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Née en 1925, Valentine Schlegel a développé une pratique plastique quotidienne entre Paris et Sète. À l'image d'un couteau suisse, elle maîtrise plusieurs techniques pour réaliser des objets usuels aux corps sculpturaux : couverts en bois, vases en céramique, sacs en cuir, cheminées en plâtre. Conçu sans hiérarchie, souvent en collaboration avec ses amis, ce corpus est(...)
Valentine Schlegel : je dors, je travaille
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Née en 1925, Valentine Schlegel a développé une pratique plastique quotidienne entre Paris et Sète. À l'image d'un couteau suisse, elle maîtrise plusieurs techniques pour réaliser des objets usuels aux corps sculpturaux : couverts en bois, vases en céramique, sacs en cuir, cheminées en plâtre. Conçu sans hiérarchie, souvent en collaboration avec ses amis, ce corpus est fait d'objets de différentes dimensions et aux usages tantôt fantaisistes, tantôt quotidiens. Valentine Schlegel a également réalisé nombre d'éléments architecturaux en plâtre destinés aux intérieurs. Ces sculptures à vivre sont aussi, par leur caractère indéplaçable, la raison pour laquelle son travail est resté méconnu. Valentine Schlegel: je dors, je travaille par Hélène Bertin est un catalogue « bio-monographique » réunissant une nouvelle iconographie et des documents d'archives. Des notices biographiques séquencent le livre et éclairent la démarche et la vie de Valentine Schlegel.
Contemporary Art Monographs
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Ce catalogue documente le projet conçu par Claudia Comte pour l'édition 2016 du Printemps de septembre à partir d'une sélection de 600 pièces primaires issues de l'industrie aéronautique. Dans l'ancienne usine hydro-électrique du Bazacle, Claudia Comte a dessiné et produit une mise en scène immersive pour ces objets, temporairement solidaires d'un même effet d'ensemble.(...)
Contemporary Art Monographs
June 2019
Claudia Comte : the curves, the corners, and the machines
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Ce catalogue documente le projet conçu par Claudia Comte pour l'édition 2016 du Printemps de septembre à partir d'une sélection de 600 pièces primaires issues de l'industrie aéronautique. Dans l'ancienne usine hydro-électrique du Bazacle, Claudia Comte a dessiné et produit une mise en scène immersive pour ces objets, temporairement solidaires d'un même effet d'ensemble. Le texte de Thierry Leviez replace son intervention dans la perspective d'une généalogie, évoquant successivement sept expositions d'objets, des salons conçus par Lily Reich pour le Werkbund aux innovations de Philip Johnson au MoMA et jusqu'aux expérimentations de Richard Hamilton à l'ICA.
Contemporary Art Monographs
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The follow-up to Nick Drnaso’s LA Times Book Prize winning ''Beverly,'' ''Sabrina'' depicts a modern world devoid of personal interaction and responsibility, where relationships are stripped of intimacy through glowing computer screens. An indictment of our modern state, Drnaso contemplates the dangers of a fake news climate. Timely and articulate, ''Sabrina'' leaves you(...)
Sabrina
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The follow-up to Nick Drnaso’s LA Times Book Prize winning ''Beverly,'' ''Sabrina'' depicts a modern world devoid of personal interaction and responsibility, where relationships are stripped of intimacy through glowing computer screens. An indictment of our modern state, Drnaso contemplates the dangers of a fake news climate. Timely and articulate, ''Sabrina'' leaves you gutted, searching for meaning in the aftermath of disaster.
Illustration
Art Deco New York map
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''Art Deco New York Map'' is a two-sided folding map featuring over sixty-five leading examples of Art Deco architecture in New York. Art Deco landmarks such as the Chrysler Building, Empire State Building and Rockefeller Center are included alongside lesser-known works. The reverse side of the map features an introduction to New York City's Art Deco architecture,(...)
Art Deco New York map
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''Art Deco New York Map'' is a two-sided folding map featuring over sixty-five leading examples of Art Deco architecture in New York. Art Deco landmarks such as the Chrysler Building, Empire State Building and Rockefeller Center are included alongside lesser-known works. The reverse side of the map features an introduction to New York City's Art Deco architecture, interiors and ornamentation by Allison C. Meier, original photography by Jason Woods and details about each building.
City Guides
Thoreau, compagnon de route
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L'auteur rassemble, retravaille et ordonne une dizaines de ses essais sur l'écrivain américain Henry Thoreau (1817-1862), considéré comme l'un des plus grands "classiques" de la culture américaine.
Thoreau, compagnon de route
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L'auteur rassemble, retravaille et ordonne une dizaines de ses essais sur l'écrivain américain Henry Thoreau (1817-1862), considéré comme l'un des plus grands "classiques" de la culture américaine.
Journeys
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'The Culture of Feedback' digs deep into a dazzling variety of left-of-center experiences and attitudes, and brings a new look at the wild side of the 1970s. The author shows us how ideas from systems theory were taken up by the counterculture and the environmental movement, eventually influencing a wide range of beliefs and behaviors, particularly related to the question(...)
The culture of feedback: ecological thinking in seventies America
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'The Culture of Feedback' digs deep into a dazzling variety of left-of-center experiences and attitudes, and brings a new look at the wild side of the 1970s. The author shows us how ideas from systems theory were taken up by the counterculture and the environmental movement, eventually influencing a wide range of beliefs and behaviors, particularly related to the question of what is and is not intelligence. He tells the story of a generation of Americans who were struck by a newfound interest in — and respect for — plants, animals, indigenous populations, and the very sounds around them, threading his tapestry with cogent insights on environmentalism, feminism, systems theory, and psychedelics.
Environment and environmental theory
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The ruins of war have long held the power to stupefy and appall. Can such ruins ever be persuasively depicted and comprehended? Can images of them force us to identify with the suffering of the enemy and raise uncomfortable questions about forgiveness and revenge? Françoise Meltzer explores those questions in Dark Lens, which uses the images of war ruins in Nazi(...)
Dark lens: imaging Germany, 1945
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The ruins of war have long held the power to stupefy and appall. Can such ruins ever be persuasively depicted and comprehended? Can images of them force us to identify with the suffering of the enemy and raise uncomfortable questions about forgiveness and revenge? Françoise Meltzer explores those questions in Dark Lens, which uses the images of war ruins in Nazi Germany to investigate problems of aestheticization, the representation of catastrophe, and the targeting of civilians in war. Through texts that give accounts of bombed-out towns in Germany in the last years of the war, painters’ attempts to depict the destruction, and her own mother’s photographs taken in Berlin and other cities in 1945, Meltzer asks if any medium offers a direct experience of war ruins for the viewer. Ultimately, she concludes that while the viewer cannot help reimaging the devastation through the lenses of history, aestheticization, or voyeurism, these images at least allow us to approach the reality of ruins and grasp the larger issue of targeting civilians in modern warfare for what it is.
Theory of Photography
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How have ruins become so valued in Western culture and so central to our art and literature? Covering a vast chronological and geographical range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the appeal of ruins and ruins images, and the lessons that writers and artists have drawn from their(...)
The ruins lesson: meaning and material in Western culture
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How have ruins become so valued in Western culture and so central to our art and literature? Covering a vast chronological and geographical range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the appeal of ruins and ruins images, and the lessons that writers and artists have drawn from their haunting forms.
Architectural Theory
In praise of the bicycle
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In 'In Praise of the Bicycle', Augé takes us on a personal journey of his own, on a two-wheeled ride around our cities, and on a journey into ourselves. We all remember the thrill of riding a bike for the first time and the joys of cycling. Here he reminds us that these memories are not just personal, but rooted in a time and a place, in a history that is shared with(...)
In praise of the bicycle
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In 'In Praise of the Bicycle', Augé takes us on a personal journey of his own, on a two-wheeled ride around our cities, and on a journey into ourselves. We all remember the thrill of riding a bike for the first time and the joys of cycling. Here he reminds us that these memories are not just personal, but rooted in a time and a place, in a history that is shared with millions of others. Part memoir, part manifesto, Augé celebrates cycling as a way of reconnecting with the places in which we live, and, ultimately, as a necessary alternative to our disconnected world.
Journeys
Glacier: nature and culture
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As major actors in the unfolding drama of climate change, glaciers feature prominently in Earth’s past and its future. Wherever on the planet we live, glaciers affect each of us directly. They control the atmospheric and ocean circulations that drive the weather; they supply drinking and irrigation water to millions of people; and they protect us from catastrophic(...)
Glacier: nature and culture
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As major actors in the unfolding drama of climate change, glaciers feature prominently in Earth’s past and its future. Wherever on the planet we live, glaciers affect each of us directly. They control the atmospheric and ocean circulations that drive the weather; they supply drinking and irrigation water to millions of people; and they protect us from catastrophic sea-level rise. The very existence of glaciers affects our view of the planet and of ourselves, but it is less than two hundred years since we first realized that ice ages come and go and that glaciers once covered much more of the planet’s surface than they do now. An inspiration to artists and a challenge for engineers, glaciers mean different things to different people. Crossing the boundaries between art, environment, science, nature, and culture, this book considers glaciers from myriad perspectives, revealing their complexity, majesty, and importance—but also their fragility.