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Georges Perec was a French novelist, film-maker, documentalist, and essayist, and also a member of the Oulipo group. Perec’s ‘Species of Space’ is a constellation of texts published in 1974 that investigates different spaces. Its primary focus is the order and system in which the texts are organised. This inventory is the theme of this book, which consists of essay(...)
Species of Spaces 1974- an imagined accommodation of retained and forgotten locations
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Georges Perec was a French novelist, film-maker, documentalist, and essayist, and also a member of the Oulipo group. Perec’s ‘Species of Space’ is a constellation of texts published in 1974 that investigates different spaces. Its primary focus is the order and system in which the texts are organised. This inventory is the theme of this book, which consists of essay contributions by nine artists, including Mohamed Camara and Kristina Jansson. Initiated by artists Cecilia Darle and Kristina Bength, the project also manifests in an exhibition. Their point of departure is Perec’s writings, in which limitations and rules become a working method that hints at an autobiographical latency.
Art Theory
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Over the last decade, Copenhagen has undergone a major transformation – not just in its appearance, but in the way the city functions and is experienced by its residents. COBE’s projects are spread out over Copenhagen, but they aren’t cookie-cutter buildings that are placed without meaning or context. Each structure is highly aware of what the local markers mean in a(...)
Cobe: our urban living room, Copenhagen
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Over the last decade, Copenhagen has undergone a major transformation – not just in its appearance, but in the way the city functions and is experienced by its residents. COBE’s projects are spread out over Copenhagen, but they aren’t cookie-cutter buildings that are placed without meaning or context. Each structure is highly aware of what the local markers mean in a globalised world. What unites them is the architects’ desire to achieve a more sustainable, socially inviting urban environment for city residents. This monograph speaks to all those who live and work in cities, with contributions ranging from established architects and architecture critics to the those in municipal and urban planning roles and the residents themselves.
Urban Theory
La ville du jour après
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Florence imitant Manhattan, curieuse allégation de Claude Lévi-Strauss ! Et si cette intuition était à prendre sérieusement ? Tout simplement, elle décrit un seul et même cycle, tandis qu'une même granulométrie lie les édifices. Bref, des villes où les mille différences comptent infiniment moins que dans nos villes modernes devenues imprécises, chahutées et pour certaines(...)
La ville du jour après
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Florence imitant Manhattan, curieuse allégation de Claude Lévi-Strauss ! Et si cette intuition était à prendre sérieusement ? Tout simplement, elle décrit un seul et même cycle, tandis qu'une même granulométrie lie les édifices. Bref, des villes où les mille différences comptent infiniment moins que dans nos villes modernes devenues imprécises, chahutées et pour certaines insaisissables. Et pourtant, chacune d'elles - au XXe siècle comme auparavant - poursuit une idée, mais ne la laissant s'installer qu'au filtre d'une réalité parfois cruelle et qui se traduit toujours en dessins puis tracés. Comprendre le passage à cette différence radicale, en remonter les fils, c'est un peu l'histoire de ce livre. Pour saisir toutes les étapes de cette longue et inexorable évolution, l'auteur remonte jusqu'à la Renaissance et son berceau, l'Italie, pour traquer les mutations successives qui vont produire un tel chamboulement et faire de ces villes des métropoles. Le récit, de nature épique et au rythme enlevé, est accompagné de nombreuses reproductions de dessins de Léonard de Vinci, Perruzi, Piranèse, Boullée, Ruskin, Koolhaas, Portzamparc, Archigram et quelques rares photos prises par Coburn et Gursky.
Urban Theory
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The High Line, an innovative promenade created on a disused elevated railway in Manhattan, is a new “hot” iconic landmark, but is it a model of urban revitalization or a bellwether of gentrification? A diverse group, including planners and architects directly involved in its design, assess it critically, exploring its aesthetic, economic, ecological, symbolic, and social impacts.
Deconstructing the High Line: postindustrial urbanism and the rise of the elevated park
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The High Line, an innovative promenade created on a disused elevated railway in Manhattan, is a new “hot” iconic landmark, but is it a model of urban revitalization or a bellwether of gentrification? A diverse group, including planners and architects directly involved in its design, assess it critically, exploring its aesthetic, economic, ecological, symbolic, and social impacts.
Urban Theory
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'Red Africa' is the culmination of a two-year research programme and exhibition project at Calvert 22, London, and Iwalewa House, Bayreuth. This traced the work of African artists and filmmakers who studied in the Soviet Union and Eastern Bloc under free education schemes originally offered under the Third International. Connections were particularly strong with countries(...)
Red Africa: Affective communities and the cold war
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'Red Africa' is the culmination of a two-year research programme and exhibition project at Calvert 22, London, and Iwalewa House, Bayreuth. This traced the work of African artists and filmmakers who studied in the Soviet Union and Eastern Bloc under free education schemes originally offered under the Third International. Connections were particularly strong with countries such as Mozambique, Ghana, Ethiopia and Angola that were conducting libertarian struggles, or which, post-independence, were part of the Non-Aligned Movement, which held its first Summit conference in Belgrade in 1961.
Art Theory
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"What now? The politics of listening" reflects on the 2015 symposium of the same title, organised by Art in General in collaboration with the Vera List Centre for Art and Politics, which examined the idea of listening as a political act, a pedagogical process, and a protocol for engagement. The publication prompts inquiry into what degree are we able to listen to(...)
What now? The politics of listening
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"What now? The politics of listening" reflects on the 2015 symposium of the same title, organised by Art in General in collaboration with the Vera List Centre for Art and Politics, which examined the idea of listening as a political act, a pedagogical process, and a protocol for engagement. The publication prompts inquiry into what degree are we able to listen to different kinds of intelligences, and how can we incite receptivity? How do we address the fact that the right to listen is relative, and that the right not to listen, or to remain silent, is also a valid stance? Can we press on and position listening as a political act? And how do we further develop our ability to “listen for what is left out, and why”?
Art Theory
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How did art escape the deadlock of the Situationists' anti-art refusal? Did the relational artists, with their repetitions of Situationist slogans and techniques, outline a sustainable, micro-political alternative to Guy Debord's dream of surpassing art and realizing philosophy? Looking back at some of the Situationists' confrontations with the museum, this book traces a(...)
Life on Sirius: the Situationist International and the exhibition after art
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How did art escape the deadlock of the Situationists' anti-art refusal? Did the relational artists, with their repetitions of Situationist slogans and techniques, outline a sustainable, micro-political alternative to Guy Debord's dream of surpassing art and realizing philosophy? Looking back at some of the Situationists' confrontations with the museum, this book traces a path beyond the tragedy of negativity and the litany of recuperation. At the center is the concept of play; originally adopted as the principle of reconciled life, it returns as the lever of instrumentalization. But in the extraterrestial wasteland of the present, spaces of ludic coexistence and experimentation may remain possible, provided that pessimism can be adequately organized.
Art Theory
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This publication is the outcome of a research project pursued by a group of artists, architects, and social theorists, who, in the face of exhilarating politics of accumulation and dispossession, explore commoning as the subject as well as the means of their collective study.
Spaces of commoning: artistic research and the utopia of the everyday
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This publication is the outcome of a research project pursued by a group of artists, architects, and social theorists, who, in the face of exhilarating politics of accumulation and dispossession, explore commoning as the subject as well as the means of their collective study.
Art Theory
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From 1970–1990, architecture experienced a revision as part of the post-modern movement. The critical attitude to the functionalistic Moderne style and the influence of semiotics and philosophical trends, such as phenomenology, on architectural theory led to an increased interest in its history, expression, perception, and context. In addition, architectural heritage and(...)
Re-framing identities: Architecture's turn to history, 1970-1990. East-West central, vol. 3
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From 1970–1990, architecture experienced a revision as part of the post-modern movement. The critical attitude to the functionalistic Moderne style and the influence of semiotics and philosophical trends, such as phenomenology, on architectural theory led to an increased interest in its history, expression, perception, and context. In addition, architectural heritage and the care of architectural monuments gained importance. This development also increasingly challenged the ideologically based division between East and West. Instead of emphasizing the differences, the search was for a joint cultural heritage. The contributions in this volume question terms such as "Moderne" and "post-modern", and show how architecture could again represent local, regional, and national identity.
Architectural Theory
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From 1960–1980, both eastern and western Europe experienced a construction boom of new dimensions. Cybernetics, the science of planning, and sociology, as well as the new possibilities offered by technology and production, paved the way to large-scale processes and systems in architecture and urban design, which favored technocratic and utopian concepts. Increasingly,(...)
Re-scaling the environment: New landscapes of design, 1960-1980. East-West central, Vol. 2
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From 1960–1980, both eastern and western Europe experienced a construction boom of new dimensions. Cybernetics, the science of planning, and sociology, as well as the new possibilities offered by technology and production, paved the way to large-scale processes and systems in architecture and urban design, which favored technocratic and utopian concepts. Increasingly, architects and planners saw themselves as designers of comprehensive infrastructure and mega-structures in a technology-focused world. The authors assesses these developments on the back of a knowledge transfer between East and West. It confirms a change in attitude that can still be felt today – recession, social changes, and environmental problems led to criticism of the then contemporary concepts of modernity.
Architectural Theory