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In The Imaginative Structure of the City Alan Blum explores the symbolic and imaginative nature of the city as a vital part of everyday life in modern civilization. He introduces the city as a community that must struggle to maintain its collective identity against typical problems, problems that threaten to fragment the city's sense of itself. Blum's distinctive form(...)
The imaginative structure of the city
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In The Imaginative Structure of the City Alan Blum explores the symbolic and imaginative nature of the city as a vital part of everyday life in modern civilization. He introduces the city as a community that must struggle to maintain its collective identity against typical problems, problems that threaten to fragment the city's sense of itself. Blum's distinctive form of theoretical inquiry pushes the reader to move beyond conventional ways of thinking about familiar urban issues in answering such fundamental questions as, How does a city exist? How do its inhabitants define their relationship to it? Who is entitled to speak for it? What is its symbolic nature? In what way does the city function as a focus of attempts to resolve social problems such as alienation, participation, and community? In what ways do night and nighttime affect our relationship to it? How is it possible to speak of a city as both exciting and alienating?
Urban Theory
This bridge will not be gray
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The Golden Gate Bridge is the most famous bridge in the world. It is also, not entirely coincidentally, the world’s only bright-orange bridge. But it wasn’t supposed to be that way. In this book, bridge-lovers Dave Eggers and Tucker Nichols tell the story of how it happened—how a bridge that some people wanted to be red and white, and some people wanted to be yellow and(...)
This bridge will not be gray
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The Golden Gate Bridge is the most famous bridge in the world. It is also, not entirely coincidentally, the world’s only bright-orange bridge. But it wasn’t supposed to be that way. In this book, bridge-lovers Dave Eggers and Tucker Nichols tell the story of how it happened—how a bridge that some people wanted to be red and white, and some people wanted to be yellow and black, and most people wanted simply to be gray, instead became, thanks to the vision and stick-to-itiveness of a few peculiar architects, one of the most memorable man-made objects ever created. Told with playful paper cut-outs and irresistible prose, This Bridge Will Not Be Gray is a joyful history lesson in picture-book form—a gorgeously crafted story that teaches us how beauty and inspiration tend to come from the most unexpected places. Sometimes you have to fight for what you believe in, even if it’s just a color.
Toys
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In The Acoustics of Performance Halls J. Christopher Jaffe, an acclaimed acoustician known for his innovative design concepts, describes the common misconceptions about what makes a successful classical concert space, explains that sound reflections rather than geometry are the key to developing an outstanding hall, and shows how a series of simple principles related to(...)
The acoustics of performance halls
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In The Acoustics of Performance Halls J. Christopher Jaffe, an acclaimed acoustician known for his innovative design concepts, describes the common misconceptions about what makes a successful classical concert space, explains that sound reflections rather than geometry are the key to developing an outstanding hall, and shows how a series of simple principles related to how humans perceive musical quality can provide the ideal environment for classical music performances.
Commercial interiors, Building types
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Architecture’s Evil Empire, looks at how today’s trademark architectural individualism stretches beyond the well-known works and ultimately extends to the entire built environment. Glendinning examines how the global empire of the current modernism emerged—particularly in relation to the excesses of global capitalism—and explains its key organizational and architectural(...)
Architecture's evil empire: The triumph and tragedy of global modernism
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Architecture’s Evil Empire, looks at how today’s trademark architectural individualism stretches beyond the well-known works and ultimately extends to the entire built environment. Glendinning examines how the global empire of the current modernism emerged—particularly in relation to the excesses of global capitalism—and explains its key organizational and architectural features, placing its most influential theorists and designers in a broader context of history and artistic movements.
Architectural Theory
Frank Gehry
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Arranged chronologically, this book follows the arc of Gehry's later career, during which he has focused mainly on public and cultural facilities. The book explores how Gehry has overcome technological setbacks and aesthetic backlash, never wavering from his vision. It examines his work in the context of the urban environment, showing how Gehry continually strives to make(...)
Architecture Monographs
February 2015
Frank Gehry
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Arranged chronologically, this book follows the arc of Gehry's later career, during which he has focused mainly on public and cultural facilities. The book explores how Gehry has overcome technological setbacks and aesthetic backlash, never wavering from his vision. It examines his work in the context of the urban environment, showing how Gehry continually strives to make cities "less boring" and to create urban buildings that echo their surroundings.
Architecture Monographs
Data feminism
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Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind?(...)
Archive, library and the digital
March 2020
Data feminism
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Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind? The narratives around big data and data science are overwhelmingly white, male, and techno-heroic. In ''Data feminism,'' Catherine D'Ignazio and Lauren Klein present a new way of thinking about data science and data ethics—one that is informed by intersectional feminist thought. Illustrating data feminism in action, D'Ignazio and Klein show how challenges to the male/female binary can help challenge other hierarchical (and empirically wrong) classification systems. They explain how, for example, an understanding of emotion can expand our ideas about effective data visualization, and how the concept of invisible labor can expose the significant human efforts required by our automated systems. And they show why the data never, ever ''speak for themselves.'' ''Data feminism'' offers strategies for data scientists seeking to learn how feminism can help them work toward justice, and for feminists who want to focus their efforts on the growing field of data science. But ''Data feminism'' is about much more than gender. It is about power, about who has it and who doesn't, and about how those differentials of power can be challenged and changed.
Archive, library and the digital
$38.95
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''Citizens of photography'' explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political(...)
Theory of Photography
September 2023
Citizens of photography: The camera and the political imagination
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''Citizens of photography'' explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political representation and photographic representation. The authors emphasize photography as lived practice and how photography’s performative, transformative, and transgressive possibilities facilitate the articulation of new identities. They analyze photography ranging from family albums and social media to state and public archives, showing how it points to new destinations in the context of social movements, the aftermath of atrocity and civil war, and the legacies of past injustices. By foregrounding photography’s open-ended and contingent nature and its ability to subvert and reconfigure conventional political identifications, this volume demonstrates that as much as photography looks to the past, it points to the future, acting in advance of social reality.
Theory of Photography
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Lamentation practices can empower the potentiality to defy patriarchal orders ruling everyday life. Always a collective process, lamentation inscribes loss and vulnerability by tending bridges towards the world of the dead and the more-than-human. Gestures such as singing or breathing, gathering, and performances that exceed rationality can inspire a renewed approach to(...)
Critical Theory
October 2023
Urban lament: Collective expressions of pain, rage and affection
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Lamentation practices can empower the potentiality to defy patriarchal orders ruling everyday life. Always a collective process, lamentation inscribes loss and vulnerability by tending bridges towards the world of the dead and the more-than-human. Gestures such as singing or breathing, gathering, and performances that exceed rationality can inspire a renewed approach to life and death, rural and urban. After all, amidst ongoing processes of extinction, how to mourn a queer activist, a Roma father, a burnt forest, an exiled body, and a ship sunken in the Mediterranean? How to experience loss not as something individual, but within an expanded continuum of pain? How to explore emotions beyond the private sphere? Through case studies and narrations, in different times and geographies surrounding the Aegean Sea, this book amplifies the echoes of collective tears to invigorate contemporary mourning practices that claim public space by grief, rage, and affect.
Critical Theory
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The question of what heritage is and how we deal with it is not a neutral one. Recent events such as the Black Lives Matter movement and the toppling of monuments have made evident how much the colonial past is inscribed in our built environment; at the same time, colonialism affects memorialization and historiography. Hence, those involved in architectural history are(...)
Architectural Theory
June 2024
Architectures of colonialism: Constructed histories, conflicting memories
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The question of what heritage is and how we deal with it is not a neutral one. Recent events such as the Black Lives Matter movement and the toppling of monuments have made evident how much the colonial past is inscribed in our built environment; at the same time, colonialism affects memorialization and historiography. Hence, those involved in architectural history are challenged to re-consider their positionality. Whose heritage are colonial sites? Which conflicting memories are attached to them? How are archives and material evidence reassessed to bring forward the stories of marginalized subjects? Following the call for decolonization, this volume explores historical methodologies and shows the entanglement of narratives at architectural sites, bringing together archaeology, architectural history, and heritage studies.
Architectural Theory
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Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of(...)
Assuming asymmetries: Conversations on curating public art projects of the 1980s and 1990s
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Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of the border condition, of inside and outside, working across walls and fences—whether physical, political, or social? Why is participation so hard to catalyze and conduct? How have artworks come to constitute a practice of “situated knowledge,” engaging with the contexts in which they are produced or exhibited? And finally, what can we learn from the exhibitions discussed here when developing new, respectful forms of curating today?
Museology