927 Results
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Description:
320 pages : color illustrations, maps (some color) ; 24 cm + 1 videodisc (DVD : sound, color ; 4 3/4 in.)
Description:
320 pages : color illustrations, maps (some color) ; 24 cm + 1 videodisc (DVD : sound, color ; 4 3/4 in.)
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Publication:
Rotterdam : NAi Publishers ; New York : D.A.P./Distributed Art Publishers [distributor], ©2008.
Rotterdam : NAi Publishers ; New York : D.A.P./Distributed Art Publishers [distributor], ©2008.
Title:
Networked cultures : parallel architectures and the politics of space / [edited by] Peter Mörtenböck and Helge Mooshammer.
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320 pages : color illustrations, maps (some color) ; 24 cm + 1 videodisc (DVD : sound, color ; 4 3/4 in.)
Networked cultures : parallel architectures and the politics of space / [edited by] Peter Mörtenböck and Helge Mooshammer.
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320 pages : color illustrations, maps (some color) ; 24 cm + 1 videodisc (DVD : sound, color ; 4 3/4 in.)
Form:
books
books
Publication:
Rotterdam : NAi Publishers ; New York : D.A.P./Distributed Art Publishers [distributor], ©2008.
Rotterdam : NAi Publishers ; New York : D.A.P./Distributed Art Publishers [distributor], ©2008.
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books
books
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Description:
xx, 410 pages : illustrations ; 25 cm
Description:
xx, 410 pages : illustrations ; 25 cm
Subject:
- Fernie, E. C. Festschrift.,
- Architecture Philosophy.,
- Architecture Philosophy History.,
- Architecture Historiography.,
- Architecture History.,
- Architecture and society.,
- Architecture Philosophie.,
- Architecture Philosophie Histoire.,
- Architecture Historiographie.,
- Architecture Histoire.,
- Architecture et société.,
- Architecture.,
- Architekturtheorie,
- Architekturgeschichtsschreibung,
- Festschriften.,
- History.
(See more)
Publication:
Woodbridge, UK ; Rochester, NY : Boydell Press, 2012.
Woodbridge, UK ; Rochester, NY : Boydell Press, 2012.
Title:
Architecture and interpretation : essays for Eric Fernie / edited by Jill A. Franklin, T.A. Heslop & Christine Stevenson.
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xx, 410 pages : illustrations ; 25 cm
Architecture and interpretation : essays for Eric Fernie / edited by Jill A. Franklin, T.A. Heslop & Christine Stevenson.
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xx, 410 pages : illustrations ; 25 cm
Form:
books
books
Publication:
Woodbridge, UK ; Rochester, NY : Boydell Press, 2012.
Woodbridge, UK ; Rochester, NY : Boydell Press, 2012.
Subject:
- Fernie, E. C. Festschrift.,
- Architecture Philosophy.,
- Architecture Philosophy History.,
- Architecture Historiography.,
- Architecture History.,
- Architecture and society.,
- Architecture Philosophie.,
- Architecture Philosophie Histoire.,
- Architecture Historiographie.,
- Architecture Histoire.,
- Architecture et société.,
- Architecture.,
- Architekturtheorie,
- Architekturgeschichtsschreibung,
- Festschriften.,
- History.
(See more)
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books
books
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1 volume (unpaged) : illustrations (black- & -white), facsimile ; 21 cm
Description:
1 volume (unpaged) : illustrations (black- & -white), facsimile ; 21 cm
Author:
Subject:
- Architecture in art 20th century.,
- Conceptual art Germany 20th century.,
- Fantasy in art 20th century.,
- Fantastic architecture.,
- Artists' books New York (State) 21st century.,
- Architecture dans l'art 20e siècle.,
- Fantasmes dans l'art 20e siècle.,
- Architecture fantastique.,
- Livres d'artistes New York (État) 21e siècle.,
- fantastic architecture.,
- Architecture in art,
- Artists' books,
- Conceptual art,
- Fantasy in art,
- Germany,
- New York (State),
- artists' books (books),
- facsimiles (reproductions),
- illustrated books.,
- Facsimiles,
- Illustrated works,
- Artists' books New York (State) New York 2015.,
- Illustrated works New York (State) New York 2015.,
- Limitation statements (Publishing) New York (State) New York 2015.,
- Livres d'artistes.,
- Fac-similés.,
- Ouvrages illustrés.
(See more)
Publication:
Brooklyn, NY : Primary Information, [2015], ©2015
Brooklyn, NY : Primary Information, [2015], ©2015
Title:
Fantastic architecture / Wolf Vostell, Dick Higgins.
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1 volume (unpaged) : illustrations (black- & -white), facsimile ; 21 cm
Fantastic architecture / Wolf Vostell, Dick Higgins.
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1 volume (unpaged) : illustrations (black- & -white), facsimile ; 21 cm
Form:
books
books
Publication:
Brooklyn, NY : Primary Information, [2015], ©2015
Brooklyn, NY : Primary Information, [2015], ©2015
Subject:
- Architecture in art 20th century.,
- Conceptual art Germany 20th century.,
- Fantasy in art 20th century.,
- Fantastic architecture.,
- Artists' books New York (State) 21st century.,
- Architecture dans l'art 20e siècle.,
- Fantasmes dans l'art 20e siècle.,
- Architecture fantastique.,
- Livres d'artistes New York (État) 21e siècle.,
- fantastic architecture.,
- Architecture in art,
- Artists' books,
- Conceptual art,
- Fantasy in art,
- Germany,
- New York (State),
- artists' books (books),
- facsimiles (reproductions),
- illustrated books.,
- Facsimiles,
- Illustrated works,
- Artists' books New York (State) New York 2015.,
- Illustrated works New York (State) New York 2015.,
- Limitation statements (Publishing) New York (State) New York 2015.,
- Livres d'artistes.,
- Fac-similés.,
- Ouvrages illustrés.
(See more)
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books
books
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Description:
136 pages : illustrations, maps, portraits ; 19 x 25 cm
Description:
136 pages : illustrations, maps, portraits ; 19 x 25 cm
Subject:
- Willats, Stephen, 1943-,
- Room layout (Dwellings) Psychological aspects.,
- Room layout (Dwellings) England London Psychological aspects.,
- Personal space.,
- Personal space England London.,
- Art objects.,
- Art objects England London.,
- Trash art.,
- Trash art England London.,
- Personal Space,
- Habitations Aménagement Angleterre Londres Aspect psychologique.,
- Espace personnel Angleterre Londres.,
- Architecture domestique Angleterre Londres Aspect psychologique.,
- Habitations Aménagement Aspect psychologique.,
- Espace personnel.,
- Objets d'art.,
- Objets d'art Angleterre Londres.,
- Trash art Angleterre Londres.,
- objets d'art.,
- Architecture, Domestic.,
- England London.,
- Interior design Architecture.,
- Writings.
(See more)
Publication:
Chichester : Wiley-Academy, 2001.
Chichester : Wiley-Academy, 2001.
Title:
Beyond the plan : the transformation of personal space in housing / Stephen Willats.
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Description:
136 pages : illustrations, maps, portraits ; 19 x 25 cm
Beyond the plan : the transformation of personal space in housing / Stephen Willats.
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Description:
136 pages : illustrations, maps, portraits ; 19 x 25 cm
Form:
books
books
Publication:
Chichester : Wiley-Academy, 2001.
Chichester : Wiley-Academy, 2001.
Subject:
- Willats, Stephen, 1943-,
- Room layout (Dwellings) Psychological aspects.,
- Room layout (Dwellings) England London Psychological aspects.,
- Personal space.,
- Personal space England London.,
- Art objects.,
- Art objects England London.,
- Trash art.,
- Trash art England London.,
- Personal Space,
- Habitations Aménagement Angleterre Londres Aspect psychologique.,
- Espace personnel Angleterre Londres.,
- Architecture domestique Angleterre Londres Aspect psychologique.,
- Habitations Aménagement Aspect psychologique.,
- Espace personnel.,
- Objets d'art.,
- Objets d'art Angleterre Londres.,
- Trash art Angleterre Londres.,
- objets d'art.,
- Architecture, Domestic.,
- England London.,
- Interior design Architecture.,
- Writings.
(See more)
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books
books
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Description:
114 pages : illustrations ; 24 cm
Description:
114 pages : illustrations ; 24 cm
Subject:
Publication:
Toronto, ON : The Power Plant Contemporary Art Gallery, [2021], ©2021
Toronto, ON : The Power Plant Contemporary Art Gallery, [2021], ©2021
Title:
Breathless / edited by Ala Roushan.
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Description:
114 pages : illustrations ; 24 cm
Breathless / edited by Ala Roushan.
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Description:
114 pages : illustrations ; 24 cm
Form:
books
books
Publication:
Toronto, ON : The Power Plant Contemporary Art Gallery, [2021], ©2021
Toronto, ON : The Power Plant Contemporary Art Gallery, [2021], ©2021
Form:
books
books
Title:
Reader.
Reader.
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Description:
1 online resource
Author:
Subject:
Publication:
[Place of publication not identified] : Primary Information, 2022.
[Place of publication not identified] : Primary Information, 2022.
Form:
books
books
Publication:
[Place of publication not identified] : Primary Information, 2022.
[Place of publication not identified] : Primary Information, 2022.
Form:
video
video
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Description:
1 online resource (1 video file (25 minutes)) : sound, color
Title:
The Nature of Engineering. Part 1. / [presented by] Ted Happold (Buro Happold).
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Description:
1 online resource (1 video file (25 minutes)) : sound, color
The Nature of Engineering. Part 1. / [presented by] Ted Happold (Buro Happold).
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Description:
1 online resource (1 video file (25 minutes)) : sound, color
Form:
video
video
Publication:
London, England : Pidgeon Digital, 1987.
London, England : Pidgeon Digital, 1987.
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books
books
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Description:
363 pages illustrations (some color) 25 cm
Description:
363 pages illustrations (some color) 25 cm
Author:
Subject:
- Higgins, Dick, 1938-1998,
- Something Else Press Bibliography.,
- Something Else Press,
- Fluxus (Group of artists),
- Conceptual art.,
- Performance art.,
- Fluxus (Groupe d'artistes),
- Art conceptuel.,
- Arts 20e siècle.,
- Manœuvre artistique.,
- Fluxus.,
- Conceptual.,
- Literature.,
- bibliographies.,
- History,
- Criticism, interpretation, etc.,
- Bibliographies
(See more)
Publication:
Catskill, New York : Siglio, 2018., ©2018
Catskill, New York : Siglio, 2018., ©2018
Title:
Intermedia, Fluxus and the Something Else Press : selected writings by Dick Higgins / edited by Steve Clay and Ken Friedman.
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Description:
363 pages illustrations (some color) 25 cm
Intermedia, Fluxus and the Something Else Press : selected writings by Dick Higgins / edited by Steve Clay and Ken Friedman.
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Description:
363 pages illustrations (some color) 25 cm
Form:
books
books
Publication:
Catskill, New York : Siglio, 2018., ©2018
Catskill, New York : Siglio, 2018., ©2018
Subject:
- Higgins, Dick, 1938-1998,
- Something Else Press Bibliography.,
- Something Else Press,
- Fluxus (Group of artists),
- Conceptual art.,
- Performance art.,
- Fluxus (Groupe d'artistes),
- Art conceptuel.,
- Arts 20e siècle.,
- Manœuvre artistique.,
- Fluxus.,
- Conceptual.,
- Literature.,
- bibliographies.,
- History,
- Criticism, interpretation, etc.,
- Bibliographies
(See more)
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$79.95
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Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
$79.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
Title:
Uncommon ground : architecture, technology. and topography
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$79.95
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Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
Uncommon ground : architecture, technology. and topography
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Price:
$79.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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Price:
$56.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
$56.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
Subject:
Architectural Theory
Architectural Theory
Publication:
October 2000, Cambridge, Mass.
October 2000, Cambridge, Mass.
Title:
Uncommon ground : architecture, technology, and topography
Actions:
Price:
$56.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
Uncommon ground : architecture, technology, and topography
Actions:
Price:
$56.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
Form:
books
books
Publication:
October 2000, Cambridge, Mass.
October 2000, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory