945 Results
Form:
books
books
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Description:
136 pages : illustrations, maps, portraits ; 19 x 25 cm
Description:
136 pages : illustrations, maps, portraits ; 19 x 25 cm
Subject:
- Willats, Stephen, 1943-,
- Room layout (Dwellings) Psychological aspects.,
- Room layout (Dwellings) England London Psychological aspects.,
- Personal space.,
- Personal space England London.,
- Art objects.,
- Art objects England London.,
- Trash art.,
- Trash art England London.,
- Personal Space,
- Habitations Aménagement Angleterre Londres Aspect psychologique.,
- Espace personnel Angleterre Londres.,
- Architecture domestique Angleterre Londres Aspect psychologique.,
- Habitations Aménagement Aspect psychologique.,
- Espace personnel.,
- Objets d'art.,
- Objets d'art Angleterre Londres.,
- Trash art Angleterre Londres.,
- objets d'art.,
- Architecture, Domestic.,
- England London.,
- Interior design Architecture.,
- Writings.
(See more)
Publication:
Chichester : Wiley-Academy, 2001.
Chichester : Wiley-Academy, 2001.
Title:
Beyond the plan : the transformation of personal space in housing / Stephen Willats.
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Description:
136 pages : illustrations, maps, portraits ; 19 x 25 cm
Beyond the plan : the transformation of personal space in housing / Stephen Willats.
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Description:
136 pages : illustrations, maps, portraits ; 19 x 25 cm
Form:
books
books
Publication:
Chichester : Wiley-Academy, 2001.
Chichester : Wiley-Academy, 2001.
Subject:
- Willats, Stephen, 1943-,
- Room layout (Dwellings) Psychological aspects.,
- Room layout (Dwellings) England London Psychological aspects.,
- Personal space.,
- Personal space England London.,
- Art objects.,
- Art objects England London.,
- Trash art.,
- Trash art England London.,
- Personal Space,
- Habitations Aménagement Angleterre Londres Aspect psychologique.,
- Espace personnel Angleterre Londres.,
- Architecture domestique Angleterre Londres Aspect psychologique.,
- Habitations Aménagement Aspect psychologique.,
- Espace personnel.,
- Objets d'art.,
- Objets d'art Angleterre Londres.,
- Trash art Angleterre Londres.,
- objets d'art.,
- Architecture, Domestic.,
- England London.,
- Interior design Architecture.,
- Writings.
(See more)
Form:
books
books
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Description:
114 pages : illustrations ; 24 cm
Description:
114 pages : illustrations ; 24 cm
Subject:
Publication:
Toronto, ON : The Power Plant Contemporary Art Gallery, [2021], ©2021
Toronto, ON : The Power Plant Contemporary Art Gallery, [2021], ©2021
Title:
Breathless / edited by Ala Roushan.
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Description:
114 pages : illustrations ; 24 cm
Breathless / edited by Ala Roushan.
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Description:
114 pages : illustrations ; 24 cm
Form:
books
books
Publication:
Toronto, ON : The Power Plant Contemporary Art Gallery, [2021], ©2021
Toronto, ON : The Power Plant Contemporary Art Gallery, [2021], ©2021
Form:
video
video
Actions:
Description:
1 online resource (1 video file (25 minutes)) : sound, color
Title:
The Nature of Engineering. Part 1. / [presented by] Ted Happold (Buro Happold).
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Description:
1 online resource (1 video file (25 minutes)) : sound, color
The Nature of Engineering. Part 1. / [presented by] Ted Happold (Buro Happold).
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Description:
1 online resource (1 video file (25 minutes)) : sound, color
Form:
video
video
Publication:
London, England : Pidgeon Digital, 1987.
London, England : Pidgeon Digital, 1987.
Form:
books
books
Title:
Reader.
Reader.
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Description:
1 online resource
Author:
Subject:
Publication:
[Place of publication not identified] : Primary Information, 2022.
[Place of publication not identified] : Primary Information, 2022.
Form:
books
books
Publication:
[Place of publication not identified] : Primary Information, 2022.
[Place of publication not identified] : Primary Information, 2022.
Form:
books
books
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Description:
363 pages illustrations (some color) 25 cm
Description:
363 pages illustrations (some color) 25 cm
Author:
Subject:
- Higgins, Dick, 1938-1998,
- Something Else Press Bibliography.,
- Something Else Press,
- Fluxus (Group of artists),
- Conceptual art.,
- Performance art.,
- Fluxus (Groupe d'artistes),
- Art conceptuel.,
- Arts 20e siècle.,
- Manœuvre artistique.,
- Fluxus.,
- Conceptual.,
- Literature.,
- bibliographies.,
- History,
- Criticism, interpretation, etc.,
- Bibliographies
(See more)
Publication:
Catskill, New York : Siglio, 2018., ©2018
Catskill, New York : Siglio, 2018., ©2018
Title:
Intermedia, Fluxus and the Something Else Press : selected writings by Dick Higgins / edited by Steve Clay and Ken Friedman.
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Description:
363 pages illustrations (some color) 25 cm
Intermedia, Fluxus and the Something Else Press : selected writings by Dick Higgins / edited by Steve Clay and Ken Friedman.
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Holdings:
Description:
363 pages illustrations (some color) 25 cm
Form:
books
books
Publication:
Catskill, New York : Siglio, 2018., ©2018
Catskill, New York : Siglio, 2018., ©2018
Subject:
- Higgins, Dick, 1938-1998,
- Something Else Press Bibliography.,
- Something Else Press,
- Fluxus (Group of artists),
- Conceptual art.,
- Performance art.,
- Fluxus (Groupe d'artistes),
- Art conceptuel.,
- Arts 20e siècle.,
- Manœuvre artistique.,
- Fluxus.,
- Conceptual.,
- Literature.,
- bibliographies.,
- History,
- Criticism, interpretation, etc.,
- Bibliographies
(See more)
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Price:
$79.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
$79.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
Title:
Uncommon ground : architecture, technology. and topography
Actions:
Price:
$79.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
Uncommon ground : architecture, technology. and topography
Actions:
Price:
$79.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
Price:
$56.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
$56.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
Subject:
Architectural Theory
Architectural Theory
Publication:
October 2000, Cambridge, Mass.
October 2000, Cambridge, Mass.
Title:
Uncommon ground : architecture, technology, and topography
Actions:
Price:
$56.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
Uncommon ground : architecture, technology, and topography
Actions:
Price:
$56.95
(available to order)
Summary:
Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
Form:
books
books
Publication:
October 2000, Cambridge, Mass.
October 2000, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Holdings:
Description:
volumes : illustrations (chiefly color), color maps ; 26 cm
Description:
volumes : illustrations (chiefly color), color maps ; 26 cm
Author:
- Mabel O. Wilson -- Salome Asega -- Anthony Bogues -- Jay Simple -- Tau Tavengwa -- Olalekan Jeyifous -- Mpho Matsipa -- Eric Gottesman -- Rebecca Corey -- Amanda Williams -- Robel Temesgen -- Aida Mulokozi -- Rakeb Sile and Mesai Haileleul -- Germane Barnes -- Niama Safia Sandy and Adama Delphine Fawundu -- Valerie Amani -- KMT / Mikael Awake -- Rehema Chachage -- Meskerem Assegued and Elias Sime -- Mario Gooden -- Emanuel Admassu and Anita N. Bateman --,
- Admassu, Emanuel,,
- Bateman, Anita N.,
(See more)
Subject:
- Arts, African History.,
- Arts, Black History.,
- Artists, Black Interviews.,
- Artists Africa Interviews.,
- African American artists Interviews.,
- African diaspora.,
- African American arts.,
- Arts, Black.,
- Arts, African.,
- Artistes noirs Entretiens.,
- Artistes Afrique Entretiens.,
- Artistes noirs américains Entretiens.,
- Arts noirs.,
- Arts africains.,
- Arts noirs américains.,
- Arts africains Histoire.,
- Arts noirs Histoire.,
- Africa In art.,
- Africa Civilization.,
- interviews.,
- Interviews.
(See more)
Publication:
New York, NY : Center for Art, Research and Alliances (CARA), 2024-, ©2024-
New York, NY : Center for Art, Research and Alliances (CARA), 2024-, ©2024-
Title:
Where is Africa. Vol. 1 / editors, Emanuel Admassu, Anita N. Bateman.
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Holdings:
Description:
volumes : illustrations (chiefly color), color maps ; 26 cm
Where is Africa. Vol. 1 / editors, Emanuel Admassu, Anita N. Bateman.
Actions:
Holdings:
Description:
volumes : illustrations (chiefly color), color maps ; 26 cm
Form:
books
books
Publication:
New York, NY : Center for Art, Research and Alliances (CARA), 2024-, ©2024-
New York, NY : Center for Art, Research and Alliances (CARA), 2024-, ©2024-
Author:
- Mabel O. Wilson -- Salome Asega -- Anthony Bogues -- Jay Simple -- Tau Tavengwa -- Olalekan Jeyifous -- Mpho Matsipa -- Eric Gottesman -- Rebecca Corey -- Amanda Williams -- Robel Temesgen -- Aida Mulokozi -- Rakeb Sile and Mesai Haileleul -- Germane Barnes -- Niama Safia Sandy and Adama Delphine Fawundu -- Valerie Amani -- KMT / Mikael Awake -- Rehema Chachage -- Meskerem Assegued and Elias Sime -- Mario Gooden -- Emanuel Admassu and Anita N. Bateman --,
- Admassu, Emanuel,,
- Bateman, Anita N.,
(See more)
Subject:
- Arts, African History.,
- Arts, Black History.,
- Artists, Black Interviews.,
- Artists Africa Interviews.,
- African American artists Interviews.,
- African diaspora.,
- African American arts.,
- Arts, Black.,
- Arts, African.,
- Artistes noirs Entretiens.,
- Artistes Afrique Entretiens.,
- Artistes noirs américains Entretiens.,
- Arts noirs.,
- Arts africains.,
- Arts noirs américains.,
- Arts africains Histoire.,
- Arts noirs Histoire.,
- Africa In art.,
- Africa Civilization.,
- interviews.,
- Interviews.
(See more)
Form:
video
video
Actions:
Description:
1 online resource.
Author:
Subject:
Publication:
[Place of publication not identified] : Center for Experimental Lectures, 2014.
[Place of publication not identified] : Center for Experimental Lectures, 2014.
Form:
video
video
Publication:
[Place of publication not identified] : Center for Experimental Lectures, 2014.
[Place of publication not identified] : Center for Experimental Lectures, 2014.
Form:
books
books
Actions:
Holdings:
Description:
xii, 353 pages ; 23 cm.
Description:
xii, 353 pages ; 23 cm.
Author:
Subject:
- City planning Canada.,
- City planning Social aspects.,
- Performing arts Social aspects Canada.,
- Sociology, Urban.,
- Urbanisme Canada.,
- Urbanisme Aspect social.,
- Arts du spectacle Aspect social Canada.,
- Sociologie urbaine.,
- urban sociology.,
- City planning,
- Performing arts Social aspects,
- Canada
(See more)
Publication:
[Québec, Québec] : Presses de l'Université Laval, [2017]
[Québec, Québec] : Presses de l'Université Laval, [2017]
Title:
La lutte pour l'espace : ville, performance, et culture d'en bas / sous la direction de Domenico A. Beneventi, Roxanne Rimstead, Simon Harel.
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Description:
xii, 353 pages ; 23 cm.
La lutte pour l'espace : ville, performance, et culture d'en bas / sous la direction de Domenico A. Beneventi, Roxanne Rimstead, Simon Harel.
Actions:
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Description:
xii, 353 pages ; 23 cm.
Form:
books
books
Publication:
[Québec, Québec] : Presses de l'Université Laval, [2017]
[Québec, Québec] : Presses de l'Université Laval, [2017]
Subject:
- City planning Canada.,
- City planning Social aspects.,
- Performing arts Social aspects Canada.,
- Sociology, Urban.,
- Urbanisme Canada.,
- Urbanisme Aspect social.,
- Arts du spectacle Aspect social Canada.,
- Sociologie urbaine.,
- urban sociology.,
- City planning,
- Performing arts Social aspects,
- Canada
(See more)