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Accelerationism is the name of a contemporary political heresy: the insistence that the only radical political response to capitalism is not to protest, disrupt, critique, or détourne it, but to accelerate and exacerbate its uprooting, alienating, decoding, abstractive tendencies. "#Accelerate" presents a genealogy of accelerationism, tracking the impulse through 90s UK(...)
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Accelerationism is the name of a contemporary political heresy: the insistence that the only radical political response to capitalism is not to protest, disrupt, critique, or détourne it, but to accelerate and exacerbate its uprooting, alienating, decoding, abstractive tendencies. "#Accelerate" presents a genealogy of accelerationism, tracking the impulse through 90s UK(...)
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#Accelerate: the accelerationist reader
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Accelerationism is the name of a contemporary political heresy: the insistence that the only radical political response to capitalism is not to protest, disrupt, critique, or détourne it, but to accelerate and exacerbate its uprooting, alienating, decoding, abstractive tendencies. "#Accelerate" presents a genealogy of accelerationism, tracking the impulse through 90s UK darkside cyberculture and the theory-fictions of Nick Land, Sadie Plant, Iain Grant, and CCRU, across the cultural underground of the 80s (rave, acid house, SF cinema) and back to its sources in delirious post-68 ferment, in texts whose searing nihilistic jouissance would later be disavowed by their authors and the marxist and academic establishment alike. On either side of this central sequence, the book includes texts by Marx that call attention to his own ‘Prometheanism’, and key works from recent years document the recent extraordinary emergence of new accelerationisms steeled against the onslaughts of neoliberal capitalist realism, and retooled for the twenty-first century. At the forefront of the energetic contemporary debate around this disputed, problematic term, "#Accelerate" activates a historical conversation about futurality, technology, politics, enjoyment and capital. This is a legacy shot through with contradictions, yet urgently galvanized today by the poverty of ‘reasonable’ contemporary political alternatives.
#Accelerate: the accelerationist reader
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Accelerationism is the name of a contemporary political heresy: the insistence that the only radical political response to capitalism is not to protest, disrupt, critique, or détourne it, but to accelerate and exacerbate its uprooting, alienating, decoding, abstractive tendencies. "#Accelerate" presents a genealogy of accelerationism, tracking the impulse through 90s UK darkside cyberculture and the theory-fictions of Nick Land, Sadie Plant, Iain Grant, and CCRU, across the cultural underground of the 80s (rave, acid house, SF cinema) and back to its sources in delirious post-68 ferment, in texts whose searing nihilistic jouissance would later be disavowed by their authors and the marxist and academic establishment alike. On either side of this central sequence, the book includes texts by Marx that call attention to his own ‘Prometheanism’, and key works from recent years document the recent extraordinary emergence of new accelerationisms steeled against the onslaughts of neoliberal capitalist realism, and retooled for the twenty-first century. At the forefront of the energetic contemporary debate around this disputed, problematic term, "#Accelerate" activates a historical conversation about futurality, technology, politics, enjoyment and capital. This is a legacy shot through with contradictions, yet urgently galvanized today by the poverty of ‘reasonable’ contemporary political alternatives.
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books
books
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May 2014
May 2014
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Critical Theory
Critical Theory
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Matsutake is the most valuable mushroom in the world—and a weed that grows in human-disturbed forests across the northern hemisphere. Through its ability to nurture trees, matsutake helps forests to grow in daunting places. It is also an edible delicacy in Japan, where it sometimes commands astronomical prices. In all its contradictions, matsutake offers insights into(...)
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Matsutake is the most valuable mushroom in the world—and a weed that grows in human-disturbed forests across the northern hemisphere. Through its ability to nurture trees, matsutake helps forests to grow in daunting places. It is also an edible delicacy in Japan, where it sometimes commands astronomical prices. In all its contradictions, matsutake offers insights into(...)
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September 2017
September 2017
Title:
The mushroom at the end of the world: on the possiblity of life in capitalist ruins
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Matsutake is the most valuable mushroom in the world—and a weed that grows in human-disturbed forests across the northern hemisphere. Through its ability to nurture trees, matsutake helps forests to grow in daunting places. It is also an edible delicacy in Japan, where it sometimes commands astronomical prices. In all its contradictions, matsutake offers insights into areas far beyond just mushrooms and addresses a crucial question: what manages to live in the ruins we have made? A tale of diversity within our damaged landscapes, "The mushroom at the end of the world" follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism. Here, we witness the varied and peculiar worlds of matsutake commerce: the worlds of Japanese gourmets, capitalist traders, Hmong jungle fighters, industrial forests, Yi Chinese goat herders, Finnish nature guides, and more. These companions also lead us into fungal ecologies and forest histories to better understand the promise of cohabitation in a time of massive human destruction. By investigating one of the world's most sought-after fungi, The Mushroom at the End of the World presents an original examination into the relation between capitalist destruction and collaborative survival within multispecies landscapes, the prerequisite for continuing life on earth.
The mushroom at the end of the world: on the possiblity of life in capitalist ruins
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Matsutake is the most valuable mushroom in the world—and a weed that grows in human-disturbed forests across the northern hemisphere. Through its ability to nurture trees, matsutake helps forests to grow in daunting places. It is also an edible delicacy in Japan, where it sometimes commands astronomical prices. In all its contradictions, matsutake offers insights into areas far beyond just mushrooms and addresses a crucial question: what manages to live in the ruins we have made? A tale of diversity within our damaged landscapes, "The mushroom at the end of the world" follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism. Here, we witness the varied and peculiar worlds of matsutake commerce: the worlds of Japanese gourmets, capitalist traders, Hmong jungle fighters, industrial forests, Yi Chinese goat herders, Finnish nature guides, and more. These companions also lead us into fungal ecologies and forest histories to better understand the promise of cohabitation in a time of massive human destruction. By investigating one of the world's most sought-after fungi, The Mushroom at the End of the World presents an original examination into the relation between capitalist destruction and collaborative survival within multispecies landscapes, the prerequisite for continuing life on earth.
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books
books
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September 2017
September 2017
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books
books
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$67.95
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In the mid-nineteenth century, Napoleon III and his prefect, Georges-Eugène Haussmann, adapted Paris to the requirements of industrial capitalism, endowing the old city with elegant boulevards, an enhanced water supply, modern sewers, and public greenery. Esther da Costa Meyer provides a major reassessment of this ambitious project, which resulted in widespread(...)
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In the mid-nineteenth century, Napoleon III and his prefect, Georges-Eugène Haussmann, adapted Paris to the requirements of industrial capitalism, endowing the old city with elegant boulevards, an enhanced water supply, modern sewers, and public greenery. Esther da Costa Meyer provides a major reassessment of this ambitious project, which resulted in widespread(...)
Title:
Dividing Paris: Urban renewal and social inequality 1852-1870
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In the mid-nineteenth century, Napoleon III and his prefect, Georges-Eugène Haussmann, adapted Paris to the requirements of industrial capitalism, endowing the old city with elegant boulevards, an enhanced water supply, modern sewers, and public greenery. Esther da Costa Meyer provides a major reassessment of this ambitious project, which resulted in widespread destruction in the historic center, displacing thousands of poor residents and polarizing the urban fabric. Drawing on newspapers, memoirs, and other archival materials, da Costa Meyer explores how people from different social strata?both women and men?experienced the urban reforms implemented by the Second Empire. As hundreds of tenements were destroyed to make way for upscale apartment buildings, thousands of impoverished residents were forced to the periphery, which lacked the services enjoyed by wealthier parts of the city. Challenging the idea of Paris as the capital of modernity, da Costa Meyer shows how the city was the hub of a sprawling colonial empire extending from the Caribbean to Asia, and exposes the underlying violence that enriched it at the expense of overseas territories. This book brings to light the contributions of those who actually built and maintained the impressive infrastructure of Paris, and reveals the consequences of colonial practices for the city's cultural, economic, and political life.
Dividing Paris: Urban renewal and social inequality 1852-1870
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In the mid-nineteenth century, Napoleon III and his prefect, Georges-Eugène Haussmann, adapted Paris to the requirements of industrial capitalism, endowing the old city with elegant boulevards, an enhanced water supply, modern sewers, and public greenery. Esther da Costa Meyer provides a major reassessment of this ambitious project, which resulted in widespread destruction in the historic center, displacing thousands of poor residents and polarizing the urban fabric. Drawing on newspapers, memoirs, and other archival materials, da Costa Meyer explores how people from different social strata?both women and men?experienced the urban reforms implemented by the Second Empire. As hundreds of tenements were destroyed to make way for upscale apartment buildings, thousands of impoverished residents were forced to the periphery, which lacked the services enjoyed by wealthier parts of the city. Challenging the idea of Paris as the capital of modernity, da Costa Meyer shows how the city was the hub of a sprawling colonial empire extending from the Caribbean to Asia, and exposes the underlying violence that enriched it at the expense of overseas territories. This book brings to light the contributions of those who actually built and maintained the impressive infrastructure of Paris, and reveals the consequences of colonial practices for the city's cultural, economic, and political life.
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books
books
Publication:
February 2022
February 2022
Subject:
Urban Theory
Urban Theory
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books
books
Title:
Architecture and dystopia
Architecture and dystopia
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As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still(...)
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As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still(...)
Title:
Architecture and dystopia
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As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still resistant to the penetration of modern architecture, such as Superstudio and Archizoom’s Florence. Their model, though exhausted in the space of experimentation, went on to inspire a generation of architects, from the High Tech movement to Rem Koolhaas.. In the light of these examples, how to define a unified 'dystopian' method of design, i.e. a common ground for an architecture that, by its very nature, seems to resist systematization? Are the most recognizable architectural expressions of this theoretical framework — characterized by brazen displays of technology and structures of overwhelming scale — merely isolated cases, albeit of particular iconic power? Or do they belong to a wider landscape of antirational architectural projects? And to what extent are these disturbing expressions premised on the utopian tradition or, better yet, the conceptual model of 'negative thought'? The goal of this book is to respond to such questions, thus initiating an open dialogue about the legitimacy of this critical category.
Architecture and dystopia
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As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still resistant to the penetration of modern architecture, such as Superstudio and Archizoom’s Florence. Their model, though exhausted in the space of experimentation, went on to inspire a generation of architects, from the High Tech movement to Rem Koolhaas.. In the light of these examples, how to define a unified 'dystopian' method of design, i.e. a common ground for an architecture that, by its very nature, seems to resist systematization? Are the most recognizable architectural expressions of this theoretical framework — characterized by brazen displays of technology and structures of overwhelming scale — merely isolated cases, albeit of particular iconic power? Or do they belong to a wider landscape of antirational architectural projects? And to what extent are these disturbing expressions premised on the utopian tradition or, better yet, the conceptual model of 'negative thought'? The goal of this book is to respond to such questions, thus initiating an open dialogue about the legitimacy of this critical category.
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books
books
Publication:
December 2019
December 2019
Subject:
Architectural Theory
Architectural Theory
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books
books
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of(...)
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of(...)
Title:
Space forces: a critical history of life in outer space
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of life in outer space, but these visions have real implications for life back on earth. For the Russian Cosmists of the 1890s space was a place to pursue human perfection away from the Earth. For others, such as Wernher Von Braun, it was an engineering task that combined, in the Space Race, the Cold War, and during World War II, with destructive geopolitics. Arthur C. Clarke, in his speculative books, offered an alternative vision of wonder that is indifferent to human interaction. Meanwhile NASA planned and managed the space station like an earthbound corporation. Today, the market has arrived into outer space and exploration is the plaything of superrich technology billionaires, who plan to privatise the mineral wealth for themselves. Are other worlds really possible? Bringing these figures and ideas together reveals a completely different story of our relationship with outer space, as well as the dangers of our current direction of extractive capitalism and colonisation.
Space forces: a critical history of life in outer space
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of life in outer space, but these visions have real implications for life back on earth. For the Russian Cosmists of the 1890s space was a place to pursue human perfection away from the Earth. For others, such as Wernher Von Braun, it was an engineering task that combined, in the Space Race, the Cold War, and during World War II, with destructive geopolitics. Arthur C. Clarke, in his speculative books, offered an alternative vision of wonder that is indifferent to human interaction. Meanwhile NASA planned and managed the space station like an earthbound corporation. Today, the market has arrived into outer space and exploration is the plaything of superrich technology billionaires, who plan to privatise the mineral wealth for themselves. Are other worlds really possible? Bringing these figures and ideas together reveals a completely different story of our relationship with outer space, as well as the dangers of our current direction of extractive capitalism and colonisation.
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books
books
Publication:
November 2021
November 2021
Subject:
Architectural Theory
Architectural Theory
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books
books
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$27.95
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This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and(...)
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This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and(...)
Title:
Education
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This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and arguments traced here is second-wave feminism, which questioned dominant notions of personal and institutional freedom as enacted through art teaching and practice. Similarly, education-based responses by the art community to the catastrophes of World War II and postcolonial conflict critically inform contemporary art confronting the interrelationships of education, power, market capitalism, and--as Michael Hardt and Antonio Negri describe it--the global condition of war. These writings by artists, philosophers, educators, poets, and activists center on three recurring and interrelated themes: the notion of "indiscipline" in theories and practices that challenge boundaries of all kinds; the present and future role of the art school; and the turn to pedagogy as medium in a diverse range of recent projects. Other writings address such issues as instrumentalism and control, liberation and equality, the production and the politics of culture, and the roots of research-based practice and experimental participatory works.
Education
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This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and arguments traced here is second-wave feminism, which questioned dominant notions of personal and institutional freedom as enacted through art teaching and practice. Similarly, education-based responses by the art community to the catastrophes of World War II and postcolonial conflict critically inform contemporary art confronting the interrelationships of education, power, market capitalism, and--as Michael Hardt and Antonio Negri describe it--the global condition of war. These writings by artists, philosophers, educators, poets, and activists center on three recurring and interrelated themes: the notion of "indiscipline" in theories and practices that challenge boundaries of all kinds; the present and future role of the art school; and the turn to pedagogy as medium in a diverse range of recent projects. Other writings address such issues as instrumentalism and control, liberation and equality, the production and the politics of culture, and the roots of research-based practice and experimental participatory works.
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books
books
Publication:
September 2011
September 2011
Subject:
Art Theory
Art Theory
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books
books
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In his new book, critical theorist Mark Neocleous engages in a sustained critique of the theory and practice of pacification. Combining philosophical analysis with historical detail, Neocleous analyses the development of pacification as a key concept through which capitalist modernity has been organised, offering readers the first book that treats pacification as an(...)
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In his new book, critical theorist Mark Neocleous engages in a sustained critique of the theory and practice of pacification. Combining philosophical analysis with historical detail, Neocleous analyses the development of pacification as a key concept through which capitalist modernity has been organised, offering readers the first book that treats pacification as an(...)
Title:
Pacification: Social war and the power of police
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In his new book, critical theorist Mark Neocleous engages in a sustained critique of the theory and practice of pacification. Combining philosophical analysis with historical detail, Neocleous analyses the development of pacification as a key concept through which capitalist modernity has been organised, offering readers the first book that treats pacification as an important concept in the history of state power and capitalism. Neocleous’s approach is fourfold, examining pacification as social warfare carried out through the ideology of peace; as a form of social police carried out through mechanisms of security; as law and order exercised through the permanent wars of class society; and as the myriad practices of power designed to counter insurgency. Making use of official documents of state, the writings of counterinsurgency thinkers and the ideas perpetuated by practitioners of counterrevolution, the book unravels the complex ways through which pacification generates new forms of social war and new modes of policing that reproduce capitalist order and fabricate obedient subjects. Through expansive accounts of war and police, and engaging with a range of topics from debt to death, from stasis to civil war, and from the police kettle to the politics of fear, the book offers a provocative analysis of the ways in which state and capital combine to build a pacified social order.
Pacification: Social war and the power of police
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In his new book, critical theorist Mark Neocleous engages in a sustained critique of the theory and practice of pacification. Combining philosophical analysis with historical detail, Neocleous analyses the development of pacification as a key concept through which capitalist modernity has been organised, offering readers the first book that treats pacification as an important concept in the history of state power and capitalism. Neocleous’s approach is fourfold, examining pacification as social warfare carried out through the ideology of peace; as a form of social police carried out through mechanisms of security; as law and order exercised through the permanent wars of class society; and as the myriad practices of power designed to counter insurgency. Making use of official documents of state, the writings of counterinsurgency thinkers and the ideas perpetuated by practitioners of counterrevolution, the book unravels the complex ways through which pacification generates new forms of social war and new modes of policing that reproduce capitalist order and fabricate obedient subjects. Through expansive accounts of war and police, and engaging with a range of topics from debt to death, from stasis to civil war, and from the police kettle to the politics of fear, the book offers a provocative analysis of the ways in which state and capital combine to build a pacified social order.
Form:
books
books
Publication:
February 2025
February 2025
Subject:
Social
Social
Form:
books
books
Title:
Ingredients for revolution: A history of American feminist restaurants, cafés and coffeehouses
Ingredients for revolution: A history of American feminist restaurants, cafés and coffeehouses
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Coinciding with the fiftieth anniversary of the trailblazing restaurant Mother Courage of New York City, "Ingredients for revolution" is the first history of the more than 230 feminist and lesbian-feminist restaurants, cafes, and coffeehouses that existed in the United States from 1972 to the present. As key sites of cultural and political significance, this volume shows(...)
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Coinciding with the fiftieth anniversary of the trailblazing restaurant Mother Courage of New York City, "Ingredients for revolution" is the first history of the more than 230 feminist and lesbian-feminist restaurants, cafes, and coffeehouses that existed in the United States from 1972 to the present. As key sites of cultural and political significance, this volume shows(...)
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Ingredients for revolution: A history of American feminist restaurants, cafés and coffeehouses
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Coinciding with the fiftieth anniversary of the trailblazing restaurant Mother Courage of New York City, "Ingredients for revolution" is the first history of the more than 230 feminist and lesbian-feminist restaurants, cafes, and coffeehouses that existed in the United States from 1972 to the present. As key sites of cultural and political significance, this volume shows the essential role these institutions served for multiple social justice movements including women’s liberation, LGBTQ equality, and food justice, as well as for training women workers and entrepreneurs. This systematic study outlines the crucial steps it took to establish these businesses during eras when sexism was so institutionalized it was difficult for unmarried women to obtain a bank loan, while also showing the continuities and influences of past businesses on contemporary places. Through an examination of important establishments across America, Alex Ketchum first examines the foundational principles behind these businesses, noting key differences between cooperative, for-profit, and non-profit models. She then looks to issues of financing, labour, pay, food sourcing, and cultural programming to understand how these organizations reconciled feminist beliefs with capitalism and how they strove for more equitable and sustainable business practices. Brimming with illuminating archival research, interviews with influential restaurateurs, and illustrated with photographs, menus, posters, and calendars, "Ingredients for revolution" is a fundamental work of women’s history, food history, and cultural history.
Ingredients for revolution: A history of American feminist restaurants, cafés and coffeehouses
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Coinciding with the fiftieth anniversary of the trailblazing restaurant Mother Courage of New York City, "Ingredients for revolution" is the first history of the more than 230 feminist and lesbian-feminist restaurants, cafes, and coffeehouses that existed in the United States from 1972 to the present. As key sites of cultural and political significance, this volume shows the essential role these institutions served for multiple social justice movements including women’s liberation, LGBTQ equality, and food justice, as well as for training women workers and entrepreneurs. This systematic study outlines the crucial steps it took to establish these businesses during eras when sexism was so institutionalized it was difficult for unmarried women to obtain a bank loan, while also showing the continuities and influences of past businesses on contemporary places. Through an examination of important establishments across America, Alex Ketchum first examines the foundational principles behind these businesses, noting key differences between cooperative, for-profit, and non-profit models. She then looks to issues of financing, labour, pay, food sourcing, and cultural programming to understand how these organizations reconciled feminist beliefs with capitalism and how they strove for more equitable and sustainable business practices. Brimming with illuminating archival research, interviews with influential restaurateurs, and illustrated with photographs, menus, posters, and calendars, "Ingredients for revolution" is a fundamental work of women’s history, food history, and cultural history.
Form:
books
books
Publication:
November 2022
November 2022
Subject:
Social
Social
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books
books
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$52.50
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Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro's central arguments is that the conceptual art movement(...)
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Summary:
Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro's central arguments is that the conceptual art movement(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 2003, Cambridge, Mass.
January 2003, Cambridge, Mass.
Title:
Conceptual art and the politics of publicity
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Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro's central arguments is that the conceptual art movement was founded not just by the artists but also by the dealer Seth Siegelaub. Siegelaub promoted the artists, curated groundbreaking shows, organized symposia and publications, and in many ways set the stage for another kind of entrepreneur: the freelance curator. Alberro examines both Siegelaub's role in launching the careers of artists who were making "something from nothing" and his tactful business practices, particularly in marketing and advertising. Alberro draws on close readings of artworks produced by key conceptual artists in the mid- to late 1960s. He places the movement in the social context of the rebellion against existing cultural institutions, as well as the increased commercialization and globalization of the art world. The book ends with a discussion of one of Siegelaub's most material and least ephemeral contributions, the Artist's Reserved Rights Transfer and Sale Agreement, which he wrote between 1969 and 1971. Designed to limit the inordinate control of collectors, galleries, and museums by increasing the artist's rights, the Agreement unwittingly codified the overlap between capitalism and the arts.
Conceptual art and the politics of publicity
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Summary:
Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro's central arguments is that the conceptual art movement was founded not just by the artists but also by the dealer Seth Siegelaub. Siegelaub promoted the artists, curated groundbreaking shows, organized symposia and publications, and in many ways set the stage for another kind of entrepreneur: the freelance curator. Alberro examines both Siegelaub's role in launching the careers of artists who were making "something from nothing" and his tactful business practices, particularly in marketing and advertising. Alberro draws on close readings of artworks produced by key conceptual artists in the mid- to late 1960s. He places the movement in the social context of the rebellion against existing cultural institutions, as well as the increased commercialization and globalization of the art world. The book ends with a discussion of one of Siegelaub's most material and least ephemeral contributions, the Artist's Reserved Rights Transfer and Sale Agreement, which he wrote between 1969 and 1971. Designed to limit the inordinate control of collectors, galleries, and museums by increasing the artist's rights, the Agreement unwittingly codified the overlap between capitalism and the arts.
Form:
books
books
Publication:
January 2003, Cambridge, Mass.
January 2003, Cambridge, Mass.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$27.95
(available to order)
Summary:
In postapartheid Johannesburg, tensions of race and class manifest themselves starkly in struggles over "rights to the city." Real-estate developers and the very poor fight for control of space as the municipal administration steps aside, almost powerless to shape the direction of change. Having ceded control of development to the private sector, the Johannesburg city(...)
$27.95
(available to order)
Summary:
In postapartheid Johannesburg, tensions of race and class manifest themselves starkly in struggles over "rights to the city." Real-estate developers and the very poor fight for control of space as the municipal administration steps aside, almost powerless to shape the direction of change. Having ceded control of development to the private sector, the Johannesburg city(...)
Subject:
History until 1900, Middle East
History until 1900, Middle East
Publication:
June 2008, Ithaca, London
June 2008, Ithaca, London
Title:
Taming the disorderly city: the spatial landscape of Johannesburg after Apartheid
Actions:
Price:
$27.95
(available to order)
Summary:
In postapartheid Johannesburg, tensions of race and class manifest themselves starkly in struggles over "rights to the city." Real-estate developers and the very poor fight for control of space as the municipal administration steps aside, almost powerless to shape the direction of change. Having ceded control of development to the private sector, the Johannesburg city government has all but abandoned residential planning to the unpredictability of market forces. This failure to plan for the civic good--and the resulting confusion--is a perfect example of the entrepreneurial approaches to urban governance that are sweeping much of the Global South as well as the cities of the North. Martin J. Murray brings together a wide range of urban theory and local knowledge to draw a nuanced portrait of contemporary Johannesburg. In Taming the Disorderly City, he provides a focused intellectual and political critique of the often-ambivalent urban dynamics that have emerged after the end of apartheid. Exploring the behaviors of the rich and poor, each empowered in their own way, as they rebuild a new Johannesburg, we see the entrepreneurial city: high-rises, shopping districts, and gated communities surrounded by and intermingled with poverty. In graceful prose, Murray offers a compelling portrait of the everyday lives of the urban poor as seen through the lens of real-estate capitalism and revitalization efforts.
Taming the disorderly city: the spatial landscape of Johannesburg after Apartheid
Actions:
Price:
$27.95
(available to order)
Summary:
In postapartheid Johannesburg, tensions of race and class manifest themselves starkly in struggles over "rights to the city." Real-estate developers and the very poor fight for control of space as the municipal administration steps aside, almost powerless to shape the direction of change. Having ceded control of development to the private sector, the Johannesburg city government has all but abandoned residential planning to the unpredictability of market forces. This failure to plan for the civic good--and the resulting confusion--is a perfect example of the entrepreneurial approaches to urban governance that are sweeping much of the Global South as well as the cities of the North. Martin J. Murray brings together a wide range of urban theory and local knowledge to draw a nuanced portrait of contemporary Johannesburg. In Taming the Disorderly City, he provides a focused intellectual and political critique of the often-ambivalent urban dynamics that have emerged after the end of apartheid. Exploring the behaviors of the rich and poor, each empowered in their own way, as they rebuild a new Johannesburg, we see the entrepreneurial city: high-rises, shopping districts, and gated communities surrounded by and intermingled with poverty. In graceful prose, Murray offers a compelling portrait of the everyday lives of the urban poor as seen through the lens of real-estate capitalism and revitalization efforts.
Form:
books
books
Publication:
June 2008, Ithaca, London
June 2008, Ithaca, London
Subject:
History until 1900, Middle East
History until 1900, Middle East
