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Published on the occasion of Burtynsky’s largest and most comprehensive exhibition to date at the Saatchi Gallery in London, ''Extraction/Abstraction'' looks deeply at the key subjects and signature images spanning his 45-year career. The catalog and related exhibition present a dichotomy of Burtynsky’s image-making imperative: the lucid and informed documentation of(...)
Photography monographs
July 2024
Edward Burtynsky: Extraction/Abstraction
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Published on the occasion of Burtynsky’s largest and most comprehensive exhibition to date at the Saatchi Gallery in London, ''Extraction/Abstraction'' looks deeply at the key subjects and signature images spanning his 45-year career. The catalog and related exhibition present a dichotomy of Burtynsky’s image-making imperative: the lucid and informed documentation of large-scale extractive processes, and how, through his practice, Burtynsky transforms the landscape of industry into complete abstraction. Other essential themes in his oeuvre, such as agriculture, manufacturing, infrastructure and waste, also find their rightful place here. With more than 130 color plates, the book also has a special section, the “Process Archive,” featuring previously unpublished, behind-the-scenes photographs showing Burtynsky at work on the ground and in the air throughout his career. The archive provides a glimpse into the artist’s progression through the evolution of the medium itself, from mid-20th-century large-format analog cameras through to 21st-century high-resolution digital technologies, including explorations into photogrammetry and augmented reality.
Photography monographs
books
Dark age ahead
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In "Dark Age Ahead", Jane Jacobs identifies five pillars of our culture that we depend on but which are in serious decline: community and family; higher education; the effective practice of science; taxation and government; and self-policing by learned professions. The decay of these pillars, Jacobs contends, is behind such ills as environmental crisis, racism and the(...)
Dark age ahead
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In "Dark Age Ahead", Jane Jacobs identifies five pillars of our culture that we depend on but which are in serious decline: community and family; higher education; the effective practice of science; taxation and government; and self-policing by learned professions. The decay of these pillars, Jacobs contends, is behind such ills as environmental crisis, racism and the growing gulf between rich and poor; their continued degradation could lead us into a new Dark Age, a period of cultural collapse in which all that keeps a society alive and vibrant is forgotten. But this is a hopeful book as well as a warning. Jacobs draws on her vast frame of reference -- from fifteenth-century Chinese shipbuilding to zoning regulations in Brampton, Ontario -- and in highly readable, invigorating prose offers proposals that could arrest the cycles of decay and turn them into beneficent ones. Wise, worldly, full of real-life examples and accessible concepts, this book is an essential read for perilous times.
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May 2005, Toronto
Urban Theory
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Early Georgian interiors
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The interiors of the great country and town houses built in Britain in the eighteenth century were splendid creations, increasingly extravagant as fashions changed and aristocratic home owners attempted to outdo one another. This gorgeous book surveys the decorative schemes of these fabulous homes, considering the combined effects created by design, furniture, textiles,(...)
Early Georgian interiors
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The interiors of the great country and town houses built in Britain in the eighteenth century were splendid creations, increasingly extravagant as fashions changed and aristocratic home owners attempted to outdo one another. This gorgeous book surveys the decorative schemes of these fabulous homes, considering the combined effects created by design, furniture, textiles, silver, and artworks. John Cornforth, the foremost authority on British interiors of this era, covers a wide range of subjects. He discusses changing social practice and the uses to which rooms were put; the way that fashions in dress mirrored fashions in interiors; the impact of chinoiserie and Eastern styles that became prevalent due to burgeoning trade; the primacy of upholstery in beds, curtains, wall hangings, seat furniture, and case covers; the influence of decorator William Kent; and the ways that collections of art were integrated into designs. And he concludes with detailed case studies of eight pre-eminent country houses.
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December 2004, London
Design, Periods and Styles
2G 31 : Riegler Riewe
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Associates since 1987, the Austrian architects Florian Riegler and Roger Riewe, with their professional practice in Graz and Cologne, tackle their projects in a subtle and practical way, renouncing formal authorship as the motor of the design process. Their buildings respond to the environment and to the cultural baggage of society without wishing to offer the spectator(...)
Magazines
September 2004, Barcelona
2G 31 : Riegler Riewe
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Associates since 1987, the Austrian architects Florian Riegler and Roger Riewe, with their professional practice in Graz and Cologne, tackle their projects in a subtle and practical way, renouncing formal authorship as the motor of the design process. Their buildings respond to the environment and to the cultural baggage of society without wishing to offer the spectator a stunning form with pre-existing symbolic meanings. Quite the opposite, in fact: Riegler Riewe’s buildings reveal themselves to be places in which the user has a highly active role in the definition and perception of the spaces. This number of the magazine 2G demonstrates how their planning strategies enable them to readily tackle buildings of an ever-increasing size and complexity, from transport infrastructures such as the rail stations in Innsbruck and Vienna or the airports in Graz and Hamburg, taking in educational buildings like the Computer and Electronics Institutes of the University of Graz, complex residential projects and the football stadium in Cologne.
Magazines
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Light is a powerful force for design inspiration. From the mundane to the bizarre, the strictly functional to the wildly ostentatious, a panoply of objects has been created in response to the desire for artificial illumination. This first title in the V Contemporary Series explores the exciting range of new lighting forms and technologies from the archetypal domestic lamp(...)
Brilliant : lights and lighting
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Light is a powerful force for design inspiration. From the mundane to the bizarre, the strictly functional to the wildly ostentatious, a panoply of objects has been created in response to the desire for artificial illumination. This first title in the V Contemporary Series explores the exciting range of new lighting forms and technologies from the archetypal domestic lamp to innovations in lighted clothing. It features a range of internationally renowned designers, from Ron Arad to Karim Rashid. Covering products from the one-off to the mass-produced, it also charts crossovers in design practice, incorporating textiles, fashion and ceramics as well as product design and new technological developments. New materials which pulse and glow, alternative means of power conduction which negate the need for wires, heat resistant fabrics and "cool" light sources all offer new and exciting opportunities to designers. This book introduces some of the most innovative names in contemporary lighting and explores the significance of light in the designed environment.
Materials and Lighting
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Recalling the short-lived Bureau de recherches surréalistes of 1924–1925 - part information centre and ‘public relations’ office, and part surrealist archive - Mark Dion has trawled the Manchester Museum’s own collections and found the raw material for this book and a new installation in the museum. Museums’ attempts to classify and present the world in miniature(...)
Bureau of the Centre for the Study of Surrealism and its Legacy
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Recalling the short-lived Bureau de recherches surréalistes of 1924–1925 - part information centre and ‘public relations’ office, and part surrealist archive - Mark Dion has trawled the Manchester Museum’s own collections and found the raw material for this book and a new installation in the museum. Museums’ attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. Renowned for his work exploring taxonomy, archaeology and ecology, Mark Dion in his "Bureau" documents his opportunistic encounters with the Museum of Manchester’s neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, Egyptian fakes and the minutiae that have fallen through the cracks of museum practice and lain abandoned. Dion’s "Bureau of the Centre for the Study of Surrealism and its Legacy" is both a repository for the detritus of museum life and a working process, classifying the museum’s un-classifiable whilst exploring the bureaucratic workings of the institution.
Contemporary Art Monographs
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The iA, or Interactive Architecture, bookzine series will consist of 12 issues bi-annually, published over a period of six years under the supervision Kas Oosterhuis, director of Hyperbody at the Delft University of Technology and principal of ONL [Oosterhuis Lénárd]. The Interactive Architecture (iA), concept is based on the equal input (listening), process (thinking),(...)
Miniature Architecture
October 2007, Rotterdam
ia #1 Interactive architecture
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The iA, or Interactive Architecture, bookzine series will consist of 12 issues bi-annually, published over a period of six years under the supervision Kas Oosterhuis, director of Hyperbody at the Delft University of Technology and principal of ONL [Oosterhuis Lénárd]. The Interactive Architecture (iA), concept is based on the equal input (listening), process (thinking), and output (talking) of people as well as the built components of architecture. This will be one of the first publications to document in detail this groundbreaking new development in architecture. iA will undoubtedly become the premier archive of this endeavor. The publication program will consist of scientific papers on particular aspects of iA and iA-driven MSc projects, iA-inspired case studies from practice, interviews with a renowned researcher/practitioner, and blogs by Kas Oosterhuis. The inaugural issue features contributions from Cas Aalbers, Henriette Bier, Nimish Biloria, Michael Bitterman, Sven Blokker, Sander Boer, Christian Friedrich, Hans Hubers, Xin Xia, and others.
Miniature Architecture
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Transparency is no longer the only horizon for glass. AV Proyectos 135 explores the contemporary possibilities of this material through seven works by Max Núñez, MVRDV, or Snøhetta, among other offices, in which blocks, slats, and undulating panels transform light and create complex atmospheres. The issue also includes a feature dedicated to AgwA, the Belgian firm that(...)
AV Proyectos 135 : Pieles de vidrio
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Transparency is no longer the only horizon for glass. AV Proyectos 135 explores the contemporary possibilities of this material through seven works by Max Núñez, MVRDV, or Snøhetta, among other offices, in which blocks, slats, and undulating panels transform light and create complex atmospheres. The issue also includes a feature dedicated to AgwA, the Belgian firm that has developed its practice with a focus on revitalizing existing structures through precise interventions open to collective uses. Meanwhile, Ensamble Studio presents The Cloud visitors’ center in Seoul – still under construction – conceived as a habitable topography. The overview extends to the Venice Art Biennale, with its focus on minor forms and memory processes, and is rounded out by the renovation of the Louvre by Annabelle Selldorf and Studios Architecture; OMA’s Roma Continua urban plan; and the expansion of the Museum of Contemporary Art in Panama by Palma and Taller TO. The issue concludes with a selection of products and Barbara Iweins’s personal photo archive.
Magazines
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Clark and Menefee
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Architects W.G. Clark and Charles Menefee III, inspired by the "thin shacks and sheds of insubstantial beauty" of the Southern vernacular building tradition, are known for structures that are at once modest, rigorous, and economical in detail. They blend the ease (...)
Clark and Menefee
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Architects W.G. Clark and Charles Menefee III, inspired by the "thin shacks and sheds of insubstantial beauty" of the Southern vernacular building tradition, are known for structures that are at once modest, rigorous, and economical in detail. They blend the ease and informality of the architecture of the historic South with the elegance of end-of-the-century modernism. This balance between continuity and change is evident throughout their work. This monograph of 13 projects--eight built, five unbuilt--reveals the architects' ideas and intentions while reflecting the spirit they bring to each design. Projects such as Middleton Inn, Croffead House, Lucy Daniels Foundation, Charleston Bus Stops, and 8 Bedon's Alley are presented through duotone photographs and drawings, which exemplify the simplicity and rigor of the architects' work. The author's critical analysis of each project highlights associations to vernacular buildings and the local historic context. Clark and Menefee dissolved their professional practice last year, making this book the complete and only overview of their work.
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January 1960, New York
Architecture Monographs
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While this book is primarily devoted to the historical reconstruction of the formal and horticultural characteristics of "theatrical" shrubberies and flower beds, it also aims to animate the world of the eighteenth-century pleasure ground. Mark Laird shows how the unwritten lore of planting design was(...)
The flowering of the landscape garden : English pleasure grounds 1720-1800
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While this book is primarily devoted to the historical reconstruction of the formal and horticultural characteristics of "theatrical" shrubberies and flower beds, it also aims to animate the world of the eighteenth-century pleasure ground. Mark Laird shows how the unwritten lore of planting design was passed down by generation after generation of gardeners and discusses the interaction of landscape designer, client, nurseryman, land agent, and gardener in modifying and transforming the geometric layouts of previous generations. He traces the development of planting design theory and practice from Batty Langley to Capability Brown and William Chambers, and demonstrates how an English mania for flowering shrubs and conifers from eastern North America helped create the distinctive planting forms of the Georgian pleasure ground. Laird offers readers a wealth of visual and literary materials - from contemporary paintings, engravings, poetry, essays, and letters to more prosaic household accounts and nursery bills - to revolutionize our understanding of the English landscape garden as a powerful cultural expression.
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January 1900, Philadelphia
Gardens