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"You’re not a painter if you haven’t painted gray", declared Paul Cézanne. The same could be said of philosophers: you’re not a philosopher if you have never thought gray. This simple four-letter word signifies much more than a quasi-neutral color lying between black and white: we use the same word to describe moods, November skies, the hair of the elderly, the withered(...)
If you have never thought gray: A theory of color
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"You’re not a painter if you haven’t painted gray", declared Paul Cézanne. The same could be said of philosophers: you’re not a philosopher if you have never thought gray. This simple four-letter word signifies much more than a quasi-neutral color lying between black and white: we use the same word to describe moods, November skies, the hair of the elderly, the withered features of faces, dusty shelves, faceless bureaucracies, dreary politicians and hundreds of other things. This plain, unassuming word conceals a multitude of thoughts that we seldom pause to consider. In this exceptionally original book, Peter Sloterdijk follows the grey thread through the history of philosophy, art, literature and politics, enabling us to see familiar things in new ways and highlighting features of our lives that would otherwise remain unseen.
Art Theory
The fragility of plaster
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The distant past is commonly characterized in terms of dominant materials of the time – the Stone Age, the Bronze Age, the Iron Age, etc. Since the dawn of writing, however, characterizing eras in terms of materials has fallen by the wayside, and yet materials have continued to exert a powerful influence on our collective imagination. Viewed from this perspective, France(...)
The fragility of plaster
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The distant past is commonly characterized in terms of dominant materials of the time – the Stone Age, the Bronze Age, the Iron Age, etc. Since the dawn of writing, however, characterizing eras in terms of materials has fallen by the wayside, and yet materials have continued to exert a powerful influence on our collective imagination. Viewed from this perspective, France in the period from 1815 to 1855 could be seen as the half-century of plaster. After the French Revolution, plaster was used for a great variety of things: building, moulding, sculpting, decorating. Cheap and easy to use, plaster was everywhere, from Napoleon’s death mask to household ornaments, from walls to elaborate mouldings. Plaster was king – but a fragile king that easily crumbled and fell apart. The age of plaster was also the reign of the ephemeral and the transient, the vulgar and the eclectic, and the men and women of the time struggled to maintain stability and continuity with the past.
Art Theory
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The earth is not a dead, mute landscape but an eloquent, living being. Sometimes it just takes a spade, a packet of seeds, and a pair of sturdy boots to realize it. The philosopher Byung-Chul Han spent three springs, summers, autumns, and winters in his secret garden in Berlin, devoting himself to daily gardening in all weathers. For Han, gardening is a form of silent(...)
In praise of the earth: a journey into the garden
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The earth is not a dead, mute landscape but an eloquent, living being. Sometimes it just takes a spade, a packet of seeds, and a pair of sturdy boots to realize it. The philosopher Byung-Chul Han spent three springs, summers, autumns, and winters in his secret garden in Berlin, devoting himself to daily gardening in all weathers. For Han, gardening is a form of silent meditation, a lingering in stillness. It gives you a different sense of time. Every plant has its own time that is specific to it, and the garden is a space in which these multiple temporalities overlap and cut across one another. The longer he worked in the garden, the more respect he developed for the earth and for its enchanting beauty.
Landscape Theory
A dream of stone
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Best known for her seminal novel "Memoirs of Hadrian" (1951), an imagined autobiography of the Roman emperor, Yourcenar brings the same depth of inquiry and inventive speculation to her lyric prose on art and artists in this newest title in the ekphrasis series. In these five jewel-like essays, Yourcenar meditates on the decay of time, the desire both satiated and refused(...)
A dream of stone
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Best known for her seminal novel "Memoirs of Hadrian" (1951), an imagined autobiography of the Roman emperor, Yourcenar brings the same depth of inquiry and inventive speculation to her lyric prose on art and artists in this newest title in the ekphrasis series. In these five jewel-like essays, Yourcenar meditates on the decay of time, the desire both satiated and refused by art, and the imagery animating the lives, works, and dreams of Michelangelo, Dürer, and Piranesi. And in an intimate mediation on the historical novel, Yourcenar describes her own encounters with how language and sound reveal the past. Together these exquisite essays explore that fundamental awe—perhaps even the terror—at the heart of an encounter with beauty.
Art Theory
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For the fourth issue, SUKO focuses on the theme Deferred Dream, a term coined by Langston Hughes’ poem of the same name. The idea came from the shared feeling of working toward a future that will not necessarily be realized in our lifetime, and the resolution to work towards it anyway. Through interviews, biographies, and features, artists share how they connect to their(...)
SUKO magazine, vol. 04 : Deferred Dream
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For the fourth issue, SUKO focuses on the theme Deferred Dream, a term coined by Langston Hughes’ poem of the same name. The idea came from the shared feeling of working toward a future that will not necessarily be realized in our lifetime, and the resolution to work towards it anyway. Through interviews, biographies, and features, artists share how they connect to their own dreamworlds and in-between places. Artists in this issue confront and challenge their uncertainties, while others draw from sources of hope and protest inspired by past generations.
Magazines
Diffracting the North: Contemporary Latinx Canadian experiences and practices in film, new media
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"Diffracting the North" is the first book to collect and share the experiences and material realities of Latinx Canadian creators of film, media, and visual arts. Bringing together scholars, filmmakers, curators, and artists from a range of Latin American backgrounds, this publication is a forthright and practitioner-driven reflection on the circumstances of producing and(...)
Art Theory
February 2026
Diffracting the North: Contemporary Latinx Canadian experiences and practices in film, new media
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"Diffracting the North" is the first book to collect and share the experiences and material realities of Latinx Canadian creators of film, media, and visual arts. Bringing together scholars, filmmakers, curators, and artists from a range of Latin American backgrounds, this publication is a forthright and practitioner-driven reflection on the circumstances of producing and disseminating work in a country of predominantly anglophone and francophone environments. Contributors to the volume explore topics including how Latinx Canadian identity is constructed, negotiated, and expressed, as well as the networks and solidarities that shape Latinx Canadian experiences. These connections include intergenerational mentorships, cross-cultural alliances, and collaborations with Indigenous and other marginalized communities within racialized and gendered frameworks.
Art Theory
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Following the Second World War, Montreal earned a reputation as a North American hotbed of eroticism due to its red-light district, nightclub scene, and pornography industry. Although this erotic environment had a significant presence in the art and media of the period, the topic has been neglected by scholars. "The pornographic delicatessen" offers an important(...)
The pornographic delicatessen: Midcentury Montreal's erotic art, media, and spaces
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Following the Second World War, Montreal earned a reputation as a North American hotbed of eroticism due to its red-light district, nightclub scene, and pornography industry. Although this erotic environment had a significant presence in the art and media of the period, the topic has been neglected by scholars. "The pornographic delicatessen" offers an important examination of the development of erotic art and design in the city’s postwar and Quiet Revolution era. Matthew Purvis surveys a range of erotic materials to rediscover nearly forgotten artworks in a period that expanded definitions of what could be considered art. He stresses the confluence of visual art and film, magazines, and journalism during the period as formal models passed from surrealism and automatism into the evolution of a Quebec-specific variation of Pop Art called "ti-pop."
Architecture de Montréal
Weeds: A germinating theory
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For over a decade, artist and theorist Kwan Queenie Li has been photographing weeds across the world. From Jerusalem to Shanghai, Varanasi to Athens, Cairo to Mexico City, she has trained her attention on these unintended but ubiquitous inhabitants of the contemporary urban sphere, finding them dwelling in corners and cracks, in spaces suspended between uses, in ruins and(...)
Weeds: A germinating theory
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For over a decade, artist and theorist Kwan Queenie Li has been photographing weeds across the world. From Jerusalem to Shanghai, Varanasi to Athens, Cairo to Mexico City, she has trained her attention on these unintended but ubiquitous inhabitants of the contemporary urban sphere, finding them dwelling in corners and cracks, in spaces suspended between uses, in ruins and on construction sites. This essay in image and text proposes a new view of cities that learns from the weed's point of view, dissolving familiar categories and temporalities to see cities as evolving and often undefined spaces, replete with opportunity. Weeds organically defy phenomena that are taken for granted as immovable: walls, borders, history, and prescribed identities. They are registers of the real lives of cities of disuse and neglect, but also freedom and porousness. Out-of-place by definition, they offer a new perspective on the idea of "place" itself, and the ways it shapes and is shaped by its inhabitants.
Theory of Photography
Passer à l'action !
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Il y a mille façons de s’engager. S’impliquer, c’est développer sa solidarité et participer à quelque chose de plus grand que soi. Il existe autant de raisons de s’engager que de gens qui s’engagent et de causes qui méritent qu’on les défende. « Passer à l’action ! », grâce à ses nombreux portraits de jeunes impliqué·es dans leurs communautés, est une invitation à la(...)
Passer à l'action !
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Il y a mille façons de s’engager. S’impliquer, c’est développer sa solidarité et participer à quelque chose de plus grand que soi. Il existe autant de raisons de s’engager que de gens qui s’engagent et de causes qui méritent qu’on les défende. « Passer à l’action ! », grâce à ses nombreux portraits de jeunes impliqué·es dans leurs communautés, est une invitation à la solidarité et à la générosité.
Humans and cities
Mode jetable
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Entre gaspillage et surproduction, gros plan sur une industrie qui joue sur nos impulsions d’achat. Derrière les vêtements de chaque nouvelle tendance de la mode, il y a tout un monde. D’où viennent ces vêtements ? Dans quelles conditions de travail ont-ils été fabriqués ? Avec quels produits ? Quelles techniques de vente a-t-on mis en œuvre pour nous convaincre de les(...)
Mode jetable
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Entre gaspillage et surproduction, gros plan sur une industrie qui joue sur nos impulsions d’achat. Derrière les vêtements de chaque nouvelle tendance de la mode, il y a tout un monde. D’où viennent ces vêtements ? Dans quelles conditions de travail ont-ils été fabriqués ? Avec quels produits ? Quelles techniques de vente a-t-on mis en œuvre pour nous convaincre de les acheter ? Avec un simple bout de tissu, Philippe Gendreau brosse le tableau d’une industrie où règnent gaspillage et surproduction.
Environment and environmental theory