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$37.95
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Toyo Ito is one of the foremost architects working today. His architecture makes innovative use of steel and aluminium and includes such buildings as the White U House and the Eggs of Winds in Tokyo. This volume focuses on his Mediathèque in Sendai. This newly completed structure, which houses a library, art gallery, cinema, lecture theatre, and cybercafé, is predicated(...)
$37.95
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Summary:
Toyo Ito is one of the foremost architects working today. His architecture makes innovative use of steel and aluminium and includes such buildings as the White U House and the Eggs of Winds in Tokyo. This volume focuses on his Mediathèque in Sendai. This newly completed structure, which houses a library, art gallery, cinema, lecture theatre, and cybercafé, is predicated(...)
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Case : Toyo Ito - Sendai Mediatheque
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Toyo Ito is one of the foremost architects working today. His architecture makes innovative use of steel and aluminium and includes such buildings as the White U House and the Eggs of Winds in Tokyo. This volume focuses on his Mediathèque in Sendai. This newly completed structure, which houses a library, art gallery, cinema, lecture theatre, and cybercafé, is predicated on the idea that the users of the building occupy a media/ information landscape or “digital ecology. ”Through a series of extraordinary technical advances, floors supported by a system of occupiable hollow tubes and sophisticated information and media networks, the building creates an environment in which people can engage in cultural activities both internally (within the structure) and externally (through digital connections to the world at large). This volume investigates the evolution of the structure through a series of essays by experts on media, architectural technology, and digital culture.
Case : Toyo Ito - Sendai Mediatheque
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Summary:
Toyo Ito is one of the foremost architects working today. His architecture makes innovative use of steel and aluminium and includes such buildings as the White U House and the Eggs of Winds in Tokyo. This volume focuses on his Mediathèque in Sendai. This newly completed structure, which houses a library, art gallery, cinema, lecture theatre, and cybercafé, is predicated on the idea that the users of the building occupy a media/ information landscape or “digital ecology. ”Through a series of extraordinary technical advances, floors supported by a system of occupiable hollow tubes and sophisticated information and media networks, the building creates an environment in which people can engage in cultural activities both internally (within the structure) and externally (through digital connections to the world at large). This volume investigates the evolution of the structure through a series of essays by experts on media, architectural technology, and digital culture.
Form:
books
books
Publication:
October 2001, Munich
October 2001, Munich
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$62.50
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"Points + Lines: Diagrams and Projects for the City" is a book of New York architect Stan Allen's writings and projects that propose new architectural strategies for the contemporary city. Organized in the form of a user's manual, it juxtaposes speculative texts outlining (...)
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"Points + Lines: Diagrams and Projects for the City" is a book of New York architect Stan Allen's writings and projects that propose new architectural strategies for the contemporary city. Organized in the form of a user's manual, it juxtaposes speculative texts outlining (...)
Title:
Points + lines : diagrams and projects for the city
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"Points + Lines: Diagrams and Projects for the City" is a book of New York architect Stan Allen's writings and projects that propose new architectural strategies for the contemporary city. Organized in the form of a user's manual, it juxtaposes speculative texts outlining Allen's general principles with specific projects created by his office. The book's title refers to this interplay of practice and theory, evoking not only the points of activity and the paths of movement found in a contemporary city but also the points of speculation and lines of argument in theoretical discourse. Projects include the Cardiff Bay Opera House, Wales; the Korean-American Museum of Art, Los Angeles; the Museo del Prado, Madrid; and White Columns Gallery, New York. Each project is accompanied by explanatory text as well as numerous drawings, models, photographs, and computer renderings. K. Michael Hays contributes an introductory essay; R. E. Somol writes the postscript.
Points + lines : diagrams and projects for the city
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Summary:
"Points + Lines: Diagrams and Projects for the City" is a book of New York architect Stan Allen's writings and projects that propose new architectural strategies for the contemporary city. Organized in the form of a user's manual, it juxtaposes speculative texts outlining Allen's general principles with specific projects created by his office. The book's title refers to this interplay of practice and theory, evoking not only the points of activity and the paths of movement found in a contemporary city but also the points of speculation and lines of argument in theoretical discourse. Projects include the Cardiff Bay Opera House, Wales; the Korean-American Museum of Art, Los Angeles; the Museo del Prado, Madrid; and White Columns Gallery, New York. Each project is accompanied by explanatory text as well as numerous drawings, models, photographs, and computer renderings. K. Michael Hays contributes an introductory essay; R. E. Somol writes the postscript.
Form:
books
books
Publication:
January 1999, New York
January 1999, New York
Subject:
Urban Theory
Urban Theory
Form:
books
books
Title:
Henri's walk to Paris
Henri's walk to Paris
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In graphic designer Basss sole picture book, first published in 1962, his stylized collage prints pair with Kleins understated text to tell the story of a boy who dreams about traveling from his small town of Reboul to visit Paris. In Reboul, Henri lives in a little white house made up of two angular geometrical shapes, surrounded by a lush tapestry-like forest, and has(...)
$19.95
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Summary:
In graphic designer Basss sole picture book, first published in 1962, his stylized collage prints pair with Kleins understated text to tell the story of a boy who dreams about traveling from his small town of Reboul to visit Paris. In Reboul, Henri lives in a little white house made up of two angular geometrical shapes, surrounded by a lush tapestry-like forest, and has(...)
Title:
Henri's walk to Paris
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$19.95
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In graphic designer Basss sole picture book, first published in 1962, his stylized collage prints pair with Kleins understated text to tell the story of a boy who dreams about traveling from his small town of Reboul to visit Paris. In Reboul, Henri lives in a little white house made up of two angular geometrical shapes, surrounded by a lush tapestry-like forest, and has three friends, Andre, Jacques, and Michel (they appear as three pairs of legs, fitted with pink pants, decoratively pattered socks, and green boots). Finally, Henri sets out walking to Paris, but when a bird interferes with his sense of direction, he gets turned around, discovering that Paris is an awful lot like Reboul. Bass plays with repetition (theres a strong symmetry to Henris journey), text, and strong blocks of color, while using negative and positive space to toy with perception.
Henri's walk to Paris
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$19.95
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Summary:
In graphic designer Basss sole picture book, first published in 1962, his stylized collage prints pair with Kleins understated text to tell the story of a boy who dreams about traveling from his small town of Reboul to visit Paris. In Reboul, Henri lives in a little white house made up of two angular geometrical shapes, surrounded by a lush tapestry-like forest, and has three friends, Andre, Jacques, and Michel (they appear as three pairs of legs, fitted with pink pants, decoratively pattered socks, and green boots). Finally, Henri sets out walking to Paris, but when a bird interferes with his sense of direction, he gets turned around, discovering that Paris is an awful lot like Reboul. Bass plays with repetition (theres a strong symmetry to Henris journey), text, and strong blocks of color, while using negative and positive space to toy with perception.
Form:
books
books
Publication:
February 2012
February 2012
Subject:
Children's Books
Children's Books
Form:
books
books
Title:
Tony Conrad : yellow movies
Tony Conrad : yellow movies
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$42.00
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This first monograph on artist, filmmaker and musician Tony Conrad documents his seminal Yellow Movie project of the early 1970s. Published to accompany Conrad's recent one-person exhibition at New York's Greene Naftali Gallery and Galerie Bucholz, Köln, it includes an introductory note by Conrad, a new text by Diedrich Diederichsen and comprehensive documentation of all(...)
$42.00
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Summary:
This first monograph on artist, filmmaker and musician Tony Conrad documents his seminal Yellow Movie project of the early 1970s. Published to accompany Conrad's recent one-person exhibition at New York's Greene Naftali Gallery and Galerie Bucholz, Köln, it includes an introductory note by Conrad, a new text by Diedrich Diederichsen and comprehensive documentation of all(...)
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Tony Conrad : yellow movies
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$42.00
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This first monograph on artist, filmmaker and musician Tony Conrad documents his seminal Yellow Movie project of the early 1970s. Published to accompany Conrad's recent one-person exhibition at New York's Greene Naftali Gallery and Galerie Bucholz, Köln, it includes an introductory note by Conrad, a new text by Diedrich Diederichsen and comprehensive documentation of all the Yellow Movies still in existence. Art in America's David Coggins described the project in 2007: "Yellow Movies, a series of works from the early 1970s by pioneering filmmaker Tony Conrad, initially appears to be nothing more than white squares enclosed by black borders painted on large sheets of paper. Yet these casual paintings, roughly the size of old home-movie screens, are formed by latex house paint that slowly yellows over time, creating what are essentially unhurried photographic exposures. Conrad sought to make abstract films that would last a lifetime, and there's a discreet thrill to knowing that what you're seeing is changing, invisibly, before your eyes."
Tony Conrad : yellow movies
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$42.00
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Summary:
This first monograph on artist, filmmaker and musician Tony Conrad documents his seminal Yellow Movie project of the early 1970s. Published to accompany Conrad's recent one-person exhibition at New York's Greene Naftali Gallery and Galerie Bucholz, Köln, it includes an introductory note by Conrad, a new text by Diedrich Diederichsen and comprehensive documentation of all the Yellow Movies still in existence. Art in America's David Coggins described the project in 2007: "Yellow Movies, a series of works from the early 1970s by pioneering filmmaker Tony Conrad, initially appears to be nothing more than white squares enclosed by black borders painted on large sheets of paper. Yet these casual paintings, roughly the size of old home-movie screens, are formed by latex house paint that slowly yellows over time, creating what are essentially unhurried photographic exposures. Conrad sought to make abstract films that would last a lifetime, and there's a discreet thrill to knowing that what you're seeing is changing, invisibly, before your eyes."
Form:
books
books
Publication:
February 2009
February 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$56.95
(available to order)
Summary:
In 'Aurelia', Mavor takes special interest in the fairy tale’s gastronomy, including Alice’s Wonderland cake marked eat me, the sugar of the witch’s house in ‘Hansel and Gretel’ and the more disturbing ingestions of cannibalism, as in the Brothers Grimm’s ‘The Juniper Tree’, where a murdered boy sings through the mouth of a bird: ‘My mother she killed me. My father he ate(...)
$56.95
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Summary:
In 'Aurelia', Mavor takes special interest in the fairy tale’s gastronomy, including Alice’s Wonderland cake marked eat me, the sugar of the witch’s house in ‘Hansel and Gretel’ and the more disturbing ingestions of cannibalism, as in the Brothers Grimm’s ‘The Juniper Tree’, where a murdered boy sings through the mouth of a bird: ‘My mother she killed me. My father he ate(...)
Title:
Aurelia: art and literature through the mouth of the fairy tale
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$56.95
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Summary:
In 'Aurelia', Mavor takes special interest in the fairy tale’s gastronomy, including Alice’s Wonderland cake marked eat me, the sugar of the witch’s house in ‘Hansel and Gretel’ and the more disturbing ingestions of cannibalism, as in the Brothers Grimm’s ‘The Juniper Tree’, where a murdered boy sings through the mouth of a bird: ‘My mother she killed me. My father he ate me.’ Moving beyond this, Mavor discovers the fairy-tale realm in more surprising places: the tragic candy-land poetry of the 1950s ‘genius’ child-poet Minou Drouet; the subterranean world of enchantment in the cave paintings of Lascaux; the brown fairies of African American poet Langston Hughes; and Miwa Yanagi’s black-and-white, bloody photograph of the Grandmother and Little Red Riding Hood holding one another in the cut open belly of the wolf, as an allegory of the victims of Hiroshima. Through the lens of the fairy tale Mavor reads the world of literature and art as both magical and political.
Aurelia: art and literature through the mouth of the fairy tale
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$56.95
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Summary:
In 'Aurelia', Mavor takes special interest in the fairy tale’s gastronomy, including Alice’s Wonderland cake marked eat me, the sugar of the witch’s house in ‘Hansel and Gretel’ and the more disturbing ingestions of cannibalism, as in the Brothers Grimm’s ‘The Juniper Tree’, where a murdered boy sings through the mouth of a bird: ‘My mother she killed me. My father he ate me.’ Moving beyond this, Mavor discovers the fairy-tale realm in more surprising places: the tragic candy-land poetry of the 1950s ‘genius’ child-poet Minou Drouet; the subterranean world of enchantment in the cave paintings of Lascaux; the brown fairies of African American poet Langston Hughes; and Miwa Yanagi’s black-and-white, bloody photograph of the Grandmother and Little Red Riding Hood holding one another in the cut open belly of the wolf, as an allegory of the victims of Hiroshima. Through the lens of the fairy tale Mavor reads the world of literature and art as both magical and political.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
Literature and poetry
Literature and poetry
Form:
books
books
Title:
Sugimoto : architecture
Sugimoto : architecture
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$82.50
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Summary:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's(...)
$82.50
(available to order)
Summary:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's(...)
Subject:
Photography monographs
Photography monographs
Publication:
March 2003, New York
March 2003, New York
Title:
Sugimoto : architecture
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$82.50
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Summary:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nôtre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaudí's Casa Batlló II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia.
Sugimoto : architecture
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$82.50
(available to order)
Summary:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nôtre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaudí's Casa Batlló II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia.
Form:
books
books
Publication:
March 2003, New York
March 2003, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$34.00
(available to order)
Summary:
This charmingly illustrated volume showcases iconic structures from the world’s most important and most architecturally interesting cities—sure to appeal to amateur enthusiasts, aspiring architects, and even professionals. This book presents unique visual profiles of the most iconic buildings in the world, from twenty-five of the most important and most visited cities.(...)
$34.00
(available to order)
Summary:
This charmingly illustrated volume showcases iconic structures from the world’s most important and most architecturally interesting cities—sure to appeal to amateur enthusiasts, aspiring architects, and even professionals. This book presents unique visual profiles of the most iconic buildings in the world, from twenty-five of the most important and most visited cities.(...)
Title:
Iconic buildings: a folio of the world's most remarkable architecture
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$34.00
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Summary:
This charmingly illustrated volume showcases iconic structures from the world’s most important and most architecturally interesting cities—sure to appeal to amateur enthusiasts, aspiring architects, and even professionals. This book presents unique visual profiles of the most iconic buildings in the world, from twenty-five of the most important and most visited cities. Featuring remarkably detailed line drawings elegantly rendered in black and white, these captivating artworks and the accompanying text help the reader learn each structure’s history and understand what makes them so visually and culturally iconic. With the aim of exploring and communicating the deeper qualities of architecture by looking at it from new angles and presenting it in fresh and engaging ways, the illustrations are distinctive and elegant—inspired by Studio Esinam’s Landmarks and Elevations series of prints. Among the buildings included are such global icons as New York’s Chrysler Building, London’s St. Paul’s Cathedral, and the Sydney Opera House, along with lesser-known yet equally outstanding structures like the Centre Pompidou in Paris or Mies van der Rohe’s Neue Nationalgalerie in Berlin.
Iconic buildings: a folio of the world's most remarkable architecture
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$34.00
(available to order)
Summary:
This charmingly illustrated volume showcases iconic structures from the world’s most important and most architecturally interesting cities—sure to appeal to amateur enthusiasts, aspiring architects, and even professionals. This book presents unique visual profiles of the most iconic buildings in the world, from twenty-five of the most important and most visited cities. Featuring remarkably detailed line drawings elegantly rendered in black and white, these captivating artworks and the accompanying text help the reader learn each structure’s history and understand what makes them so visually and culturally iconic. With the aim of exploring and communicating the deeper qualities of architecture by looking at it from new angles and presenting it in fresh and engaging ways, the illustrations are distinctive and elegant—inspired by Studio Esinam’s Landmarks and Elevations series of prints. Among the buildings included are such global icons as New York’s Chrysler Building, London’s St. Paul’s Cathedral, and the Sydney Opera House, along with lesser-known yet equally outstanding structures like the Centre Pompidou in Paris or Mies van der Rohe’s Neue Nationalgalerie in Berlin.
Form:
books
books
Publication:
October 2017
October 2017
Subject:
Contemporary Architecture
Contemporary Architecture
Form:
books
books
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$65.00
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Summary:
Claus Bury began his career as a jeweler, and the architectural sculpture he's been making since 1979 retains the rounded shapes, balance and smooth finish of his first trade. High Tide, Low Tide tracks Bury's most recent accomplishments, and, for the first time, includes excerpts from his sketchbooks and journals. Pages detailing his recent travels in Yucatan, Mexico(...)
$65.00
(available to order)
Summary:
Claus Bury began his career as a jeweler, and the architectural sculpture he's been making since 1979 retains the rounded shapes, balance and smooth finish of his first trade. High Tide, Low Tide tracks Bury's most recent accomplishments, and, for the first time, includes excerpts from his sketchbooks and journals. Pages detailing his recent travels in Yucatan, Mexico(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
May 2007, Ostfildern
May 2007, Ostfildern
Title:
Claus Bury : High tide - low tide
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$65.00
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Summary:
Claus Bury began his career as a jeweler, and the architectural sculpture he's been making since 1979 retains the rounded shapes, balance and smooth finish of his first trade. High Tide, Low Tide tracks Bury's most recent accomplishments, and, for the first time, includes excerpts from his sketchbooks and journals. Pages detailing his recent travels in Yucatan, Mexico appear alongside black-and-white photographs of Mayan temples. Photographs of Bury's farm works, made of bales of hay, show the influence of the Mayans' iconic geometric purity. Other materials illuminate the artist's latest curved and boned structures, many wooden, by comparing them to ships. And the production of his largest work to date, the 2006 "Bitterfeld Arch," a multi-story steel bridge to nowhere, is documented from the ground up--eight months from start to ribbon-cutting--and contrasted with the "Greenhouse for Thoughts," a 2005 wooden installation shaped like a house frame, with a forest of studs where the walls would be. Though Bury was trained in Germany and is based there, he has taught at RISD, won an NEA grant, and seen his work shown at The Metropolitan Museum of Art, New York.
Claus Bury : High tide - low tide
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$65.00
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Summary:
Claus Bury began his career as a jeweler, and the architectural sculpture he's been making since 1979 retains the rounded shapes, balance and smooth finish of his first trade. High Tide, Low Tide tracks Bury's most recent accomplishments, and, for the first time, includes excerpts from his sketchbooks and journals. Pages detailing his recent travels in Yucatan, Mexico appear alongside black-and-white photographs of Mayan temples. Photographs of Bury's farm works, made of bales of hay, show the influence of the Mayans' iconic geometric purity. Other materials illuminate the artist's latest curved and boned structures, many wooden, by comparing them to ships. And the production of his largest work to date, the 2006 "Bitterfeld Arch," a multi-story steel bridge to nowhere, is documented from the ground up--eight months from start to ribbon-cutting--and contrasted with the "Greenhouse for Thoughts," a 2005 wooden installation shaped like a house frame, with a forest of studs where the walls would be. Though Bury was trained in Germany and is based there, he has taught at RISD, won an NEA grant, and seen his work shown at The Metropolitan Museum of Art, New York.
Form:
books
books
Publication:
May 2007, Ostfildern
May 2007, Ostfildern
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$50.00
(available to order)
Summary:
How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective(...)
$50.00
(available to order)
Summary:
How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective(...)
Title:
The details of modern architecture volume 1
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$50.00
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Summary:
How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective resource. They present the details of notable architectural works drawn in similar styles and formats, allowing comparisons between works of different scales, periods, and styles. Covering the period 1890-1932, Ford focuses on various recognized masters, explaining the detailing and construction techniques that distort, camouflage, or enhance a building. He looks at the source of each architect's ideas, the translation of those ideas into practice, and the success or failure of the technical execution. Ford examines Frank Lloyd Wright's Robie House and Fallingwater Le Corbusier's Villa Savoye, and buildings by McKim, Mead & White, Lutyens, Mies van der Rohe, and Schindler from a point of view that acknowledges the importance of tradition, precedent, style, and ideology in architectural construction. He discusses critical details from a technical and contextual standpoint, considering how they perform how they add to or detract from the building as a whole, and how some have persisted and been adapted through time.
The details of modern architecture volume 1
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Price:
$50.00
(available to order)
Summary:
How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective resource. They present the details of notable architectural works drawn in similar styles and formats, allowing comparisons between works of different scales, periods, and styles. Covering the period 1890-1932, Ford focuses on various recognized masters, explaining the detailing and construction techniques that distort, camouflage, or enhance a building. He looks at the source of each architect's ideas, the translation of those ideas into practice, and the success or failure of the technical execution. Ford examines Frank Lloyd Wright's Robie House and Fallingwater Le Corbusier's Villa Savoye, and buildings by McKim, Mead & White, Lutyens, Mies van der Rohe, and Schindler from a point of view that acknowledges the importance of tradition, precedent, style, and ideology in architectural construction. He discusses critical details from a technical and contextual standpoint, considering how they perform how they add to or detract from the building as a whole, and how some have persisted and been adapted through time.
Form:
books
books
Publication:
October 2003, Cambridge, Mass.
October 2003, Cambridge, Mass.
Subject:
Modernism
Modernism
Form:
books
books
Actions:
Price:
$120.00
(available to order)
Summary:
From 1845 to 1862, the Boston partnership of Albert Sands Southworth and Josiah Johnson Hawes maintained the most celebrated photography studio in the United States. Taking as their subjects both the greatest personalities of the day and the natural spectacles of the American landscape, such as Niagara Falls, Southworth & Hawes elevated the new medium of daguerreotype(...)
$120.00
(available to order)
Summary:
From 1845 to 1862, the Boston partnership of Albert Sands Southworth and Josiah Johnson Hawes maintained the most celebrated photography studio in the United States. Taking as their subjects both the greatest personalities of the day and the natural spectacles of the American landscape, such as Niagara Falls, Southworth & Hawes elevated the new medium of daguerreotype(...)
Subject:
Photography monographs
Photography monographs
Publication:
January 1900, Göttingen
January 1900, Göttingen
Title:
Young America : the daguerrotypes of Southworth & Hawes
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$120.00
(available to order)
Summary:
From 1845 to 1862, the Boston partnership of Albert Sands Southworth and Josiah Johnson Hawes maintained the most celebrated photography studio in the United States. Taking as their subjects both the greatest personalities of the day and the natural spectacles of the American landscape, such as Niagara Falls, Southworth & Hawes elevated the new medium of daguerreotype photography to the level of art. Transcending the mere recording of factual detail, their daguerreotypes reflect a quintessentially American aesthetic and embody an emerging national culture and spirit. "Young America" features full-scale color reproductions of all plates in the exhibition as well as 2,000 additional black-and-white illustrations. It includes a critical analysis of the historical and cultural importance of the work of Southworth & Hawes, with original texts by Brian Wallis, ICP Director of Exhibitions and Chief Curator, and Grant Romer, Director of the Advanced Program in Photography Conservation at George Eastman House, among other scholars. Appendices include a chronology, an annotated bibliography, an exploration of the daguerreotype process, brief biographies of the sitters, and a Southworth & Hawes family genealogy, making the catalogue an invaluable resource for researchers as well as general readers. The book includes an annotated bibliography, exhibition checklist and chronology.
Young America : the daguerrotypes of Southworth & Hawes
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Price:
$120.00
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Summary:
From 1845 to 1862, the Boston partnership of Albert Sands Southworth and Josiah Johnson Hawes maintained the most celebrated photography studio in the United States. Taking as their subjects both the greatest personalities of the day and the natural spectacles of the American landscape, such as Niagara Falls, Southworth & Hawes elevated the new medium of daguerreotype photography to the level of art. Transcending the mere recording of factual detail, their daguerreotypes reflect a quintessentially American aesthetic and embody an emerging national culture and spirit. "Young America" features full-scale color reproductions of all plates in the exhibition as well as 2,000 additional black-and-white illustrations. It includes a critical analysis of the historical and cultural importance of the work of Southworth & Hawes, with original texts by Brian Wallis, ICP Director of Exhibitions and Chief Curator, and Grant Romer, Director of the Advanced Program in Photography Conservation at George Eastman House, among other scholars. Appendices include a chronology, an annotated bibliography, an exploration of the daguerreotype process, brief biographies of the sitters, and a Southworth & Hawes family genealogy, making the catalogue an invaluable resource for researchers as well as general readers. The book includes an annotated bibliography, exhibition checklist and chronology.
Form:
books
books
Publication:
January 1900, Göttingen
January 1900, Göttingen
Subject:
Photography monographs
Photography monographs
