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This book presents over 40 finished works by Chinese architects, produced between 2003 and 2008. A compelling selection representing a new generation of architects in a country whose building rhythm over the last decade has been unstoppable, as China’s architects are making their mark within the backdrop of an avalanche of world class architecture stars.
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This book presents over 40 finished works by Chinese architects, produced between 2003 and 2008. A compelling selection representing a new generation of architects in a country whose building rhythm over the last decade has been unstoppable, as China’s architects are making their mark within the backdrop of an avalanche of world class architecture stars.
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
Publication:
October 2008, Paris
October 2008, Paris
Title:
Positions, portrait of a new generation of architects
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This book presents over 40 finished works by Chinese architects, produced between 2003 and 2008. A compelling selection representing a new generation of architects in a country whose building rhythm over the last decade has been unstoppable, as China’s architects are making their mark within the backdrop of an avalanche of world class architecture stars.
Positions, portrait of a new generation of architects
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This book presents over 40 finished works by Chinese architects, produced between 2003 and 2008. A compelling selection representing a new generation of architects in a country whose building rhythm over the last decade has been unstoppable, as China’s architects are making their mark within the backdrop of an avalanche of world class architecture stars.
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books
books
Publication:
October 2008, Paris
October 2008, Paris
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
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books
books
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Charleville regroupe les travaux de Patti Smith (textes, dessins et photographies) autour de la figure d’Arthur Rimbaud, soigneusement réunis et conservés par l’auteur sur une période de presque quarante ans. Statues présente un ensemble de photographies de sculptures prises par Patti Smith. Ces polaroïds réalisés entre 2002 et 2008 sont accompagnés de poèmes de(...)
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Charleville regroupe les travaux de Patti Smith (textes, dessins et photographies) autour de la figure d’Arthur Rimbaud, soigneusement réunis et conservés par l’auteur sur une période de presque quarante ans. Statues présente un ensemble de photographies de sculptures prises par Patti Smith. Ces polaroïds réalisés entre 2002 et 2008 sont accompagnés de poèmes de(...)
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Coffret Patti Smith trois: Charleville, Statues, Cahier
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Charleville regroupe les travaux de Patti Smith (textes, dessins et photographies) autour de la figure d’Arthur Rimbaud, soigneusement réunis et conservés par l’auteur sur une période de presque quarante ans. Statues présente un ensemble de photographies de sculptures prises par Patti Smith. Ces polaroïds réalisés entre 2002 et 2008 sont accompagnés de poèmes de l’artiste. Cahier est un carnet de notes inspiré de ceux de Patti Smith. Les premières pages sont écrites de sa main tandis que le reste de l’ouvrage, totalement vierge, est laissé à l’usage personnel du lecteur.
Coffret Patti Smith trois: Charleville, Statues, Cahier
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Charleville regroupe les travaux de Patti Smith (textes, dessins et photographies) autour de la figure d’Arthur Rimbaud, soigneusement réunis et conservés par l’auteur sur une période de presque quarante ans. Statues présente un ensemble de photographies de sculptures prises par Patti Smith. Ces polaroïds réalisés entre 2002 et 2008 sont accompagnés de poèmes de l’artiste. Cahier est un carnet de notes inspiré de ceux de Patti Smith. Les premières pages sont écrites de sa main tandis que le reste de l’ouvrage, totalement vierge, est laissé à l’usage personnel du lecteur.
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books
books
Publication:
November 2008, Arles
November 2008, Arles
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$66.95
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En 2008, la Fondation Cartier pour l’art contemporain accueille le célèbre designer italien Andrea Branzi, qui présente deux installations monumentales spécialement conçues pour le rez-de-chaussée du bâtiment de Jean Nouvel. Alliant des matériaux aussi divers que le verre et le métal, le chanvre et le bambou, l’artiste crée une structure architecturale fragile, délicate(...)
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En 2008, la Fondation Cartier pour l’art contemporain accueille le célèbre designer italien Andrea Branzi, qui présente deux installations monumentales spécialement conçues pour le rez-de-chaussée du bâtiment de Jean Nouvel. Alliant des matériaux aussi divers que le verre et le métal, le chanvre et le bambou, l’artiste crée une structure architecturale fragile, délicate(...)
Title:
Andrea Branzi : open enclosure
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En 2008, la Fondation Cartier pour l’art contemporain accueille le célèbre designer italien Andrea Branzi, qui présente deux installations monumentales spécialement conçues pour le rez-de-chaussée du bâtiment de Jean Nouvel. Alliant des matériaux aussi divers que le verre et le métal, le chanvre et le bambou, l’artiste crée une structure architecturale fragile, délicate et poétique, où s’entremêlent éléments industriels, manufacturés, technologiques et naturels.
Andrea Branzi : open enclosure
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En 2008, la Fondation Cartier pour l’art contemporain accueille le célèbre designer italien Andrea Branzi, qui présente deux installations monumentales spécialement conçues pour le rez-de-chaussée du bâtiment de Jean Nouvel. Alliant des matériaux aussi divers que le verre et le métal, le chanvre et le bambou, l’artiste crée une structure architecturale fragile, délicate et poétique, où s’entremêlent éléments industriels, manufacturés, technologiques et naturels.
Form:
books
books
Publication:
November 2008
November 2008
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$18.95
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I don't know about Freud, nut I don't know any politician who wanted any of this stuff to happen, unless, like you say, they were bent on destroying themselves.
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I don't know about Freud, nut I don't know any politician who wanted any of this stuff to happen, unless, like you say, they were bent on destroying themselves.
Title:
Proxity to power, american style
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I don't know about Freud, nut I don't know any politician who wanted any of this stuff to happen, unless, like you say, they were bent on destroying themselves.
Proxity to power, american style
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I don't know about Freud, nut I don't know any politician who wanted any of this stuff to happen, unless, like you say, they were bent on destroying themselves.
Form:
books
books
Publication:
October 2008, Chicago
October 2008, Chicago
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$45.00
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This book is the first comprehensive study of the lives and artistic production of artists of Asian Ancestry active in the United States before 1970. The publication features original essays by ten scholars, biographies of more than 150 artists, and over 400 reproductions of artwork, ephemera, and images of the artists.
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Summary:
This book is the first comprehensive study of the lives and artistic production of artists of Asian Ancestry active in the United States before 1970. The publication features original essays by ten scholars, biographies of more than 150 artists, and over 400 reproductions of artwork, ephemera, and images of the artists.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
August 2008, Stanford
August 2008, Stanford
Title:
Asian American art : a history, 1850-1970
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This book is the first comprehensive study of the lives and artistic production of artists of Asian Ancestry active in the United States before 1970. The publication features original essays by ten scholars, biographies of more than 150 artists, and over 400 reproductions of artwork, ephemera, and images of the artists.
Asian American art : a history, 1850-1970
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This book is the first comprehensive study of the lives and artistic production of artists of Asian Ancestry active in the United States before 1970. The publication features original essays by ten scholars, biographies of more than 150 artists, and over 400 reproductions of artwork, ephemera, and images of the artists.
Form:
books
books
Publication:
August 2008, Stanford
August 2008, Stanford
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Always and Never
Always and Never
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"Always and never" is a one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work. "For every photograph that has been presented, there are hundreds more that he has not yet found the right moment to introduce. Timing is not just in relation to taking the shot, but also to its(...)
$15.00
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Summary:
"Always and never" is a one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work. "For every photograph that has been presented, there are hundreds more that he has not yet found the right moment to introduce. Timing is not just in relation to taking the shot, but also to its(...)
Title:
Always and Never
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"Always and never" is a one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work. "For every photograph that has been presented, there are hundreds more that he has not yet found the right moment to introduce. Timing is not just in relation to taking the shot, but also to its public exposure." states curator Kate Fowle in her text for the 2006 "Flow" exhibition catalog. Marcopoulos’s work is often talked about in the context of his engagement with subcultures (skateboarding, art, music). Non-descript skies, anonymous television footage, and unpopulated landscapes counter the action of extreme sports, the stage, or the street, for which he is most known for. The book is published on occasion of the exhibition "Always and Never" at Galleria Patricia Armocida in Milan.
Always and Never
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Summary:
"Always and never" is a one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work. "For every photograph that has been presented, there are hundreds more that he has not yet found the right moment to introduce. Timing is not just in relation to taking the shot, but also to its public exposure." states curator Kate Fowle in her text for the 2006 "Flow" exhibition catalog. Marcopoulos’s work is often talked about in the context of his engagement with subcultures (skateboarding, art, music). Non-descript skies, anonymous television footage, and unpopulated landscapes counter the action of extreme sports, the stage, or the street, for which he is most known for. The book is published on occasion of the exhibition "Always and Never" at Galleria Patricia Armocida in Milan.
Form:
books
books
Publication:
July 2008, Zürich
July 2008, Zürich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Bad couples
Bad couples
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"The book consists of a series of repeated gestures, often neglected and/or obliterated. Hastily drawn expressionistic heads and faces inspired by grotesques, caricatures, cosmic characters, urban nowheres, classical sculptures, and personal experience. Also there are a couple of abstracts obtusely rendered with marker pen, which integrate in the open narrative structure.(...)
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"The book consists of a series of repeated gestures, often neglected and/or obliterated. Hastily drawn expressionistic heads and faces inspired by grotesques, caricatures, cosmic characters, urban nowheres, classical sculptures, and personal experience. Also there are a couple of abstracts obtusely rendered with marker pen, which integrate in the open narrative structure.(...)
Title:
Bad couples
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"The book consists of a series of repeated gestures, often neglected and/or obliterated. Hastily drawn expressionistic heads and faces inspired by grotesques, caricatures, cosmic characters, urban nowheres, classical sculptures, and personal experience. Also there are a couple of abstracts obtusely rendered with marker pen, which integrate in the open narrative structure. The aim is to create psychedelic melancholia. I try to keep a balance between the crudely drawn and the more soft stuff, like being on an abandoned traffic island surrounded by lush vegetation." Nicola Pecoraro Published on the occasion of the exhibition "Bad Couples" at fette's gallery, Los Angeles. May 30th – July 5th, 2008
Bad couples
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"The book consists of a series of repeated gestures, often neglected and/or obliterated. Hastily drawn expressionistic heads and faces inspired by grotesques, caricatures, cosmic characters, urban nowheres, classical sculptures, and personal experience. Also there are a couple of abstracts obtusely rendered with marker pen, which integrate in the open narrative structure. The aim is to create psychedelic melancholia. I try to keep a balance between the crudely drawn and the more soft stuff, like being on an abandoned traffic island surrounded by lush vegetation." Nicola Pecoraro Published on the occasion of the exhibition "Bad Couples" at fette's gallery, Los Angeles. May 30th – July 5th, 2008
Form:
books
books
Publication:
January 2008, Zürich
January 2008, Zürich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Lucifer rising
Lucifer rising
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil(...)
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil(...)
Title:
Lucifer rising
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil Moisture), Mehdi Hercberg (Shoboshobo), Kerozen, Jelle Crama and Dennis Tyfus. Hegray co-runs the graphic zine Nazi-Knife with Jonas Delaborde since 2006 and plays in differents musical projects like Helicoptère Sanglante or the free-noise band Minitel with members of Sister Iodine. Published on the occasion of the exhibition "Nieves Library" at Centre Culturel Suisse, Paris. May 17th – September 28th, 2008.
Lucifer rising
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil Moisture), Mehdi Hercberg (Shoboshobo), Kerozen, Jelle Crama and Dennis Tyfus. Hegray co-runs the graphic zine Nazi-Knife with Jonas Delaborde since 2006 and plays in differents musical projects like Helicoptère Sanglante or the free-noise band Minitel with members of Sister Iodine. Published on the occasion of the exhibition "Nieves Library" at Centre Culturel Suisse, Paris. May 17th – September 28th, 2008.
Form:
books
books
Publication:
January 2008, Zürich
January 2008, Zürich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$16.00
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Summary:
Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains(...)
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Summary:
Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains(...)
Title:
2001
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains that writing, performing, and recording help quiet the voices in his head. Most of his exposure came as an internet phenomenon during the early days of peer-to-peer file sharing. The Exhibition WW vs. GRRRR was first realized in St. Gallen (Switzerland) and then went to s'Hertogenbosch (Holland) and Giza (Egypt). It combines the first retrospective of Willis’s oeuvre with an extensive selection of work by the young Swiss artist Ingo Giezendanner. 2001 is edited by Urs Lehni.
2001
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains that writing, performing, and recording help quiet the voices in his head. Most of his exposure came as an internet phenomenon during the early days of peer-to-peer file sharing. The Exhibition WW vs. GRRRR was first realized in St. Gallen (Switzerland) and then went to s'Hertogenbosch (Holland) and Giza (Egypt). It combines the first retrospective of Willis’s oeuvre with an extensive selection of work by the young Swiss artist Ingo Giezendanner. 2001 is edited by Urs Lehni.
Form:
books
books
Publication:
January 2002, Zürich
January 2002, Zürich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$60.00
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This catalogue accompanies the first exhibition on Gordon Matta-Clark in Italy at the sms contemporanea, Siena. Contains essays by James Attlee, Jane Crawford, Louise Désy and Gwendolyn Owens, Lorenzo Fusi, Marco Pierini, Judith Russi Kirscher.
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This catalogue accompanies the first exhibition on Gordon Matta-Clark in Italy at the sms contemporanea, Siena. Contains essays by James Attlee, Jane Crawford, Louise Désy and Gwendolyn Owens, Lorenzo Fusi, Marco Pierini, Judith Russi Kirscher.
Title:
Gordon Matta-Clark: sms contemporanea
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This catalogue accompanies the first exhibition on Gordon Matta-Clark in Italy at the sms contemporanea, Siena. Contains essays by James Attlee, Jane Crawford, Louise Désy and Gwendolyn Owens, Lorenzo Fusi, Marco Pierini, Judith Russi Kirscher.
Gordon Matta-Clark: sms contemporanea
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$60.00
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Summary:
This catalogue accompanies the first exhibition on Gordon Matta-Clark in Italy at the sms contemporanea, Siena. Contains essays by James Attlee, Jane Crawford, Louise Désy and Gwendolyn Owens, Lorenzo Fusi, Marco Pierini, Judith Russi Kirscher.
Form:
books
books
Publication:
June 2008
June 2008
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
