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Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a(...)
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Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a(...)
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Poster collection 08 : black and white
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Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a compilation of international posters created over the last 40 years, "Poster Collection 08" brings to light a surprising variety of approaches where the colour of the paper and the black of the ink are the only materials at hand. Those materials alone provide the creative will with the tools it needs to create a succinct statement. Examples come via designers like A.G. Fronzoni, Werner Jeker, James Victore and Büro Destruct, and range from the political manifesto to the poetic abstraction, from modernist cool to postmodern eclectic.
Poster collection 08 : black and white
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Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a compilation of international posters created over the last 40 years, "Poster Collection 08" brings to light a surprising variety of approaches where the colour of the paper and the black of the ink are the only materials at hand. Those materials alone provide the creative will with the tools it needs to create a succinct statement. Examples come via designers like A.G. Fronzoni, Werner Jeker, James Victore and Büro Destruct, and range from the political manifesto to the poetic abstraction, from modernist cool to postmodern eclectic.
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books
books
Publication:
January 2004, Zürich
January 2004, Zürich
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Graphic Design and Typography
Graphic Design and Typography
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books
books
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Recognizing the dire threats of climate collapse and mass extinction, the global initiative Bauhaus Earth convened a team of scientists, architects, spatial planners, and policymakers from around the world to author a manifesto. ''Toward Re-Entanglement: A Charter for the City and the Earth'' is a call for radical transformation. It challenges all those with a role in the(...)
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Recognizing the dire threats of climate collapse and mass extinction, the global initiative Bauhaus Earth convened a team of scientists, architects, spatial planners, and policymakers from around the world to author a manifesto. ''Toward Re-Entanglement: A Charter for the City and the Earth'' is a call for radical transformation. It challenges all those with a role in the(...)
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Toward re-entanglement: A charter for the city and the earth
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Recognizing the dire threats of climate collapse and mass extinction, the global initiative Bauhaus Earth convened a team of scientists, architects, spatial planners, and policymakers from around the world to author a manifesto. ''Toward Re-Entanglement: A Charter for the City and the Earth'' is a call for radical transformation. It challenges all those with a role in the conception, production, operation, and governance of the building sector to address the systemic ecological, climatic, and social impacts incurred by its activities. Twelve principles of "re-entanglement" guide the redesign of the entire life cycle of the urban realm: the reforming and rematerializing of the physical artifacts that comprise it, the reconfiguring of the socioeconomic structures that underpin it, and the reengaging of the bioregions that might sustainably supply it. In this way, the unprecedented convergence of the environmental and social crises we are causing offers powerful opportunities for systemic change.
Toward re-entanglement: A charter for the city and the earth
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Recognizing the dire threats of climate collapse and mass extinction, the global initiative Bauhaus Earth convened a team of scientists, architects, spatial planners, and policymakers from around the world to author a manifesto. ''Toward Re-Entanglement: A Charter for the City and the Earth'' is a call for radical transformation. It challenges all those with a role in the conception, production, operation, and governance of the building sector to address the systemic ecological, climatic, and social impacts incurred by its activities. Twelve principles of "re-entanglement" guide the redesign of the entire life cycle of the urban realm: the reforming and rematerializing of the physical artifacts that comprise it, the reconfiguring of the socioeconomic structures that underpin it, and the reengaging of the bioregions that might sustainably supply it. In this way, the unprecedented convergence of the environmental and social crises we are causing offers powerful opportunities for systemic change.
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books
books
Publication:
September 2023
September 2023
Subject:
Green Architecture
Green Architecture
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books
books
Title:
The Villa Cavrois
The Villa Cavrois
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A masterpiece of 20th-century architecture designed by Robert Mallet-Stevens between 1929 and 1932, the Villa Cavrois had an eventful history before its restoration and opening to the public in 2015. The man who commissioned it, Paul Cavrois, a well-established industrialist from Northern France, wanted a residence large enough to house his family and servants. His(...)
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A masterpiece of 20th-century architecture designed by Robert Mallet-Stevens between 1929 and 1932, the Villa Cavrois had an eventful history before its restoration and opening to the public in 2015. The man who commissioned it, Paul Cavrois, a well-established industrialist from Northern France, wanted a residence large enough to house his family and servants. His(...)
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The Villa Cavrois
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A masterpiece of 20th-century architecture designed by Robert Mallet-Stevens between 1929 and 1932, the Villa Cavrois had an eventful history before its restoration and opening to the public in 2015. The man who commissioned it, Paul Cavrois, a well-established industrialist from Northern France, wanted a residence large enough to house his family and servants. His meeting with Robert Mallet-Stevens was to make his project an object-manifesto, an ocean liner rising on the heights of Roubaix, in a striking contrast with the neighbouring traditional bourgeois houses. Mallet-Stevens mastered all aspects of the design: the silhouette and geometry of the villa; the simple, yet luxurious furniture, and the materials chosen specifically for each room – marble and precious woods in the reception areas and tiles in sober colours in the bathrooms and kitchen – the lighting fixtures, the heating and sound systems.
The Villa Cavrois
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A masterpiece of 20th-century architecture designed by Robert Mallet-Stevens between 1929 and 1932, the Villa Cavrois had an eventful history before its restoration and opening to the public in 2015. The man who commissioned it, Paul Cavrois, a well-established industrialist from Northern France, wanted a residence large enough to house his family and servants. His meeting with Robert Mallet-Stevens was to make his project an object-manifesto, an ocean liner rising on the heights of Roubaix, in a striking contrast with the neighbouring traditional bourgeois houses. Mallet-Stevens mastered all aspects of the design: the silhouette and geometry of the villa; the simple, yet luxurious furniture, and the materials chosen specifically for each room – marble and precious woods in the reception areas and tiles in sober colours in the bathrooms and kitchen – the lighting fixtures, the heating and sound systems.
Form:
books
books
Publication:
December 2024
December 2024
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$76.95
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Stéphane Fernandez creates ''silent architecture'' that respects and invests in the landscape as it takes shape. A minimalist in expression with a maximalist’s attention to detail, the French architect centers his models, plans, and sketches on the search for materials, as well as the movement of bodies and the tensions generated between them. ''Imperfection—Atelier(...)
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Stéphane Fernandez creates ''silent architecture'' that respects and invests in the landscape as it takes shape. A minimalist in expression with a maximalist’s attention to detail, the French architect centers his models, plans, and sketches on the search for materials, as well as the movement of bodies and the tensions generated between them. ''Imperfection—Atelier(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
February 2020
February 2020
Title:
Imperfection. Atelier Stéphane Fernandez
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Stéphane Fernandez creates ''silent architecture'' that respects and invests in the landscape as it takes shape. A minimalist in expression with a maximalist’s attention to detail, the French architect centers his models, plans, and sketches on the search for materials, as well as the movement of bodies and the tensions generated between them. ''Imperfection—Atelier Stéphane Fernandez'' is the first book to focus on Fernandez’s studio in Aix-en-Provence, Atelier Stéphane Fernandez, and it features five designs emblematic of his approach: a children’s pavilion in Saint-Raphaël, a media library in Carnoux, a dormitory and laboratory building in Banyuls-sur-Mer, a cultural center in Vertou, and a primary school in Cannes. The book includes a manifesto and essay by Fernandez, a conversation between Fernandez and architectural historian Éléonore Marantz, and more than one hundred color illustrations, including plans and photographs by Berlin-based photographer Schnepp Renou.
Imperfection. Atelier Stéphane Fernandez
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Stéphane Fernandez creates ''silent architecture'' that respects and invests in the landscape as it takes shape. A minimalist in expression with a maximalist’s attention to detail, the French architect centers his models, plans, and sketches on the search for materials, as well as the movement of bodies and the tensions generated between them. ''Imperfection—Atelier Stéphane Fernandez'' is the first book to focus on Fernandez’s studio in Aix-en-Provence, Atelier Stéphane Fernandez, and it features five designs emblematic of his approach: a children’s pavilion in Saint-Raphaël, a media library in Carnoux, a dormitory and laboratory building in Banyuls-sur-Mer, a cultural center in Vertou, and a primary school in Cannes. The book includes a manifesto and essay by Fernandez, a conversation between Fernandez and architectural historian Éléonore Marantz, and more than one hundred color illustrations, including plans and photographs by Berlin-based photographer Schnepp Renou.
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books
books
Publication:
February 2020
February 2020
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$68.00
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Text in English and German. Third Revised Edition 2018. If there is one building by Le Corbusier that represents a synthesis of his basic concepts it is certainly the Unité d’habitation built in Marseille in 1946-52. This built manifesto does not simply put forward a social model as a utopia, but also the unity of architecture and town planning. It is one of the most(...)
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Text in English and German. Third Revised Edition 2018. If there is one building by Le Corbusier that represents a synthesis of his basic concepts it is certainly the Unité d’habitation built in Marseille in 1946-52. This built manifesto does not simply put forward a social model as a utopia, but also the unity of architecture and town planning. It is one of the most(...)
Title:
Le Cobusier, Unité d'Habitation Marseille. Opus 65
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Text in English and German. Third Revised Edition 2018. If there is one building by Le Corbusier that represents a synthesis of his basic concepts it is certainly the Unité d’habitation built in Marseille in 1946-52. This built manifesto does not simply put forward a social model as a utopia, but also the unity of architecture and town planning. It is one of the most significant buildings there has ever been, but it also triggered a great deal of controversy. Despite all the criticism, it obviously still offers functional advantages that make it easier for individuals and the community to live together. As well as this, the building also offers something special in terms of concrete spatial experience. In the age of a superficial 'adventure society' it claims the intensity of an everyday experience that is both casual and at the same time complex, embracing all the senses.
Le Cobusier, Unité d'Habitation Marseille. Opus 65
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Text in English and German. Third Revised Edition 2018. If there is one building by Le Corbusier that represents a synthesis of his basic concepts it is certainly the Unité d’habitation built in Marseille in 1946-52. This built manifesto does not simply put forward a social model as a utopia, but also the unity of architecture and town planning. It is one of the most significant buildings there has ever been, but it also triggered a great deal of controversy. Despite all the criticism, it obviously still offers functional advantages that make it easier for individuals and the community to live together. As well as this, the building also offers something special in terms of concrete spatial experience. In the age of a superficial 'adventure society' it claims the intensity of an everyday experience that is both casual and at the same time complex, embracing all the senses.
Form:
books
books
Publication:
January 2008
January 2008
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$62.00
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A new manifesto from the Why Factory, “Porocity: Opening Up Solidity” makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to(...)
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A new manifesto from the Why Factory, “Porocity: Opening Up Solidity” makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to(...)
Title:
Porocity: opening up solidity. the why factory.
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A new manifesto from the Why Factory, “Porocity: Opening Up Solidity” makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to its citizens. How can we introduce pockets for encounters, for streams of circulation, for green areas, for tunnels of cooling? What structures can be imagined to allow for this openness? Creating grottos? Splitting towers? Twisting blocks? More than hypotheses, models and examples (as useful as these are), this book even proposes such tools as a computational means of calculating the degree of porosity of architecture, so that urban thinkers and urban doers can turn the critique upon their own cities.
Porocity: opening up solidity. the why factory.
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A new manifesto from the Why Factory, “Porocity: Opening Up Solidity” makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to its citizens. How can we introduce pockets for encounters, for streams of circulation, for green areas, for tunnels of cooling? What structures can be imagined to allow for this openness? Creating grottos? Splitting towers? Twisting blocks? More than hypotheses, models and examples (as useful as these are), this book even proposes such tools as a computational means of calculating the degree of porosity of architecture, so that urban thinkers and urban doers can turn the critique upon their own cities.
Form:
books
books
Publication:
March 2019
March 2019
Subject:
Urban Theory
Urban Theory
Form:
books
books
Title:
Siteless 1001 building forms
Siteless 1001 building forms
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Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere.(...)
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Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere.(...)
Title:
Siteless 1001 building forms
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Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen, he asks, if architects liberated their minds from the constraints of site, program, and budget? The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published.
Siteless 1001 building forms
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Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen, he asks, if architects liberated their minds from the constraints of site, program, and budget? The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published.
Form:
books
books
Publication:
March 2008, Cambridge
March 2008, Cambridge
Subject:
Engineering Structures
Engineering Structures
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books
books
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$44.00
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Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to(...)
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Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to(...)
Title:
Tibor Kalman : perverse optimist
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Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to characterize graphic design in the past decade. Tibor, designed by Michael Bierut of Pentagram and edited by I.D. Magazine senior writer Peter Hall, is the first comprehensive collection of Kalman's work and ideas. This full-color title--numbering over 400 pages--includes a pictorial manifesto by Kalman, revealing his thoughts on magazines, advertising, sex, bookstores, food, and the design profession. Product designs, stills and storyboards from his film and video projects, and spreads from his book and magazine work are included, creating what Kalman calls "an almanac of oddities." An impressive list of essay contributors includes Steven Heller, David Byrne, Jay Chiat, Kurt Andersen, Paola Antonelli, Isaac Mizrahi, Ingrid Sischy, Chee Pearlman, and Rick Poynor.
Tibor Kalman : perverse optimist
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Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to characterize graphic design in the past decade. Tibor, designed by Michael Bierut of Pentagram and edited by I.D. Magazine senior writer Peter Hall, is the first comprehensive collection of Kalman's work and ideas. This full-color title--numbering over 400 pages--includes a pictorial manifesto by Kalman, revealing his thoughts on magazines, advertising, sex, bookstores, food, and the design profession. Product designs, stills and storyboards from his film and video projects, and spreads from his book and magazine work are included, creating what Kalman calls "an almanac of oddities." An impressive list of essay contributors includes Steven Heller, David Byrne, Jay Chiat, Kurt Andersen, Paola Antonelli, Isaac Mizrahi, Ingrid Sischy, Chee Pearlman, and Rick Poynor.
Form:
books
books
Publication:
September 2000, New York
September 2000, New York
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
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$32.95
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The Magic Box, carried out by Dominique Perrault Architecture, is more than a public sports facility. It is a whole conceptual, urbanistic and constructive manifesto through the insertion of a radically contemporary building in a sensitive environment, which has helped to regenerate the southern edge of the city of Madrid and to round off the urban banks of the Manzanares(...)
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The Magic Box, carried out by Dominique Perrault Architecture, is more than a public sports facility. It is a whole conceptual, urbanistic and constructive manifesto through the insertion of a radically contemporary building in a sensitive environment, which has helped to regenerate the southern edge of the city of Madrid and to round off the urban banks of the Manzanares(...)
Title:
La Caja magica / Magic box : Dominique Perrault architecture
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The Magic Box, carried out by Dominique Perrault Architecture, is more than a public sports facility. It is a whole conceptual, urbanistic and constructive manifesto through the insertion of a radically contemporary building in a sensitive environment, which has helped to regenerate the southern edge of the city of Madrid and to round off the urban banks of the Manzanares River. The book includes unpublished texts by Andreas Ruby (a didactic essay) and Hans Ulrich Ibrist (an exclusive interview). It also includes a technical dossier dedicated to the construction of the building highly illustrated with plans (mostly unpublished) and a graphic documentation that breaks down the details of the construction, difficulties, successes and context of the assignment. In addition, this monograph also provides information on the competitive submissions, and further texts that explain the concept behind the Magic Box and the reason for its success.
La Caja magica / Magic box : Dominique Perrault architecture
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The Magic Box, carried out by Dominique Perrault Architecture, is more than a public sports facility. It is a whole conceptual, urbanistic and constructive manifesto through the insertion of a radically contemporary building in a sensitive environment, which has helped to regenerate the southern edge of the city of Madrid and to round off the urban banks of the Manzanares River. The book includes unpublished texts by Andreas Ruby (a didactic essay) and Hans Ulrich Ibrist (an exclusive interview). It also includes a technical dossier dedicated to the construction of the building highly illustrated with plans (mostly unpublished) and a graphic documentation that breaks down the details of the construction, difficulties, successes and context of the assignment. In addition, this monograph also provides information on the competitive submissions, and further texts that explain the concept behind the Magic Box and the reason for its success.
Form:
books
books
Publication:
January 2012
January 2012
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$26.95
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Summary:
Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the(...)
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Summary:
Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the(...)
Title:
The ordinary: recordings. Rem Koolhaas, Denise Scott Brown, Yoshiharu Tsukamoto
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Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the genre of books derived from it. Organized around conversations with the authors of three seminal texts that document the city—Denise Scott Brown's "Learning from Las Vegas" (1972), Rem Koolhaas's "Delirious New York" (1978), and Yoshiharu Tsukamoto's "Made in Tokyo" (2001)—this volume traces the history of these "books on cities" by examining the material they recorded, the findings they established, the arguments they advanced, and the projects they promoted. These conversations also question the assumptions underlying this practice and whether in its ubiquity it still remains a space of opportunity.
The ordinary: recordings. Rem Koolhaas, Denise Scott Brown, Yoshiharu Tsukamoto
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Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the genre of books derived from it. Organized around conversations with the authors of three seminal texts that document the city—Denise Scott Brown's "Learning from Las Vegas" (1972), Rem Koolhaas's "Delirious New York" (1978), and Yoshiharu Tsukamoto's "Made in Tokyo" (2001)—this volume traces the history of these "books on cities" by examining the material they recorded, the findings they established, the arguments they advanced, and the projects they promoted. These conversations also question the assumptions underlying this practice and whether in its ubiquity it still remains a space of opportunity.
Form:
books
books
Publication:
April 2018
April 2018
Subject:
Architectural Theory
Architectural Theory
