Banksy: Wall and piece
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Artistic genius, political activist, painter and decorator, mythic legend or notorious graffiti artist? The work of Banksy is unmistakable, except maybe when it’s squatting inthe Tate or New York’s Metropolitan Museum. Banksy is responsible for decorating the streets, walls, bridges and zoos of towns and cites throughout the world. Witty and subversive, his stencils(...)
Banksy: Wall and piece
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Artistic genius, political activist, painter and decorator, mythic legend or notorious graffiti artist? The work of Banksy is unmistakable, except maybe when it’s squatting inthe Tate or New York’s Metropolitan Museum. Banksy is responsible for decorating the streets, walls, bridges and zoos of towns and cites throughout the world. Witty and subversive, his stencils show monkeys with weapons of mass destruction, policeman with smiley faces, rats with drills and umbrellas.If you look hard enough you’ll find your own. His statements, incitements, ironies and epigrams are by turns intelligent and cheeky comments on everything from the monarchy and capitalism to the war in Iraq and farm animals. His identity remains unknown, but his work is prolific. And now for the first time, he’s putting together the best of his work – old and new in a fully illustrated colour volume.
Public Space
Manifest 2: Kingdoms of God
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Issue #2 of Manifest takes a stab in one of the most common, yet contested subjects that underline the Americas: religion. What is the role individual and organized faith play in the creation of American space? How do spirituality and capitalism walk together? Did anything really change since European colonizers set foot in the Kingdom of God? Contributors include:(...)
Manifest 2: Kingdoms of God
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Issue #2 of Manifest takes a stab in one of the most common, yet contested subjects that underline the Americas: religion. What is the role individual and organized faith play in the creation of American space? How do spirituality and capitalism walk together? Did anything really change since European colonizers set foot in the Kingdom of God? Contributors include: Jorge Silvetti and Graciela Silvestri, Tatiana Bilbao, Marlon Blackwell, Kathleen John-Alder, Ian Quate and Colleen Tuite (GRNASFCK), Antonio Petrov, Andrew Chesnut, Brett Culbert, Lynnette Widder and John Caserta, Sergio Galaz, Austin Granger, Molly Hunker, Andrew Kovacs, Assaf Evron, Nicola Pezolet, Mark Hogan, Mara Lepere-Schloop, Jaffer Kolb and Ang Li, Jacob Boswell. With a special feature including works by Aidlin Darling Design, Alfonso Architects, Frank Harmon, McCoy Architects, Riccardo Tossani Architecture, Daniel Bonilla Arquitectos, Ross Barney Architects, Brian Healy Architects, and BNKR Arquitectura.
Magazines
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Nothing is harder to do these days than nothing. But in a world where our value is determined by our 24/7 data productivity, doing nothing may be our most important form of resistance. So argues artist and critic Jenny Odell in this field guide to doing nothing (at least as capitalism defines it). Odell sees our attention as the most precious—and overdrawn—resource we(...)
How to do nothing: resisting the attention economy
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Nothing is harder to do these days than nothing. But in a world where our value is determined by our 24/7 data productivity, doing nothing may be our most important form of resistance. So argues artist and critic Jenny Odell in this field guide to doing nothing (at least as capitalism defines it). Odell sees our attention as the most precious—and overdrawn—resource we have. Once we can start paying a new kind of attention, she writes, we can undertake bolder forms of political action, reimagine humankind’s role in the environment, and arrive at more meaningful understandings of happiness and progress. Far from the simple anti-technology screed, or the back-to-nature meditation we read so often, ''How to do nothing'' is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism.
Critical Theory
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Nomeda and Gediminas Urbonas produce interactive projects exploring the conflicts and contradictions of former Soviet republics and their recent transition to capitalism. Born in Lithuania and now living in Vilnius, these artists use the city as a catalyst and a starting point for their analysis of the various impacts caused by a new economic, social and political model(...)
May 2008, Barcelone
Nomeda and Gediminas: devices for action
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Nomeda and Gediminas Urbonas produce interactive projects exploring the conflicts and contradictions of former Soviet republics and their recent transition to capitalism. Born in Lithuania and now living in Vilnius, these artists use the city as a catalyst and a starting point for their analysis of the various impacts caused by a new economic, social and political model on different sectors and generations in society. Developping over different stages, their projects are characterised by the key role played by the idea of the archive, the engagement of experts in different fields (design, music, architecture), and the participation of diverse communities and collective actions. This catalogue of their recently held first retrospective documents all their projects up to date, includes two essays by Bartomeu Mari and Lars Bang Larsen, a biography, and a list of works in the exhibition.
Against architecture
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With insight into the human side of architecture, this critical assessment displays the shortcomings of modern urban planning as an acclaimed architect issues a passionate charge against the celebrities of the current architectural world: the “archistars.” Francesco La Clecla argues that architecture has lost its way and its true function, as the archistars mold(...)
Against architecture
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With insight into the human side of architecture, this critical assessment displays the shortcomings of modern urban planning as an acclaimed architect issues a passionate charge against the celebrities of the current architectural world: the “archistars.” Francesco La Clecla argues that architecture has lost its way and its true function, as the archistars mold cityscapes to build their brand with no regard for the public good. More than a diatribe against the trade, the author makes a call to rethink urban space and take the cities back from “casino capitalism” that has left a string of failed urban projects, such as the Sagrera of Barcelona and the expansion of Columbia University in New York City. Recounting his travels across the globe, La Cecla provides insights to aid in resisting the planners and to find the spirit of a place.
Architectural Theory
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In "Manufacturing Montreal" Robert Lewis provides a detailed historical geographic account of a major North American city's industrial landscape from the beginnings of industrialization to the Great Depression. Challenging the traditional view that urban expansion due to industrial decentralization is a twentieth-century phenomenon, Lewis demonstrates that the process of(...)
Manufacturing Montreal : the making of an industrial landscape, 1850 to 1930
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In "Manufacturing Montreal" Robert Lewis provides a detailed historical geographic account of a major North American city's industrial landscape from the beginnings of industrialization to the Great Depression. Challenging the traditional view that urban expansion due to industrial decentralization is a twentieth-century phenomenon, Lewis demonstrates that the process of industrial decentralization has been ongoing since the 1850s. Lewis's overall thesis is that the economic and social imperatives underlying industrial capitalism periodically reshaped the manufacturing geography of Montreal, as it did in many other North American cities. Time and again, the move of factories to the urban fringe shaped the social geography of the city by creating working-class residential neighborhoods. A particular strength of the book is its detailed examination of the role that utilities, transportation, technological change, investment, political control of land use, and labor markets had in the manufacturing of Montreal's factory districts.
Architecture de Montréal
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One of the most influential Marxist theorists of the twentieth century, Henri Lefebvre pioneered the study of the modern state in an age of accelerating global economic integration and fragmentation. Shortly after the 1974 publication of his landmark book The Production of Space, Henri Lefebvre embarked on one of the most ambitious projects of his career: a consideration(...)
State, space, world, selected essays
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One of the most influential Marxist theorists of the twentieth century, Henri Lefebvre pioneered the study of the modern state in an age of accelerating global economic integration and fragmentation. Shortly after the 1974 publication of his landmark book The Production of Space, Henri Lefebvre embarked on one of the most ambitious projects of his career: a consideration of the history and geographies of the modern state through a monumental study that linked several disciplines, including political science, sociology, geography, and history. State, Space, World collects a series of Lefebvre’s key writings on the state from this period. Making available in English for the first time the as-yet-unexplored political aspect of Lefebvre’s work, it contains essays on philosophy, political theory, state formation, spatial planning, and globalization, as well as provocative reflections on the possibilities and limits of grassroots democracy under advanced capitalism.
Architectural Theory
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Developed by Amsterdam-based Slovenian artist and researcher Andrea Knezovic (born 1990) in collaboration with editor-curator Agata Bar, curator Tia Cicek and graphic designer Miquel Hervás Gómez, ''Nocturnalities: Bargaining Beyond Rest'' looks at how technology can assist, instead of coopting, care urgencies and needs. What is rest if not the space of safety? How can we(...)
Nocturnalities: Bargaining beyond rest
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Developed by Amsterdam-based Slovenian artist and researcher Andrea Knezovic (born 1990) in collaboration with editor-curator Agata Bar, curator Tia Cicek and graphic designer Miquel Hervás Gómez, ''Nocturnalities: Bargaining Beyond Rest'' looks at how technology can assist, instead of coopting, care urgencies and needs. What is rest if not the space of safety? How can we use or appropriate care methodologies in capitalism and create little oases of comfort, exchange and "communal comradeship"? The value of this work is embedded in the way it offers different—local and international—perspectives and understandings of how we relate to the politics of rest, negotiate institutional and intimate care, and imagine varieties of care systems and healing strategies within a local setting. The intent is not necessarily to offer one solution to the larger inquiry but to allow a plurality of voices and contributions to be heard, expressed and remembered.
Social
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Conventional representations reinforce its reading as an urban condition resulting from neoliberal capitalism. These forces have expanded the city grid and extruded its architectures as a laboratory of urban ideas. Yet, like many other coastal and insular conditions, twenty-first century Manhattan faces adverse Anthropogenic climate change. Stronger storm surges and sea(...)
New York geologics: Representations of Manhattan from the anthropocene
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Conventional representations reinforce its reading as an urban condition resulting from neoliberal capitalism. These forces have expanded the city grid and extruded its architectures as a laboratory of urban ideas. Yet, like many other coastal and insular conditions, twenty-first century Manhattan faces adverse Anthropogenic climate change. Stronger storm surges and sea level rise now demand that the island recalibrates its social and environmental positions. The city needs to consider once again its fluid archipelagic conditions inherited from glacial dynamics. With a focus on iconic city representations, the book examines distinct logics that try to make capitalist progress compatible with its territorial conditions. Even though these logics of land, water and ground – here called geologics – are perhaps less dominant than the dense urban culture and, therefore, less predominant in the representation of the city, they are still important to explain why Manhattan evolved to its current condition.
Architecture ecologies
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In this radical and visionary new book, McKenzie Wark argues that the all-pervasive presence of data in our networked society has given rise to a new mode of production, one not ruled over by capitalists and their factories but by those who own and control the flow of information. Yet, if this is not capitalism anymore, could it be something worse? What if the world we're(...)
Capital is dead: Is this something worse?
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In this radical and visionary new book, McKenzie Wark argues that the all-pervasive presence of data in our networked society has given rise to a new mode of production, one not ruled over by capitalists and their factories but by those who own and control the flow of information. Yet, if this is not capitalism anymore, could it be something worse? What if the world we're living in is more dystopian than the techno utopias of the Silicon Valley imagination? And, if this is the case, how do we find a way out? Capital Is Dead offers not only the theoretical tools to analyse this new world of information, but the ones to change it, too. Drawing on the writings of the Situationists and a range of contemporary theorists, Wark offers a vast panorama of the contemporary condition and the classes that control it.
Social