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Showing how the upswell of paranoia and growing demand for security in the post-9/11 world has paradoxically created widespread insecurity, these varied essays examine how this anxiety-laden mindset erodes spaces both architectural and personal, encroaching on all aspects of everyday life. Starting from the most literal level—barricades and barriers in front of buildings,(...)
Transportation, Tourism, Migration
December 2008, New York
Indefensible space: the architecture of the national insecurity space
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Showing how the upswell of paranoia and growing demand for security in the post-9/11 world has paradoxically created widespread insecurity, these varied essays examine how this anxiety-laden mindset erodes spaces both architectural and personal, encroaching on all aspects of everyday life. Starting from the most literal level—barricades and barriers in front of buildings, beefed up border patrols, gated communities, "safe rooms,"—to more abstract levels—enhanced surveillance at public spaces such as airports, increasing worries about contagion, the psychological predilection for fortified space—the contributors cover the full gamut of securitized public life that is defining the zeitgeist of twenty-first century America
Transportation, Tourism, Migration
A.Mag 24 : MORQ
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MORQ is an Italian office established in 2001 by Matteo Monteduro, Emiliano Roia, and Andrea Quagliola. Their work ranges from small-scale projects to large landscape and urban plans, with meaningful spaces integrated within simple and thoughtful buildings, in dialogue with existing conditions. As such, MORQ sees constraints as a starting point for its designs, not(...)
A.Mag 24 : MORQ
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MORQ is an Italian office established in 2001 by Matteo Monteduro, Emiliano Roia, and Andrea Quagliola. Their work ranges from small-scale projects to large landscape and urban plans, with meaningful spaces integrated within simple and thoughtful buildings, in dialogue with existing conditions. As such, MORQ sees constraints as a starting point for its designs, not impediments to creativity. Featured in this issue are fifteen small-scale works, both built and unbuilt, that demonstrate the studio’s talent for envisioning intimate yet open spaces that engage with shades of natural light, changing throughout the day and activated by the emotive and sensorial qualities of the materials.
Magazines
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"The Space Within" explores how interior space has been integral to the development of Modern architecture from the late 1800s to today, and how generations of architects have engaged with interior space and its experience in their design processes. In doing so, they fundamentally transformed the traditional methods and goals of architectural composition. As McCarter(...)
The space within: interior experience as the origin of architecture
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"The Space Within" explores how interior space has been integral to the development of Modern architecture from the late 1800s to today, and how generations of architects have engaged with interior space and its experience in their design processes. In doing so, they fundamentally transformed the traditional methods and goals of architectural composition. As McCarter argues, for many of the most recognized and respected architects practising today, the conception of the interior spatial experience continues to be the starting point for design. Through historical and current examples of architectural works he takes us through how this is done, and eloquently places us within the spaces.
Architectural Theory
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This fiction, a collaboration between Kasper Andreasen and Louis Lüthi, takes as its starting point the painter Alexander Cozens’s publication 'A New Method of Assisting the Invention in Drawing Original Compositions of Landscape' (1785). Set one morning in an empty gallery and told from the point of view of a man who installs exhibitions for a living, 'The Preparator'(...)
Contemporary Art Monographs
November 2016
Louis Luethi, Kasper Andreasen: The Preparator
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This fiction, a collaboration between Kasper Andreasen and Louis Lüthi, takes as its starting point the painter Alexander Cozens’s publication 'A New Method of Assisting the Invention in Drawing Original Compositions of Landscape' (1785). Set one morning in an empty gallery and told from the point of view of a man who installs exhibitions for a living, 'The Preparator' combines text and image in a series of compact, associative tableaus, each revolving around a landscape: a title page, an eighteenth-century ink drawing, the network of cracks in a ceiling, a walk along the Rhine, a satellite photograph, Thomas Bernhard holding forth in a private garden, and others.
Contemporary Art Monographs
Evelyn Hofer: New York
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The starting point for this publication is the 1965 book ''New York Proclaimed'', which features an in-depth essay by V.S. Pritchett and photos by Evelyn Hofer (1922–2009), and which enjoyed great popularity upon its original publication.This newly conceived ''New York'' focuses on Hofer's photos of the 1960s as well as previously unpublished images from the early 1970s.(...)
Evelyn Hofer: New York
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The starting point for this publication is the 1965 book ''New York Proclaimed'', which features an in-depth essay by V.S. Pritchett and photos by Evelyn Hofer (1922–2009), and which enjoyed great popularity upon its original publication.This newly conceived ''New York'' focuses on Hofer's photos of the 1960s as well as previously unpublished images from the early 1970s. In Hofer's photos of the street and (semi-) public spaces, people and architecture become symbols of a particular time and place. ''New York'' contains a new essay by John Haskell that posits possible stories behind Hofer's photos and draws connections between images taken over the course of ten years.
Photography monographs
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Materials and the myriad technologies that have been developed to manipulate them are of essential relevance to product designers, architects, artists and stylists, as they represent the starting point for every product and every architectural work. The book is an encyclopaedic compendium of around 1,000 terms in this field, from aerogel to marble to zirconium. It(...)
Materials encyclopedia for creatives
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Materials and the myriad technologies that have been developed to manipulate them are of essential relevance to product designers, architects, artists and stylists, as they represent the starting point for every product and every architectural work. The book is an encyclopaedic compendium of around 1,000 terms in this field, from aerogel to marble to zirconium. It features traditional and frequently used materials, as well as new and obscure materials. Their respective advantages and disadvantages are precisely described. In addition, terms related to production processes, such as upcycling or tanning, that describe the properties of materials or are closely related to the topic have also been included.
Materials and Lighting
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a(...)
Olivo Barbieri: flippers 1977-1978
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a cultural reminder, a throwback to the flashing momentum of the 1960s and ’70s, with rock music, science fiction, movie stars, and flower power. Published in its entirety for the first time, the pinball project was a formative experience for the photographer in his early years. Includes an interview with Barbieri and Francesco Zanot.
Photography monographs
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ee/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising. Following Dyer's(...)
See/saw: Looking at photographs
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ee/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising. Following Dyer's previous books on photography, ''The ongoing moment'' and ''The street philosophy of Garry Winogrand,'' ''See/saw'' brilliantly combines visual scrutiny and stylistic flair. It shows us how a photograph can simultaneously record and invent the world, and reveals a master seer at work. In the spirit of the intellectual curiosity of Berger, Sontag and Didion, Geoff Dyer helps us to see the world around us, and within us, afresh.
Theory of Photography
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Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask(...)
Capitalism and the camera: essays on photography and extraction
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Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism’s violence—and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera’s potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and the ways the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge.
Theory of Photography
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th(...)
Four times through the labyrinth
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th Venice Biennales, uses diverse media to question the ways in which we use our physical bodies to encounter the everyday environment. By exploring and combining a broad spectrum of topics related to the labyrinth theme, the book serves as both a reference system to Nicolai's work and an independent source book dealing with labyrinthian matter, from the fable of the minotaur to the floor plan of IKEA. Translated from German by Sadie Plant.
Art Theory