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Title:
Border crossings issue 143
Border crossings issue 143
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In this issue of Bordercrossings, "Painting", we talk with two artists who look to history to structure the endeavours of their conceptual pursuits. For Canada’s 150th birthday, we mark the complicated anniversary with an in-depth interview with Indigenous artist Kent Monkman. Monkman, of Cree and Irish ancestry, works in a variety of media from painting, film and video(...)
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Summary:
In this issue of Bordercrossings, "Painting", we talk with two artists who look to history to structure the endeavours of their conceptual pursuits. For Canada’s 150th birthday, we mark the complicated anniversary with an in-depth interview with Indigenous artist Kent Monkman. Monkman, of Cree and Irish ancestry, works in a variety of media from painting, film and video(...)
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Border crossings issue 143
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In this issue of Bordercrossings, "Painting", we talk with two artists who look to history to structure the endeavours of their conceptual pursuits. For Canada’s 150th birthday, we mark the complicated anniversary with an in-depth interview with Indigenous artist Kent Monkman. Monkman, of Cree and Irish ancestry, works in a variety of media from painting, film and video work, to installation. In our interviews, Border Crossings also features the work of New York-based artist, Lisa Yuskavage, who played an influential role in the establishment of a new genre of figuration, as well as feature interviews with six young contemporary artists who all employ paint as their primary artistic medium; Toronto-based artist Patrick Cruz, Brenda Draney who lives in Edmonton, Benjamin Klein from Montreal, Los Angeles-based Sojourner Truth-Parsons, Julie Beugin in Berlin, and John Eisler in Toronto.
Border crossings issue 143
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In this issue of Bordercrossings, "Painting", we talk with two artists who look to history to structure the endeavours of their conceptual pursuits. For Canada’s 150th birthday, we mark the complicated anniversary with an in-depth interview with Indigenous artist Kent Monkman. Monkman, of Cree and Irish ancestry, works in a variety of media from painting, film and video work, to installation. In our interviews, Border Crossings also features the work of New York-based artist, Lisa Yuskavage, who played an influential role in the establishment of a new genre of figuration, as well as feature interviews with six young contemporary artists who all employ paint as their primary artistic medium; Toronto-based artist Patrick Cruz, Brenda Draney who lives in Edmonton, Benjamin Klein from Montreal, Los Angeles-based Sojourner Truth-Parsons, Julie Beugin in Berlin, and John Eisler in Toronto.
Form:
books
books
Publication:
September 2017
September 2017
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Border crossing issue 144
Border crossing issue 144
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In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge(...)
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In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge(...)
Title:
Border crossing issue 144
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In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge takes an in-depth look at the National Gallery of Canada after the recent reconfiguration of its Canadian and Indigenous Galleries; Stephen Horne takes the “grand tour” of arts exhibitions as the Venice Biennale, documenta, and the Münster Skulptur Projekte align in what is nearly a once-in-a-lifetime exhibition lineup; Aryen Hoekstra discuses fakery and fiction in the work of artist Thomas Demand, filmmaker Alexander Kluge and scenographer Anna Viebrock in “The Boat is Leaking. The Captain Lied.”
Border crossing issue 144
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In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge takes an in-depth look at the National Gallery of Canada after the recent reconfiguration of its Canadian and Indigenous Galleries; Stephen Horne takes the “grand tour” of arts exhibitions as the Venice Biennale, documenta, and the Münster Skulptur Projekte align in what is nearly a once-in-a-lifetime exhibition lineup; Aryen Hoekstra discuses fakery and fiction in the work of artist Thomas Demand, filmmaker Alexander Kluge and scenographer Anna Viebrock in “The Boat is Leaking. The Captain Lied.”
Form:
journals and magazines
journals and magazines
Publication:
December 2017
December 2017
Subject:
Magazines
Magazines
Form:
books
books
Price:
$37.95
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Summary:
Life in the countryside, often perceived as either idyllic or depleted, has long been misrepresented. Challenging the stereotypes and myths that surround the idea of rurality, "Our Rural Selves" interrogates and represents individual and collective memories of childhood in rural landscapes and small towns. Drawing on visual artifacts whose origins range from the early(...)
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Summary:
Life in the countryside, often perceived as either idyllic or depleted, has long been misrepresented. Challenging the stereotypes and myths that surround the idea of rurality, "Our Rural Selves" interrogates and represents individual and collective memories of childhood in rural landscapes and small towns. Drawing on visual artifacts whose origins range from the early(...)
Title:
Our rural selves: memory and the visual in Canadian childhoods
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Life in the countryside, often perceived as either idyllic or depleted, has long been misrepresented. Challenging the stereotypes and myths that surround the idea of rurality, "Our Rural Selves" interrogates and represents individual and collective memories of childhood in rural landscapes and small towns. Drawing on visual artifacts whose origins range from the early twentieth century to today, such as photographs, films, objects, picture books, and digital games, contributors offer readings of childhood that are geographically, ethnically, and culturally diverse. They examine the memories of Indigenous children, the experiences of back-to-the-land youth, and boom-or-bust childhoods within the petroleum, farming, and fishing industries. Illustrating often neglected and overlooked aspects of adolescence, this collection suggests new ways of studying social connectedness and collective futures. "Our Rural Selves" explores representation, imagination, and what it means to grow up rural in Canada.
Our rural selves: memory and the visual in Canadian childhoods
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$37.95
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Summary:
Life in the countryside, often perceived as either idyllic or depleted, has long been misrepresented. Challenging the stereotypes and myths that surround the idea of rurality, "Our Rural Selves" interrogates and represents individual and collective memories of childhood in rural landscapes and small towns. Drawing on visual artifacts whose origins range from the early twentieth century to today, such as photographs, films, objects, picture books, and digital games, contributors offer readings of childhood that are geographically, ethnically, and culturally diverse. They examine the memories of Indigenous children, the experiences of back-to-the-land youth, and boom-or-bust childhoods within the petroleum, farming, and fishing industries. Illustrating often neglected and overlooked aspects of adolescence, this collection suggests new ways of studying social connectedness and collective futures. "Our Rural Selves" explores representation, imagination, and what it means to grow up rural in Canada.
Form:
books
books
Publication:
April 2019
April 2019
Subject:
Architecture in Canada
Architecture in Canada
Form:
books
books
Title:
Rehearsals for living
Rehearsals for living
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$32.00
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Summary:
When the world entered pandemic lockdown in spring 2020, Robyn Maynard and Leanne Betasamosake Simpson began writing each other letters—a gesture sparked by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. These letters soon grew into a powerful exchange about where we go from(...)
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When the world entered pandemic lockdown in spring 2020, Robyn Maynard and Leanne Betasamosake Simpson began writing each other letters—a gesture sparked by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. These letters soon grew into a powerful exchange about where we go from(...)
Title:
Rehearsals for living
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$32.00
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When the world entered pandemic lockdown in spring 2020, Robyn Maynard and Leanne Betasamosake Simpson began writing each other letters—a gesture sparked by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. These letters soon grew into a powerful exchange about where we go from here. Ths book is a captivating and visionary work—part debate, part dialogue, part lively and detailed familial correspondence between two razor-sharp writers. By articulating to each other Black and Indigenous perspectives on our unprecedented here and now, and reiterating the long-disavowed histories of slavery and colonization that have brought us to this moment, Maynard and Simpson create something new: an urgent demand for a different way forward, and a poetic call to dream up other ways of ordering earthly life.
Rehearsals for living
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$32.00
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Summary:
When the world entered pandemic lockdown in spring 2020, Robyn Maynard and Leanne Betasamosake Simpson began writing each other letters—a gesture sparked by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. These letters soon grew into a powerful exchange about where we go from here. Ths book is a captivating and visionary work—part debate, part dialogue, part lively and detailed familial correspondence between two razor-sharp writers. By articulating to each other Black and Indigenous perspectives on our unprecedented here and now, and reiterating the long-disavowed histories of slavery and colonization that have brought us to this moment, Maynard and Simpson create something new: an urgent demand for a different way forward, and a poetic call to dream up other ways of ordering earthly life.
Form:
books
books
Publication:
June 2022
June 2022
Subject:
Social
Social
Form:
books
books
Title:
The african city : a history
The african city : a history
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This unique book is comprehensive both in terms of time coverage, from before the Pharaohs to the present moment and in that it tries to consider cities from the entire continent, not just Sub-Saharan Africa. Apart from factual information and rich description material culled from many sources, it looks at many issues from why urban life emerged in the first place to how(...)
$24.95
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Summary:
This unique book is comprehensive both in terms of time coverage, from before the Pharaohs to the present moment and in that it tries to consider cities from the entire continent, not just Sub-Saharan Africa. Apart from factual information and rich description material culled from many sources, it looks at many issues from why urban life emerged in the first place to how(...)
Title:
The african city : a history
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$24.95
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This unique book is comprehensive both in terms of time coverage, from before the Pharaohs to the present moment and in that it tries to consider cities from the entire continent, not just Sub-Saharan Africa. Apart from factual information and rich description material culled from many sources, it looks at many issues from why urban life emerged in the first place to how present-day African cities cope in difficult times. Instead of seeing towns and cities as somehow extraneous to the real Africa, it views them as an inherent part of developing Africa, indigenous, colonial, and post-colonial and emphasizes the extent to which the future of African society and African culture will likely be played out mostly in cities. The book is written to appeal to students of history but equally to geographers, planners, sociologists and development specialists interested in urban problems.
The african city : a history
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$24.95
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Summary:
This unique book is comprehensive both in terms of time coverage, from before the Pharaohs to the present moment and in that it tries to consider cities from the entire continent, not just Sub-Saharan Africa. Apart from factual information and rich description material culled from many sources, it looks at many issues from why urban life emerged in the first place to how present-day African cities cope in difficult times. Instead of seeing towns and cities as somehow extraneous to the real Africa, it views them as an inherent part of developing Africa, indigenous, colonial, and post-colonial and emphasizes the extent to which the future of African society and African culture will likely be played out mostly in cities. The book is written to appeal to students of history but equally to geographers, planners, sociologists and development specialists interested in urban problems.
Form:
books
books
Publication:
November 2006, New York
November 2006, New York
Subject:
Arch Middle East
Arch Middle East
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journals and magazines
journals and magazines
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Welcome to the 60th issue of The Funambulist, which concludes the tenth year of publishing the magazine! On August 6th and 9th, The Funambulist will commemorate the 80th anniversary of the devastating US nuclear bombing of the cities of Hiroshima and Nagasaki. Our contribution to the significance of these two massacres consists in convoking Indigenous perspectives from(...)
$16.95
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Summary:
Welcome to the 60th issue of The Funambulist, which concludes the tenth year of publishing the magazine! On August 6th and 9th, The Funambulist will commemorate the 80th anniversary of the devastating US nuclear bombing of the cities of Hiroshima and Nagasaki. Our contribution to the significance of these two massacres consists in convoking Indigenous perspectives from(...)
Title:
The Funambulist n. 60: The colonized & the atomic bomb
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Welcome to the 60th issue of The Funambulist, which concludes the tenth year of publishing the magazine! On August 6th and 9th, The Funambulist will commemorate the 80th anniversary of the devastating US nuclear bombing of the cities of Hiroshima and Nagasaki. Our contribution to the significance of these two massacres consists in convoking Indigenous perspectives from lands that have been exploited for these two bombings. The idea for it came from listening to Glen Sean Coulthard in Dene Country (in what the Canadian settler colony designates as Northwest Territories) about the uranium extracted from his nation’s land to fabricate the atomic bomb and three decades later, the visit of a Dene delegation to Hiroshima to apologize for the role of their labor and land in the nuclear bombing of the city. This understanding of interconnectedness between distant lands and peoples forms the editorial core of this issue.
The Funambulist n. 60: The colonized & the atomic bomb
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Summary:
Welcome to the 60th issue of The Funambulist, which concludes the tenth year of publishing the magazine! On August 6th and 9th, The Funambulist will commemorate the 80th anniversary of the devastating US nuclear bombing of the cities of Hiroshima and Nagasaki. Our contribution to the significance of these two massacres consists in convoking Indigenous perspectives from lands that have been exploited for these two bombings. The idea for it came from listening to Glen Sean Coulthard in Dene Country (in what the Canadian settler colony designates as Northwest Territories) about the uranium extracted from his nation’s land to fabricate the atomic bomb and three decades later, the visit of a Dene delegation to Hiroshima to apologize for the role of their labor and land in the nuclear bombing of the city. This understanding of interconnectedness between distant lands and peoples forms the editorial core of this issue.
Form:
journals and magazines
journals and magazines
Publication:
July 2025
July 2025
Subject:
Magazines
Magazines
Form:
books
books
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$36.95
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Summary:
"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting(...)
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"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting(...)
Title:
Film X Autochthonous struggles today
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$36.95
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"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting with the Edison Studio’s 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema’s forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.
Film X Autochthonous struggles today
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$36.95
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Summary:
"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting with the Edison Studio’s 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema’s forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.
Form:
books
books
Publication:
October 2024
October 2024
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$41.99
(available in store)
Summary:
As global rates of plant and animal extinctions mount, anxieties about the future of the earth’s ecosystems are fueling ever more ambitious efforts at conservation, which draw on Western scientific principles to manage species and biodiversity. In "Revenant ecologies," Audra Mitchell argues that these responses not only ignore but also magnify powerful forms of structural(...)
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Summary:
As global rates of plant and animal extinctions mount, anxieties about the future of the earth’s ecosystems are fueling ever more ambitious efforts at conservation, which draw on Western scientific principles to manage species and biodiversity. In "Revenant ecologies," Audra Mitchell argues that these responses not only ignore but also magnify powerful forms of structural(...)
Title:
Revenant ecologies: Defying the violence of extinction and conservation
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As global rates of plant and animal extinctions mount, anxieties about the future of the earth’s ecosystems are fueling ever more ambitious efforts at conservation, which draw on Western scientific principles to manage species and biodiversity. In "Revenant ecologies," Audra Mitchell argues that these responses not only ignore but also magnify powerful forms of structural violence like colonialism, racism, genocide, extractivism, ableism, and heteronormativity, ultimately contributing to the destruction of unique life forms and ecosystems. Critiquing the Western discourse of global extinction and biodiversity through the lens of diverse Indigenous philosophies and other marginalized knowledge systems, "Revenant ecologies," promotes new ways of articulating the ethical enormity of global extinction. Mitchell offers an ambitious framework—(bio)plurality—that focuses on nurturing unique, irreplaceable worlds, relations, and ecosystems, aiming to transform global ecological–political relations, including through processes of land return and critically confronting discourses on "human extinction."
Revenant ecologies: Defying the violence of extinction and conservation
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$41.99
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Summary:
As global rates of plant and animal extinctions mount, anxieties about the future of the earth’s ecosystems are fueling ever more ambitious efforts at conservation, which draw on Western scientific principles to manage species and biodiversity. In "Revenant ecologies," Audra Mitchell argues that these responses not only ignore but also magnify powerful forms of structural violence like colonialism, racism, genocide, extractivism, ableism, and heteronormativity, ultimately contributing to the destruction of unique life forms and ecosystems. Critiquing the Western discourse of global extinction and biodiversity through the lens of diverse Indigenous philosophies and other marginalized knowledge systems, "Revenant ecologies," promotes new ways of articulating the ethical enormity of global extinction. Mitchell offers an ambitious framework—(bio)plurality—that focuses on nurturing unique, irreplaceable worlds, relations, and ecosystems, aiming to transform global ecological–political relations, including through processes of land return and critically confronting discourses on "human extinction."
Form:
books
books
Publication:
January 2024
January 2024
Subject:
Environment and environmental theory
Environment and environmental theory
Form:
books
books
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$60.00
(available to order)
Summary:
What comes after the Anthropocene? Can we depart from our human-centered perspective to build a future for the benefit of all species? What tools and techniques might help us get there? These are the questions investigated by the long-term interdisciplinary project "Interspecies future", which brings together perspectives from art, science, and technology to explore what(...)
$60.00
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Summary:
What comes after the Anthropocene? Can we depart from our human-centered perspective to build a future for the benefit of all species? What tools and techniques might help us get there? These are the questions investigated by the long-term interdisciplinary project "Interspecies future", which brings together perspectives from art, science, and technology to explore what(...)
Title:
Interspecies future: a primer
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$60.00
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What comes after the Anthropocene? Can we depart from our human-centered perspective to build a future for the benefit of all species? What tools and techniques might help us get there? These are the questions investigated by the long-term interdisciplinary project "Interspecies future", which brings together perspectives from art, science, and technology to explore what this future might look like. First initiated in 2022 by LAS Art Foundation, this project explores new pathways for planetary thinking and collective intelligence. With more than 60 contributions, this interactive reader is the first book to provide an extensive foundation of key concepts, debates, and case studies that propose ways to re-frame, repair, and re-imagine interspecies relations. "Interspecies future: A primer" draws on recent advancements in planetary computation and machine learning, new discoveries in non-human intelligence, as well as post-human theory and Indigenous knowledge.
Interspecies future: a primer
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Price:
$60.00
(available to order)
Summary:
What comes after the Anthropocene? Can we depart from our human-centered perspective to build a future for the benefit of all species? What tools and techniques might help us get there? These are the questions investigated by the long-term interdisciplinary project "Interspecies future", which brings together perspectives from art, science, and technology to explore what this future might look like. First initiated in 2022 by LAS Art Foundation, this project explores new pathways for planetary thinking and collective intelligence. With more than 60 contributions, this interactive reader is the first book to provide an extensive foundation of key concepts, debates, and case studies that propose ways to re-frame, repair, and re-imagine interspecies relations. "Interspecies future: A primer" draws on recent advancements in planetary computation and machine learning, new discoveries in non-human intelligence, as well as post-human theory and Indigenous knowledge.
Form:
books
books
Publication:
September 2024
September 2024
Subject:
Fauna and flora
Fauna and flora
Form:
books
books
Title:
Huong Ngo: Ungrafting
Huong Ngo: Ungrafting
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$44.00
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Summary:
Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material(...)
$44.00
(available to order)
Summary:
Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2024
October 2024
Title:
Huong Ngo: Ungrafting
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$44.00
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Summary:
Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ngô turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, grafting—a procedure that involves cutting and splicing different species into a single plant—serves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyên Phan, and conversations between Ngô and Aline Lo and Evyn Lê Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngô’s exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production.
Huong Ngo: Ungrafting
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Price:
$44.00
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Summary:
Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ngô turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, grafting—a procedure that involves cutting and splicing different species into a single plant—serves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyên Phan, and conversations between Ngô and Aline Lo and Evyn Lê Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngô’s exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production.
Form:
books
books
Publication:
October 2024
October 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
