The just city
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In The Just City, Fainstein draws on the work of John Rawls, Martha Nussbaum, Iris Marion Young, Nancy Fraser, and others to develop an approach to justice relevant to twenty-first-century cities, one that incorporates three central concepts: diversity, democracy, and equity. Fainstein also tests her ideas through case studies of New York, London, and Amsterdam by(...)
The just city
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In The Just City, Fainstein draws on the work of John Rawls, Martha Nussbaum, Iris Marion Young, Nancy Fraser, and others to develop an approach to justice relevant to twenty-first-century cities, one that incorporates three central concepts: diversity, democracy, and equity. Fainstein also tests her ideas through case studies of New York, London, and Amsterdam by evaluating their postwar programs for housing and development in relation to the three norms. She concludes by identifying a set of specific criteria for urban planners and policymakers to consider when developing programs to assure greater justice in both the process of their formulation and their effects.
Urban Theory
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Countering the prevailing view, which reduces Lefebvre’s theory of space to a projection of his philosophical positions, Stanek argues that Lefebvre’s work grew out of his concrete, empirical engagement with everyday practices of dwelling in postwar France and his exchanges with architects and planners. Stanek focuses on the interaction between architecture, urbanism,(...)
Henri Lefebvre on space: architecture, urban research, and the production of theory
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Countering the prevailing view, which reduces Lefebvre’s theory of space to a projection of his philosophical positions, Stanek argues that Lefebvre’s work grew out of his concrete, empirical engagement with everyday practices of dwelling in postwar France and his exchanges with architects and planners. Stanek focuses on the interaction between architecture, urbanism, sociology, and philosophy that occurred in France in the 1960s and 1970s, which was marked by a shift in the processes of urbanization at all scales, from the neighborhood to the global level. Lefebvre’s thinking was central to this encounter, which informed both his theory of space and the concept of urbanization becoming global.
Architectural Theory
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My Futurist Past documents the full richness of Munari's playful, irreverent and endlessly creative career, from the artistic research of his Futurist phase and early investigation of the possibilities of kinetic sculpture--the first "mobiles" in the history of Italian art--to the immediate postwar years during which he became a leading figure of abstract painting, and(...)
Graphic Designers, Monographs
March 2013
Bruno Munari: my futurist past
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My Futurist Past documents the full richness of Munari's playful, irreverent and endlessly creative career, from the artistic research of his Futurist phase and early investigation of the possibilities of kinetic sculpture--the first "mobiles" in the history of Italian art--to the immediate postwar years during which he became a leading figure of abstract painting, and his subsequent experiments with projected light and installation-based work (reflecting his belief that technological advances only expanded the artist's expressive vocabulary). The catalogue includes 280 reproductions in color alongside scholarly texts, and reveals Munari as one of the most complex, creative and multifaceted figures of twentieth-century Italian art.
Graphic Designers, Monographs
Case study houses
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The Case Study House program (1945–1966) was an exceptional, innovative event in the history of American architecture. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. Highly experimental,(...)
Case study houses
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The Case Study House program (1945–1966) was an exceptional, innovative event in the history of American architecture. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. Highly experimental, the program generated houses that were designed to redefine the modern home, and thus had a pronounced influence on architecture—American and international—both during the program’s existence and even to this day. With over 150 photos and plans and a map of where all houses are (or were) located.
Residential Architecture
Habitat marocain documents
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Casablanca’s Habitat Marocain housing project was built between 1954 and 1956 by Swiss architects Jean Hentsch and André Studer, part of the major postwar reconstruction and expansion undertaken by the French colonial administration after World War II. The building was intended to house local inhabitants rather than European expats, and that intention guided the(...)
Habitat marocain documents
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Casablanca’s Habitat Marocain housing project was built between 1954 and 1956 by Swiss architects Jean Hentsch and André Studer, part of the major postwar reconstruction and expansion undertaken by the French colonial administration after World War II. The building was intended to house local inhabitants rather than European expats, and that intention guided the architects in their design, which reflected a number of ethnographic assumptions about the Moroccan populace. This richly illustrated book explores the process of designing and building Habitat Marocain, illustrating the complicated interplay of ethnographic imagination and design synthesis, as well as the increasingly informal further development of the project after it was officially completed.
Collective Housing
Roman Vishniac Rediscovered
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Drawn from the International Center of Photography's vast holdings of work by Roman Vishniac (1897-1990), this expansive volume offers a new and profound consideration of this key modernist photographer. In addition to featuring Vishniac's best-known work--the iconic images of Jewish life in Eastern Europe before the Holocaust-- this publication also introduces many(...)
Roman Vishniac Rediscovered
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Drawn from the International Center of Photography's vast holdings of work by Roman Vishniac (1897-1990), this expansive volume offers a new and profound consideration of this key modernist photographer. In addition to featuring Vishniac's best-known work--the iconic images of Jewish life in Eastern Europe before the Holocaust-- this publication also introduces many previously unpublished photographs spanning more than six decades of Vishniac's work. These include newly discovered images of prewar Berlin, rare film footage from rural Jewish communities in Carpatheina Ruthania, documentation of postwar ruins and Displaced Persons' camps, and vivid coverage of Jewish life in America in the 1940s and '50s.
Photography monographs
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For over a century, "Country Life" magazine has been influential in the world of garden design. Since 1897, its superbly illustrated essays on houses and gardens sought to inform and educate taste. Drawing from the unrivalled photographic archives of "Country Life", this magnificent volume charts the challenges, changes, and surprises of English garden design throughout(...)
English gardens in the twentieth century : from the archives of Country Life
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For over a century, "Country Life" magazine has been influential in the world of garden design. Since 1897, its superbly illustrated essays on houses and gardens sought to inform and educate taste. Drawing from the unrivalled photographic archives of "Country Life", this magnificent volume charts the challenges, changes, and surprises of English garden design throughout the last century. The story begins with Arts and Crafts gardens, typified by herbaceous borders and modern planting, and it continues with the Edwardian debate between formality and "wild" gardening, inter-war grandeur, postwar practicality, and pioneering artists' gardens. Beautifully illustrated with 200 colour and duotone photographs, this is an illuminating survey of an outstanding century of British garden-making.
Gardens
Daido Tokyo
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Daido Moriyama (born 1938 in Ikeda, Japan) invented a new visual language with his work beginning in the mid-1960s. Frenetic and tormented, it depicted a reality that was grainy, blurry, and out-of-focus. Witness to the spectacular changes that trans-formed postwar Japan, his photographs express the contradictions in a country where age-old traditions persist within a(...)
Daido Tokyo
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Daido Moriyama (born 1938 in Ikeda, Japan) invented a new visual language with his work beginning in the mid-1960s. Frenetic and tormented, it depicted a reality that was grainy, blurry, and out-of-focus. Witness to the spectacular changes that trans-formed postwar Japan, his photographs express the contradictions in a country where age-old traditions persist within a modern society. Often blurred, taken from vertiginous angles, or overwhelmed by close-ups, they show a proximity to and a particular relationship with the subject. This book was published to coincide with an exhibition at the Fondation Cartier, and includes many previously unpublished photographs (as well as those featured in the exhibition), and an interview with the artist.
Photography monographs
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"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and(...)
Magazines
May 2001, New Haven
Perspecta 32 : resurfacing modernism
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"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and images that invoke the two simultaneous meanings of the verb tu resurface. In the first sense, some of the contributors interrogate ongoing returns of past "stylistics", specially the recent vogue for postwar, mostly American, production loosely united under the rubric "The fifties". In the second, other contributors reflect upon current emphasis being placed on architectural surfaces.
Magazines
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The iconic twentieth-century architect Marcel Breuer was a prolific designer of residential architecture, which is often overshadowed by his early renown as a Bauhaus furniture maker and his large-scale projects. "Breuer’s bohemia" surveys the houses he designed in Connecticut and Massachusetts from the 1950s through the ’70s, many of which were commissioned by a few(...)
Breuer's bohemia: The architect, his circle, and midcentury houses in New England
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The iconic twentieth-century architect Marcel Breuer was a prolific designer of residential architecture, which is often overshadowed by his early renown as a Bauhaus furniture maker and his large-scale projects. "Breuer’s bohemia" surveys the houses he designed in Connecticut and Massachusetts from the 1950s through the ’70s, many of which were commissioned by a few culturally progressive clients—chiefly Rufus and Leslie Stillman and Andrew and Jamie Gagarin—who coalesced around him into a dynamic social circle. Included in this scene were prominent cultural figures such as Alexander Calder, Arthur Miller, Francine du Plessix Gray, Philip Roth, and William Styron, and more, marking a unique intersection of postwar architecture, art, and letters.
Architecture Monographs