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In Old Fields, John Stilgoe offers a poetic and controversial exploration of the generations-long effort to portray glamour. Fusing three forces in contemporary American culture—amateur photography after 1880; the rise of glamour and fantasy; and the often-mysterious quality of landscape photographs—Stilgoe provides a wide-ranging yet concentrated take on the cultural(...)
Old fields : photography, glamour, and fantasy landscape
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$43.75
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In Old Fields, John Stilgoe offers a poetic and controversial exploration of the generations-long effort to portray glamour. Fusing three forces in contemporary American culture—amateur photography after 1880; the rise of glamour and fantasy; and the often-mysterious quality of landscape photographs—Stilgoe provides a wide-ranging yet concentrated take on the cultural legacy of our photographic history.
Theory of Photography
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«Designing cities» is the first reader to be published in the thriving field of urban design. It has been assembled to appeal to a broad range of readers interested in how the design of cities comes about. Provides a complex and integrated perspective on the field of urban design. Carefully structured, so that students will gain an understanding of the theoretical(...)
Urban Theory
October 2002, Malden / Oxford / Carlton / Berlin
Designing cities : critical readings in urban design
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«Designing cities» is the first reader to be published in the thriving field of urban design. It has been assembled to appeal to a broad range of readers interested in how the design of cities comes about. Provides a complex and integrated perspective on the field of urban design. Carefully structured, so that students will gain an understanding of the theoretical context from which urban design has emerged. Includes work by Manuel Castells, David Harvey, Christian Norberg-Schultz, Peter Marcuse and others.
Urban Theory
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective(...)
The details of modern architecture volume 1
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective resource. They present the details of notable architectural works drawn in similar styles and formats, allowing comparisons between works of different scales, periods, and styles. Covering the period 1890-1932, Ford focuses on various recognized masters, explaining the detailing and construction techniques that distort, camouflage, or enhance a building. He looks at the source of each architect's ideas, the translation of those ideas into practice, and the success or failure of the technical execution. Ford examines Frank Lloyd Wright's Robie House and Fallingwater Le Corbusier's Villa Savoye, and buildings by McKim, Mead & White, Lutyens, Mies van der Rohe, and Schindler from a point of view that acknowledges the importance of tradition, precedent, style, and ideology in architectural construction. He discusses critical details from a technical and contextual standpoint, considering how they perform how they add to or detract from the building as a whole, and how some have persisted and been adapted through time.
Modernism
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This volume looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored(...)
Alloys: American sculpture and architecture at midcentury
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This volume looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored for their buildings’ highly visible and well-traversed threshold spaces. The parameters of these spaces—atriums, lobbies, plazas, and entryways—led to various designs like sculptural walls, ceilings, and screens that not only embraced new industrial materials and processes, but also demonstrated art’s ability to merge with lived architectural spaces. Marin Sullivan argues that these sculptural commissions represent an alternate history of midcentury American art.
Modernism
books
Alfred Stieglitz : the key set : the Alfred Stieglitz collection of photographs / Sarah Greenough.
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2 volumes (lxiii, 1012 pages) : illustrations (some color) ; 33 cm
Washington, D.C. : National Gallery of Art ; New York : Harry N. Abrams, 2002.
Alfred Stieglitz : the key set : the Alfred Stieglitz collection of photographs / Sarah Greenough.
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2 volumes (lxiii, 1012 pages) : illustrations (some color) ; 33 cm
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Washington, D.C. : National Gallery of Art ; New York : Harry N. Abrams, 2002.
books
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2 volumes : illustrations (some color), plans ; 26 cm
London : Royal Academy of Arts, 2013.
Being : an architect / Ian Ritchie.
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2 volumes : illustrations (some color), plans ; 26 cm
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London : Royal Academy of Arts, 2013.
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203 pages : illustrations ; 26 x 11 cm.
Washington, D.C. : Preservation Press, ©1985.
Master builders : a guide to famous American architects / edited by Diane Maddex.
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203 pages : illustrations ; 26 x 11 cm.
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Washington, D.C. : Preservation Press, ©1985.
Aesthetic subjects
$37.50
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Determined to recover the value of aesthetic experience for artistic, cultural, and social analysis, the contributors to this volume-prominent scholars in literature, philosophy, art history, architecture, history, and anthropology-begin from a shared recognition that ideological readings of the aesthetic have provided invaluable insights, in particular, that analyses of(...)
Aesthetic subjects
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Determined to recover the value of aesthetic experience for artistic, cultural, and social analysis, the contributors to this volume-prominent scholars in literature, philosophy, art history, architecture, history, and anthropology-begin from a shared recognition that ideological readings of the aesthetic have provided invaluable insights, in particular, that analyses of aesthetics within historical and social contexts tell us a great deal about the experience of aesthetic encounters. From multiple and complementary perspectives, the contributors address topics as varied as Nabokov and Dickens, Caravaggio and Shelley Winters, gender and sexuality, advertising and AIDS. Taken together, their essays constitute a sustained and multifarious effort to resituate aesthetic pleasure in the mixed, impure conditions characteristic of every social practice and experience, however privileged or marginalized, and to ask what happens to the aesthetic if we consider it apart from-or at least in tension with-its historically dominant discursive formulations. Contributors : Leo Bersani, Susan Bordo, Bill Brown, Beatriz Colomina, Ulysse Dutoit, Lee Edelman, Maureen Harkin, Howard Horwitz, Audrey Jaffe, Martin Jay, Kay Bea Jones, Robert Kaufman, Alphonso Lingis, Joseph Litvak, Douglas Mao, Barbara Stafford, Kathleen Stewart, Kathryn Bond Stockton, Judith Stoddart, Michael Taussig.
Art Theory
books
Description:
xxii, 489 pages ; 17 cm.
Cambridge, MA : Harvard University Press, 1955.
Charmides. Alcibiades I and II. Hipparchus. The lovers. Theages. Minos. Epinomis / Plato ; with an English translation by W.R.M. Lamb.
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xxii, 489 pages ; 17 cm.
books
Cambridge, MA : Harvard University Press, 1955.
books
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xiv, 440 pages : illustrations ; 24 cm
London : John Murray, 1899.
Authority and archaeology, sacred and profane : essays on the relation of monuments to Biblical and classical literature / with an introductory chapter on the nature of archaeology by the editor ; edited by David G. Hogarth.
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xiv, 440 pages : illustrations ; 24 cm
books
London : John Murray, 1899.