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The cycle of production and consumption, artificially accelerated by advertising and marketing, has characterised our society for decades. This cycle has recently also taken hold of the architecture of the city, leading to a waste that is both economically and ecologically unacceptable. The destruction of buildings that are not actually obsolete is just as questionable as(...)
Radical normal: Propositions for the architecture of the city
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The cycle of production and consumption, artificially accelerated by advertising and marketing, has characterised our society for decades. This cycle has recently also taken hold of the architecture of the city, leading to a waste that is both economically and ecologically unacceptable. The destruction of buildings that are not actually obsolete is just as questionable as the production of extravagant architectures for which there is no real need. This book is a protest against the merciless globalisation of the city and its dissolution into faceless, inhospitable peripheries. At the same time, it puts forward alternative strategies of urban design to counteract such globalisation and dissolution. It formulates a different approach to urbanism, one which views the city not as a carnivalesque display of vanities but as a sophisticated spatial construction that lays down the conditions for a productive, sociable, serene, and happy life.
Architectural Theory
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These elaborate CAD-reconstructions, developed by Darmstadt Technical University, provide a representative survey of the architecture of synagogues in Germany before their destruction. What is more, they convey visual impressions of the diversity, the splendour and the significance of the synagogue in the history of German urban architecture from the early nineteenth(...)
Arch Middle East
March 2004, Basel
Synagogues in Germany : a virtual reconstruction
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These elaborate CAD-reconstructions, developed by Darmstadt Technical University, provide a representative survey of the architecture of synagogues in Germany before their destruction. What is more, they convey visual impressions of the diversity, the splendour and the significance of the synagogue in the history of German urban architecture from the early nineteenth century until 1938. In doing so, they also demonstrate the potential of such media to contribute to a new culture of remembrance. Reactions to the first exhibition in 2000 in Bonn, Germany, were resounding, with international praise for the quality of the simulations and their value as an instrument in the service of historical truth. This publication presents the results for the first time in print, to coincide with the launching of an exhibition in Tel Aviv which will travel to New York, Los Angeles and further international venues.
Arch Middle East
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Chaque seconde, 150 tonnes de béton sont coulées dans le monde. Pas de béton sans ciment, dont la production émet près de trois fois plus de CO2 que le transport aérien. Pas de béton sans sable, deuxième ressource naturelle à être pillée, après l'eau. Pas de bétonisation sans artificialisation des sols, fatale pour la biodiversité et qui dévore les terres agricoles. C'est(...)
Désarmer le béton: Re-habiter la terre
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Chaque seconde, 150 tonnes de béton sont coulées dans le monde. Pas de béton sans ciment, dont la production émet près de trois fois plus de CO2 que le transport aérien. Pas de béton sans sable, deuxième ressource naturelle à être pillée, après l'eau. Pas de bétonisation sans artificialisation des sols, fatale pour la biodiversité et qui dévore les terres agricoles. C'est un fait, le béton est une arme de destruction massive du vivant. Malgré ces constats alarmants, pointés depuis une décennie, il continue de couler à flots. La question devient urgente: comment faire tomber le béton ? Alors que fleurissent des mobilisations contre les projets polluants et imposés, cet ouvrage - ponctué de récits de luttes - décortique la filière, expose le rôle actif des bétonneurs français et pointe les liaisons dangereuses tissées entre industriels et pouvoir d'État.
Architectural Theory
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Le dossier du numéro rassemble des portfolios de Jeff Wall (Vancouver), Luc Delahaye (Paris) et Donigan Cumming (Montréal) dont les travaux combinent la photographie à l'influence de la peinture. Sous la thématique du tableau, leurs travaux présentent des scènes de la vie quotidienne ou des scènes de conflits de guerre comme de grands tableaux d'histoire, ou comme des(...)
Ciel Variable no. 132 : tableaux
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Le dossier du numéro rassemble des portfolios de Jeff Wall (Vancouver), Luc Delahaye (Paris) et Donigan Cumming (Montréal) dont les travaux combinent la photographie à l'influence de la peinture. Sous la thématique du tableau, leurs travaux présentent des scènes de la vie quotidienne ou des scènes de conflits de guerre comme de grands tableaux d'histoire, ou comme des portraits qui ont des allures d'instantanés. La section Focus comprend trois essais. Le premier rend compte de l'engagement du photographe Michel Huneault à documenter la région de Tohoku, au Japon, après la triple catastophe qui l'a frappée en 2011. Le second s'attarde au travail du collectif le commun des mortels dont la pratique consiste à collectionner des photographies vernaculaires et anonymes destinées à la destruction. Le troisième commente la publication "La femme 100 têtes/The Hundred Headless Woman" d'Angela Grauerholz.
Magazines
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As a young boy, Sebastião Salgado loved exploring his parents’ farm in the forests of Brazil, always dreaming of what might lie beyond his view. When he went away to school, he met Lélia, who showed him how to use a camera. As he looked through the lens, Sebastião realized he could use photography to capture how the world fits together. Sebastião used his pictures to tell(...)
Planting hope: A portrait of photographer Sebastião Salgado
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As a young boy, Sebastião Salgado loved exploring his parents’ farm in the forests of Brazil, always dreaming of what might lie beyond his view. When he went away to school, he met Lélia, who showed him how to use a camera. As he looked through the lens, Sebastião realized he could use photography to capture how the world fits together. Sebastião used his pictures to tell the stories of people who might not otherwise be seen. But after witnessing too much destruction, he put away his camera and returned to his childhood home. The land was in ruins. So Sebastião and Lélia decided to rebuild the rainforest and photograph the beauty of the world to save it. Through art and activism, they would show that everyone was responsible for caring for the planet and that hope endures if we take action.
Current Exhibitions
Banksy: Wall and piece
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Artistic genius, political activist, painter and decorator, mythic legend or notorious graffiti artist? The work of Banksy is unmistakable, except maybe when it’s squatting inthe Tate or New York’s Metropolitan Museum. Banksy is responsible for decorating the streets, walls, bridges and zoos of towns and cites throughout the world. Witty and subversive, his stencils(...)
Banksy: Wall and piece
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Artistic genius, political activist, painter and decorator, mythic legend or notorious graffiti artist? The work of Banksy is unmistakable, except maybe when it’s squatting inthe Tate or New York’s Metropolitan Museum. Banksy is responsible for decorating the streets, walls, bridges and zoos of towns and cites throughout the world. Witty and subversive, his stencils show monkeys with weapons of mass destruction, policeman with smiley faces, rats with drills and umbrellas.If you look hard enough you’ll find your own. His statements, incitements, ironies and epigrams are by turns intelligent and cheeky comments on everything from the monarchy and capitalism to the war in Iraq and farm animals. His identity remains unknown, but his work is prolific. And now for the first time, he’s putting together the best of his work – old and new in a fully illustrated colour volume.
Public Space
Carlos Bunga: the architecture of life: environments, sculptures, paintings, drawings and films
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The first monograph on Portugese artist Carlos Bunga (born 1976) presents over a decade of his fantastical sculptural and painterly structures. Bunga uses only cardboard and paint to create immersive installations, furniture-like sculptures and paintings. “The Architecture of Life” surveys the artist’s sculptures, paintings, films, performances and installations from(...)
Carlos Bunga: the architecture of life: environments, sculptures, paintings, drawings and films
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The first monograph on Portugese artist Carlos Bunga (born 1976) presents over a decade of his fantastical sculptural and painterly structures. Bunga uses only cardboard and paint to create immersive installations, furniture-like sculptures and paintings. “The Architecture of Life” surveys the artist’s sculptures, paintings, films, performances and installations from throughout his career, including the major new works created for his exhibition at the Museum of Art, Architecture, And Technology (MAAT) and Fundação Carmona e Costa in Lisbon. Whether he is using recycled materials or demolishing his own works, Bunga consistently pursues cycles of construction and destruction, and as a result explores the relationship of a space to its history and the inherent contradiction of the simultaneous impermanence and permanence of art. This volume features some of the artist’s own reflections on his work and writing from various art critics, writers and curators.
Contemporary Art Monographs
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Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His(...)
Of battle and beauty : Felice Beato's photographs of China
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Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His photographic record of the Second Opium War consisted of approximately 100 images, including a number of panoramic views, which survive in the form of private albums orignally compiled by British officers as a record of their victorious campaign. In addition to providing a strikingly beautiful glimpse of nineteenth-century China, these images also reveal how photography functioned as an integral component of British imperialism by shaping perceptions about a distant country and its culture. This publication accompanies a major exhibition of Beato's work in China.
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November 1999, Santa Barbara
Photography monographs
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Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His(...)
Of battle and beauty : Felice Beato's photographs of China
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$75.00
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Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His photographic record of the Second Opium War consisted of approximately 100 images, including a number of panoramic views, which survive in the form of private albums orignally compiled by British officers as a record of their victorious campaign. In addition to providing a strikingly beautiful glimpse of nineteenth-century China, these images also reveal how photography functioned as an integral component of British imperialism by shaping perceptions about a distant country and its culture. This publication accompanies a major exhibition of Beato's work in China.
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November 1999, Santa Barbara
Theory of Photography
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Perched on the edge of the Mediterranean, the city of Beirut was once a bustling site of modern architecture. Since the Lebanese Civil War, which broke out in 1975 and claimed over 120,000 lives before its cessation in 1990, many of Beirut’s modernist gems have lain abandoned or ruined. ''Beirut bereft'' profiles 57 of these structures as indicative of the wider(...)
Beirut bereft: Architecture of the forsaken and map of the derelict
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Perched on the edge of the Mediterranean, the city of Beirut was once a bustling site of modern architecture. Since the Lebanese Civil War, which broke out in 1975 and claimed over 120,000 lives before its cessation in 1990, many of Beirut’s modernist gems have lain abandoned or ruined. ''Beirut bereft'' profiles 57 of these structures as indicative of the wider fragmentation of Lebanon. Lebanese writer Rasha Salti and photographer Ziad Antar generated a visual, textual and cartographic vocabulary to profile the skeletons of office towers, hotels and apartment blocks that overlook the serene Mediterranean. One such building, the Murr Tower, has become something of an emblem of the destruction and lost hopes of Beirut. Begun in 1974 and incomplete at the beginning of the war, this Corbusier-inspired structure now looms over a city trying to find its way again.
Architecture since 1900, Middle-East