2051 Results
Form:
research
research
Title:
Visiting Scholars 2001–2002
Visiting Scholars 2001–2002
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Date:
September 2001 to August 2002
September 2001 to August 2002
Title:
Visiting Scholars 2001–2002
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Visiting Scholars 2001–2002
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Form:
research
research
Date:
September 2001 to
August 2002
September 2001 to
August 2002
Form:
research
research
Title:
Visiting Scholars 2004
Visiting Scholars 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Date:
January 2004 to August 2004
January 2004 to August 2004
Title:
Visiting Scholars 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Visiting Scholars 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Form:
research
research
Date:
January 2004 to
August 2004
January 2004 to
August 2004
Form:
drawings
drawings
Title:
Design for a city-park gate
Design for a city-park gate
Actions:
Reference number:
DR1981:0034
Description:
- A rendered elevation (and a plan in the upper left corner) of a city-park gate comprised of a monumental central arch and lower lateral wings with fountains. The style of the architecture is Neo-Baroque. Set in a monochrome, wash-rendered park landscape with a vignette of an 18th-century horse-and-carriage in the left foreground, the line drawing of the gate is competent, although the shadow projections are incorrectly drawn.
DR1981:0034
Description:
- A rendered elevation (and a plan in the upper left corner) of a city-park gate comprised of a monumental central arch and lower lateral wings with fountains. The style of the architecture is Neo-Baroque. Set in a monochrome, wash-rendered park landscape with a vignette of an 18th-century horse-and-carriage in the left foreground, the line drawing of the gate is competent, although the shadow projections are incorrectly drawn.
People:
Subject:
architecture, landscape architecture
architecture, landscape architecture
Date:
late 19th century ?
late 19th century ?
Title:
Design for a city-park gate
Actions:
DR1981:0034
Description:
- A rendered elevation (and a plan in the upper left corner) of a city-park gate comprised of a monumental central arch and lower lateral wings with fountains. The style of the architecture is Neo-Baroque. Set in a monochrome, wash-rendered park landscape with a vignette of an 18th-century horse-and-carriage in the left foreground, the line drawing of the gate is competent, although the shadow projections are incorrectly drawn.
Design for a city-park gate
Actions:
DR1981:0034
Description:
- A rendered elevation (and a plan in the upper left corner) of a city-park gate comprised of a monumental central arch and lower lateral wings with fountains. The style of the architecture is Neo-Baroque. Set in a monochrome, wash-rendered park landscape with a vignette of an 18th-century horse-and-carriage in the left foreground, the line drawing of the gate is competent, although the shadow projections are incorrectly drawn.
Form:
drawings
drawings
Date:
late 19th century ?
late 19th century ?
People:
Subject:
architecture, landscape architecture
architecture, landscape architecture
Form:
works of art
works of art
Title:
Fireworks Structures
Fireworks Structures
Actions:
Reference number:
DR1982:0242
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0242) depicts the four pyramids decked with lanterns and ornaments that replaced the Baroque "theatre" that had been used for the ceremonies that day (DR1982:0245).
DR1982:0242
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0242) depicts the four pyramids decked with lanterns and ornaments that replaced the Baroque "theatre" that had been used for the ceremonies that day (DR1982:0245).
People:
Date:
printed between 1717 and 1719
printed between 1717 and 1719
Title:
Fireworks Structures
Actions:
DR1982:0242
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0242) depicts the four pyramids decked with lanterns and ornaments that replaced the Baroque "theatre" that had been used for the ceremonies that day (DR1982:0245).
Fireworks Structures
Actions:
DR1982:0242
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0242) depicts the four pyramids decked with lanterns and ornaments that replaced the Baroque "theatre" that had been used for the ceremonies that day (DR1982:0245).
Form:
works of art
works of art
Date:
printed between 1717 and 1719
printed between 1717 and 1719
People:
Form:
works of art
works of art
Reference number:
DR1988:0323
Description:
- This print depicts an altarpiece with two columns supporting a broken pediment. In the centre is a painting depicting the Annunciation, with the angel Gabriel desending from the upper right. The painting is flanked by large sculpted angels and surmounted by three winged putti and a sculpted decorative head. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
DR1988:0323
Description:
- This print depicts an altarpiece with two columns supporting a broken pediment. In the centre is a painting depicting the Annunciation, with the angel Gabriel desending from the upper right. The painting is flanked by large sculpted angels and surmounted by three winged putti and a sculpted decorative head. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
People:
Subject:
architecture
architecture
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Title:
Design for an altar with an altarpiece showing the Annunciation
Actions:
DR1988:0323
Description:
- This print depicts an altarpiece with two columns supporting a broken pediment. In the centre is a painting depicting the Annunciation, with the angel Gabriel desending from the upper right. The painting is flanked by large sculpted angels and surmounted by three winged putti and a sculpted decorative head. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Design for an altar with an altarpiece showing the Annunciation
Actions:
DR1988:0323
Description:
- This print depicts an altarpiece with two columns supporting a broken pediment. In the centre is a painting depicting the Annunciation, with the angel Gabriel desending from the upper right. The painting is flanked by large sculpted angels and surmounted by three winged putti and a sculpted decorative head. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Form:
works of art
works of art
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
People:
Subject:
architecture
architecture
Reference number:
PHCON2002:0016:007
Description:
Binder documents the years 1980-1989 and consists of correspondence with Jane Crawford concerning the sale and exhibition of Gordon Matta-Clark's work and the efforts made to save the project Office Baroque (1977) in Antwerp, Belguim. Also included are reviews of exhibitions, catalogues, periodicals, photographs and color slides. Extensive documentation on the exhibition "Gordon Matta-Clark: A Retrospective" organized by the Museum of Contemporary Art, Chicago, Illinois, which opened in 1985 and travelled to fourteen venues, is included, along with more limited documentation on smaller exhibitions. Binder contains photographs, slides, textual records and transparencies.
PHCON2002:0016:007
Description:
Binder documents the years 1980-1989 and consists of correspondence with Jane Crawford concerning the sale and exhibition of Gordon Matta-Clark's work and the efforts made to save the project Office Baroque (1977) in Antwerp, Belguim. Also included are reviews of exhibitions, catalogues, periodicals, photographs and color slides. Extensive documentation on the exhibition "Gordon Matta-Clark: A Retrospective" organized by the Museum of Contemporary Art, Chicago, Illinois, which opened in 1985 and travelled to fourteen venues, is included, along with more limited documentation on smaller exhibitions. Binder contains photographs, slides, textual records and transparencies.
People:
Date:
1981-1989
1981-1989
Title:
Reviews, Announcements, Catalogues 1981-89
Actions:
PHCON2002:0016:007
Description:
Binder documents the years 1980-1989 and consists of correspondence with Jane Crawford concerning the sale and exhibition of Gordon Matta-Clark's work and the efforts made to save the project Office Baroque (1977) in Antwerp, Belguim. Also included are reviews of exhibitions, catalogues, periodicals, photographs and color slides. Extensive documentation on the exhibition "Gordon Matta-Clark: A Retrospective" organized by the Museum of Contemporary Art, Chicago, Illinois, which opened in 1985 and travelled to fourteen venues, is included, along with more limited documentation on smaller exhibitions. Binder contains photographs, slides, textual records and transparencies.
Reviews, Announcements, Catalogues 1981-89
Actions:
PHCON2002:0016:007
Description:
Binder documents the years 1980-1989 and consists of correspondence with Jane Crawford concerning the sale and exhibition of Gordon Matta-Clark's work and the efforts made to save the project Office Baroque (1977) in Antwerp, Belguim. Also included are reviews of exhibitions, catalogues, periodicals, photographs and color slides. Extensive documentation on the exhibition "Gordon Matta-Clark: A Retrospective" organized by the Museum of Contemporary Art, Chicago, Illinois, which opened in 1985 and travelled to fourteen venues, is included, along with more limited documentation on smaller exhibitions. Binder contains photographs, slides, textual records and transparencies.
Date:
1981-1989
1981-1989
People:
Form:
works of art
works of art
Actions:
Reference number:
DR1988:0321
Description:
- This print depicts a design for an altarpiece, complete with statues and a painting. The painting showss the Agony in the Garden. Flanking this are two sculpted angels holding the instruments of the passion: the left angel holds a sudarium and a pike with a sponge, while the right angel holds a column and a bundle of sticks, signifying Christ's flagellation. At the top of the altar there are three sculpted ornamental half-figures. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
DR1988:0321
Description:
- This print depicts a design for an altarpiece, complete with statues and a painting. The painting showss the Agony in the Garden. Flanking this are two sculpted angels holding the instruments of the passion: the left angel holds a sudarium and a pike with a sponge, while the right angel holds a column and a bundle of sticks, signifying Christ's flagellation. At the top of the altar there are three sculpted ornamental half-figures. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
People:
Subject:
architecture
architecture
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Title:
Design for an altar with an altarpiece showing the Agony in the Garden
Actions:
DR1988:0321
Description:
- This print depicts a design for an altarpiece, complete with statues and a painting. The painting showss the Agony in the Garden. Flanking this are two sculpted angels holding the instruments of the passion: the left angel holds a sudarium and a pike with a sponge, while the right angel holds a column and a bundle of sticks, signifying Christ's flagellation. At the top of the altar there are three sculpted ornamental half-figures. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Design for an altar with an altarpiece showing the Agony in the Garden
Actions:
DR1988:0321
Description:
- This print depicts a design for an altarpiece, complete with statues and a painting. The painting showss the Agony in the Garden. Flanking this are two sculpted angels holding the instruments of the passion: the left angel holds a sudarium and a pike with a sponge, while the right angel holds a column and a bundle of sticks, signifying Christ's flagellation. At the top of the altar there are three sculpted ornamental half-figures. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Form:
works of art
works of art
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
People:
Subject:
architecture
architecture
Form:
works of art
works of art
Actions:
Reference number:
DR1982:0245
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0245), shows the events in the Marché or Place au Vendredi on 18 October. A large temporary "theatre" with a raised loggia and central ædicule, had been erected and embellished with rich tapestries , trophies, statuary, and a portrait of the Emperor. Dwarfing the adjacent buildings, it reflected the heavy, High Baroque style of stage-set then popular.
DR1982:0245
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0245), shows the events in the Marché or Place au Vendredi on 18 October. A large temporary "theatre" with a raised loggia and central ædicule, had been erected and embellished with rich tapestries , trophies, statuary, and a portrait of the Emperor. Dwarfing the adjacent buildings, it reflected the heavy, High Baroque style of stage-set then popular.
People:
Subject:
theatre design
theatre design
Date:
printed between 1717 and 1719
printed between 1717 and 1719
Title:
The Inauguration Ceremony in a Theatre Erected on the Place au Vendredi on October 18th
Actions:
DR1982:0245
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0245), shows the events in the Marché or Place au Vendredi on 18 October. A large temporary "theatre" with a raised loggia and central ædicule, had been erected and embellished with rich tapestries , trophies, statuary, and a portrait of the Emperor. Dwarfing the adjacent buildings, it reflected the heavy, High Baroque style of stage-set then popular.
The Inauguration Ceremony in a Theatre Erected on the Place au Vendredi on October 18th
Actions:
DR1982:0245
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0245), shows the events in the Marché or Place au Vendredi on 18 October. A large temporary "theatre" with a raised loggia and central ædicule, had been erected and embellished with rich tapestries , trophies, statuary, and a portrait of the Emperor. Dwarfing the adjacent buildings, it reflected the heavy, High Baroque style of stage-set then popular.
Form:
works of art
works of art
Date:
printed between 1717 and 1719
printed between 1717 and 1719
People:
Subject:
theatre design
theatre design
Form:
works of art
works of art
Actions:
Reference number:
DR1988:0322
Description:
- This print depicts an altarpiece with painted and sculpted elements. The architectural framework consists of two pairs of columns, unfluted Corinthian and Solomonic, supporting an elaborate broken pediment. In the centre is a tall painting depicting the entombment of Christ in a diagonal composition, with Mary Magdalen kneeling prominently in the foreground. The top of the altar is adorned with angels holding instruments of the Passion - cross, nails, crown of thorns - and a staff with a cross symbolizing the Resurrection. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
DR1988:0322
Description:
- This print depicts an altarpiece with painted and sculpted elements. The architectural framework consists of two pairs of columns, unfluted Corinthian and Solomonic, supporting an elaborate broken pediment. In the centre is a tall painting depicting the entombment of Christ in a diagonal composition, with Mary Magdalen kneeling prominently in the foreground. The top of the altar is adorned with angels holding instruments of the Passion - cross, nails, crown of thorns - and a staff with a cross symbolizing the Resurrection. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
People:
Subject:
architecture
architecture
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Title:
Design for an altar with an altarpiece showing the Entombment of Christ
Actions:
DR1988:0322
Description:
- This print depicts an altarpiece with painted and sculpted elements. The architectural framework consists of two pairs of columns, unfluted Corinthian and Solomonic, supporting an elaborate broken pediment. In the centre is a tall painting depicting the entombment of Christ in a diagonal composition, with Mary Magdalen kneeling prominently in the foreground. The top of the altar is adorned with angels holding instruments of the Passion - cross, nails, crown of thorns - and a staff with a cross symbolizing the Resurrection. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Design for an altar with an altarpiece showing the Entombment of Christ
Actions:
DR1988:0322
Description:
- This print depicts an altarpiece with painted and sculpted elements. The architectural framework consists of two pairs of columns, unfluted Corinthian and Solomonic, supporting an elaborate broken pediment. In the centre is a tall painting depicting the entombment of Christ in a diagonal composition, with Mary Magdalen kneeling prominently in the foreground. The top of the altar is adorned with angels holding instruments of the Passion - cross, nails, crown of thorns - and a staff with a cross symbolizing the Resurrection. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Form:
works of art
works of art
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
People:
Subject:
architecture
architecture
Reference number:
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
People:
Date:
1978-1980
1978-1980
Title:
Reviews, Announcements, Catalogues 1978-80
Actions:
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
Reviews, Announcements, Catalogues 1978-80
Actions:
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
Date:
1978-1980
1978-1980
People:
