Buffalo, Richmond Hill
Title:
Canadian churches
Actions:
Price:
$85.00
(available to order)
Summary:
the first definitive guide to more than 250 of the most beautiful and significant churches across the country. Peter Richardson and Douglas Richardson provide the history of each church, including its construction, subsequent alterations or additions, the early congregation, and any architectural details that make these churches unique and noteworthy.
Canadian churches
Actions:
Price:
$85.00
(available to order)
Summary:
the first definitive guide to more than 250 of the most beautiful and significant churches across the country. Peter Richardson and Douglas Richardson provide the history of each church, including its construction, subsequent alterations or additions, the early congregation, and any architectural details that make these churches unique and noteworthy.
Form:
books
books
Publication:
September 2007, Buffalo, Richmond Hill
September 2007, Buffalo, Richmond Hill
Subject:
Architecture in Canada
Architecture in Canada
