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Modern architects
Modern architects
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Lisbon Architectural Triennale launched the Facsimile edition of the catalogue of the first exhibition of architecture made at MoMA. Held in 1932, this exhibition constitutes a fundamental framework in the history of architecture. From Barry Bergdoll, curator of architecture and design of MoMA between 2007 and 2013, and Delfim Sardo, university professor, curator and(...)
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Lisbon Architectural Triennale launched the Facsimile edition of the catalogue of the first exhibition of architecture made at MoMA. Held in 1932, this exhibition constitutes a fundamental framework in the history of architecture. From Barry Bergdoll, curator of architecture and design of MoMA between 2007 and 2013, and Delfim Sardo, university professor, curator and(...)
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Modern architects
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Lisbon Architectural Triennale launched the Facsimile edition of the catalogue of the first exhibition of architecture made at MoMA. Held in 1932, this exhibition constitutes a fundamental framework in the history of architecture. From Barry Bergdoll, curator of architecture and design of MoMA between 2007 and 2013, and Delfim Sardo, university professor, curator and essayist. This publication was published in partnership with the Lisbon Architecture Triennale and with the MoMA. (...)'' the ideas of a number of progressive architects have converged to form a genuinely new style which is rapidly spreading throughout the world. Both in appearance and structure this style is peculiar to the twentieth century and is a fundamentally original as the Greek, or Byzantine or Gothic. In the following pages Mr. Hitchcock and Mr. Johnson have outlined its history and its extent. Because of its simultaneous development in several countries and because of its world-wide distribution it has been called the international style.''
Modern architects
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Lisbon Architectural Triennale launched the Facsimile edition of the catalogue of the first exhibition of architecture made at MoMA. Held in 1932, this exhibition constitutes a fundamental framework in the history of architecture. From Barry Bergdoll, curator of architecture and design of MoMA between 2007 and 2013, and Delfim Sardo, university professor, curator and essayist. This publication was published in partnership with the Lisbon Architecture Triennale and with the MoMA. (...)'' the ideas of a number of progressive architects have converged to form a genuinely new style which is rapidly spreading throughout the world. Both in appearance and structure this style is peculiar to the twentieth century and is a fundamentally original as the Greek, or Byzantine or Gothic. In the following pages Mr. Hitchcock and Mr. Johnson have outlined its history and its extent. Because of its simultaneous development in several countries and because of its world-wide distribution it has been called the international style.''
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books
books
Publication:
October 2020
October 2020
Subject:
Architectural Theory
Architectural Theory
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books
books
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Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not(...)
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Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not(...)
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The remittance landscape: spaces of migration in rural Mexico and urban USA
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Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not only identifies a clear correspondence between the flow of remittances and the recent building boom in rural Mexico but also proposes that this construction boom itself motivates migration and changes social and cultural life for migrants and their families. At the same time, migrants are changing the landscapes of cities in the United States: for example, Chicago and Los Angeles are home to buildings explicitly created as headquarters for Mexican workers from several Mexican states such as Jalisco, Michoacán, and Zacatecas.
The remittance landscape: spaces of migration in rural Mexico and urban USA
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Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not only identifies a clear correspondence between the flow of remittances and the recent building boom in rural Mexico but also proposes that this construction boom itself motivates migration and changes social and cultural life for migrants and their families. At the same time, migrants are changing the landscapes of cities in the United States: for example, Chicago and Los Angeles are home to buildings explicitly created as headquarters for Mexican workers from several Mexican states such as Jalisco, Michoacán, and Zacatecas.
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books
books
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October 2015
October 2015
Subject:
Architectural Theory
Architectural Theory
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books
books
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Based in New York City, Amy Sillman (born 1955) is an artist whose work consistently combines the visceral with the intellectual. 'Faux pas' aims at revealing the coherence and originality of Sillman’s reflection, as she addresses the possibilities of art today, favoring excess over good taste, wrestling over dandyism, forms over symbols, with as much critical sense as humor.
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Based in New York City, Amy Sillman (born 1955) is an artist whose work consistently combines the visceral with the intellectual. 'Faux pas' aims at revealing the coherence and originality of Sillman’s reflection, as she addresses the possibilities of art today, favoring excess over good taste, wrestling over dandyism, forms over symbols, with as much critical sense as humor.
Title:
Amy Sillman : faux pas, selected writings and drawings
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Based in New York City, Amy Sillman (born 1955) is an artist whose work consistently combines the visceral with the intellectual. 'Faux pas' aims at revealing the coherence and originality of Sillman’s reflection, as she addresses the possibilities of art today, favoring excess over good taste, wrestling over dandyism, forms over symbols, with as much critical sense as humor.
Amy Sillman : faux pas, selected writings and drawings
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Based in New York City, Amy Sillman (born 1955) is an artist whose work consistently combines the visceral with the intellectual. 'Faux pas' aims at revealing the coherence and originality of Sillman’s reflection, as she addresses the possibilities of art today, favoring excess over good taste, wrestling over dandyism, forms over symbols, with as much critical sense as humor.
Form:
books
books
Publication:
October 2020
October 2020
Subject:
Art Theory
Art Theory
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books
books
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$40.00
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Un essai sur les stratégies de réédition (de reenactment, d'appropriation ou de réinterprétation) de livres d'artistes devenus inaccessibles. Le livre d'artiste, qui a par le passé permis aux artistes d'échapper à l'ingérence des institutions et des galeries dans la production et la diffusion des œuvres d'art, est aujourd'hui dans une situation paradoxale. D'un côté(...)
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Un essai sur les stratégies de réédition (de reenactment, d'appropriation ou de réinterprétation) de livres d'artistes devenus inaccessibles. Le livre d'artiste, qui a par le passé permis aux artistes d'échapper à l'ingérence des institutions et des galeries dans la production et la diffusion des œuvres d'art, est aujourd'hui dans une situation paradoxale. D'un côté(...)
Title:
Copy, tweak, paste : modes d’appropriation dans le reenactment de livres d’artistes
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Un essai sur les stratégies de réédition (de reenactment, d'appropriation ou de réinterprétation) de livres d'artistes devenus inaccessibles. Le livre d'artiste, qui a par le passé permis aux artistes d'échapper à l'ingérence des institutions et des galeries dans la production et la diffusion des œuvres d'art, est aujourd'hui dans une situation paradoxale. D'un côté subsistent de très rares premiers tirages ou, plus largement, l'édition originale de livres précurseurs, et de l'autre circulent des éditions en fac-similé venues remédier à la rareté des originaux en offrant un reenactment ou une réinterprétation de livres célèbres. Cet essai souligne l'intérêt que portent certain·e·s artistes et éditeur·rice·s aux pratiques d'appropriation, et vise à rendre compte des méthodes et des discours propres à la production de fac-similés de livres d'artistes.
Copy, tweak, paste : modes d’appropriation dans le reenactment de livres d’artistes
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Un essai sur les stratégies de réédition (de reenactment, d'appropriation ou de réinterprétation) de livres d'artistes devenus inaccessibles. Le livre d'artiste, qui a par le passé permis aux artistes d'échapper à l'ingérence des institutions et des galeries dans la production et la diffusion des œuvres d'art, est aujourd'hui dans une situation paradoxale. D'un côté subsistent de très rares premiers tirages ou, plus largement, l'édition originale de livres précurseurs, et de l'autre circulent des éditions en fac-similé venues remédier à la rareté des originaux en offrant un reenactment ou une réinterprétation de livres célèbres. Cet essai souligne l'intérêt que portent certain·e·s artistes et éditeur·rice·s aux pratiques d'appropriation, et vise à rendre compte des méthodes et des discours propres à la production de fac-similés de livres d'artistes.
Form:
books
books
Publication:
October 2020
October 2020
Subject:
Art Theory
Art Theory
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books
books
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$59.00
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Deeply divided, with ethnic French dominating the south and a large, vibrant North African community in the north, the city of Marseille typifies the tensions stemming from problematic governance, a constant influx of migrants, the widespread privatisation of services, and rapid, profit-driven, and destructive post-industrial urbanisation. Examining this complex city(...)
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Deeply divided, with ethnic French dominating the south and a large, vibrant North African community in the north, the city of Marseille typifies the tensions stemming from problematic governance, a constant influx of migrants, the widespread privatisation of services, and rapid, profit-driven, and destructive post-industrial urbanisation. Examining this complex city(...)
Title:
Migrant Marseille: Architectures of social segregation and urban inclusivity
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Deeply divided, with ethnic French dominating the south and a large, vibrant North African community in the north, the city of Marseille typifies the tensions stemming from problematic governance, a constant influx of migrants, the widespread privatisation of services, and rapid, profit-driven, and destructive post-industrial urbanisation. Examining this complex city through a series of case studies of its built environment, this book tells of an urban reality where migration is especially prevalent. Essays, photographs, and drawings illustrate the impact of migration on space, architecture, and territory. But it also offers strategies for development that can support social and spatial integration.
Migrant Marseille: Architectures of social segregation and urban inclusivity
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Deeply divided, with ethnic French dominating the south and a large, vibrant North African community in the north, the city of Marseille typifies the tensions stemming from problematic governance, a constant influx of migrants, the widespread privatisation of services, and rapid, profit-driven, and destructive post-industrial urbanisation. Examining this complex city through a series of case studies of its built environment, this book tells of an urban reality where migration is especially prevalent. Essays, photographs, and drawings illustrate the impact of migration on space, architecture, and territory. But it also offers strategies for development that can support social and spatial integration.
Form:
books
books
Publication:
November 2020
November 2020
Subject:
Urban Theory
Urban Theory
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books
books
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$46.50
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This is a graphic novel about the contemporary architectural profession, in which it acts as the protagonist in the form of an imaginary city called ''Practiceopolis.'' The novel narrates quasi-realistic stories that exaggerate the architectural everyday and the tacit, in order to make them prominent and tangible. They depict and dramatise the value conflicts between the(...)
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This is a graphic novel about the contemporary architectural profession, in which it acts as the protagonist in the form of an imaginary city called ''Practiceopolis.'' The novel narrates quasi-realistic stories that exaggerate the architectural everyday and the tacit, in order to make them prominent and tangible. They depict and dramatise the value conflicts between the(...)
Title:
Practiceopolis: Stories from the architectural profession. A graphic novel
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This is a graphic novel about the contemporary architectural profession, in which it acts as the protagonist in the form of an imaginary city called ''Practiceopolis.'' The novel narrates quasi-realistic stories that exaggerate the architectural everyday and the tacit, in order to make them prominent and tangible. They depict and dramatise the value conflicts between the different cultures of practising architecture and between the architectural profession and other members of the building industry as political conflicts around the future of ''Practiceopolis.'' The book uses the metaphorical world of ''Practiceopolis'' to provoke big questions about everyday routines in the profession that practitioners may take for granted and to examine different ideologies at work among architects and other members of the construction industry. The novel ends in the tradition of dystopian worlds common in a certain strand of graphic novels.
Practiceopolis: Stories from the architectural profession. A graphic novel
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$46.50
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Summary:
This is a graphic novel about the contemporary architectural profession, in which it acts as the protagonist in the form of an imaginary city called ''Practiceopolis.'' The novel narrates quasi-realistic stories that exaggerate the architectural everyday and the tacit, in order to make them prominent and tangible. They depict and dramatise the value conflicts between the different cultures of practising architecture and between the architectural profession and other members of the building industry as political conflicts around the future of ''Practiceopolis.'' The book uses the metaphorical world of ''Practiceopolis'' to provoke big questions about everyday routines in the profession that practitioners may take for granted and to examine different ideologies at work among architects and other members of the construction industry. The novel ends in the tradition of dystopian worlds common in a certain strand of graphic novels.
Form:
books
books
Publication:
July 2020
July 2020
Subject:
Architectural Theory
Architectural Theory
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books
books
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$59.95
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"Through time and the city: notes on Rome" offers a new approach to exploring cities. Using Rome as a guide, the book follows familiar sites, geographies, and characters in search of their role within a larger narrative that includes the environmental processes required to generate enough space and material for the city, the emergent ecologies to which its buildings play(...)
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"Through time and the city: notes on Rome" offers a new approach to exploring cities. Using Rome as a guide, the book follows familiar sites, geographies, and characters in search of their role within a larger narrative that includes the environmental processes required to generate enough space and material for the city, the emergent ecologies to which its buildings play(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
September 2020
September 2020
Title:
Through time and the city: Notes on Rome
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"Through time and the city: notes on Rome" offers a new approach to exploring cities. Using Rome as a guide, the book follows familiar sites, geographies, and characters in search of their role within a larger narrative that includes the environmental processes required to generate enough space and material for the city, the emergent ecologies to which its buildings play host, and the social patterns its various structures help to organize. "Through time and the city" argues that Rome is made and unmade by an endlessly evolving chorus that has, for better or worse, gained geological legitimacy; that the city absorbs and emits countless artifacts in its search for collective identity; that the city is a platform for the constant staging of negotiations between agents (humans, buildings, plants, animals, pathogens, goods, waste, water) that drive and are driven by the entanglements of climate and culture. This book provides textual and visual frameworks for identifying the material traces, emergent patterns, or speculated futures that expose a city as inseparable from its capacity to change.
Through time and the city: Notes on Rome
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"Through time and the city: notes on Rome" offers a new approach to exploring cities. Using Rome as a guide, the book follows familiar sites, geographies, and characters in search of their role within a larger narrative that includes the environmental processes required to generate enough space and material for the city, the emergent ecologies to which its buildings play host, and the social patterns its various structures help to organize. "Through time and the city" argues that Rome is made and unmade by an endlessly evolving chorus that has, for better or worse, gained geological legitimacy; that the city absorbs and emits countless artifacts in its search for collective identity; that the city is a platform for the constant staging of negotiations between agents (humans, buildings, plants, animals, pathogens, goods, waste, water) that drive and are driven by the entanglements of climate and culture. This book provides textual and visual frameworks for identifying the material traces, emergent patterns, or speculated futures that expose a city as inseparable from its capacity to change.
Form:
books
books
Publication:
September 2020
September 2020
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$56.95
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Summary:
How do we live well? The first sentence of ''Grace and gravity'' raises the fundamental question that constantly occupies our minds-and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its(...)
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How do we live well? The first sentence of ''Grace and gravity'' raises the fundamental question that constantly occupies our minds-and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its(...)
Title:
Grace and gravity: Architectures of the figure
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How do we live well? The first sentence of ''Grace and gravity'' raises the fundamental question that constantly occupies our minds-and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its inhabitants, where economy is not based on shortage, where religion cannot be explained by its followers, and where technology works far beyond its own principles. According to Lars Spuybroek, the prize-winning former architect, this marks the point where the “paradoxical machine” of grace reveals its powers, a point where we “cannot say if we are moving or being moved”. Following the trail of grace leads him to a new form of analysis that transcends the age-old opposition between appearances and technology. Linking up a dazzling and often delightful variety of sources-monkeys, paintings, lamp posts, octopuses, tattoos, bleeding fingers, rose windows, robots, smart phones, spirits, saints, and fossils-with profound meditations on living, death, consciousness, and existence, ''Grace and gravity'' offers an eye-opening provocation to a wide range of art historians, architects, theologians, anthropologists, artists, media theorists and philosophers.
Grace and gravity: Architectures of the figure
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How do we live well? The first sentence of ''Grace and gravity'' raises the fundamental question that constantly occupies our minds-and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its inhabitants, where economy is not based on shortage, where religion cannot be explained by its followers, and where technology works far beyond its own principles. According to Lars Spuybroek, the prize-winning former architect, this marks the point where the “paradoxical machine” of grace reveals its powers, a point where we “cannot say if we are moving or being moved”. Following the trail of grace leads him to a new form of analysis that transcends the age-old opposition between appearances and technology. Linking up a dazzling and often delightful variety of sources-monkeys, paintings, lamp posts, octopuses, tattoos, bleeding fingers, rose windows, robots, smart phones, spirits, saints, and fossils-with profound meditations on living, death, consciousness, and existence, ''Grace and gravity'' offers an eye-opening provocation to a wide range of art historians, architects, theologians, anthropologists, artists, media theorists and philosophers.
Form:
books
books
Publication:
November 2020
November 2020
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$79.00
(available to order)
Summary:
The evolution of modern architecture has been inextricably entangled in issues of politics, nationalism, and the environment, creating a tension between local context and global development that is unresolved to this day. In this context, few writers have exerted as much influence on architectural theory and practice as Kenneth Frampton. In this illustrated volume,(...)
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Summary:
The evolution of modern architecture has been inextricably entangled in issues of politics, nationalism, and the environment, creating a tension between local context and global development that is unresolved to this day. In this context, few writers have exerted as much influence on architectural theory and practice as Kenneth Frampton. In this illustrated volume,(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
September 2020
September 2020
Title:
Modern architecture and the Lifeworld: essays in honor of Kenneth Franpton
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$79.00
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The evolution of modern architecture has been inextricably entangled in issues of politics, nationalism, and the environment, creating a tension between local context and global development that is unresolved to this day. In this context, few writers have exerted as much influence on architectural theory and practice as Kenneth Frampton. In this illustrated volume, twenty-nine contributors from around the world amplify and pay tribute to his writing and thought. Intended for all those concerned with the built environment, this book offers further evidence of how this scholar, humanist, and teacher has shaped our understanding of the working reality of the architect. The premise of "Modern architecture and the lifeworld" is rooted in Frampton’s understanding of how architecture must engage with both cultural and constructional imperatives; and it addresses strategies for grappling with contemporary concerns such as regional identity amidst urban globalization, and tectonic culture and landform in the construction of place.
Modern architecture and the Lifeworld: essays in honor of Kenneth Franpton
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$79.00
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Summary:
The evolution of modern architecture has been inextricably entangled in issues of politics, nationalism, and the environment, creating a tension between local context and global development that is unresolved to this day. In this context, few writers have exerted as much influence on architectural theory and practice as Kenneth Frampton. In this illustrated volume, twenty-nine contributors from around the world amplify and pay tribute to his writing and thought. Intended for all those concerned with the built environment, this book offers further evidence of how this scholar, humanist, and teacher has shaped our understanding of the working reality of the architect. The premise of "Modern architecture and the lifeworld" is rooted in Frampton’s understanding of how architecture must engage with both cultural and constructional imperatives; and it addresses strategies for grappling with contemporary concerns such as regional identity amidst urban globalization, and tectonic culture and landform in the construction of place.
Form:
books
books
Publication:
September 2020
September 2020
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$56.00
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Summary:
Originally published in 1983, ''Writings 1973-1983 on Works 1969-1979,'' by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing(...)
$56.00
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Summary:
Originally published in 1983, ''Writings 1973-1983 on Works 1969-1979,'' by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing(...)
Title:
Michael Asher: writings 1973–1983 on works 1969–1979
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Originally published in 1983, ''Writings 1973-1983 on Works 1969-1979,'' by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing institutional apparatus through which art is presented, creating work that intervened in the architectural, social or economic systems that undergird how art is produced and experienced. For example, in 1974, he removed the partition wall dividing the office and gallery space of the Claire S. Copley Gallery in Los Angeles, revealing the day-to-day activities of the gallery to the public. In another work from 1979, Asher had a bronze replica of a late 18th-century sculpture of George Washington moved from the exterior of the Art Institute of Chicago to a museum gallery that housed 18th-century art, reintroducing the statue to its original period context and shifting its function from public monument to indoor sculpture. Due to its site- and time-specific nature, Asher’s work generally ceased to exist after an exhibition, which makes this highly sought-after book an invaluable resource. As the artist states in the introduction: ''This book as a finished product will have a material permanence that contradicts the actual impermanence of the art-work, yet paradoxically functions as a testimony to that impermanence of my production.''
Michael Asher: writings 1973–1983 on works 1969–1979
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Summary:
Originally published in 1983, ''Writings 1973-1983 on Works 1969-1979,'' by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing institutional apparatus through which art is presented, creating work that intervened in the architectural, social or economic systems that undergird how art is produced and experienced. For example, in 1974, he removed the partition wall dividing the office and gallery space of the Claire S. Copley Gallery in Los Angeles, revealing the day-to-day activities of the gallery to the public. In another work from 1979, Asher had a bronze replica of a late 18th-century sculpture of George Washington moved from the exterior of the Art Institute of Chicago to a museum gallery that housed 18th-century art, reintroducing the statue to its original period context and shifting its function from public monument to indoor sculpture. Due to its site- and time-specific nature, Asher’s work generally ceased to exist after an exhibition, which makes this highly sought-after book an invaluable resource. As the artist states in the introduction: ''This book as a finished product will have a material permanence that contradicts the actual impermanence of the art-work, yet paradoxically functions as a testimony to that impermanence of my production.''
Form:
books
books
Publication:
November 2020
November 2020
Subject:
Art Theory
Art Theory
