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During the last five decades we have witnessed an increase in activity among artists identifying themselves as Sami, the only recognised indigenous people of Scandinavia. At the same time, art and duodji (traditional Sami art and craft) have been organized and institutionalized, not least by the Sami artists themselves. ''Sami art and aesthetics'' discusses and highlights(...)
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During the last five decades we have witnessed an increase in activity among artists identifying themselves as Sami, the only recognised indigenous people of Scandinavia. At the same time, art and duodji (traditional Sami art and craft) have been organized and institutionalized, not least by the Sami artists themselves. ''Sami art and aesthetics'' discusses and highlights(...)
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Sami art and aesthetics: Contemporary perspectives
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During the last five decades we have witnessed an increase in activity among artists identifying themselves as Sami, the only recognised indigenous people of Scandinavia. At the same time, art and duodji (traditional Sami art and craft) have been organized and institutionalized, not least by the Sami artists themselves. ''Sami art and aesthetics'' discusses and highlights these developments and places them in historical and contemporary contexts for an international audience. At stake are complex, changing terms regarding the creative and the political agencies. The question is not how indigeneity, identity, people, art, duodji, and aesthetics correspond to conventional Western ideas, rather it is how they interact with the Sami and their neighbouring cultures and societies. The volume is written by some of the foremost art historians and literary scholars in Sami art, craft, architecture, culture, and indigenous studies. Artists presented include Johan Turi, Ivar Jaks, Outi Pieski, Folke Fjellstrom, Katarina Pirak Sikku, Geir Tore Holm, and Silje Figenschou Thoresen.
Sami art and aesthetics: Contemporary perspectives
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During the last five decades we have witnessed an increase in activity among artists identifying themselves as Sami, the only recognised indigenous people of Scandinavia. At the same time, art and duodji (traditional Sami art and craft) have been organized and institutionalized, not least by the Sami artists themselves. ''Sami art and aesthetics'' discusses and highlights these developments and places them in historical and contemporary contexts for an international audience. At stake are complex, changing terms regarding the creative and the political agencies. The question is not how indigeneity, identity, people, art, duodji, and aesthetics correspond to conventional Western ideas, rather it is how they interact with the Sami and their neighbouring cultures and societies. The volume is written by some of the foremost art historians and literary scholars in Sami art, craft, architecture, culture, and indigenous studies. Artists presented include Johan Turi, Ivar Jaks, Outi Pieski, Folke Fjellstrom, Katarina Pirak Sikku, Geir Tore Holm, and Silje Figenschou Thoresen.
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books
books
Publication:
July 2017
July 2017
Subject:
Current Exhibitions
Current Exhibitions
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books
books
Title:
Andrew Kuo: What me worry
Andrew Kuo: What me worry
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Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in(...)
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Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in(...)
Title:
Andrew Kuo: What me worry
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Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in the criteria and gradations they measure. Kuo's obsessive charts, which resemble Op art, Concrete art or the abstractions of Josef Albers have reached a wide audience through his music reviews for The New York Times, as well as through numerous solo shows over the past ten years. What Me Worry adopts Mad magazine's slogan to gently poke fun at the artist's compulsive record-keeping, and compiles a range of charts, some of which are also made into colorful sculptures, alongside figurative paintings, diary musings and a series of recipes.
Andrew Kuo: What me worry
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Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in the criteria and gradations they measure. Kuo's obsessive charts, which resemble Op art, Concrete art or the abstractions of Josef Albers have reached a wide audience through his music reviews for The New York Times, as well as through numerous solo shows over the past ten years. What Me Worry adopts Mad magazine's slogan to gently poke fun at the artist's compulsive record-keeping, and compiles a range of charts, some of which are also made into colorful sculptures, alongside figurative paintings, diary musings and a series of recipes.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Signage
Signage
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books
books
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$56.95
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In this groundbreaking study, Nina Gurianova identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an “aesthetics of anarchy” — art-making without rules—that greatly influenced early twentieth-century modernists. Setting the early(...)
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In this groundbreaking study, Nina Gurianova identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an “aesthetics of anarchy” — art-making without rules—that greatly influenced early twentieth-century modernists. Setting the early(...)
Title:
The aesthetics of anarchy : art and ideology in the early Russian avant-garde
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In this groundbreaking study, Nina Gurianova identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an “aesthetics of anarchy” — art-making without rules—that greatly influenced early twentieth-century modernists. Setting the early Russian avant-garde movement firmly within a broader European context, Gurianova draws on a wealth of primary and archival sources by individual writers and artists, Russian theorists, theorizing artists, and German philosophers. Unlike the post-revolutionary avant-garde, which sought to describe the position of the artist in the new social hierarchy, the early Russian avant-garde struggled to overcome the boundaries defining art and to bridge the traditional gap between artist and audience. As it explores the aesthetics embraced by the movement, the book shows how artists transformed literary, theatrical, and performance practices, eroding the traditional boundaries of the visual arts and challenging the conventions of their day.
The aesthetics of anarchy : art and ideology in the early Russian avant-garde
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$56.95
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Summary:
In this groundbreaking study, Nina Gurianova identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an “aesthetics of anarchy” — art-making without rules—that greatly influenced early twentieth-century modernists. Setting the early Russian avant-garde movement firmly within a broader European context, Gurianova draws on a wealth of primary and archival sources by individual writers and artists, Russian theorists, theorizing artists, and German philosophers. Unlike the post-revolutionary avant-garde, which sought to describe the position of the artist in the new social hierarchy, the early Russian avant-garde struggled to overcome the boundaries defining art and to bridge the traditional gap between artist and audience. As it explores the aesthetics embraced by the movement, the book shows how artists transformed literary, theatrical, and performance practices, eroding the traditional boundaries of the visual arts and challenging the conventions of their day.
Form:
books
books
Publication:
March 2012
March 2012
Subject:
Art Theory
Art Theory
Form:
books
books
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$25.00
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop(...)
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop(...)
Title:
Almost nothing with Luc Ferrari
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop sensual, proto-ambient narrative that he termed "anecdotal music" or "cinema for the ear." Perhaps the most notorious instance of this approach was Danses Organiques (1973), for which Ferrari recorded the meeting and sexual encounter of two young women, cut with other ambient and music sound. In his final decades Ferrari was championed by David Grubbs (of Gastr del Sol), who brought his music to a postrock audience. Almost Nothing is the first publication on this composer. It alternates Jacqueline Caux's interviews with 14 "imaginary autobiographies" by the composer, offering a lively account of new music's most revolutionary era.
Almost nothing with Luc Ferrari
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop sensual, proto-ambient narrative that he termed "anecdotal music" or "cinema for the ear." Perhaps the most notorious instance of this approach was Danses Organiques (1973), for which Ferrari recorded the meeting and sexual encounter of two young women, cut with other ambient and music sound. In his final decades Ferrari was championed by David Grubbs (of Gastr del Sol), who brought his music to a postrock audience. Almost Nothing is the first publication on this composer. It alternates Jacqueline Caux's interviews with 14 "imaginary autobiographies" by the composer, offering a lively account of new music's most revolutionary era.
Form:
books
books
Publication:
March 2012
March 2012
Subject:
Acoustics
Acoustics
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books
books
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$55.00
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“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges(...)
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“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2012
October 2012
Title:
David Claerbout : the time that remains
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“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges thousands of stills and scans into slow and deliberate moving films. Time, in Claerbout’s videos, seems to move with a mesmerizing heaviness, almost as if within a memory or piece of music. With some of his films lasting up to 13 hours, Claerbout expects and requires the undivided attention of his audience or, at least, their patience. In this first catalogue of his oeuvre, his film and video projects are presented through his production photographs and design sketches, offering an exciting introduction into the process and aesthetic development of the artist.
David Claerbout : the time that remains
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“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges thousands of stills and scans into slow and deliberate moving films. Time, in Claerbout’s videos, seems to move with a mesmerizing heaviness, almost as if within a memory or piece of music. With some of his films lasting up to 13 hours, Claerbout expects and requires the undivided attention of his audience or, at least, their patience. In this first catalogue of his oeuvre, his film and video projects are presented through his production photographs and design sketches, offering an exciting introduction into the process and aesthetic development of the artist.
Form:
books
books
Publication:
October 2012
October 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Description:
236 pages ; 21 cm.
Description:
236 pages ; 21 cm.
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Publication:
Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
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books
books
Publication:
Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
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books
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$29.99
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In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The(...)
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In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The(...)
Subject:
sale books
sale books
Publication:
October 2000, New York
October 2000, New York
Title:
Art and the empire city : New York, 1825-1861
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In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The Erie Canal turned the port of New York into the gateway to the United States, ushering in a time of enormous growth and change for the city of New York. Still very much a work in progress, New York became both an international economic and cultural center: it was transformed into what contemporary observers variously termed the Empire City, the Great Emporium, and the Empress City of the West. The cultural component of this transformation was as significant as its economic aspect. Highly skilled artists and craftsmen working in New York, both native born and immigrant, grew in number, and institutions devoted to the arts emerged and flourished. With Broadway at its heart, the Great Emporium developed into the nation’s major manufacturing and retailing center, the depot for luxury goods made in and around the city and imported from Europe. The complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period is the focus of this book, which accompanies a major exhibition at The Metropolitan Museum of Art. In essays that will interest scholars as well as a more general audience, specialists from the Metropolitan Museum, the Museum of the City of New York, and the University of California at Berkeley bring new research and insights to bear on a broad range of subjects. Their texts offer both historical and cultural contexts and explore the city’s development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. This volume is lavishly illustrated in color and black and white, providing reproductions of the more than three hundred works in the exhibition as well as comparative material. A checklist of works in the exhibition, a bibliography, and an index are included.
Art and the empire city : New York, 1825-1861
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$29.99
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Summary:
In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The Erie Canal turned the port of New York into the gateway to the United States, ushering in a time of enormous growth and change for the city of New York. Still very much a work in progress, New York became both an international economic and cultural center: it was transformed into what contemporary observers variously termed the Empire City, the Great Emporium, and the Empress City of the West. The cultural component of this transformation was as significant as its economic aspect. Highly skilled artists and craftsmen working in New York, both native born and immigrant, grew in number, and institutions devoted to the arts emerged and flourished. With Broadway at its heart, the Great Emporium developed into the nation’s major manufacturing and retailing center, the depot for luxury goods made in and around the city and imported from Europe. The complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period is the focus of this book, which accompanies a major exhibition at The Metropolitan Museum of Art. In essays that will interest scholars as well as a more general audience, specialists from the Metropolitan Museum, the Museum of the City of New York, and the University of California at Berkeley bring new research and insights to bear on a broad range of subjects. Their texts offer both historical and cultural contexts and explore the city’s development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. This volume is lavishly illustrated in color and black and white, providing reproductions of the more than three hundred works in the exhibition as well as comparative material. A checklist of works in the exhibition, a bibliography, and an index are included.
Form:
books
books
Publication:
October 2000, New York
October 2000, New York
Subject:
sale books
sale books
Form:
books
books
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$42.00
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Summary:
Cruise delightfully recalls a time of gracious travel, as well as the modern-day evolution of cruising at sea. It explores the design and culture of cruise ships from the golden age of the interwar period, up to the present when cruise ships have come to embrace "entertainment architecture." Packed full of illustrations of all aspects of cruise ship design—interiors,(...)
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Cruise delightfully recalls a time of gracious travel, as well as the modern-day evolution of cruising at sea. It explores the design and culture of cruise ships from the golden age of the interwar period, up to the present when cruise ships have come to embrace "entertainment architecture." Packed full of illustrations of all aspects of cruise ship design—interiors,(...)
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Publication:
April 2006, New York
April 2006, New York
Title:
Cruise : identity, design and culture
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Cruise delightfully recalls a time of gracious travel, as well as the modern-day evolution of cruising at sea. It explores the design and culture of cruise ships from the golden age of the interwar period, up to the present when cruise ships have come to embrace "entertainment architecture." Packed full of illustrations of all aspects of cruise ship design—interiors, entertainment, travel posters, and other ephemera—this timely book also documents the current renaissance in cruise vacations.Traveling by cruise ship, especially between the wars and into the '50s, was the most luxurious and stylish form of transport available. Many of the greatest liners were built during that time, including France's Normandie, whose Art Deco interior was one of the most lavish—and beautiful—ever created. This up-to-date visual history of ocean travel, complete with full illustrations and a lively survey of every aspect of sailing on the high seas, will appeal to and delight a broad audience including cruise ship enthusiasts, designers, and nostalgia buffs.
Cruise : identity, design and culture
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Cruise delightfully recalls a time of gracious travel, as well as the modern-day evolution of cruising at sea. It explores the design and culture of cruise ships from the golden age of the interwar period, up to the present when cruise ships have come to embrace "entertainment architecture." Packed full of illustrations of all aspects of cruise ship design—interiors, entertainment, travel posters, and other ephemera—this timely book also documents the current renaissance in cruise vacations.Traveling by cruise ship, especially between the wars and into the '50s, was the most luxurious and stylish form of transport available. Many of the greatest liners were built during that time, including France's Normandie, whose Art Deco interior was one of the most lavish—and beautiful—ever created. This up-to-date visual history of ocean travel, complete with full illustrations and a lively survey of every aspect of sailing on the high seas, will appeal to and delight a broad audience including cruise ship enthusiasts, designers, and nostalgia buffs.
Form:
books
books
Publication:
April 2006, New York
April 2006, New York
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Form:
books
books
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$30.95
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Summary:
In a world of disruptions and seemingly endless complexity, cities have become central to thinking about the future of humanity. Yet the study of cities is fragmented among different silos of expertise, diverse genres of scholarship, and widening chasms between theory and practice. How can we do better? ''Cities Rethought'' suggests that we need to remake the way we see(...)
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In a world of disruptions and seemingly endless complexity, cities have become central to thinking about the future of humanity. Yet the study of cities is fragmented among different silos of expertise, diverse genres of scholarship, and widening chasms between theory and practice. How can we do better? ''Cities Rethought'' suggests that we need to remake the way we see(...)
Title:
Cities rethought: A new urban disposition
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In a world of disruptions and seemingly endless complexity, cities have become central to thinking about the future of humanity. Yet the study of cities is fragmented among different silos of expertise, diverse genres of scholarship, and widening chasms between theory and practice. How can we do better? ''Cities Rethought'' suggests that we need to remake the way we see and know cities in order to rethink how we act and intervene within them. To this end, it offers the contours of a new urban disposition. Its normative, analytical, and operational elements offer an opportunity for scholars, practitioners, and citizens alike to approach the complexity of cities anew. Written collectively for a wide audience, the text draws from cities across the global north and south, speaks across diverse genres of ideas, and reflects on the lived experience of the authors as both researchers and practitioners. It is an essential text for anyone committed to knowing their own cities as well as finding ways to meaningfully intervene in them.
Cities rethought: A new urban disposition
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Summary:
In a world of disruptions and seemingly endless complexity, cities have become central to thinking about the future of humanity. Yet the study of cities is fragmented among different silos of expertise, diverse genres of scholarship, and widening chasms between theory and practice. How can we do better? ''Cities Rethought'' suggests that we need to remake the way we see and know cities in order to rethink how we act and intervene within them. To this end, it offers the contours of a new urban disposition. Its normative, analytical, and operational elements offer an opportunity for scholars, practitioners, and citizens alike to approach the complexity of cities anew. Written collectively for a wide audience, the text draws from cities across the global north and south, speaks across diverse genres of ideas, and reflects on the lived experience of the authors as both researchers and practitioners. It is an essential text for anyone committed to knowing their own cities as well as finding ways to meaningfully intervene in them.
Form:
books
books
Publication:
January 2025
January 2025
Subject:
Urban Theory
Urban Theory
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books
books
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$38.00
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Summary:
Following the blockbuster success of ''Wicked Arts Assignments'', ''Wicked Arts Education'' helps teachers and creatives design exciting arts educational programs from scratch. These arts programs foster a meaningful connection between the culture of the student, the arts and society. The included arts educational design strategies have been tested in a variety of(...)
$38.00
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Summary:
Following the blockbuster success of ''Wicked Arts Assignments'', ''Wicked Arts Education'' helps teachers and creatives design exciting arts educational programs from scratch. These arts programs foster a meaningful connection between the culture of the student, the arts and society. The included arts educational design strategies have been tested in a variety of(...)
Title:
Wicked arts education: Designing creative programmes
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$38.00
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Summary:
Following the blockbuster success of ''Wicked Arts Assignments'', ''Wicked Arts Education'' helps teachers and creatives design exciting arts educational programs from scratch. These arts programs foster a meaningful connection between the culture of the student, the arts and society. The included arts educational design strategies have been tested in a variety of settings around the world and were found to be helpful in challenging arts educators to explore curriculum ideas collectively, creatively and productively. In a time of individualization and polarization, this volume underlines the power of collective learning about, in and through the arts. Though ''Wicked Arts Education'' can be used to create personalized learning trajectories, it also advocates building learning communities in which students and teachers share interests, expertise and opinions. ''Wicked Arts Education'' can be used in a variety of educational contexts: from primary to higher education, and for arts curricula inside and beyond schools. The book is not only for educational settings, however, but intended for a wide-reaching audience that includes anyone wanting to work collectively with others on a creative project.
Wicked arts education: Designing creative programmes
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$38.00
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Summary:
Following the blockbuster success of ''Wicked Arts Assignments'', ''Wicked Arts Education'' helps teachers and creatives design exciting arts educational programs from scratch. These arts programs foster a meaningful connection between the culture of the student, the arts and society. The included arts educational design strategies have been tested in a variety of settings around the world and were found to be helpful in challenging arts educators to explore curriculum ideas collectively, creatively and productively. In a time of individualization and polarization, this volume underlines the power of collective learning about, in and through the arts. Though ''Wicked Arts Education'' can be used to create personalized learning trajectories, it also advocates building learning communities in which students and teachers share interests, expertise and opinions. ''Wicked Arts Education'' can be used in a variety of educational contexts: from primary to higher education, and for arts curricula inside and beyond schools. The book is not only for educational settings, however, but intended for a wide-reaching audience that includes anyone wanting to work collectively with others on a creative project.
Form:
books
books
Publication:
March 2025
March 2025
Subject:
Art Theory
Art Theory
