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Beijing the new city
Beijing the new city
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Over the past fifteen years Beijing has experienced unprecedented change–a change more dramatic and profound than ever before. Contemporary skyscrapers and architectural forms are gradually enclosing the historic city centre. Steel and glass structures, constructions reminiscent of distant metropolises, highways, viaducts, and sports facilities have given Beijing a new(...)
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Over the past fifteen years Beijing has experienced unprecedented change–a change more dramatic and profound than ever before. Contemporary skyscrapers and architectural forms are gradually enclosing the historic city centre. Steel and glass structures, constructions reminiscent of distant metropolises, highways, viaducts, and sports facilities have given Beijing a new(...)
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
Publication:
April 2008, Milan
April 2008, Milan
Title:
Beijing the new city
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Over the past fifteen years Beijing has experienced unprecedented change–a change more dramatic and profound than ever before. Contemporary skyscrapers and architectural forms are gradually enclosing the historic city centre. Steel and glass structures, constructions reminiscent of distant metropolises, highways, viaducts, and sports facilities have given Beijing a new face. Speed, combined with ever-changing rules and regulations, are the main characteristics of contemporary Beijing’s transformation. Understanding this process means arranging intermediate and transitional phases into a logical sequence, in a historical and urban context of reference. The speed at which the city is changing means that the work site phase and the actual moment of transformation have become an integral part of project elaboration, thereby influencing and modifying its development. This state of sudden and seemingly chaotic evolution is nonetheless supported by an urban structure dating back thousands of years and by a well-defined past. It is essential to understand this in order to identify the continuity in the midst of change, which in itself seems to be the real essence of the city’s evolution.
Beijing the new city
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Over the past fifteen years Beijing has experienced unprecedented change–a change more dramatic and profound than ever before. Contemporary skyscrapers and architectural forms are gradually enclosing the historic city centre. Steel and glass structures, constructions reminiscent of distant metropolises, highways, viaducts, and sports facilities have given Beijing a new face. Speed, combined with ever-changing rules and regulations, are the main characteristics of contemporary Beijing’s transformation. Understanding this process means arranging intermediate and transitional phases into a logical sequence, in a historical and urban context of reference. The speed at which the city is changing means that the work site phase and the actual moment of transformation have become an integral part of project elaboration, thereby influencing and modifying its development. This state of sudden and seemingly chaotic evolution is nonetheless supported by an urban structure dating back thousands of years and by a well-defined past. It is essential to understand this in order to identify the continuity in the midst of change, which in itself seems to be the real essence of the city’s evolution.
Form:
books
books
Publication:
April 2008, Milan
April 2008, Milan
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
Form:
journals and magazines
journals and magazines
Title:
Volume no 1
Volume no 1
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Volume no.1 : a project by Archis + AMO + C-lab. Architecture must go beyond itself, visions by Gerald Beasley, Michael Bell, Rem Koolhaas, Mark Wigley and many more. Plus 80 pages on the history of Europe and the European Union.
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Volume no.1 : a project by Archis + AMO + C-lab. Architecture must go beyond itself, visions by Gerald Beasley, Michael Bell, Rem Koolhaas, Mark Wigley and many more. Plus 80 pages on the history of Europe and the European Union.
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Volume no 1
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Volume no.1 : a project by Archis + AMO + C-lab. Architecture must go beyond itself, visions by Gerald Beasley, Michael Bell, Rem Koolhaas, Mark Wigley and many more. Plus 80 pages on the history of Europe and the European Union.
Volume no 1
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Volume no.1 : a project by Archis + AMO + C-lab. Architecture must go beyond itself, visions by Gerald Beasley, Michael Bell, Rem Koolhaas, Mark Wigley and many more. Plus 80 pages on the history of Europe and the European Union.
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journals and magazines
journals and magazines
Publication:
September 2004, Amsterdam
September 2004, Amsterdam
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Magazines
Magazines
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books
books
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$30.00
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on(...)
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on(...)
Title:
Architecture's desire: reading the late avant-garde
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive "decompositions" and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the "cinegrammatic" delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence.
Architecture's desire: reading the late avant-garde
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive "decompositions" and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the "cinegrammatic" delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence.
Form:
books
books
Publication:
November 2009
November 2009
Subject:
Architectural Theory
Architectural Theory
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books
books
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$32.95
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How did a First World urban population come to imagine itself as part of a global anti-colonial movement? This book tackles this and other paradoxes created by the surprising power and influence of Third World decolonization on political activism in 1960s Montreal. In a brilliant history of a turbulent time and place, Mills pulls back the curtain on the decade's(...)
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How did a First World urban population come to imagine itself as part of a global anti-colonial movement? This book tackles this and other paradoxes created by the surprising power and influence of Third World decolonization on political activism in 1960s Montreal. In a brilliant history of a turbulent time and place, Mills pulls back the curtain on the decade's(...)
Title:
The empire within: postcolonial thought and political activism in Sixties Montréal
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How did a First World urban population come to imagine itself as part of a global anti-colonial movement? This book tackles this and other paradoxes created by the surprising power and influence of Third World decolonization on political activism in 1960s Montreal. In a brilliant history of a turbulent time and place, Mills pulls back the curtain on the decade's activists and intellectuals, showing their engagement both with each other and with people from around the world. He demonstrates how activists of different backgrounds and with different political aims drew on ideas of decolonization to rethink the meanings attached to the politics of sex, race, and class and to imagine themselves as part of a broad transnational movement of anti-colonial and anti-imperialist resistance. The temporary unity forged around ideas of decolonization came undone in the 1970s, however, as many were forced to come to terms with the contradictions and ambiguities of applying ideas of decolonization in Quebec. From linguistic debates to labour unions, and from the political activities of citizens in the city's poorest neighbourhoods to its Caribbean intellectuals, this publication is a political tour of Montreal that reconsiders the meaning and legacy of the city's dissident traditions. It is also a fascinating chapter in the history of postcolonial thought.
The empire within: postcolonial thought and political activism in Sixties Montréal
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$32.95
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Summary:
How did a First World urban population come to imagine itself as part of a global anti-colonial movement? This book tackles this and other paradoxes created by the surprising power and influence of Third World decolonization on political activism in 1960s Montreal. In a brilliant history of a turbulent time and place, Mills pulls back the curtain on the decade's activists and intellectuals, showing their engagement both with each other and with people from around the world. He demonstrates how activists of different backgrounds and with different political aims drew on ideas of decolonization to rethink the meanings attached to the politics of sex, race, and class and to imagine themselves as part of a broad transnational movement of anti-colonial and anti-imperialist resistance. The temporary unity forged around ideas of decolonization came undone in the 1970s, however, as many were forced to come to terms with the contradictions and ambiguities of applying ideas of decolonization in Quebec. From linguistic debates to labour unions, and from the political activities of citizens in the city's poorest neighbourhoods to its Caribbean intellectuals, this publication is a political tour of Montreal that reconsiders the meaning and legacy of the city's dissident traditions. It is also a fascinating chapter in the history of postcolonial thought.
Form:
books
books
Publication:
August 2010
August 2010
Subject:
Architecture de Montréal
Architecture de Montréal
Form:
journals and magazines
journals and magazines
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$19.95
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Summary:
Exploration continues full throttle into the creation and culture of the project in the new issue of INVENTARIO, this time with a cover dedicated to Candles. And with new content, where the disciplines of architecture, design and art, together with life itself, find themselves interacting..
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Summary:
Exploration continues full throttle into the creation and culture of the project in the new issue of INVENTARIO, this time with a cover dedicated to Candles. And with new content, where the disciplines of architecture, design and art, together with life itself, find themselves interacting..
Title:
Inventario 5 : everything is a project
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Exploration continues full throttle into the creation and culture of the project in the new issue of INVENTARIO, this time with a cover dedicated to Candles. And with new content, where the disciplines of architecture, design and art, together with life itself, find themselves interacting..
Inventario 5 : everything is a project
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$19.95
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Summary:
Exploration continues full throttle into the creation and culture of the project in the new issue of INVENTARIO, this time with a cover dedicated to Candles. And with new content, where the disciplines of architecture, design and art, together with life itself, find themselves interacting..
Form:
journals and magazines
journals and magazines
Publication:
November 2012
November 2012
Subject:
Magazines
Magazines
Form:
books
books
Title:
By - product - Tokyo
By - product - Tokyo
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RMIT's relationship with Tokyo Institute of Technology began in 1994 with a joint research project in the City of Ogaki in Gifu Prefecture. That project was part of RMIT School of Architecture's continuing commitment to an engagement with the urbanism of its region. "By-Product-Tokyo" is the outcome of a new chapter in this dialogue with TITech. The project was instigated(...)
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RMIT's relationship with Tokyo Institute of Technology began in 1994 with a joint research project in the City of Ogaki in Gifu Prefecture. That project was part of RMIT School of Architecture's continuing commitment to an engagement with the urbanism of its region. "By-Product-Tokyo" is the outcome of a new chapter in this dialogue with TITech. The project was instigated(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
December 2003, Melbourne
December 2003, Melbourne
Title:
By - product - Tokyo
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Summary:
RMIT's relationship with Tokyo Institute of Technology began in 1994 with a joint research project in the City of Ogaki in Gifu Prefecture. That project was part of RMIT School of Architecture's continuing commitment to an engagement with the urbanism of its region. "By-Product-Tokyo" is the outcome of a new chapter in this dialogue with TITech. The project was instigated by Shane Murray in 1999 with the receipt of a grant to fund student exchange from the University Mobility in Asia and the Pacific Association. Nigel Bertram and Marika Neustupny developed the three-month project in Tokyo. This book is itself a by-product of Tokyo, and its contemporary thought. It is an unexpected offshoot of an ongoing line of architectural research being undertaken by a group of Japanese architects and students centred at the Tokyo Institute of Technology.
By - product - Tokyo
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$40.95
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Summary:
RMIT's relationship with Tokyo Institute of Technology began in 1994 with a joint research project in the City of Ogaki in Gifu Prefecture. That project was part of RMIT School of Architecture's continuing commitment to an engagement with the urbanism of its region. "By-Product-Tokyo" is the outcome of a new chapter in this dialogue with TITech. The project was instigated by Shane Murray in 1999 with the receipt of a grant to fund student exchange from the University Mobility in Asia and the Pacific Association. Nigel Bertram and Marika Neustupny developed the three-month project in Tokyo. This book is itself a by-product of Tokyo, and its contemporary thought. It is an unexpected offshoot of an ongoing line of architectural research being undertaken by a group of Japanese architects and students centred at the Tokyo Institute of Technology.
Form:
books
books
Publication:
December 2003, Melbourne
December 2003, Melbourne
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
books
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$31.50
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Summary:
An investigation into Shanghai’s rise from peripheral port to urban center. Even before the romanticized golden era of Shanghai in the 1930s, the famed Asian city was remarkable for its uniqueness and East-meets-West cosmopolitanism. Meng Yue analyzes a century-long shift of urbanity from China’s heartland to its shore. During the period between the decline of Jiangnan(...)
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Summary:
An investigation into Shanghai’s rise from peripheral port to urban center. Even before the romanticized golden era of Shanghai in the 1930s, the famed Asian city was remarkable for its uniqueness and East-meets-West cosmopolitanism. Meng Yue analyzes a century-long shift of urbanity from China’s heartland to its shore. During the period between the decline of Jiangnan(...)
Title:
Shanghai and the edges of empires
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An investigation into Shanghai’s rise from peripheral port to urban center. Even before the romanticized golden era of Shanghai in the 1930s, the famed Asian city was remarkable for its uniqueness and East-meets-West cosmopolitanism. Meng Yue analyzes a century-long shift of urbanity from China’s heartland to its shore. During the period between the decline of Jiangnan cities such as Suzhou and Yangzhou and Shanghai’s early twentieth-century rise, the overlapping cultural edges of a failing Chinese royal order and the encroachment of Western imperialists converged. Simultaneously appropriating and resisting imposing forces, Shanghai opened itself to unruly, subversive practices, becoming a crucible of creativity and modernism. Calling into question conventional ways of conceptualizing modernity, colonialism, and intercultural relations, Meng Yue examines such cultural practices as the work of the commercial press, street theater, and literary arts, and shows that what appear to be minor cultural changes often signal the presence of larger political and economic developments. Engaging theories of modernity and postcolonial and global cultural studies, Meng Yue reveals the paradoxical interdependence between imperial and imperialist histories and the retranslation of culture that characterized the most notable result of China’s urban relocation—the emergence of the international city of Shanghai.
Shanghai and the edges of empires
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$31.50
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An investigation into Shanghai’s rise from peripheral port to urban center. Even before the romanticized golden era of Shanghai in the 1930s, the famed Asian city was remarkable for its uniqueness and East-meets-West cosmopolitanism. Meng Yue analyzes a century-long shift of urbanity from China’s heartland to its shore. During the period between the decline of Jiangnan cities such as Suzhou and Yangzhou and Shanghai’s early twentieth-century rise, the overlapping cultural edges of a failing Chinese royal order and the encroachment of Western imperialists converged. Simultaneously appropriating and resisting imposing forces, Shanghai opened itself to unruly, subversive practices, becoming a crucible of creativity and modernism. Calling into question conventional ways of conceptualizing modernity, colonialism, and intercultural relations, Meng Yue examines such cultural practices as the work of the commercial press, street theater, and literary arts, and shows that what appear to be minor cultural changes often signal the presence of larger political and economic developments. Engaging theories of modernity and postcolonial and global cultural studies, Meng Yue reveals the paradoxical interdependence between imperial and imperialist histories and the retranslation of culture that characterized the most notable result of China’s urban relocation—the emergence of the international city of Shanghai.
Form:
books
books
Publication:
January 2006, Minneapolis
January 2006, Minneapolis
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
Form:
books
books
Price:
$33.95
(available in store)
Summary:
"Against reason, volume 1" is published alongside the "Tony Smith catalogue raisonné: Sculpture", itself the first of two volumes—the other focusing on architecture—documenting the artist's career. This book reveals the depth and complexity of Smith's oeuvre in sculpture while positioning its transdisciplinary nature in dialogue with contemporary practitioners.(...)
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Summary:
"Against reason, volume 1" is published alongside the "Tony Smith catalogue raisonné: Sculpture", itself the first of two volumes—the other focusing on architecture—documenting the artist's career. This book reveals the depth and complexity of Smith's oeuvre in sculpture while positioning its transdisciplinary nature in dialogue with contemporary practitioners.(...)
Title:
Against reason, Volume 1. Tony Smith, culture and other modernisms
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"Against reason, volume 1" is published alongside the "Tony Smith catalogue raisonné: Sculpture", itself the first of two volumes—the other focusing on architecture—documenting the artist's career. This book reveals the depth and complexity of Smith's oeuvre in sculpture while positioning its transdisciplinary nature in dialogue with contemporary practitioners. Commissioned essays by art historians and curators and visual projects by artists offer renewed perspectives on a variety of cultural systems, exploring the ongoing vitality of Smith's work. Their contributions reflect upon the modernist era in which Smith's work was produced to think through ingrained ideologies, revealing other, parallel modernisms and histories.
Against reason, Volume 1. Tony Smith, culture and other modernisms
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$33.95
(available in store)
Summary:
"Against reason, volume 1" is published alongside the "Tony Smith catalogue raisonné: Sculpture", itself the first of two volumes—the other focusing on architecture—documenting the artist's career. This book reveals the depth and complexity of Smith's oeuvre in sculpture while positioning its transdisciplinary nature in dialogue with contemporary practitioners. Commissioned essays by art historians and curators and visual projects by artists offer renewed perspectives on a variety of cultural systems, exploring the ongoing vitality of Smith's work. Their contributions reflect upon the modernist era in which Smith's work was produced to think through ingrained ideologies, revealing other, parallel modernisms and histories.
Form:
books
books
Publication:
October 2024
October 2024
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Inventario 12
Inventario 12
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The investigation on ways of creating and the culture of the project continues in the new, twelfth, edition of INVENTARIO. As underlined by the subtitle “Everything is a Project”, the usually disconnected disciplines of architecture, design and art, together with life itself, find themselves in dialogue with each other.
$24.95
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Summary:
The investigation on ways of creating and the culture of the project continues in the new, twelfth, edition of INVENTARIO. As underlined by the subtitle “Everything is a Project”, the usually disconnected disciplines of architecture, design and art, together with life itself, find themselves in dialogue with each other.
Title:
Inventario 12
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$24.95
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Summary:
The investigation on ways of creating and the culture of the project continues in the new, twelfth, edition of INVENTARIO. As underlined by the subtitle “Everything is a Project”, the usually disconnected disciplines of architecture, design and art, together with life itself, find themselves in dialogue with each other.
Inventario 12
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$24.95
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Summary:
The investigation on ways of creating and the culture of the project continues in the new, twelfth, edition of INVENTARIO. As underlined by the subtitle “Everything is a Project”, the usually disconnected disciplines of architecture, design and art, together with life itself, find themselves in dialogue with each other.
Form:
books
books
Publication:
January 2017
January 2017
Subject:
Magazines
Magazines
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books
books
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$60.00
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism(...)
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism(...)
Title:
On the duty and power of architectural criticism: Proceeds of the international conference
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism itself has become more and more opaque in the digital world. The 2021 International Conference on Architecture Criticism has gathered exceptional papers that define the purposes and methods of architectural criticism of today. The resulting book is a collection of essays that offer essential independent voices on architecture criticism in a highly challenging media environment. Incisive and thought-provoking, ‘On duty and power on architectural criticism’ provides concrete case studies for future generations of architectural critics.
On the duty and power of architectural criticism: Proceeds of the international conference
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$60.00
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism itself has become more and more opaque in the digital world. The 2021 International Conference on Architecture Criticism has gathered exceptional papers that define the purposes and methods of architectural criticism of today. The resulting book is a collection of essays that offer essential independent voices on architecture criticism in a highly challenging media environment. Incisive and thought-provoking, ‘On duty and power on architectural criticism’ provides concrete case studies for future generations of architectural critics.
Form:
books
books
Publication:
February 2023
February 2023
Subject:
Architectural Theory
Architectural Theory
