photographs
ARCH269042
Description:
Group consists of photographs of the everyday life in Chandigarh, India. The group includes a photograph of a man at a shoeshiner stand, a photograph of people at a street market in front of an unidentified three floors housing building, probably in sector 22. There are also two photographs of students in a classroom at the College of Architecture, in sector 10.
1960s
Photographs of everyday life in Chandigarh, India
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ARCH269042
Description:
Group consists of photographs of the everyday life in Chandigarh, India. The group includes a photograph of a man at a shoeshiner stand, a photograph of people at a street market in front of an unidentified three floors housing building, probably in sector 22. There are also two photographs of students in a classroom at the College of Architecture, in sector 10.
photographs
1960s
textual records
DR1999:0462
Description:
documents include 3 computer diskettes (one damaged),1 audio cassette, general information on: DAAP College, School of Design, School of Architecture, School of Art and School of Planning (i.e.: class schedules, classroom space, administrative space, program description, reference book on visual resource collections), University of Cincinnati basis of contract, working materials, DAAP proposals, DAAP program reports, memos, transparencies, University bulletins '84-'86
reference and administrative records for Aronoff Center for Design and Art
Actions:
DR1999:0462
Description:
documents include 3 computer diskettes (one damaged),1 audio cassette, general information on: DAAP College, School of Design, School of Architecture, School of Art and School of Planning (i.e.: class schedules, classroom space, administrative space, program description, reference book on visual resource collections), University of Cincinnati basis of contract, working materials, DAAP proposals, DAAP program reports, memos, transparencies, University bulletins '84-'86
textual records
Project
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
1968-1986
Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto (1969-1974)
Actions:
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
Project
1968-1986
photographs
Quantity:
9 photograph(s)
ARCH269657
Description:
Group consists of various photographs predominantly of Chandigarh, India, including: - Model of the Governor's House by Le Corbusier (unrealized) - High Court's cornice in the Capitol Complex (2 photographs) - The Assembly viewed from the Secretariat in the Capitol Complex - The Post Graduate Institute for Medical Research in sector 12 - Roof of the Secretariat in the Capitol Complex - Bhakra Dam workers' houses in Talwara - House Type 5-J in sector 16 - Students in a classroom of an unidentified Higher secondary school
between 1951 and 1965
Photographs predominantly of Chandigarh
Actions:
ARCH269657
Description:
Group consists of various photographs predominantly of Chandigarh, India, including: - Model of the Governor's House by Le Corbusier (unrealized) - High Court's cornice in the Capitol Complex (2 photographs) - The Assembly viewed from the Secretariat in the Capitol Complex - The Post Graduate Institute for Medical Research in sector 12 - Roof of the Secretariat in the Capitol Complex - Bhakra Dam workers' houses in Talwara - House Type 5-J in sector 16 - Students in a classroom of an unidentified Higher secondary school
photographs
Quantity:
9 photograph(s)
between 1951 and 1965
drawings
Quantity:
6 presentation drawing(s)
AP140.S2.SS1.D21.P2
Description:
two site plans for the executed scheme for the assembly and dining hall, one showing the first stage of the project, with the assembly hall and an access road to an existing small estate of prefabricated houses, and the other the second stage of the project, with the access road and estate removed, an additional classroom building on the site, and a covered walkway connecting the hall to the existing Victorian school building; also, a plan for the ground floor, an elevation and section, a hand-coloured detail for the retaining wall, earth bank, and window, and a hand-coloured cutaway bird's-eye axonometric
between 1958 and 1961
Two site plans for the executed scheme for the assembly and dining hall
Actions:
AP140.S2.SS1.D21.P2
Description:
two site plans for the executed scheme for the assembly and dining hall, one showing the first stage of the project, with the assembly hall and an access road to an existing small estate of prefabricated houses, and the other the second stage of the project, with the access road and estate removed, an additional classroom building on the site, and a covered walkway connecting the hall to the existing Victorian school building; also, a plan for the ground floor, an elevation and section, a hand-coloured detail for the retaining wall, earth bank, and window, and a hand-coloured cutaway bird's-eye axonometric
drawings
Quantity:
6 presentation drawing(s)
between 1958 and 1961
Project
Inter-Action Centre
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
1964-1992, predominant 1970-1981
Inter-Action Centre
Actions:
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
File 82
1964-1992, predominant 1970-1981
photographs
ARCH275184
Description:
5 documentation binders filed under "Education" containing presentation photographs, slides and negatives for: Simon Fraser University, theatre, married students' residence, womens' residence, classroom block; University of British Columbia, faculty club addition and alterations; Champlain Heights Elementary School; Technical University, Saudi Arabia; Textile School, North Carolina State University; Biological Sciences Unit 2, University of California; Clinical Sciences Building, University of California; Washington State University, Downtown Campus. Also includes digital prints, some project information sheets, copies of plans, printed material and newspaper clippings related to the projects.
1 October 1990
Presentation slides, project information sheets, plans and paper clippings for various education buildings projects
Actions:
ARCH275184
Description:
5 documentation binders filed under "Education" containing presentation photographs, slides and negatives for: Simon Fraser University, theatre, married students' residence, womens' residence, classroom block; University of British Columbia, faculty club addition and alterations; Champlain Heights Elementary School; Technical University, Saudi Arabia; Textile School, North Carolina State University; Biological Sciences Unit 2, University of California; Clinical Sciences Building, University of California; Washington State University, Downtown Campus. Also includes digital prints, some project information sheets, copies of plans, printed material and newspaper clippings related to the projects.
photographs
1 October 1990
The Unschool
What could a school be? For a week over summer 2012, students of The Unschool explored the spaces in and around schools and pushed the limits of the camera as a social instrument with guest curator Monica Nouwens. Participants compared how people live in schools and cities, and how design can encourage and limit behaviours, relationships, and activities. “Could(...)
30 July 2012 to 3 August 2012
The Unschool
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Description:
What could a school be? For a week over summer 2012, students of The Unschool explored the spaces in and around schools and pushed the limits of the camera as a social instrument with guest curator Monica Nouwens. Participants compared how people live in schools and cities, and how design can encourage and limit behaviours, relationships, and activities. “Could(...)
books
Description:
72 pages illustrations 28 cm
[Toledo], [1947]
Daylight in school classrooms; detailed performance data on a light-directional fenestration for school classrooms, and a simple formula and tables for calculating task brightness in any part of the classroom for any hour of the day and any sky condition--bright or overcast--for any of the four principal room orientations and for any location in the United States.
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Holdings:
Description:
72 pages illustrations 28 cm
books
[Toledo], [1947]
books
Description:
83 pages : chiefly illustrations ; 26 x 30 cm
Houston, TX : Museum of Fine Arts, Houston ; New York, NY : Aperture, ©1988.
American classroom : the photographs of Catherine Wagner / Anne Wilkes Tucker, with an essay by Willie Morris.
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Holdings:
Description:
83 pages : chiefly illustrations ; 26 x 30 cm
books
Houston, TX : Museum of Fine Arts, Houston ; New York, NY : Aperture, ©1988.