$37.00
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American Eden moves luminously through landscapes of history, literature, biography, and design theory. . . . fusing sharp-edged analysis and graceful American prose. Kevin Starr, author of Golden Gate: The Life and Times of America's Greatest Bridge Informative and absolutely engrossing.
American Eden: from Monticello to Central Park to our backyards, what our gardens tell us about who we are
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American Eden moves luminously through landscapes of history, literature, biography, and design theory. . . . fusing sharp-edged analysis and graceful American prose. Kevin Starr, author of Golden Gate: The Life and Times of America's Greatest Bridge Informative and absolutely engrossing.
Gardens
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xii, 254 pages : illustrations ; 22 cm
Minneapolis : University of Minnesota Press, [2017], ©2017
Spectacle of property : the house in American film / John David Rhodes.
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xii, 254 pages : illustrations ; 22 cm
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Minneapolis : University of Minnesota Press, [2017], ©2017
books
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188 pages : illustrations (chiefly color) ; 26 x 29 cm
Santa Fe : Museum of New Mexico Press, [2011], ©2011
Earth now : American photographers and the environment / Katherine Ware.
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188 pages : illustrations (chiefly color) ; 26 x 29 cm
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Santa Fe : Museum of New Mexico Press, [2011], ©2011
$9.95
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall,(...)
October 2008, Köln
Architecture materials glass verre glas
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall, of gigantic proportions by the standards of the time, it was a milestone in the history of building in glass. The result was a totally new spatial quality and a new aesthetic, as interior and exterior could now enter into a quite unique mutual relationship. Since then, architecture without glass has been inconceivable, and glass has been used as a construction material by renowned architects worldwide for industrial buildings and private houses. Glass masterpieces, erected in particular in combination with other materials, for example, wood, stone or steel, demonstrate the potential and variety of glass architecture.
books
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312 pages : illustrations ; 22 cm
Cambridge, Massachusetts : Harvard University Press, 2014.
Taming Manhattan : environmental battles in the antebellum city / Catherine McNeur.
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312 pages : illustrations ; 22 cm
books
Cambridge, Massachusetts : Harvard University Press, 2014.
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Ce livre relate l'histoire du Jardin Suspendu, le lieu enchanté où le projet Mon(s) Invisible a vu le jour durant l'été 2015, à Mons (Belgique), Capitale Européenne de la Culture 2015. This book is about the Hanging Garden, the enchanted place where the project Mon(s) Invisible emerged during the summer in Mons (Belgium), the European Capital of Culture 2015.
Constructlab : livre invisible
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Ce livre relate l'histoire du Jardin Suspendu, le lieu enchanté où le projet Mon(s) Invisible a vu le jour durant l'été 2015, à Mons (Belgique), Capitale Européenne de la Culture 2015. This book is about the Hanging Garden, the enchanted place where the project Mon(s) Invisible emerged during the summer in Mons (Belgium), the European Capital of Culture 2015.
Experimentale architecture
books
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x, 183 pages : illustrations (black and white) ; 25 cm
Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022
Rise of the spectacular : America in the 1950s / John Hannigan.
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x, 183 pages : illustrations (black and white) ; 25 cm
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Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022., ©2022
books
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xv, 396 pages : illustrations ; 26 cm
Amherst : University of Massachusetts Press, ©2007.
A world of her own making : Katharine Smith Reynolds and the landscape of Reynolda / Catherine Howett.
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xv, 396 pages : illustrations ; 26 cm
books
Amherst : University of Massachusetts Press, ©2007.
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192 pages : illustrations (some color) ; 29 cm
Ottawa : National Gallery of Canada ; Milan : 5 Continents Editions, [2019]
The Canada Pavilion at the Venice Biennale / edited by Réjean Legault.
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192 pages : illustrations (some color) ; 29 cm
books
Ottawa : National Gallery of Canada ; Milan : 5 Continents Editions, [2019]
$49.95
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"Last Landscapes" is an exploration of the cult and celebration of death, loss and memory. It traces the history and design of burial places throughout Europe and the USA, ranging from the picturesque tradition of the village churchyard to tightly packed ‘cities of the dead’, such as the Jewish Cemetery in Prague and Père Lachaise in Paris. Other landscapes that feature(...)
Last landscapes : the architecture of the cemetery in the west
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"Last Landscapes" is an exploration of the cult and celebration of death, loss and memory. It traces the history and design of burial places throughout Europe and the USA, ranging from the picturesque tradition of the village churchyard to tightly packed ‘cities of the dead’, such as the Jewish Cemetery in Prague and Père Lachaise in Paris. Other landscapes that feature in this book include the war cemeteries of northern France, Viking burial islands in central Sweden, Etruscan tombs and early Christian catacombs in Italy, the 17th-century Portuguese–Jewish cemetery 'Beth Haim' at Ouderkerk in the Netherlands, Forest Lawns in California, Derek Jarman’s garden in Kent and the Stockholm Woodland Cemetery. It is a fact that architecture ‘began with the tomb', yet, as Ken Worpole shows us in Last Landscapes, many historic cemeteries have been demolished or abandoned in recent times (notably the case with Jewish cemeteries in Eastern Europe), and there has been an increasing loss of inscription and memorialization in the modern urban cemetery. Too often cemeteries today are both poorly designed and physically and culturally marginalized. Worse, cremation denies a full architectural response to the mystery and solemnity of death. The author explores how modes of disposal – burial, cremation, inhumation in mausoleums and wall tombs – vary across Europe and North America, according to religious and other cultural influences. And Last Landscapes raises profound questions as to how, in an age of mass cremation, architects and landscape designers might create meaningful structures and settings in the absence of a body, since for most of history the human body itself has provided the fundamental structural scale. This evocative book also contemplates other forms of memorialization within modern societies, from sculptures to parks, most notably the extraordinary Duisberg Park, set in a former giant steelworks in Germany’s Ruhr Valley.
Gardens