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This book provides essential introductory information for designers and interior designers. From the realm of interior design, for example, it deals with ceilings, floors, doors, windows, stairs, etc., from that of material science, with carpets, wallpaper, wall paint, glass, wood materials, stone, and concrete. It also presents architectural drawing: techniques of(...)
Manuscript essentials for the everyday use of interior architects and designers
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This book provides essential introductory information for designers and interior designers. From the realm of interior design, for example, it deals with ceilings, floors, doors, windows, stairs, etc., from that of material science, with carpets, wallpaper, wall paint, glass, wood materials, stone, and concrete. It also presents architectural drawing: techniques of representation, descriptive geometry, technical drawing, standard dimensions, signs and symbols, and mathematical foundations; attention is also given to the fundamentals of graphic design, preparing documents for publication, file formats, and color systems. All of this is generously leavened with practical examples; original essays by Ruedi Baur, Axel Kufus, Norbert Rademacher, Martin Kunz, and others; and thought-provoking quotations. If they want to, readers may separate the pages of the Japanese binding, this way they get room to add their personal notes and comments.
Design Theory
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"The more needs a human being has, the more he exists," quips Lefebvre in a savage critique of consumerist society, first published in 1947. The French philosopher, historian and Marxist sociologist, who died this summer at age 90, meditates on the dehumanization and ugliness smuggled into daily life under cover of purity, utility, beauty. He deconstructs leisure as a(...)
Critique of everyday life volume 2
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"The more needs a human being has, the more he exists," quips Lefebvre in a savage critique of consumerist society, first published in 1947. The French philosopher, historian and Marxist sociologist, who died this summer at age 90, meditates on the dehumanization and ugliness smuggled into daily life under cover of purity, utility, beauty. He deconstructs leisure as a form of social control, spanks surrealism for its turning away from reality, and attempts to get past the "mystification" inherent in bourgeois life by analyzing Chaplin's films, Brecht's epic theater, peasant festivals, daydreams, Rimbaud and the rhythms of work and relaxation. Rejecting the inauthentic, which he perceives in a church service or in rote work from which one is alienated, Lefebvre nevertheless seeks to unearth the human potential that may be inherent in such rituals.
Critical Theory
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The ongoing relevance of Belgian painter René Magritte may lie in the semiotic character of his work and its ability to create chasms between the world, its surfaces and the signs we use to occupy it. Magritte's paintings offer a space for the viewer to contemplate the emptiness of signs and to locate that emptiness in a world we recognize--indeed, the artist relies on(...)
Magritte: attempting the impossible
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The ongoing relevance of Belgian painter René Magritte may lie in the semiotic character of his work and its ability to create chasms between the world, its surfaces and the signs we use to occupy it. Magritte's paintings offer a space for the viewer to contemplate the emptiness of signs and to locate that emptiness in a world we recognize--indeed, the artist relies on the props of normalcy in order to upend, invert and collapse them into the terra incognita where life leaves off and art begins. This book presents a new definitive Magritte monograph, replacing David Sylvester's volume of the early 1990s. Featuring more than 300 works, it contains much unpublished material and includes chapters covering Magritte's photography, drawings and influence on German and American contemporary art.
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January 2009
Contemporary Art Monographs
Emigre no. 64 : rant
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For almost twenty years, and over sixty issues, Émigré has been a sourcebook of ideas, fonts, images, work, products, and even music for an entire generation of designers. But this visual stimulation may have come at a price: are today’s young designers writing passionately enough about what they do? Acting as agent provocateur in Rant, Émigré invites designers, teachers,(...)
Graphic Design and Typography
January 2003, Sacramento
Emigre no. 64 : rant
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For almost twenty years, and over sixty issues, Émigré has been a sourcebook of ideas, fonts, images, work, products, and even music for an entire generation of designers. But this visual stimulation may have come at a price: are today’s young designers writing passionately enough about what they do? Acting as agent provocateur in Rant, Émigré invites designers, teachers, and critics including Jeffery Keedy, Rick Valicenti, Shawn Wolfe, Kenneth FitzGerald, Denise Gonzales Crisp, Andrew Blauvelt, and Elliott Earls to challenge today’s young designers to develop a critical attitude toward their own work and the design scene in general. Rant also signals a transition in the format of Émigré, away from its previous incarnation as a magazine/font catalog toward a series of "pocketbooks’ focusing on critical writing about the state of graphic design.
Graphic Design and Typography
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This book applauds the union of architecture and engineering both today and throughout the history of building and construction. The relationship between the two fields is multifaceted. Some architects may have had an engineering background, and some engineers have experience of architecture. Some unacknowledged engineers have stood modestly behind great architects,(...)
Architects + engineers = structures
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This book applauds the union of architecture and engineering both today and throughout the history of building and construction. The relationship between the two fields is multifaceted. Some architects may have had an engineering background, and some engineers have experience of architecture. Some unacknowledged engineers have stood modestly behind great architects, and a number of architects have been encouraged and supported by their engineer-collaborators in designing structures that appear to defy gravity. "Architects + engineers = structures" focuses on the ideal: on a cohesive building design team where the members contribute equally, resulting in unique and exceptional designs. These are architects and engineers who entice beauty into buildings not just with lines on paper and calculations but with intuition, innovation and feeling for the needs of people, materials, strength, proportion, lightness and elegance.
Engineering Structures
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Part design manifesto, part personal diary, and part manual for future sustainable living, this book aims to replace rampant consumerism with a more thoughtful design, a new state of being for living sustainably and in harmony with the rhythms of the planet. It is the tale of one woman's odyssey living alone in the jungle finding true meaning in life and manifesting its(...)
Haute couture architecture: the art of living without walls
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Part design manifesto, part personal diary, and part manual for future sustainable living, this book aims to replace rampant consumerism with a more thoughtful design, a new state of being for living sustainably and in harmony with the rhythms of the planet. It is the tale of one woman's odyssey living alone in the jungle finding true meaning in life and manifesting its beauty into a way of sustainable living that may set a blueprint for our future existence on Earth. The author leads readers to encounter a new paradigm by showing the luxury of simplicity and the beauty of small things. With our consumer way of living and doing things and how the world is evolving, the pace we follow as consumers rather than humans has become outdated.
Architecture Monographs
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In this book, Amsterdam-based essayist and media theorist Arjen Mulder retells the past 500 years of visual arts to construe their culmination in the interactive art of today. Mulder investigates the origins of modern art from Leonardo da Vinci and Michelangelo through Wassily Kandinsky, Piet Mondrian and Paul Klee, reframing art history throughout as media history, and(...)
From image to interaction : meaning and agency in the arts
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In this book, Amsterdam-based essayist and media theorist Arjen Mulder retells the past 500 years of visual arts to construe their culmination in the interactive art of today. Mulder investigates the origins of modern art from Leonardo da Vinci and Michelangelo through Wassily Kandinsky, Piet Mondrian and Paul Klee, reframing art history throughout as media history, and accurately positioning these figures not only as great artists but also as great media theorists. This account of all art as a kind of “media art” underlines the experimental component of artistic endeavor: you test an idea (or a medium) which may stand or fall. Mulder's unreverent approach to art history includes in-depth analysis of the sensations and experiences that are aroused by painting and photography, establishing corollaries in digital media and the interactive arts.
Art Theory
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The 1960s and 1970s avant-garde has been likened to an ''architectural Big Bang'', such was the intensity of energy and ambition in which it exploded into the postwar world. Marked out by architectural projects that redefined the discipline, it remains just as influential today. References to the likes of Archizoom, Peter Eisenman, John Hejduk and Superstudio abound.(...)
AD Re-imagining the Avant-Garde: revisiting the architecture of the 1960s and 1970s
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The 1960s and 1970s avant-garde has been likened to an ''architectural Big Bang'', such was the intensity of energy and ambition in which it exploded into the postwar world. Marked out by architectural projects that redefined the discipline, it remains just as influential today. References to the likes of Archizoom, Peter Eisenman, John Hejduk and Superstudio abound. Highly diverse, the avant-garde cannot be defined as a single strand or tendency. It was divergent geographically – reaching from Europe to North America and Japan – and in its political, formal and cultural preoccupations. It was unified, though, as a critical and experimental force, critiquing contemporary society against the backdrop of extreme social and political upheaval: the Paris riots of May 1968, the anti-Vietnam war movement in America and the looming ecological crisis.
Architectural Theory
Detroit modern 1935-1985
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Visitors to Detroit may not realize what residents of the Motor City have known for decades: metropolitan Detroit is a stunning showcase of mid-century modern houses. Endowed with old growth trees, rolling topography and miles of lakefront, the Detroit area inspired talented architects and their progressive clients to create uniquely beautiful residences that were(...)
Detroit modern 1935-1985
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Visitors to Detroit may not realize what residents of the Motor City have known for decades: metropolitan Detroit is a stunning showcase of mid-century modern houses. Endowed with old growth trees, rolling topography and miles of lakefront, the Detroit area inspired talented architects and their progressive clients to create uniquely beautiful residences that were seamlessly integrated with lush natural surroundings. Detroit landscape designer and contractor Peter Forguson has shaped and maintained the grounds of many of these structures. This book comprises a comprehensive list he has compiled of the best examples. With nearly 500 photographs on pages designed by Marla Meltzer, Forguson leads readers on a memorable tour of 70 masterpieces of mid-century residential architecture that brings to life the shared visions of architects and clients.
Modernism
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Photography has a unique relationship to chance. Anyone who has wielded a camera has taken a picture ruined by an ill-timed blink or enhanced by an unexpected gesture or expression. Although this proneness to chance may amuse the casual photographer, Robin Kelsey points out that historically it has been a mixed blessing for those seeking to make photographic art. On the(...)
Photography and the art of chance
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Photography has a unique relationship to chance. Anyone who has wielded a camera has taken a picture ruined by an ill-timed blink or enhanced by an unexpected gesture or expression. Although this proneness to chance may amuse the casual photographer, Robin Kelsey points out that historically it has been a mixed blessing for those seeking to make photographic art. On the one hand, it has weakened the bond between maker and picture, calling into question what a photograph can be said to say. On the other hand, it has given photography an extraordinary capacity to represent the unpredictable dynamism of modern life. By delving into these matters, Photography and the Art of Chance transforms our understanding of photography and the work of some of its most brilliant practitioners.
Theory of Photography