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The Rise and Fall of Artist's Soho documents how a little-known industrial neighborhood in New York unintentionally became-for a brief period-a lexus of creative activity. Part personal memoir, part cultural history, the book examines how a group of urban pioneers were able to transform a neighborhood, while also creating new and classic works of American art, music,(...)
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The Rise and Fall of Artist's Soho documents how a little-known industrial neighborhood in New York unintentionally became-for a brief period-a lexus of creative activity. Part personal memoir, part cultural history, the book examines how a group of urban pioneers were able to transform a neighborhood, while also creating new and classic works of American art, music,(...)
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SoHo : the rise and fall of an artists' colony
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The Rise and Fall of Artist's Soho documents how a little-known industrial neighborhood in New York unintentionally became-for a brief period-a lexus of creative activity. Part personal memoir, part cultural history, the book examines how a group of urban pioneers were able to transform a neighborhood, while also creating new and classic works of American art, music, dance, and theater. Taking advantage of loft occupancy laws that allowed artists to live in buildings not available to the general public, a band of enterprising and creative people began settling in New York's SoHo (so called because it lies South of Houston Street), renovating previously industrial spaces for personal living and work space. Fueled by word-of-mouth-and unsupported either by local or national governments or wealthy individuals-the area grew to be a center for artistic creation. This book not only discusses how the artists came and why, it also focuses on some of the most creative, describing both their lives and work. Such an ideal situation-totally unplanned-could not last forever; the author shows how market forces squeezed out this art utopia, to be replaced by a shadow of itself, "SoMall," with the coming of trendy chain stores, boutiques, and restaurants. European tourists crowd the streets, but the real SoHo is long gone, never to be recreated in quite the same way again.
SoHo : the rise and fall of an artists' colony
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The Rise and Fall of Artist's Soho documents how a little-known industrial neighborhood in New York unintentionally became-for a brief period-a lexus of creative activity. Part personal memoir, part cultural history, the book examines how a group of urban pioneers were able to transform a neighborhood, while also creating new and classic works of American art, music, dance, and theater. Taking advantage of loft occupancy laws that allowed artists to live in buildings not available to the general public, a band of enterprising and creative people began settling in New York's SoHo (so called because it lies South of Houston Street), renovating previously industrial spaces for personal living and work space. Fueled by word-of-mouth-and unsupported either by local or national governments or wealthy individuals-the area grew to be a center for artistic creation. This book not only discusses how the artists came and why, it also focuses on some of the most creative, describing both their lives and work. Such an ideal situation-totally unplanned-could not last forever; the author shows how market forces squeezed out this art utopia, to be replaced by a shadow of itself, "SoMall," with the coming of trendy chain stores, boutiques, and restaurants. European tourists crowd the streets, but the real SoHo is long gone, never to be recreated in quite the same way again.
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books
books
Publication:
June 2003, New York
June 2003, New York
Subject:
Urban Theory
Urban Theory
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books
books
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$31.95
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Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among(...)
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Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among(...)
Title:
Architecture at the edge of everything else
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Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among these new voices and more established authors and practitioners, including Sanford Kwinter, Sylvia Lavin, K. Michael Hays, Philippe Rahm, Liam Gillick, Teddy Cruz, and Michael Meredith. This publication investigates the inner contradictions tangling and obscuring architectural discourse. It locates architecture in a cultural, social, political, and situational landscape — the space it actually occupies in the contemporary world. Examining architecture as it comes into contact with other disciplines — including art, art history, cultural studies, curating, landscape architecture, neuroaesthetics, pedagogy, philosophy, political science, and urbanism — the book considers architecture's precarious position at the edge : at the edge of its own dilemmas and at the edge of "everything else." In different ways, all the contributors suggest how to understand the innovative possibilities and pitfalls of spatial practices—teasing, analyzing, and celebrating architecture's disciplinary ambiguity — with proposals that range from a "lo-res" architecture to one controlled by the curatorial impulse, from customizable "skins" on residential buildings to the collection of residual space for new uses. Their investigations encompass how to interpret, how to intervene, and how to imagine.
Architecture at the edge of everything else
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$31.95
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Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among these new voices and more established authors and practitioners, including Sanford Kwinter, Sylvia Lavin, K. Michael Hays, Philippe Rahm, Liam Gillick, Teddy Cruz, and Michael Meredith. This publication investigates the inner contradictions tangling and obscuring architectural discourse. It locates architecture in a cultural, social, political, and situational landscape — the space it actually occupies in the contemporary world. Examining architecture as it comes into contact with other disciplines — including art, art history, cultural studies, curating, landscape architecture, neuroaesthetics, pedagogy, philosophy, political science, and urbanism — the book considers architecture's precarious position at the edge : at the edge of its own dilemmas and at the edge of "everything else." In different ways, all the contributors suggest how to understand the innovative possibilities and pitfalls of spatial practices—teasing, analyzing, and celebrating architecture's disciplinary ambiguity — with proposals that range from a "lo-res" architecture to one controlled by the curatorial impulse, from customizable "skins" on residential buildings to the collection of residual space for new uses. Their investigations encompass how to interpret, how to intervene, and how to imagine.
Form:
books
books
Publication:
June 2010
June 2010
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Designing media
Designing media
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$45.95
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In Designing Media, design guru Bill Moggridge examines connections and conflicts between old and new media, describing how the MSM have changed and how new patterns of media consumption are emerging. The book features interviews with thirty-seven significant figures in both traditional and new forms of mass communication; interviewees range from the publisher of the New(...)
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In Designing Media, design guru Bill Moggridge examines connections and conflicts between old and new media, describing how the MSM have changed and how new patterns of media consumption are emerging. The book features interviews with thirty-seven significant figures in both traditional and new forms of mass communication; interviewees range from the publisher of the New(...)
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Designing media
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$45.95
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In Designing Media, design guru Bill Moggridge examines connections and conflicts between old and new media, describing how the MSM have changed and how new patterns of media consumption are emerging. The book features interviews with thirty-seven significant figures in both traditional and new forms of mass communication; interviewees range from the publisher of the New York Times to the founder of Twitter.
Designing media
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In Designing Media, design guru Bill Moggridge examines connections and conflicts between old and new media, describing how the MSM have changed and how new patterns of media consumption are emerging. The book features interviews with thirty-seven significant figures in both traditional and new forms of mass communication; interviewees range from the publisher of the New York Times to the founder of Twitter.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Epistemology
Epistemology
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books
books
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$37.99
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How, in a turbulent century, was Le Corbusier able to reinvent himself at least five times? How was he able to become the Picasso (or Duchamp) of architecture? How was he able to produce work in a regional Art Nouveau mode, then become a leader of the Modern Movement and International Style, then switch to primitive materials and Brutalism before pre-empting(...)
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How, in a turbulent century, was Le Corbusier able to reinvent himself at least five times? How was he able to become the Picasso (or Duchamp) of architecture? How was he able to produce work in a regional Art Nouveau mode, then become a leader of the Modern Movement and International Style, then switch to primitive materials and Brutalism before pre-empting(...)
Title:
Architecture landscape urbanisme 9 : Le Corbusier & the architecture of reinvention
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How, in a turbulent century, was Le Corbusier able to reinvent himself at least five times? How was he able to become the Picasso (or Duchamp) of architecture? How was he able to produce work in a regional Art Nouveau mode, then become a leader of the Modern Movement and International Style, then switch to primitive materials and Brutalism before pre-empting Post-Modernism through Ronchamp and Chandigarh, and pre-empting High-Tech and Complexity Architecture through the Centre Le Corbusier and the Philips Pavilion? How?’ These transformations were helped along by the way Le Corbusier was able to cross ideas from one medium to another. A work of architecture could be considered as a written text, a drawing, a model, a photograph, a sculpture, a painting or a detailed set of plans. Each medium challenged, clarified and refined the idea from different viewpoints. Each medium made use of different neurons, of different parts of his mind. The result? Continuous creation from different perspectives, a continual reinvention of architecture. This book brings together leading scholars to explore Le Corbusier’s tactics of self-reinvention, his relationship to the artistic avant-garde and his work as a multimedia practitioner. It also contains an English-language edition of Le Corbusier's 'Poème de l’Angle Droit', complete with beautiful colour lithographs. Authors include Tim Benton, Peter Carl, Hilde Heynen, Charles Jencks, Mohsen Mostafavi, Daniel Naegele, Fernando Pérez Oyarzun, and Stanislaus von Moos.
Architecture landscape urbanisme 9 : Le Corbusier & the architecture of reinvention
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$37.99
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Summary:
How, in a turbulent century, was Le Corbusier able to reinvent himself at least five times? How was he able to become the Picasso (or Duchamp) of architecture? How was he able to produce work in a regional Art Nouveau mode, then become a leader of the Modern Movement and International Style, then switch to primitive materials and Brutalism before pre-empting Post-Modernism through Ronchamp and Chandigarh, and pre-empting High-Tech and Complexity Architecture through the Centre Le Corbusier and the Philips Pavilion? How?’ These transformations were helped along by the way Le Corbusier was able to cross ideas from one medium to another. A work of architecture could be considered as a written text, a drawing, a model, a photograph, a sculpture, a painting or a detailed set of plans. Each medium challenged, clarified and refined the idea from different viewpoints. Each medium made use of different neurons, of different parts of his mind. The result? Continuous creation from different perspectives, a continual reinvention of architecture. This book brings together leading scholars to explore Le Corbusier’s tactics of self-reinvention, his relationship to the artistic avant-garde and his work as a multimedia practitioner. It also contains an English-language edition of Le Corbusier's 'Poème de l’Angle Droit', complete with beautiful colour lithographs. Authors include Tim Benton, Peter Carl, Hilde Heynen, Charles Jencks, Mohsen Mostafavi, Daniel Naegele, Fernando Pérez Oyarzun, and Stanislaus von Moos.
Form:
books
books
Publication:
March 2003, London
March 2003, London
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
The afterlife of gardens
The afterlife of gardens
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$62.50
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Summary:
Most historical and critical discussions of gardens focus on their design. What happens after the completion of the design, however, is largely ignored, which neglects a much larger part of the site's interest and potential. For gardens, John Dixon Hunt contends, are experienced, often by a succession of visitors at different times and often from different cultures; this(...)
$62.50
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Summary:
Most historical and critical discussions of gardens focus on their design. What happens after the completion of the design, however, is largely ignored, which neglects a much larger part of the site's interest and potential. For gardens, John Dixon Hunt contends, are experienced, often by a succession of visitors at different times and often from different cultures; this(...)
Title:
The afterlife of gardens
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$62.50
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Most historical and critical discussions of gardens focus on their design. What happens after the completion of the design, however, is largely ignored, which neglects a much larger part of the site's interest and potential. For gardens, John Dixon Hunt contends, are experienced, often by a succession of visitors at different times and often from different cultures; this experience, though determined by the original design and its subsequent modifications, also augments the site's potentialities, and this "afterlife" of gardens comes to enhance the original moment of creation. One way of exploring the experience of designed landscapes is to adapt literary reception theory to the study of gardens. Hunt argues that such an approach via the reception or experience of gardens enlarges how we should understand their significance and meanings. It is generally assumed that the experience of gardens became a prime ingredient of late eighteenth-century landscapes -- picturesque literature especially highlighted how visitors responded to their surroundings, reading inscriptions and recognizing the significance of carefully placed architectural items or fabriqués. But there is considerable evidence for a much earlier interest in how experience came to constitute an essential aspect of a site beyond the intentions of the original designer or patron. Among other early examples, Hunt examines the book “Hypnerotomachia Polifili” (1499) to show how its protagonist is shown exploring and negotiating a series of strange and baffling landscapes. Through other inquiries -- particularly into the role of movement in such different situations as Versailles, and Chiswick or along modern highways – “The Afterlife of Gardens” provides a fresh approach to the study of designed landscapes that goes beyond their production and into how they exist and are understood by their users. In this ambitious new book the author shows how the complete history of a garden must extend beyond the moment of its design and the aims of the designer to record its subsequent reception. He raises questions about the preservation of historical sites, and provides lessons for the contemporary designer, who may perhaps be more attentive to the life of a work after its design and implementation. This book will interest all who have a professional interest in gardens, as well as the wide general audience for gardens and landscapes of past and present.
The afterlife of gardens
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$62.50
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Summary:
Most historical and critical discussions of gardens focus on their design. What happens after the completion of the design, however, is largely ignored, which neglects a much larger part of the site's interest and potential. For gardens, John Dixon Hunt contends, are experienced, often by a succession of visitors at different times and often from different cultures; this experience, though determined by the original design and its subsequent modifications, also augments the site's potentialities, and this "afterlife" of gardens comes to enhance the original moment of creation. One way of exploring the experience of designed landscapes is to adapt literary reception theory to the study of gardens. Hunt argues that such an approach via the reception or experience of gardens enlarges how we should understand their significance and meanings. It is generally assumed that the experience of gardens became a prime ingredient of late eighteenth-century landscapes -- picturesque literature especially highlighted how visitors responded to their surroundings, reading inscriptions and recognizing the significance of carefully placed architectural items or fabriqués. But there is considerable evidence for a much earlier interest in how experience came to constitute an essential aspect of a site beyond the intentions of the original designer or patron. Among other early examples, Hunt examines the book “Hypnerotomachia Polifili” (1499) to show how its protagonist is shown exploring and negotiating a series of strange and baffling landscapes. Through other inquiries -- particularly into the role of movement in such different situations as Versailles, and Chiswick or along modern highways – “The Afterlife of Gardens” provides a fresh approach to the study of designed landscapes that goes beyond their production and into how they exist and are understood by their users. In this ambitious new book the author shows how the complete history of a garden must extend beyond the moment of its design and the aims of the designer to record its subsequent reception. He raises questions about the preservation of historical sites, and provides lessons for the contemporary designer, who may perhaps be more attentive to the life of a work after its design and implementation. This book will interest all who have a professional interest in gardens, as well as the wide general audience for gardens and landscapes of past and present.
Form:
books
books
Publication:
January 1900, Philadelphia
January 1900, Philadelphia
Subject:
Landscape Theory
Landscape Theory
Form:
books
books
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$56.95
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Summary:
After World War II, a new kind of playground emerged in Northern Europe and North America. Rather than slides, swings, and roundabouts, these new playgrounds encouraged children to build shacks and invent their own entertainment. Playgrounds tells the story of how waste grounds and bombsites were transformed into hives of activity by children and progressive educators. It(...)
$56.95
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Summary:
After World War II, a new kind of playground emerged in Northern Europe and North America. Rather than slides, swings, and roundabouts, these new playgrounds encouraged children to build shacks and invent their own entertainment. Playgrounds tells the story of how waste grounds and bombsites were transformed into hives of activity by children and progressive educators. It(...)
Title:
Playgrounds: The experimental years
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$56.95
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After World War II, a new kind of playground emerged in Northern Europe and North America. Rather than slides, swings, and roundabouts, these new playgrounds encouraged children to build shacks and invent their own entertainment. Playgrounds tells the story of how waste grounds and bombsites were transformed into hives of activity by children and progressive educators. It shows how a belief in the imaginative capacity of children shaped a new kind of playground and how designers reimagined what playgrounds could be. Ben Highmore tells a compelling story about pioneers, designers, and charities—and above all—about the value of play.
Playgrounds: The experimental years
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$56.95
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Summary:
After World War II, a new kind of playground emerged in Northern Europe and North America. Rather than slides, swings, and roundabouts, these new playgrounds encouraged children to build shacks and invent their own entertainment. Playgrounds tells the story of how waste grounds and bombsites were transformed into hives of activity by children and progressive educators. It shows how a belief in the imaginative capacity of children shaped a new kind of playground and how designers reimagined what playgrounds could be. Ben Highmore tells a compelling story about pioneers, designers, and charities—and above all—about the value of play.
Form:
books
books
Publication:
November 2024
November 2024
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
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books
books
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$105.00
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Summary:
"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of(...)
$105.00
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Summary:
"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of(...)
Title:
Robert Smithson and the American landscape
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$105.00
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"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of modernist sense of art and nature. Moreover, Graziani shows how Smithson’s earthworks formed part of what was called the ‘new conservationism’ in the late 1960s and how they gave material form to the contradictions of a sociological issue that was inseparable from its economic legacy.
Robert Smithson and the American landscape
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$105.00
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Summary:
"Robert Smithson and the American Landscape" is a social history of the artist’s earthworks and their critical reception. Providing a close analysis of Smithson’s own writings and art works, Ron Graziani demonstrates how his earthworks were part of an aesthetic and civic fault line that ruptured in the 1960s. Smithson’s humanized environments were a powerful indictment of modernist sense of art and nature. Moreover, Graziani shows how Smithson’s earthworks formed part of what was called the ‘new conservationism’ in the late 1960s and how they gave material form to the contradictions of a sociological issue that was inseparable from its economic legacy.
Form:
books
books
Publication:
May 2004, Cambridge / New York
May 2004, Cambridge / New York
Subject:
Land Art
Land Art
Form:
books
books
Price:
$30.00
(available in store)
Summary:
Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly(...)
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Summary:
Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly(...)
Title:
The Aesthetics of equity: notes on race, space, architecture, and music
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$30.00
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Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly small number of architecture students to the paltry number of registered architects in the United States today. Working to understand how ideologies are formed, transmitted, and embedded in the built environment, Wilkins deconstructs how the marginalization of African Americans is authorized within the field of architecture. He then outlines how activist forms of expression shape and sustain communities, fashioning an architectural theory around the site of environmental conflict constructed by hip-hop culture. Wilkins places his concerns in a historical context, and also offers practical solutions to address them. In doing so, he reveals new possibilities for an architecture that acknowledges its current shortcomings and replies to the needs of multicultural constituencies.
The Aesthetics of equity: notes on race, space, architecture, and music
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$30.00
(available in store)
Summary:
Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly small number of architecture students to the paltry number of registered architects in the United States today. Working to understand how ideologies are formed, transmitted, and embedded in the built environment, Wilkins deconstructs how the marginalization of African Americans is authorized within the field of architecture. He then outlines how activist forms of expression shape and sustain communities, fashioning an architectural theory around the site of environmental conflict constructed by hip-hop culture. Wilkins places his concerns in a historical context, and also offers practical solutions to address them. In doing so, he reveals new possibilities for an architecture that acknowledges its current shortcomings and replies to the needs of multicultural constituencies.
Form:
books
books
Publication:
October 2007
October 2007
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$23.95
(available to order)
Summary:
The problem of rent is at the root of vital social concerns in the twenty-first century, ranging from the climate emergency and spiralling economic inequality to the repercussions of global economic crises. But while many of us may be familiar with rent (especially paying it), how should we really understand it? Examining both concrete contexts and complex concepts,(...)
$23.95
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Summary:
The problem of rent is at the root of vital social concerns in the twenty-first century, ranging from the climate emergency and spiralling economic inequality to the repercussions of global economic crises. But while many of us may be familiar with rent (especially paying it), how should we really understand it? Examining both concrete contexts and complex concepts,(...)
Title:
Rent
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$23.95
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Summary:
The problem of rent is at the root of vital social concerns in the twenty-first century, ranging from the climate emergency and spiralling economic inequality to the repercussions of global economic crises. But while many of us may be familiar with rent (especially paying it), how should we really understand it? Examining both concrete contexts and complex concepts, in this book Joe Collins provides a comprehensive but concise survey of the theories and debates over rent and rentier capitalism. He examines global gentrification from São Paolo to Dublin, the tyranny of technology from Taipei to San Francisco, and the excesses of extractivism from Sekondi to Karratha. In doing so, he reveals how rent is fundamental to the current dominant form of capitalist social organization across the globe and how we can prevent the next generation from seeing our societies rent asunder. An essential resource for students and scholars alike, this groundbreaking book will be of interest to anyone working on capitalism, property, political economy, economic sociology and contemporary politics.
Rent
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$23.95
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Summary:
The problem of rent is at the root of vital social concerns in the twenty-first century, ranging from the climate emergency and spiralling economic inequality to the repercussions of global economic crises. But while many of us may be familiar with rent (especially paying it), how should we really understand it? Examining both concrete contexts and complex concepts, in this book Joe Collins provides a comprehensive but concise survey of the theories and debates over rent and rentier capitalism. He examines global gentrification from São Paolo to Dublin, the tyranny of technology from Taipei to San Francisco, and the excesses of extractivism from Sekondi to Karratha. In doing so, he reveals how rent is fundamental to the current dominant form of capitalist social organization across the globe and how we can prevent the next generation from seeing our societies rent asunder. An essential resource for students and scholars alike, this groundbreaking book will be of interest to anyone working on capitalism, property, political economy, economic sociology and contemporary politics.
Form:
books
books
Publication:
March 2022
March 2022
Subject:
Social
Social
Form:
books
books
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$45.00
(available to order)
Summary:
Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political(...)
$45.00
(available to order)
Summary:
Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political(...)
Title:
Sámi media and Indigenous agency in the Arctic North
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$45.00
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Summary:
Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political agenda anchored in notions of cultural continuity and self-determination. Beginning in the 1970s, Sámi have used Sámi-language media—including commercially produced musical recordings, feature and documentary films, books of literature and poetry, and magazines—to communicate a sense of identity both within the Sámi community and within broader Nordic and international arenas. In more contemporary contexts, Sámi activists, artists, and cultural workers have used the media to undo layers of ignorance surrounding Sámi livelihoods and rights to self-determination. Downloadable songs, music festivals, films, videos, social media posts, images, and tweets are just some of the diverse media through which Sámi activists transform how Nordic majority populations view and understand Sámi minority communities and, more globally, how modern states regard and treat Indigenous populations.
Sámi media and Indigenous agency in the Arctic North
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Price:
$45.00
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Summary:
Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political agenda anchored in notions of cultural continuity and self-determination. Beginning in the 1970s, Sámi have used Sámi-language media—including commercially produced musical recordings, feature and documentary films, books of literature and poetry, and magazines—to communicate a sense of identity both within the Sámi community and within broader Nordic and international arenas. In more contemporary contexts, Sámi activists, artists, and cultural workers have used the media to undo layers of ignorance surrounding Sámi livelihoods and rights to self-determination. Downloadable songs, music festivals, films, videos, social media posts, images, and tweets are just some of the diverse media through which Sámi activists transform how Nordic majority populations view and understand Sámi minority communities and, more globally, how modern states regard and treat Indigenous populations.
Form:
books
books
Publication:
May 2020
May 2020
Subject:
Social
Social
