1448 Results
Form:
textual records
textual records
Actions:
Reference number:
ARCH259998
Description:
Offer of Services and proposals - Master Plan and Urban Design for a New Town (State of Bahrain), Toronto Public Marina, Guaranty Trust Computer Centre (Totonto), Museum of Toronto (2 copies), Islamic University of Medina, Performing Arts Center (Fort Lauderdale), Harbour Square Park (Toronto).
ARCH259998
Description:
Offer of Services and proposals - Master Plan and Urban Design for a New Town (State of Bahrain), Toronto Public Marina, Guaranty Trust Computer Centre (Totonto), Museum of Toronto (2 copies), Islamic University of Medina, Performing Arts Center (Fort Lauderdale), Harbour Square Park (Toronto).
People:
Date:
1977, 1981, 1984-1986
1977, 1981, 1984-1986
Title:
Offer of Services and proposals for various projects
Actions:
ARCH259998
Description:
Offer of Services and proposals - Master Plan and Urban Design for a New Town (State of Bahrain), Toronto Public Marina, Guaranty Trust Computer Centre (Totonto), Museum of Toronto (2 copies), Islamic University of Medina, Performing Arts Center (Fort Lauderdale), Harbour Square Park (Toronto).
Offer of Services and proposals for various projects
Actions:
ARCH259998
Description:
Offer of Services and proposals - Master Plan and Urban Design for a New Town (State of Bahrain), Toronto Public Marina, Guaranty Trust Computer Centre (Totonto), Museum of Toronto (2 copies), Islamic University of Medina, Performing Arts Center (Fort Lauderdale), Harbour Square Park (Toronto).
Form:
textual records
textual records
Date:
1977, 1981, 1984-1986
1977, 1981, 1984-1986
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
People:
Date:
1994-2007
1994-2007
Title:
Barcelona Forum 2004, Santa Adrià de Besòs, Barcelona, Spain (2000)
Actions:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
Barcelona Forum 2004, Santa Adrià de Besòs, Barcelona, Spain (2000)
Actions:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
Level of archival description:
Project
Project
Date:
1994-2007
1994-2007
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
People:
Date:
1983-1992
1983-1992
Title:
Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Level of archival description:
Project
Project
Date:
1983-1992
1983-1992
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
People:
Date:
1936-2021
1936-2021
Title:
Cornelia Hahn Oberlander fonds
Actions:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Cornelia Hahn Oberlander fonds
Actions:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1936-2021
1936-2021
People:
Form:
exhibitions
exhibitions
Title:
Seagram Plaza
Seagram Plaza
Actions:
Description:
The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
Location:
Hall cases
Hall cases
Date:
1 May 2013 to 18 August 2013
1 May 2013 to 18 August 2013
Title:
Seagram Plaza
Actions:
Description:
The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
Seagram Plaza
Actions:
Description:
The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
Form:
exhibitions
exhibitions
Date:
1 May 2013 to
18 August 2013
1 May 2013 to
18 August 2013
Location:
Hall cases
Hall cases
Level of archival description:
Project
Project
Reference number:
AP164.S1.1996.D4
Description:
The project series documents the competition entry for the design and construction of the Valdemingómez recycling plant for urban waste, as well as offices. The plant is located in the Southeast Regional Park (Parque Regional del Sureste). In 1997, Abalos & Herreros in collaboration with Vertresa won first place in the competition. The firm identified this project as number 99. The plant has “[…] two complementary constructions, one intended for the elaboration of compounds from organic waste, and the second, the control and weighing of the lorries that enter the area. […] The facility has a working life of 25 years. After that time it can be recycled as an amenity for the Regional Park or be dismantled by recycling its components” (ARCH270971). The firm received several awards and recognitions for the Valdemingómez plant. In 2000, they received the award of Urbanismo, Arquitectura y Obra Pública 1999 from the Madrid City Council, made it to the selection process at the premios FAD de Arquitectura e Interiorismo 2000, and obtained a prize from the Colegio Oficial de Arquitectos de Madrid. In 2001, this project was also a finalist for the Premio Mies van der Rohe and received second place for the Premio Manuel de la Dehesa. The plant received an award at the fourteenth Premio Grupo Dragados de Arquitectura de la Fundación CEOE and was also selected at the third Bienal Iberoamericana de Arquitectura e Ingenieria Civil in 2002. Documenting the project are competition and working drawings, logbooks, notes, correspondence, studies, reports, proposals, receipts, press releases, clippings promotional, reference, digital, photographic and graphic materials, and a model.
AP164.S1.1996.D4
Description:
The project series documents the competition entry for the design and construction of the Valdemingómez recycling plant for urban waste, as well as offices. The plant is located in the Southeast Regional Park (Parque Regional del Sureste). In 1997, Abalos & Herreros in collaboration with Vertresa won first place in the competition. The firm identified this project as number 99. The plant has “[…] two complementary constructions, one intended for the elaboration of compounds from organic waste, and the second, the control and weighing of the lorries that enter the area. […] The facility has a working life of 25 years. After that time it can be recycled as an amenity for the Regional Park or be dismantled by recycling its components” (ARCH270971). The firm received several awards and recognitions for the Valdemingómez plant. In 2000, they received the award of Urbanismo, Arquitectura y Obra Pública 1999 from the Madrid City Council, made it to the selection process at the premios FAD de Arquitectura e Interiorismo 2000, and obtained a prize from the Colegio Oficial de Arquitectos de Madrid. In 2001, this project was also a finalist for the Premio Mies van der Rohe and received second place for the Premio Manuel de la Dehesa. The plant received an award at the fourteenth Premio Grupo Dragados de Arquitectura de la Fundación CEOE and was also selected at the third Bienal Iberoamericana de Arquitectura e Ingenieria Civil in 2002. Documenting the project are competition and working drawings, logbooks, notes, correspondence, studies, reports, proposals, receipts, press releases, clippings promotional, reference, digital, photographic and graphic materials, and a model.
People:
Date:
1995-2001
1995-2001
Title:
Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid, Spain (1996-1999)
Actions:
AP164.S1.1996.D4
Description:
The project series documents the competition entry for the design and construction of the Valdemingómez recycling plant for urban waste, as well as offices. The plant is located in the Southeast Regional Park (Parque Regional del Sureste). In 1997, Abalos & Herreros in collaboration with Vertresa won first place in the competition. The firm identified this project as number 99. The plant has “[…] two complementary constructions, one intended for the elaboration of compounds from organic waste, and the second, the control and weighing of the lorries that enter the area. […] The facility has a working life of 25 years. After that time it can be recycled as an amenity for the Regional Park or be dismantled by recycling its components” (ARCH270971). The firm received several awards and recognitions for the Valdemingómez plant. In 2000, they received the award of Urbanismo, Arquitectura y Obra Pública 1999 from the Madrid City Council, made it to the selection process at the premios FAD de Arquitectura e Interiorismo 2000, and obtained a prize from the Colegio Oficial de Arquitectos de Madrid. In 2001, this project was also a finalist for the Premio Mies van der Rohe and received second place for the Premio Manuel de la Dehesa. The plant received an award at the fourteenth Premio Grupo Dragados de Arquitectura de la Fundación CEOE and was also selected at the third Bienal Iberoamericana de Arquitectura e Ingenieria Civil in 2002. Documenting the project are competition and working drawings, logbooks, notes, correspondence, studies, reports, proposals, receipts, press releases, clippings promotional, reference, digital, photographic and graphic materials, and a model.
Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid, Spain (1996-1999)
Actions:
AP164.S1.1996.D4
Description:
The project series documents the competition entry for the design and construction of the Valdemingómez recycling plant for urban waste, as well as offices. The plant is located in the Southeast Regional Park (Parque Regional del Sureste). In 1997, Abalos & Herreros in collaboration with Vertresa won first place in the competition. The firm identified this project as number 99. The plant has “[…] two complementary constructions, one intended for the elaboration of compounds from organic waste, and the second, the control and weighing of the lorries that enter the area. […] The facility has a working life of 25 years. After that time it can be recycled as an amenity for the Regional Park or be dismantled by recycling its components” (ARCH270971). The firm received several awards and recognitions for the Valdemingómez plant. In 2000, they received the award of Urbanismo, Arquitectura y Obra Pública 1999 from the Madrid City Council, made it to the selection process at the premios FAD de Arquitectura e Interiorismo 2000, and obtained a prize from the Colegio Oficial de Arquitectos de Madrid. In 2001, this project was also a finalist for the Premio Mies van der Rohe and received second place for the Premio Manuel de la Dehesa. The plant received an award at the fourteenth Premio Grupo Dragados de Arquitectura de la Fundación CEOE and was also selected at the third Bienal Iberoamericana de Arquitectura e Ingenieria Civil in 2002. Documenting the project are competition and working drawings, logbooks, notes, correspondence, studies, reports, proposals, receipts, press releases, clippings promotional, reference, digital, photographic and graphic materials, and a model.
Level of archival description:
Project
Project
Date:
1995-2001
1995-2001
People:
Actions:
Reference number:
ARCH282079
Description:
Recording is of a lecture given by Cornelia Hahn Oberlander at the Vancouver Art Gallery entitled "Vancouver as a Garden." Oberlander discusses the history of Vancouver and the city’s relationship to gardens and parks. She discusses the development of Coal Harbour, Stanley Park, and Robson Square. Oberlander talks about urban planner, Harland Bartholomew who designed Vancouver and West Vancouver. She finishes the lecture by discussing the need to make a law to protect trees from being cut down. She explains how trees can help with the effects of carbon emissions on the environment. The lecture finishes with a Q&A.
ARCH282079
Description:
Recording is of a lecture given by Cornelia Hahn Oberlander at the Vancouver Art Gallery entitled "Vancouver as a Garden." Oberlander discusses the history of Vancouver and the city’s relationship to gardens and parks. She discusses the development of Coal Harbour, Stanley Park, and Robson Square. Oberlander talks about urban planner, Harland Bartholomew who designed Vancouver and West Vancouver. She finishes the lecture by discussing the need to make a law to protect trees from being cut down. She explains how trees can help with the effects of carbon emissions on the environment. The lecture finishes with a Q&A.
People:
Date:
1989-04-27
1989-04-27
Title:
Audio recording of Cornelia Hahn Oberlander's lecture "Vancouver as a Garden" at the Vancouver Art Gallery
Actions:
ARCH282079
Description:
Recording is of a lecture given by Cornelia Hahn Oberlander at the Vancouver Art Gallery entitled "Vancouver as a Garden." Oberlander discusses the history of Vancouver and the city’s relationship to gardens and parks. She discusses the development of Coal Harbour, Stanley Park, and Robson Square. Oberlander talks about urban planner, Harland Bartholomew who designed Vancouver and West Vancouver. She finishes the lecture by discussing the need to make a law to protect trees from being cut down. She explains how trees can help with the effects of carbon emissions on the environment. The lecture finishes with a Q&A.
Audio recording of Cornelia Hahn Oberlander's lecture "Vancouver as a Garden" at the Vancouver Art Gallery
Actions:
ARCH282079
Description:
Recording is of a lecture given by Cornelia Hahn Oberlander at the Vancouver Art Gallery entitled "Vancouver as a Garden." Oberlander discusses the history of Vancouver and the city’s relationship to gardens and parks. She discusses the development of Coal Harbour, Stanley Park, and Robson Square. Oberlander talks about urban planner, Harland Bartholomew who designed Vancouver and West Vancouver. She finishes the lecture by discussing the need to make a law to protect trees from being cut down. She explains how trees can help with the effects of carbon emissions on the environment. The lecture finishes with a Q&A.
Date:
1989-04-27
1989-04-27
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
People:
Date:
1991-1996
1991-1996
Title:
Olmsted: L'origine del parco urbano e del parco naturale contemporaneo (1996)
Actions:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Olmsted: L'origine del parco urbano e del parco naturale contemporaneo (1996)
Actions:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Level of archival description:
Subseries
Subseries
Date:
1991-1996
1991-1996
People:
Form:
photographs
photographs
Actions:
Reference number:
PH2016:0003:001
Description:
A selection of 10 silver gelatin silver prints from a series of 20 titled "A Landscape in Transformation" from 1999. The print numbers in the collection are : #5, #6, #7, #8, #13, #14, #17, #18, #19 and #20. The series depicts the St. Michel Environmental complex, which originally was used as a quarry, then as a landfill and is transitioning into being an urban park. The rehabilitation of the land that the St. Michel's complex is located on began in 1995 and the transition is not expected to be complete until 2023.
PH2016:0003:001
Description:
A selection of 10 silver gelatin silver prints from a series of 20 titled "A Landscape in Transformation" from 1999. The print numbers in the collection are : #5, #6, #7, #8, #13, #14, #17, #18, #19 and #20. The series depicts the St. Michel Environmental complex, which originally was used as a quarry, then as a landfill and is transitioning into being an urban park. The rehabilitation of the land that the St. Michel's complex is located on began in 1995 and the transition is not expected to be complete until 2023.
People:
Date:
1999
1999
Title:
Saint-Michel Environmental Complex: A Landscape in Transformation series #5
Actions:
PH2016:0003:001
Description:
A selection of 10 silver gelatin silver prints from a series of 20 titled "A Landscape in Transformation" from 1999. The print numbers in the collection are : #5, #6, #7, #8, #13, #14, #17, #18, #19 and #20. The series depicts the St. Michel Environmental complex, which originally was used as a quarry, then as a landfill and is transitioning into being an urban park. The rehabilitation of the land that the St. Michel's complex is located on began in 1995 and the transition is not expected to be complete until 2023.
Saint-Michel Environmental Complex: A Landscape in Transformation series #5
Actions:
PH2016:0003:001
Description:
A selection of 10 silver gelatin silver prints from a series of 20 titled "A Landscape in Transformation" from 1999. The print numbers in the collection are : #5, #6, #7, #8, #13, #14, #17, #18, #19 and #20. The series depicts the St. Michel Environmental complex, which originally was used as a quarry, then as a landfill and is transitioning into being an urban park. The rehabilitation of the land that the St. Michel's complex is located on began in 1995 and the transition is not expected to be complete until 2023.
Form:
photographs
photographs
Date:
1999
1999
People:
Form:
photographs
photographs
Actions:
Reference number:
PH2016:0003:002
Description:
A selection of 10 silver gelatin silver prints from a series of 20 titled "A Landscape in Transformation" from 1999. The print numbers in the collection are : #5, #6, #7, #8, #13, #14, #17, #18, #19 and #20. The series depicts the St. Michel Environmental complex, which originally was used as a quarry, then as a landfill and is transitioning into being an urban park. The rehabilitation of the land that the St. Michel's complex is located on began in 1995 and the transition is not expected to be complete until 2023.
PH2016:0003:002
Description:
A selection of 10 silver gelatin silver prints from a series of 20 titled "A Landscape in Transformation" from 1999. The print numbers in the collection are : #5, #6, #7, #8, #13, #14, #17, #18, #19 and #20. The series depicts the St. Michel Environmental complex, which originally was used as a quarry, then as a landfill and is transitioning into being an urban park. The rehabilitation of the land that the St. Michel's complex is located on began in 1995 and the transition is not expected to be complete until 2023.
People:
Date:
1999
1999
Title:
Saint-Michel Environmental Complex: A Landscape in Transformation series #20
Actions:
PH2016:0003:002
Description:
A selection of 10 silver gelatin silver prints from a series of 20 titled "A Landscape in Transformation" from 1999. The print numbers in the collection are : #5, #6, #7, #8, #13, #14, #17, #18, #19 and #20. The series depicts the St. Michel Environmental complex, which originally was used as a quarry, then as a landfill and is transitioning into being an urban park. The rehabilitation of the land that the St. Michel's complex is located on began in 1995 and the transition is not expected to be complete until 2023.
Saint-Michel Environmental Complex: A Landscape in Transformation series #20
Actions:
PH2016:0003:002
Description:
A selection of 10 silver gelatin silver prints from a series of 20 titled "A Landscape in Transformation" from 1999. The print numbers in the collection are : #5, #6, #7, #8, #13, #14, #17, #18, #19 and #20. The series depicts the St. Michel Environmental complex, which originally was used as a quarry, then as a landfill and is transitioning into being an urban park. The rehabilitation of the land that the St. Michel's complex is located on began in 1995 and the transition is not expected to be complete until 2023.
Form:
photographs
photographs
Date:
1999
1999
People:
