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Ink proposes a creative and critical inquiry into ink's instrumentality in architecture. This collect-ion of short essays comprises a latent history of architecture in ink, placing ink in our world with the purpose of gaining knowledge within and for the architectural discipline. A close consideration of the varied conceptual and material aspects of ink acts as a medium(...)
ink, or ''V is for Vermilion as described by Vitruvius'' An A to Z of ink in architecture
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Ink proposes a creative and critical inquiry into ink's instrumentality in architecture. This collect-ion of short essays comprises a latent history of architecture in ink, placing ink in our world with the purpose of gaining knowledge within and for the architectural discipline. A close consideration of the varied conceptual and material aspects of ink acts as a medium to reflect upon the means by which architectural knowledge is generated, articulated, and applied.
Architectural Theory
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Strip Cultures examines the politics of food and water, art and spectacle, entertainment and branding, body and sensory experience. In confronting the ordinary on America’s most famous four-mile stretch of pavement, the authors reveal how the Strip concentrates and magnifies the basic truths and practices of American culture where consumerism is the stuff of life, digital(...)
Strip cultures: finding America in Las Vegas
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Strip Cultures examines the politics of food and water, art and spectacle, entertainment and branding, body and sensory experience. In confronting the ordinary on America’s most famous four-mile stretch of pavement, the authors reveal how the Strip concentrates and magnifies the basic truths and practices of American culture where consumerism is the stuff of life, digital surveillance annuls the right to privacy, and nature—all but destroyed—is refashioned as an element of decor.
Urban Theory
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Houses for a New World is the first comprehensive history of this uniquely American form of domestic architecture and urbanism. Between 1945 and 1965, more than thirteen million houses--most of them in new ranch and split-level styles--were constructed on large expanses of land outside city centers, providing homes for the country's rapidly expanding population.(...)
Houses for a new world: builders and buyers in american suburds 1945-1965
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Houses for a New World is the first comprehensive history of this uniquely American form of domestic architecture and urbanism. Between 1945 and 1965, more than thirteen million houses--most of them in new ranch and split-level styles--were constructed on large expanses of land outside city centers, providing homes for the country's rapidly expanding population. Focusing on twelve developments in the suburbs of Boston, Philadelphia, Chicago, and Los Angeles, Barbara Miller Lane tells the story of the collaborations between builders and buyers, showing how both wanted houses and communities that espoused a modern way of life--informal, democratic, multiethnic, and devoted to improving the lives of their children. The resulting houses differed dramatically from both the European International Style and older forms of American domestic architecture.
Urban Theory
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After World War II, America’s religious denominations spent billions on church architecture as they spread into the suburbs. In this illustrated history of midcentury modern churches in the Midwest, Gretchen Buggeln shows how architects and suburban congregations joined forces to work out a vision of how modernist churches might help reinvigorate Protestant worship and(...)
The suburban church: modernism and community in postwar America
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After World War II, America’s religious denominations spent billions on church architecture as they spread into the suburbs. In this illustrated history of midcentury modern churches in the Midwest, Gretchen Buggeln shows how architects and suburban congregations joined forces to work out a vision of how modernist churches might help reinvigorate Protestant worship and community. The result offers a new perspective on postwar architecture, religion, and society. Drawing on the architectural record, church archives, and oral histories, The Suburban Church focuses on collaborations between architects Edward D. Dart, Edward A. Sövik, Charles E. Stade, and seventy-five congregations. By telling the stories behind their modernist churches, the book describes how the buildings both reflected and shaped developments in postwar religion—its ecumenism, optimism, and liturgical innovation, as well as its fears about staying relevant during a time of vast cultural, social, and demographic change.
Architectural Theory
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Freestyle thinking—that is Vilém Flusser’s intellectual modus operandi: challenging and offensive, paradoxical and audacious. His thought knows no disciplines or subjects nor does it pay tribute to other academic frameworks or rituals. Above all else his thought wants to intervene in ongoing cultural and artistic processes and influence them. In order to achieve this, no(...)
Flusseriana: an intellectual toolbox
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Freestyle thinking—that is Vilém Flusser’s intellectual modus operandi: challenging and offensive, paradoxical and audacious. His thought knows no disciplines or subjects nor does it pay tribute to other academic frameworks or rituals. Above all else his thought wants to intervene in ongoing cultural and artistic processes and influence them. In order to achieve this, no closed theoretical systems are necessary—only open, operative structures. The Flusseriana is a toolbox capable of being developed and expanded. It contains more than two hundred “thinkthings” (Denkdinge) of all kinds: particularities like “Indian Summer,” “Atlas,” “Submissiveness,” “Animal,” and “Mediterranean Sea”; condensed Flusserian thought concerning the big eternal questions such as “History,” “Language,” “Myth,” and “Religion”; the central concepts of his media analysis including “Apparatus,” “Abstraction,” “Cybernetics,” and “Telematics”; as well as Flusser’s own neologisms, “Communicology,” “Universe of Dots,” and the old and the new “Imaginations.” More than one hundred authors produced the entries under these entries in a dialogic practice entirely in the spirit of the philosophical writer from Prague.
Critical Theory
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In The Mountain, geographers Bernard Debarbieux and Gilles Rudaz trace the origins of the very concept of a mountain, showing how it is not a mere geographic feature but ultimately an idea, one that has evolved over time, influenced by changes in political climates and cultural attitudes. To truly understand mountains, they argue, we must view them not only as material(...)
The Mountain: a political history from the enlightment to the present
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In The Mountain, geographers Bernard Debarbieux and Gilles Rudaz trace the origins of the very concept of a mountain, showing how it is not a mere geographic feature but ultimately an idea, one that has evolved over time, influenced by changes in political climates and cultural attitudes. To truly understand mountains, they argue, we must view them not only as material realities but as social constructs, ones that can mean radically different things to different people in different settings.
Landscape Theory
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eter Davidson takes readers through our culture’s long engagement with the concept of twilight—from the melancholy of smoky English autumn evenings to the midnight sun of northern European summers and beyond. Taking in poets and painters, Victorians and Romans, city and countryside, and deftly combining memoir, literature, philosophy, and art history, Davidson shows how(...)
The last of the light: about twilight
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eter Davidson takes readers through our culture’s long engagement with the concept of twilight—from the melancholy of smoky English autumn evenings to the midnight sun of northern European summers and beyond. Taking in poets and painters, Victorians and Romans, city and countryside, and deftly combining memoir, literature, philosophy, and art history, Davidson shows how the atmospheric shadows and the in-between nature of twilight has fired the imagination and generated works of incredible beauty, mystery, and romance.
Critical Theory
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Hawksmoor wasn’t always appreciated, however: for decades after his death, he was seen as at best a second-rate talent. From the Shadows tells the story of the resurrection of his reputation, showing how over the years his work was ignored, abused, and altered—and, finally, recovered and celebrated. It is a story of the triumph of talent and of the power of appreciative(...)
From the shadows: the architecture and afterlife of Nicholas Hawksmoor
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Hawksmoor wasn’t always appreciated, however: for decades after his death, he was seen as at best a second-rate talent. From the Shadows tells the story of the resurrection of his reputation, showing how over the years his work was ignored, abused, and altered—and, finally, recovered and celebrated. It is a story of the triumph of talent and of the power of appreciative admirers like T. S. Eliot, James Stirling, Robert Venturi, and Peter Ackroyd, all of whom played a role in the twentieth-century recovery of Hawksmoor’s reputation.
Architectural Theory
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Ce livre voudrait dire la sagesse des casaniers, injustement dénigrés. Mais il explore aussi la façon dont ce monde que l’on croyait fuir revient par la fenêtre. Difficultés à trouver un logement abordable, ou à profiter de son chez-soi dans l’état de « famine temporelle » qui nous caractérise. Ramifications passionnantes de la simple question « Qui fait le ménage ? »,(...)
Chez-soi : une odyssée de l'espace domestique
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Ce livre voudrait dire la sagesse des casaniers, injustement dénigrés. Mais il explore aussi la façon dont ce monde que l’on croyait fuir revient par la fenêtre. Difficultés à trouver un logement abordable, ou à profiter de son chez-soi dans l’état de « famine temporelle » qui nous caractérise. Ramifications passionnantes de la simple question « Qui fait le ménage ? », persistance du modèle du bonheur familial, alors même que l’on rencontre des modes de vie bien plus inventifs… Autant de préoccupations à la fois intimes et collectives, passées ici en revue comme on range et nettoie un intérieur empoussiéré : pour tenter d’y voir plus clair, et de se sentir mieux.
Architectural Theory
Atlas of an anxious man
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The Atlas of an Anxious Man, is a travel story told by Austrian author Christoph Ransmayr. Translated by Simon Pare, this book follows Ransmayr around the world: from Java’s volcanoes to the Mekong and Danube Rivers, from the Arctic Circle to Himalayan passes, and on to the islands of the South Pacific.
Atlas of an anxious man
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The Atlas of an Anxious Man, is a travel story told by Austrian author Christoph Ransmayr. Translated by Simon Pare, this book follows Ransmayr around the world: from Java’s volcanoes to the Mekong and Danube Rivers, from the Arctic Circle to Himalayan passes, and on to the islands of the South Pacific.
Critical Theory