11199 Results
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
People:
Date:
1990
1990
Title:
Climatron, Saint Louis, Missouri
Actions:
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
Climatron, Saint Louis, Missouri
Actions:
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
Level of archival description:
Dossier 2
Dossier 2
Date:
1990
1990
People:
Form:
exhibitions
exhibitions
Description:
Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
22 September 1993 to 28 November 1993
22 September 1993 to 28 November 1993
Title:
"Letters from the People": Photographs by Lee Friedlander
Actions:
Description:
Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
"Letters from the People": Photographs by Lee Friedlander
Actions:
Description:
Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
Form:
exhibitions
exhibitions
Date:
22 September 1993 to
28 November 1993
22 September 1993 to
28 November 1993
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Title:
Environmental Histories
Environmental Histories
Actions:
Description:
To kick off “Architecture and/for the Environment” —the CCA’s third Multidisciplinary Research Project funded by the Andrew W. Mellon Foundation—Daniel Abramson and Imre Szeman will present two key concepts that reconceive the environment in the history of architecture. Daniel Abramson, an architectural historian, will discuss how the idea of architectural “obsolescence”(...)
To kick off “Architecture and/for the Environment” —the CCA’s third Multidisciplinary Research Project funded by the Andrew W. Mellon Foundation—Daniel Abramson and Imre Szeman will present two key concepts that reconceive the environment in the history of architecture. Daniel Abramson, an architectural historian, will discuss how the idea of architectural “obsolescence”(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
15 December 2016, 6pm
15 December 2016, 6pm
Title:
Environmental Histories
Actions:
Description:
To kick off “Architecture and/for the Environment” —the CCA’s third Multidisciplinary Research Project funded by the Andrew W. Mellon Foundation—Daniel Abramson and Imre Szeman will present two key concepts that reconceive the environment in the history of architecture. Daniel Abramson, an architectural historian, will discuss how the idea of architectural “obsolescence”(...)
Environmental Histories
Actions:
Description:
To kick off “Architecture and/for the Environment” —the CCA’s third Multidisciplinary Research Project funded by the Andrew W. Mellon Foundation—Daniel Abramson and Imre Szeman will present two key concepts that reconceive the environment in the history of architecture. Daniel Abramson, an architectural historian, will discuss how the idea of architectural “obsolescence”(...)
Form:
events
events
Date:
15 December 2016
6pm
15 December 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
drawings, textual records, works of art
drawings, textual records, works of art
Actions:
Reference number:
DR1974:0002:015:001-070
Description:
- This album contains drawings which range from design development drawings to highly finished renderings - mostly plans, elevations and sections - for Hubert Rohault de Fleury's proposed alterations to the Préfecture de police and for additions to a nearby prison, Paris, and prints and record drawings of French and English prisons and courthouses. Although the table of contents indicates that drawings four to twelve are for diverse projects (DR1974:0002:015:004 - DR1974:0002:015:015), they are apparently all related to Rohault de Fleury's proposals for alterations to the Préfecture de police (1833 ?) and for the enlargement of the nearby prison (1819). The proposals for the Préfecture de police included the rearrangement of the layout of the buildings and courtyards, and possibly the replacement of some buildings. Included with these drawings is an engraving by Jean-Jacques Leroy after plans by Antoine Marie Peyre for alterations to the Palais de justice, Paris (1822-1828), with a block plan for the adjacent Préfecture de police(DR1974:0002:015:001). Rohault de Fleury's project for the enlargement of the prison near the Préfecture de police includes cost estimates and specifications (DR1974:0002:015:016), and plans for lodgings for Mr. Vachette "l'état-major" (DR1974:0002:015:032). The record drawings and prints of prisons in France include: La Petite Roquette Prison for young offenders, Paris (1825-1826); Hazebrouck Prison, (probably ca. 1825); Palais de justice and prison, Toulon (1829); Chalôns-sur-Marne prison (1828); prison buildings at Caen (1788); and the Agricultural colony, Ostwald (1841). A programme concerning the population and classification of prisoners is included with the record drawings of La Petite Roquette Prison (DR1974:0002:015:033). The prison buidings at Caen (1788) are represented in an engraving after the engineer Le Febvre's designs (DR1974:0002:015:048). The lithographs by E. Simon fils of the Agricultural colony at Ostwald (1841) include a bird's-eye view of the complex (DR1974:0002:015:051). The record drawings and prints of prisons in the United Kingdom include: Chester Castle Prison and courthouse (1785-1822); possibly Ipswich Prison (probably between 1816 and 1830); and possibly Bridewell Prison, Edinburgh (1791-1795). Also included are record drawings, probably of three different unidentified English prisons of radial plan, and one panopticon prison (panopticon plan: DR1974:0002:015:049; radial plans: DR1974:0002:015:059 - DR1974:0002:015:061, and DR1974:0002:015:063 - DR1974:0002:015:070). The project for Chester Castle prison and courthouse (DR1974:0002:015:052 - DR1974:0002:015:058), includes a description and analysis of the courthouse and a bird's-eye view (DR1974:0002:015:052, DR1974:0002:015:054 and DR1974:0002:015:056).
DR1974:0002:015:001-070
Description:
- This album contains drawings which range from design development drawings to highly finished renderings - mostly plans, elevations and sections - for Hubert Rohault de Fleury's proposed alterations to the Préfecture de police and for additions to a nearby prison, Paris, and prints and record drawings of French and English prisons and courthouses. Although the table of contents indicates that drawings four to twelve are for diverse projects (DR1974:0002:015:004 - DR1974:0002:015:015), they are apparently all related to Rohault de Fleury's proposals for alterations to the Préfecture de police (1833 ?) and for the enlargement of the nearby prison (1819). The proposals for the Préfecture de police included the rearrangement of the layout of the buildings and courtyards, and possibly the replacement of some buildings. Included with these drawings is an engraving by Jean-Jacques Leroy after plans by Antoine Marie Peyre for alterations to the Palais de justice, Paris (1822-1828), with a block plan for the adjacent Préfecture de police(DR1974:0002:015:001). Rohault de Fleury's project for the enlargement of the prison near the Préfecture de police includes cost estimates and specifications (DR1974:0002:015:016), and plans for lodgings for Mr. Vachette "l'état-major" (DR1974:0002:015:032). The record drawings and prints of prisons in France include: La Petite Roquette Prison for young offenders, Paris (1825-1826); Hazebrouck Prison, (probably ca. 1825); Palais de justice and prison, Toulon (1829); Chalôns-sur-Marne prison (1828); prison buildings at Caen (1788); and the Agricultural colony, Ostwald (1841). A programme concerning the population and classification of prisoners is included with the record drawings of La Petite Roquette Prison (DR1974:0002:015:033). The prison buidings at Caen (1788) are represented in an engraving after the engineer Le Febvre's designs (DR1974:0002:015:048). The lithographs by E. Simon fils of the Agricultural colony at Ostwald (1841) include a bird's-eye view of the complex (DR1974:0002:015:051). The record drawings and prints of prisons in the United Kingdom include: Chester Castle Prison and courthouse (1785-1822); possibly Ipswich Prison (probably between 1816 and 1830); and possibly Bridewell Prison, Edinburgh (1791-1795). Also included are record drawings, probably of three different unidentified English prisons of radial plan, and one panopticon prison (panopticon plan: DR1974:0002:015:049; radial plans: DR1974:0002:015:059 - DR1974:0002:015:061, and DR1974:0002:015:063 - DR1974:0002:015:070). The project for Chester Castle prison and courthouse (DR1974:0002:015:052 - DR1974:0002:015:058), includes a description and analysis of the courthouse and a bird's-eye view (DR1974:0002:015:052, DR1974:0002:015:054 and DR1974:0002:015:056).
People:
Subject:
architecture
architecture
Date:
drawings executed 1816-1833, prints 1788-1841, manuscripts 1816-1830
drawings executed 1816-1833, prints 1788-1841, manuscripts 1816-1830
Title:
Album of drawings, prints and manuscripts for alterations to the Préfecture de police, rue de Jérusalem, Paris, and for the enlargement of a nearby prison, and prints and record drawings of French and English prisons and courthouses
Actions:
DR1974:0002:015:001-070
Description:
- This album contains drawings which range from design development drawings to highly finished renderings - mostly plans, elevations and sections - for Hubert Rohault de Fleury's proposed alterations to the Préfecture de police and for additions to a nearby prison, Paris, and prints and record drawings of French and English prisons and courthouses. Although the table of contents indicates that drawings four to twelve are for diverse projects (DR1974:0002:015:004 - DR1974:0002:015:015), they are apparently all related to Rohault de Fleury's proposals for alterations to the Préfecture de police (1833 ?) and for the enlargement of the nearby prison (1819). The proposals for the Préfecture de police included the rearrangement of the layout of the buildings and courtyards, and possibly the replacement of some buildings. Included with these drawings is an engraving by Jean-Jacques Leroy after plans by Antoine Marie Peyre for alterations to the Palais de justice, Paris (1822-1828), with a block plan for the adjacent Préfecture de police(DR1974:0002:015:001). Rohault de Fleury's project for the enlargement of the prison near the Préfecture de police includes cost estimates and specifications (DR1974:0002:015:016), and plans for lodgings for Mr. Vachette "l'état-major" (DR1974:0002:015:032). The record drawings and prints of prisons in France include: La Petite Roquette Prison for young offenders, Paris (1825-1826); Hazebrouck Prison, (probably ca. 1825); Palais de justice and prison, Toulon (1829); Chalôns-sur-Marne prison (1828); prison buildings at Caen (1788); and the Agricultural colony, Ostwald (1841). A programme concerning the population and classification of prisoners is included with the record drawings of La Petite Roquette Prison (DR1974:0002:015:033). The prison buidings at Caen (1788) are represented in an engraving after the engineer Le Febvre's designs (DR1974:0002:015:048). The lithographs by E. Simon fils of the Agricultural colony at Ostwald (1841) include a bird's-eye view of the complex (DR1974:0002:015:051). The record drawings and prints of prisons in the United Kingdom include: Chester Castle Prison and courthouse (1785-1822); possibly Ipswich Prison (probably between 1816 and 1830); and possibly Bridewell Prison, Edinburgh (1791-1795). Also included are record drawings, probably of three different unidentified English prisons of radial plan, and one panopticon prison (panopticon plan: DR1974:0002:015:049; radial plans: DR1974:0002:015:059 - DR1974:0002:015:061, and DR1974:0002:015:063 - DR1974:0002:015:070). The project for Chester Castle prison and courthouse (DR1974:0002:015:052 - DR1974:0002:015:058), includes a description and analysis of the courthouse and a bird's-eye view (DR1974:0002:015:052, DR1974:0002:015:054 and DR1974:0002:015:056).
Album of drawings, prints and manuscripts for alterations to the Préfecture de police, rue de Jérusalem, Paris, and for the enlargement of a nearby prison, and prints and record drawings of French and English prisons and courthouses
Actions:
DR1974:0002:015:001-070
Description:
- This album contains drawings which range from design development drawings to highly finished renderings - mostly plans, elevations and sections - for Hubert Rohault de Fleury's proposed alterations to the Préfecture de police and for additions to a nearby prison, Paris, and prints and record drawings of French and English prisons and courthouses. Although the table of contents indicates that drawings four to twelve are for diverse projects (DR1974:0002:015:004 - DR1974:0002:015:015), they are apparently all related to Rohault de Fleury's proposals for alterations to the Préfecture de police (1833 ?) and for the enlargement of the nearby prison (1819). The proposals for the Préfecture de police included the rearrangement of the layout of the buildings and courtyards, and possibly the replacement of some buildings. Included with these drawings is an engraving by Jean-Jacques Leroy after plans by Antoine Marie Peyre for alterations to the Palais de justice, Paris (1822-1828), with a block plan for the adjacent Préfecture de police(DR1974:0002:015:001). Rohault de Fleury's project for the enlargement of the prison near the Préfecture de police includes cost estimates and specifications (DR1974:0002:015:016), and plans for lodgings for Mr. Vachette "l'état-major" (DR1974:0002:015:032). The record drawings and prints of prisons in France include: La Petite Roquette Prison for young offenders, Paris (1825-1826); Hazebrouck Prison, (probably ca. 1825); Palais de justice and prison, Toulon (1829); Chalôns-sur-Marne prison (1828); prison buildings at Caen (1788); and the Agricultural colony, Ostwald (1841). A programme concerning the population and classification of prisoners is included with the record drawings of La Petite Roquette Prison (DR1974:0002:015:033). The prison buidings at Caen (1788) are represented in an engraving after the engineer Le Febvre's designs (DR1974:0002:015:048). The lithographs by E. Simon fils of the Agricultural colony at Ostwald (1841) include a bird's-eye view of the complex (DR1974:0002:015:051). The record drawings and prints of prisons in the United Kingdom include: Chester Castle Prison and courthouse (1785-1822); possibly Ipswich Prison (probably between 1816 and 1830); and possibly Bridewell Prison, Edinburgh (1791-1795). Also included are record drawings, probably of three different unidentified English prisons of radial plan, and one panopticon prison (panopticon plan: DR1974:0002:015:049; radial plans: DR1974:0002:015:059 - DR1974:0002:015:061, and DR1974:0002:015:063 - DR1974:0002:015:070). The project for Chester Castle prison and courthouse (DR1974:0002:015:052 - DR1974:0002:015:058), includes a description and analysis of the courthouse and a bird's-eye view (DR1974:0002:015:052, DR1974:0002:015:054 and DR1974:0002:015:056).
Form:
drawings, textual records, works of art
drawings, textual records, works of art
Date:
drawings executed 1816-1833, prints 1788-1841, manuscripts 1816-1830
drawings executed 1816-1833, prints 1788-1841, manuscripts 1816-1830
People:
Subject:
architecture
architecture
Form:
exhibitions
exhibitions
Title:
Civic Visions, World's Fairs
Civic Visions, World's Fairs
Actions:
Description:
The dazzling energies of world’s fairs are well known —millions of visitors, encyclopaedic displays of goods and ideas, fantastic settings of pavilions and exhibition halls—but the sites that gather the exposition experience into a spatial unity are often overlooked. Civic Visions, World’s Fairs looks at the contribution of site planning to the history of international(...)
The dazzling energies of world’s fairs are well known —millions of visitors, encyclopaedic displays of goods and ideas, fantastic settings of pavilions and exhibition halls—but the sites that gather the exposition experience into a spatial unity are often overlooked. Civic Visions, World’s Fairs looks at the contribution of site planning to the history of international(...)
Location:
Hall cases
Hall cases
Date:
17 March 1993 to 1 August 1993
17 March 1993 to 1 August 1993
Title:
Civic Visions, World's Fairs
Actions:
Description:
The dazzling energies of world’s fairs are well known —millions of visitors, encyclopaedic displays of goods and ideas, fantastic settings of pavilions and exhibition halls—but the sites that gather the exposition experience into a spatial unity are often overlooked. Civic Visions, World’s Fairs looks at the contribution of site planning to the history of international(...)
Civic Visions, World's Fairs
Actions:
Description:
The dazzling energies of world’s fairs are well known —millions of visitors, encyclopaedic displays of goods and ideas, fantastic settings of pavilions and exhibition halls—but the sites that gather the exposition experience into a spatial unity are often overlooked. Civic Visions, World’s Fairs looks at the contribution of site planning to the history of international(...)
Form:
exhibitions
exhibitions
Date:
17 March 1993 to
1 August 1993
17 March 1993 to
1 August 1993
Location:
Hall cases
Hall cases
Form:
events
events
Actions:
Description:
Blake Fitzpatrick and Robert Del Tredici talk about their investigations of Port Hope in a conversation moderated by Louise Désy, CCA Curator, Photographs. Port Hope is Canada’s premier atomic town and the nation’s conduit to the nuclear world. In 1932, Eldorado Nuclear Ltd. built a radium refinery a stone’s throw from the town’s Main Street. After shifting to uranium(...)
Blake Fitzpatrick and Robert Del Tredici talk about their investigations of Port Hope in a conversation moderated by Louise Désy, CCA Curator, Photographs. Port Hope is Canada’s premier atomic town and the nation’s conduit to the nuclear world. In 1932, Eldorado Nuclear Ltd. built a radium refinery a stone’s throw from the town’s Main Street. After shifting to uranium(...)
Location:
Main galleries
Main galleries
Date:
25 March 2017, 3pm
25 March 2017, 3pm
Title:
Port Hope in the Age of Nuclear Waste
Actions:
Description:
Blake Fitzpatrick and Robert Del Tredici talk about their investigations of Port Hope in a conversation moderated by Louise Désy, CCA Curator, Photographs. Port Hope is Canada’s premier atomic town and the nation’s conduit to the nuclear world. In 1932, Eldorado Nuclear Ltd. built a radium refinery a stone’s throw from the town’s Main Street. After shifting to uranium(...)
Port Hope in the Age of Nuclear Waste
Actions:
Description:
Blake Fitzpatrick and Robert Del Tredici talk about their investigations of Port Hope in a conversation moderated by Louise Désy, CCA Curator, Photographs. Port Hope is Canada’s premier atomic town and the nation’s conduit to the nuclear world. In 1932, Eldorado Nuclear Ltd. built a radium refinery a stone’s throw from the town’s Main Street. After shifting to uranium(...)
Form:
events
events
Date:
25 March 2017
3pm
25 March 2017
3pm
Location:
Main galleries
Main galleries
Form:
events
events
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
14 May 2015 , 6pm
14 May 2015 , 6pm
Title:
Architecture or Revolution? A Conversation with Nuno Portas and Nuno Grande
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Architecture or Revolution? A Conversation with Nuno Portas and Nuno Grande
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Form:
events
events
Date:
14 May 2015
6pm
14 May 2015
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
exhibitions
exhibitions
Actions:
Description:
As Building Director of Baden in southwest Germany, Friedrich Weinbrenner (1766–1826) had the unique opportunity to create in Karlsruhe—the capital and his native city—one of the most homogeneous architectural ensembles ever achieved by a single architect. The exhibition focuses on the impact of scientific and administrative reform on the urban and agricultural(...)
As Building Director of Baden in southwest Germany, Friedrich Weinbrenner (1766–1826) had the unique opportunity to create in Karlsruhe—the capital and his native city—one of the most homogeneous architectural ensembles ever achieved by a single architect. The exhibition focuses on the impact of scientific and administrative reform on the urban and agricultural(...)
Location:
Main galleries
Main galleries
Date:
31 January 1990 to 18 March 1990
31 January 1990 to 18 March 1990
Title:
Friedrich Weinbrenner, Architect of Karlsruhe
Actions:
Description:
As Building Director of Baden in southwest Germany, Friedrich Weinbrenner (1766–1826) had the unique opportunity to create in Karlsruhe—the capital and his native city—one of the most homogeneous architectural ensembles ever achieved by a single architect. The exhibition focuses on the impact of scientific and administrative reform on the urban and agricultural(...)
Friedrich Weinbrenner, Architect of Karlsruhe
Actions:
Description:
As Building Director of Baden in southwest Germany, Friedrich Weinbrenner (1766–1826) had the unique opportunity to create in Karlsruhe—the capital and his native city—one of the most homogeneous architectural ensembles ever achieved by a single architect. The exhibition focuses on the impact of scientific and administrative reform on the urban and agricultural(...)
Form:
exhibitions
exhibitions
Date:
31 January 1990 to
18 March 1990
31 January 1990 to
18 March 1990
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Description:
Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
31 March 2004 to 30 May 2004
31 March 2004 to 30 May 2004
Title:
Learning from… Ruscha and Venturi Scott Brown, 1962–1977
Actions:
Description:
Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Learning from… Ruscha and Venturi Scott Brown, 1962–1977
Actions:
Description:
Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Form:
exhibitions
exhibitions
Date:
31 March 2004 to
30 May 2004
31 March 2004 to
30 May 2004
Location:
Octagonal gallery
Octagonal gallery
Form:
research
research
Title:
Visiting Scholars 2007
Visiting Scholars 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Date:
May 2007 to September 2007
May 2007 to September 2007
Title:
Visiting Scholars 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Visiting Scholars 2007
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Description:
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Form:
research
research
Date:
May 2007 to
September 2007
May 2007 to
September 2007
