Conservation refugees: the hundred-year conflict between global conservation and native peoples
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Since 1900, more than 108,000 officially protected conservation areas have been established worldwide, largely at the urging of five international conservation organizations. About half of these areas were occupied or regularly used by indigenous peoples. Millions who had been living sustainably on their land for generations were displaced in the interests of(...)
April 2009, Cambridge, London
Conservation refugees: the hundred-year conflict between global conservation and native peoples
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Since 1900, more than 108,000 officially protected conservation areas have been established worldwide, largely at the urging of five international conservation organizations. About half of these areas were occupied or regularly used by indigenous peoples. Millions who had been living sustainably on their land for generations were displaced in the interests of conservation. In Conservation Refugees, Mark Dowie tells this story.
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A presentation of the mid-century modern California style, offering a new perspective on the work of Edward h. Fickett. The mid-century houses of this architect are coveted today, were ubiquitous during their time, and have always demonstrated a presciently deep understanding of the use of indigenous, cost-efficient materials and the integration of interior space with(...)
California moderne and the mid-century dream: the architecture of edward h.fickett
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A presentation of the mid-century modern California style, offering a new perspective on the work of Edward h. Fickett. The mid-century houses of this architect are coveted today, were ubiquitous during their time, and have always demonstrated a presciently deep understanding of the use of indigenous, cost-efficient materials and the integration of interior space with Southern California's Mediterranean climate.
Residential Architecture
MacGuffin 12: The Log
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‘The Log’ takes a walk in the woods to explore the design and politics of timber. From the last Norwegian trunks that floated down the Glomma to the indigenous logs that help map the Amazon, and from Jamaican lacebark trees to online chatbots, meet the logs that function as totems, design tools, oracles, wormholes, comic figures, activist artworks, village idiots, prison(...)
MacGuffin 12: The Log
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‘The Log’ takes a walk in the woods to explore the design and politics of timber. From the last Norwegian trunks that floated down the Glomma to the indigenous logs that help map the Amazon, and from Jamaican lacebark trees to online chatbots, meet the logs that function as totems, design tools, oracles, wormholes, comic figures, activist artworks, village idiots, prison cells, logbooks, nightmares, and dreams.
Magazines
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An urgent call for climate justice from Teen Vogue, one of this generation’s leading voices, using an intersectional lens – with critical feminist, Indigenous, antiracist, and internationalist perspectives. As the political classes watch our world burn, a new movement of young people is rising to meet the challenge of climate catastrophe. This book is a guide, a toolkit,(...)
No Planet B: A Teen Vogue guide to the climate crisis
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An urgent call for climate justice from Teen Vogue, one of this generation’s leading voices, using an intersectional lens – with critical feminist, Indigenous, antiracist, and internationalist perspectives. As the political classes watch our world burn, a new movement of young people is rising to meet the challenge of climate catastrophe. This book is a guide, a toolkit, a warning, and a cause for hope.
Environment and environmental theory
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Computational models of urbanism — smart cities that use data-driven planning and algorithmic administration — promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. 'A City Is Not a Computer' reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge(...)
A city is not a computer: other urban intelligences
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Computational models of urbanism — smart cities that use data-driven planning and algorithmic administration — promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. 'A City Is Not a Computer' reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models.
Urban Theory
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In the summer of 2018, Ursula Biemann was commissioned to undertake an extended field trip across the South of Colombia. Many surprising developments ensued from this initial journey in the Amazonian rainforest where the histories of colonial conquest and natural science intertwine. Forest Mind is the result of a series of territorial engagements through video-making,(...)
Forest mind: On the interconnection of all life
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In the summer of 2018, Ursula Biemann was commissioned to undertake an extended field trip across the South of Colombia. Many surprising developments ensued from this initial journey in the Amazonian rainforest where the histories of colonial conquest and natural science intertwine. Forest Mind is the result of a series of territorial engagements through video-making, photography, academic research, personal narrative, and the co-creation of an Indigenous University with the Inga people of Colombia. The explorations focus on the intelligence in nature from both shamanic and scientific perspectives. In these tropical forests, human and nonhuman territorial projects become entangled, calling for new ways of generating knowledge that spur the imagination. The Indigenous science of Ayahuasca as it is practiced by the traditional medics in Amazonia, is largely based in visions evoked by the psychoactive plant. Here, knowing does not only occur from a distance by describing, naming, and exploiting, but as an encounter between minds and worlds. The artist’s research brings to light contemporary Western science that has already been practiced by ancestral medics for millennia, allowing them to interact at the molecular level of DNA. Experimenting with new genetic technologies in collaboration with the ETH lab in Zurich, the visual universe of this project partially derives from biological materials and video-images of the rainforest which were encoded in one and the same DNA strand. In this personal quest, Swiss artist and author Ursula Biemann pursues her long-term inquiry at the intersection of art, ecology and indigenous cosmologies. The artist book presents a biosemiotics project that takes a deep dive into the mechanics of the interconnectedness of all life, and reflects on the active, performative role images play in merging mind and forest.
Contemporary Art Monographs
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Following the course of major journeys to the Arctic, including those of Martin Frobisher, Henry Hudson, and John Franklin, Philip Hatfield assesses the impact of these incursions on the North’s numerous indigenous communities and reveals the role of exploration in making the modern world. Besides detailing the area’s vivid history, ''Lines in the Ice'' also focuses on(...)
Lines in the ice: exploring the roof of the world
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Following the course of major journeys to the Arctic, including those of Martin Frobisher, Henry Hudson, and John Franklin, Philip Hatfield assesses the impact of these incursions on the North’s numerous indigenous communities and reveals the role of exploration in making the modern world. Besides detailing the area’s vivid history, ''Lines in the Ice'' also focuses on works created over the last 500 years by people who live and travel in the Arctic.
Architecture in Canada
For Zitkála-Šá
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Paying tribute to Yankton Dakota writer, musician, and activist Zitkála-Šá (b.1876), this publication is structured through a series of scores for thirteen contemporary female Indigenous performing artists: Laura Ortman, Cheryl L’Hirondelle, Suzanne Kite, Barbara Croall, Jacqueline Wilson, Autumn Chacon, Heidi Senungetuk, Ange Loft, Joy Harjo, Carmina Escobar, Olivia(...)
For Zitkála-Šá
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Paying tribute to Yankton Dakota writer, musician, and activist Zitkála-Šá (b.1876), this publication is structured through a series of scores for thirteen contemporary female Indigenous performing artists: Laura Ortman, Cheryl L’Hirondelle, Suzanne Kite, Barbara Croall, Jacqueline Wilson, Autumn Chacon, Heidi Senungetuk, Ange Loft, Joy Harjo, Carmina Escobar, Olivia Shortt, Candice Hopkins, and Buffy Sainte-Marie. ''For Zitkála-Šá'' is supplemented by texts by each artist and a contextualizing essay by Chacon.
Contemporary Art Monographs
books
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Framed by Terry Smith's introduction, the essays in this book focus on two kinds of strangeness involved in experiencing visual images in the modern era. The first, explored in the book's first half, involves the appearance of oddities or phantasmagoria in early photographs and cinema. The second type of strangeness involves art from marginalized groups and indigenous(...)
Impossible presence : surface and screen in the photographic era
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Framed by Terry Smith's introduction, the essays in this book focus on two kinds of strangeness involved in experiencing visual images in the modern era. The first, explored in the book's first half, involves the appearance of oddities or phantasmagoria in early photographs and cinema. The second type of strangeness involves art from marginalized groups and indigenous peoples, and the communicative formations that result from the trafficking of images between people from vastly different cultures.
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September 2001, Chicago
Architectural Theory
Microhabitable
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Researching across disciplines, "Microhabitable" considers scale, as well as questions of habitability and self-organisation, in a de-anthropocentric, or more than- human, framework. What methodologies and strategies might those anthropological, political and scientific discourses that deal with the microscopic, the micropolitical and the microeconomic have to share with(...)
Environment and environmental theory
January 2024
Microhabitable
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Researching across disciplines, "Microhabitable" considers scale, as well as questions of habitability and self-organisation, in a de-anthropocentric, or more than- human, framework. What methodologies and strategies might those anthropological, political and scientific discourses that deal with the microscopic, the micropolitical and the microeconomic have to share with one another? "Microhabitable"’s authors suggest methodologies of encounter and exchange between differential knowledges, be they subaltern, peasant, indigenous, vegetal, matriarchal or post/ nonhuman.
Environment and environmental theory