916 Results
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books
books
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Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Best known for the photographs of horses and other animals in motion that he made in the 1870s and '80s, Muybridge was the first person to use photography to freeze rapid action for analysis and study. He devised a method(...)
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Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Best known for the photographs of horses and other animals in motion that he made in the 1870s and '80s, Muybridge was the first person to use photography to freeze rapid action for analysis and study. He devised a method(...)
Title:
Time stands still : Muybridge and the instantaneous photography movement
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Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Best known for the photographs of horses and other animals in motion that he made in the 1870s and '80s, Muybridge was the first person to use photography to freeze rapid action for analysis and study. He devised a method for photographing episodes of behavior using a series of cameras, producing some of the most famous sequential photographs ever made. These pictures, the first successful photographs of rapidly moving subjects, revolutionized expectations of what photography could reveal about the natural world, and ultimately led to the invention of the motion picture in the mid-1890s. "Time stands still" is the catalogue that accompanies an exhibition celebrating Muybridge's work. Though the instantaneous photography movement stands as a crucial event in the progression of photography to motion pictures, this exhibition represents the first major organized treatment of the subject. Opening in spring 2003 at the Iris and B. Gerald Cantor Center for Visual Arts at Stanford University and touring through 2004, it combines an examination of the artist's career in motion photography with a survey of early attempts to photograph moving subjects.
Time stands still : Muybridge and the instantaneous photography movement
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$60.95
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Summary:
Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Best known for the photographs of horses and other animals in motion that he made in the 1870s and '80s, Muybridge was the first person to use photography to freeze rapid action for analysis and study. He devised a method for photographing episodes of behavior using a series of cameras, producing some of the most famous sequential photographs ever made. These pictures, the first successful photographs of rapidly moving subjects, revolutionized expectations of what photography could reveal about the natural world, and ultimately led to the invention of the motion picture in the mid-1890s. "Time stands still" is the catalogue that accompanies an exhibition celebrating Muybridge's work. Though the instantaneous photography movement stands as a crucial event in the progression of photography to motion pictures, this exhibition represents the first major organized treatment of the subject. Opening in spring 2003 at the Iris and B. Gerald Cantor Center for Visual Arts at Stanford University and touring through 2004, it combines an examination of the artist's career in motion photography with a survey of early attempts to photograph moving subjects.
Form:
books
books
Publication:
April 2003, New York
April 2003, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
The Klee universe
The Klee universe
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$72.00
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes(...)
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes(...)
Title:
The Klee universe
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$72.00
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes visible” testifies, and The Klee Universe addresses his work from this perspective. In 1906, Klee noted in his diary, "All will be Klee," and in 1911, as the encyclopedist of his cosmos, he began to meticulously chronicle his works in a catalogue that, by the time he died, was to contain more than 9,000 items. Here, in the fashion of an Orbis Pictus or a Renaissance emblem book, Klee's oeuvre is made legible as a cogent entirety, in thematic units address: the human life cycle, from birth and childhood to sexual desire, parenthood and death; music, architecture, theater and religion; plants, animals and landscapes; and, finally, darker, destructive forces in the shape of war, fear and death. The Klee Universe reimagines the artist as a Renaissance man, an artist of great learning whose cosmos proves to be a coherent system of ideas and images.
The Klee universe
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Summary:
There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes visible” testifies, and The Klee Universe addresses his work from this perspective. In 1906, Klee noted in his diary, "All will be Klee," and in 1911, as the encyclopedist of his cosmos, he began to meticulously chronicle his works in a catalogue that, by the time he died, was to contain more than 9,000 items. Here, in the fashion of an Orbis Pictus or a Renaissance emblem book, Klee's oeuvre is made legible as a cogent entirety, in thematic units address: the human life cycle, from birth and childhood to sexual desire, parenthood and death; music, architecture, theater and religion; plants, animals and landscapes; and, finally, darker, destructive forces in the shape of war, fear and death. The Klee Universe reimagines the artist as a Renaissance man, an artist of great learning whose cosmos proves to be a coherent system of ideas and images.
Form:
books
books
Publication:
January 2009, Berlin
January 2009, Berlin
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$30.95
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Summary:
Although others have written eloquently on the relationship of water to built form, until now no one has investigated the swimming pool as a quintessentially modern and American space, reflecting America's infatuation with hygiene, skin, and recreation. In The Springboard in the (...)
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Although others have written eloquently on the relationship of water to built form, until now no one has investigated the swimming pool as a quintessentially modern and American space, reflecting America's infatuation with hygiene, skin, and recreation. In The Springboard in the (...)
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Publication:
April 2000, Cambridge, London
April 2000, Cambridge, London
Title:
The Springboard in the Pond: an intimate history of the swimming pool
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Although others have written eloquently on the relationship of water to built form, until now no one has investigated the swimming pool as a quintessentially modern and American space, reflecting America's infatuation with hygiene, skin, and recreation. In The Springboard in the Pond, Thomas van Leeuwen looks at a familiar hole--the domestic swimming pool--and discovers an icon indispensable to the reading of twentieth-century modernism. At one level, the book is a rereading of modern architecture that will leave that story permanently altered. At another level, it is the story of the origin and evolution of the private swimming pool as a building type and cultural artifact. At still another level, it is a material philosophy of water. Van Leeuwen explores the human relationship to water from a variety of viewpoints: social, religious, artistic, sexual, psychological, technical, and above all architectural. Throughout the book, he weaves a series of analogies to three emblematic animals--frog, swan, and penguin--that represent the three prevailing human attitudes toward water: hydrophilia, hydrophobia, and ambivalence. The books many illustrations--drawings, plans, and photographs--come from an unusual variety of sources, creating what is surely the most provocative visual archive of the swimming pool ever assembled.
The Springboard in the Pond: an intimate history of the swimming pool
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$30.95
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Summary:
Although others have written eloquently on the relationship of water to built form, until now no one has investigated the swimming pool as a quintessentially modern and American space, reflecting America's infatuation with hygiene, skin, and recreation. In The Springboard in the Pond, Thomas van Leeuwen looks at a familiar hole--the domestic swimming pool--and discovers an icon indispensable to the reading of twentieth-century modernism. At one level, the book is a rereading of modern architecture that will leave that story permanently altered. At another level, it is the story of the origin and evolution of the private swimming pool as a building type and cultural artifact. At still another level, it is a material philosophy of water. Van Leeuwen explores the human relationship to water from a variety of viewpoints: social, religious, artistic, sexual, psychological, technical, and above all architectural. Throughout the book, he weaves a series of analogies to three emblematic animals--frog, swan, and penguin--that represent the three prevailing human attitudes toward water: hydrophilia, hydrophobia, and ambivalence. The books many illustrations--drawings, plans, and photographs--come from an unusual variety of sources, creating what is surely the most provocative visual archive of the swimming pool ever assembled.
Form:
books
books
Publication:
April 2000, Cambridge, London
April 2000, Cambridge, London
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Form:
books
books
Price:
$29.95
(available to order)
Summary:
'' Imagine feeling 100% alive every moment of every minute of the day! Maybe that’s how animals live. Or trees, even. I sometimes stare at the plastic bag tree visible from my apartment window and marvel that both it and I are equally alive and that there’s no sliding scale of life. You’re either alive, or you’re not. Or you’re dead or you’re not.'' Thirty years after(...)
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'' Imagine feeling 100% alive every moment of every minute of the day! Maybe that’s how animals live. Or trees, even. I sometimes stare at the plastic bag tree visible from my apartment window and marvel that both it and I are equally alive and that there’s no sliding scale of life. You’re either alive, or you’re not. Or you’re dead or you’re not.'' Thirty years after(...)
Title:
Binge
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$29.95
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'' Imagine feeling 100% alive every moment of every minute of the day! Maybe that’s how animals live. Or trees, even. I sometimes stare at the plastic bag tree visible from my apartment window and marvel that both it and I are equally alive and that there’s no sliding scale of life. You’re either alive, or you’re not. Or you’re dead or you’re not.'' Thirty years after Douglas Coupland broke the fiction mould and defined a generation with ''Generation X,'' he is back with ''Binge,'' 60 stories laced with his observational profundity about the way we live and his existential worry about how we should be living: the very things that have made him such an influential and bestselling writer. Not to mention that he can also be really funny. Here the narrators vary from story to story as Doug catches what he calls “the voice of the people,” inspired by the way we write about ourselves and our experiences in online forums. The characters, of course, are Doug’s own: crackpots, cranks and sweetie-pies, dad dancers and perpetrators of carbecues. People in the grip of unconscionable urges; lonely people; dying people; silly people. If you love Doug’s fiction, this collection is like rain on the desert.
Binge
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$29.95
(available to order)
Summary:
'' Imagine feeling 100% alive every moment of every minute of the day! Maybe that’s how animals live. Or trees, even. I sometimes stare at the plastic bag tree visible from my apartment window and marvel that both it and I are equally alive and that there’s no sliding scale of life. You’re either alive, or you’re not. Or you’re dead or you’re not.'' Thirty years after Douglas Coupland broke the fiction mould and defined a generation with ''Generation X,'' he is back with ''Binge,'' 60 stories laced with his observational profundity about the way we live and his existential worry about how we should be living: the very things that have made him such an influential and bestselling writer. Not to mention that he can also be really funny. Here the narrators vary from story to story as Doug catches what he calls “the voice of the people,” inspired by the way we write about ourselves and our experiences in online forums. The characters, of course, are Doug’s own: crackpots, cranks and sweetie-pies, dad dancers and perpetrators of carbecues. People in the grip of unconscionable urges; lonely people; dying people; silly people. If you love Doug’s fiction, this collection is like rain on the desert.
Form:
books
books
Publication:
October 2021
October 2021
Subject:
Current Exhibitions
Current Exhibitions
Form:
books
books
Title:
Manufacturing national park nature: photography, ecology, and the wilderness industry of paper
Manufacturing national park nature: photography, ecology, and the wilderness industry of paper
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Jasper National Park is an international travel destination, world heritage site, and icon of Canadian identity. Although national parks occupy a prominent place in the Canadian imagination, we are only beginning to understand how their visual imagery has shaped and continues to inform our perception of the natural world, ecological issues, and ourselves. In this(...)
$29.95
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Summary:
Jasper National Park is an international travel destination, world heritage site, and icon of Canadian identity. Although national parks occupy a prominent place in the Canadian imagination, we are only beginning to understand how their visual imagery has shaped and continues to inform our perception of the natural world, ecological issues, and ourselves. In this(...)
Title:
Manufacturing national park nature: photography, ecology, and the wilderness industry of paper
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$29.95
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Jasper National Park is an international travel destination, world heritage site, and icon of Canadian identity. Although national parks occupy a prominent place in the Canadian imagination, we are only beginning to understand how their visual imagery has shaped and continues to inform our perception of the natural world, ecological issues, and ourselves. In this publication, J. Keri Cronin draws on postcards, illustrated brochures, tourist snapshots, and other forms of visual culture to show how popular forms of picturing nature can have ecological implications that extend far beyond the frame of the image. Adopting an ecocritical approach to visual culture, Cronin focusses on four themes - wilderness, recreation, wildlife, and fake nature - to trace how park and government officials, railway companies, journalists, and environmentalists package Jasper as a series of breathtaking vistas where adorable-looking animals live. In the process, they sever the scenes from their larger contexts and mask the real threats to the park’s ecosystems. In telling the story of how various groups and the tourism industry have used photographic representations of national parks to shape our ideas about nature, this book sets the stage for a re-examination of protection policies and acknowledgment of environmental damage in national parks.
Manufacturing national park nature: photography, ecology, and the wilderness industry of paper
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$29.95
(available to order)
Summary:
Jasper National Park is an international travel destination, world heritage site, and icon of Canadian identity. Although national parks occupy a prominent place in the Canadian imagination, we are only beginning to understand how their visual imagery has shaped and continues to inform our perception of the natural world, ecological issues, and ourselves. In this publication, J. Keri Cronin draws on postcards, illustrated brochures, tourist snapshots, and other forms of visual culture to show how popular forms of picturing nature can have ecological implications that extend far beyond the frame of the image. Adopting an ecocritical approach to visual culture, Cronin focusses on four themes - wilderness, recreation, wildlife, and fake nature - to trace how park and government officials, railway companies, journalists, and environmentalists package Jasper as a series of breathtaking vistas where adorable-looking animals live. In the process, they sever the scenes from their larger contexts and mask the real threats to the park’s ecosystems. In telling the story of how various groups and the tourism industry have used photographic representations of national parks to shape our ideas about nature, this book sets the stage for a re-examination of protection policies and acknowledgment of environmental damage in national parks.
Form:
books
books
Publication:
July 2011
July 2011
Subject:
Architecture in Canada
Architecture in Canada
Form:
books
books
Price:
$39.95
(available in store)
Summary:
Bamboo has an unparalleled history; it is very old, and at the same time very new. Bamboo extends far beyond the boundaries of most plants – it is distributed widely throughout the world, and is utilized by hundreds of millions of people in a great number of ways. Through its myriad uses as food, clothing, paper and shelter, bamboo has met the physical and spiritual(...)
$39.95
(available in store)
Summary:
Bamboo has an unparalleled history; it is very old, and at the same time very new. Bamboo extends far beyond the boundaries of most plants – it is distributed widely throughout the world, and is utilized by hundreds of millions of people in a great number of ways. Through its myriad uses as food, clothing, paper and shelter, bamboo has met the physical and spiritual(...)
Title:
Bamboo
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Bamboo has an unparalleled history; it is very old, and at the same time very new. Bamboo extends far beyond the boundaries of most plants – it is distributed widely throughout the world, and is utilized by hundreds of millions of people in a great number of ways. Through its myriad uses as food, clothing, paper and shelter, bamboo has met the physical and spiritual requirements of humanity since the earliest times. It is believed that the first books were written on bamboo, and there is evidence that it was used by humans more than 5,000 years ago for the framework of housing as well as musical instruments. It also occurs in the creation beliefs of cultures across the globe. Bamboo plays a vital role in the survival of many animals and ecosystems as well as having unique characteristics, offering potential solutions to modern ecological dilemmas – it grows extremely quickly, for example, making it an easily renewable resource. With the advent of modern research and technologies, the use of bamboo has increased dramatically, elevating its importance to human society – it can now be found in the filaments of light bulbs, the skins of airplanes and the reinforcements of concrete. Bamboo is even a new material for today's modern bicycles. Bamboo draws on a vast array of sources to build a complete picture of bamboo in both history and our modern world.
Bamboo
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$39.95
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Summary:
Bamboo has an unparalleled history; it is very old, and at the same time very new. Bamboo extends far beyond the boundaries of most plants – it is distributed widely throughout the world, and is utilized by hundreds of millions of people in a great number of ways. Through its myriad uses as food, clothing, paper and shelter, bamboo has met the physical and spiritual requirements of humanity since the earliest times. It is believed that the first books were written on bamboo, and there is evidence that it was used by humans more than 5,000 years ago for the framework of housing as well as musical instruments. It also occurs in the creation beliefs of cultures across the globe. Bamboo plays a vital role in the survival of many animals and ecosystems as well as having unique characteristics, offering potential solutions to modern ecological dilemmas – it grows extremely quickly, for example, making it an easily renewable resource. With the advent of modern research and technologies, the use of bamboo has increased dramatically, elevating its importance to human society – it can now be found in the filaments of light bulbs, the skins of airplanes and the reinforcements of concrete. Bamboo is even a new material for today's modern bicycles. Bamboo draws on a vast array of sources to build a complete picture of bamboo in both history and our modern world.
Form:
books
books
Publication:
March 2025
March 2025
Subject:
Fauna and flora
Fauna and flora
Form:
books
books
Title:
Hannah Höch album
Hannah Höch album
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$91.00
(available to order)
Summary:
As one of the protagonists of the Berlin Dada movement, Hannah Höch railed against tradition and conservatism in 1920s Germany. Höch and such cohorts as George Grosz and Raoul Hausmann raised anarchic revolution through cutting photomontage, nonsensical performance, and biting visual satire. A singular and important work in the artist's oeuvre is the so-called(...)
$91.00
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Summary:
As one of the protagonists of the Berlin Dada movement, Hannah Höch railed against tradition and conservatism in 1920s Germany. Höch and such cohorts as George Grosz and Raoul Hausmann raised anarchic revolution through cutting photomontage, nonsensical performance, and biting visual satire. A singular and important work in the artist's oeuvre is the so-called(...)
Title:
Hannah Höch album
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$91.00
(available to order)
Summary:
As one of the protagonists of the Berlin Dada movement, Hannah Höch railed against tradition and conservatism in 1920s Germany. Höch and such cohorts as George Grosz and Raoul Hausmann raised anarchic revolution through cutting photomontage, nonsensical performance, and biting visual satire. A singular and important work in the artist's oeuvre is the so-called "Sammelalbum," which she produced and pasted together from found imagery for her own pleasure and use, circa 1933. In it, she arranged a choice selection of newspaper and magazine photographs cut from popular German magazines of the time, such as the Berliner Illustrirte and Der Dame. A diverse, allusive group of images they are, representing everything from her favorite film stars to oddly captured animals and toy dolls, nudes, landscapes, scenic travel vistas, and synchronized dancers. By combining the collected pictures in continuous and sometimes contradictory sequences and double-page spreads, Höch created startling and often jarring photo collages. Never before published, Album can be considered to represent a heretofore unknown aspect of Höch's work, since its style of collage differs strongly from her well-known photomontages. This publication presents the entire Album in an exquisite facsimile reproduction, maintaining the filmic quality of its order and layout. In an accompanying essay, Gunda Luyken considers the content and history of the Album, locating it in the wider context of Höch’s oeuvre.
Hannah Höch album
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$91.00
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Summary:
As one of the protagonists of the Berlin Dada movement, Hannah Höch railed against tradition and conservatism in 1920s Germany. Höch and such cohorts as George Grosz and Raoul Hausmann raised anarchic revolution through cutting photomontage, nonsensical performance, and biting visual satire. A singular and important work in the artist's oeuvre is the so-called "Sammelalbum," which she produced and pasted together from found imagery for her own pleasure and use, circa 1933. In it, she arranged a choice selection of newspaper and magazine photographs cut from popular German magazines of the time, such as the Berliner Illustrirte and Der Dame. A diverse, allusive group of images they are, representing everything from her favorite film stars to oddly captured animals and toy dolls, nudes, landscapes, scenic travel vistas, and synchronized dancers. By combining the collected pictures in continuous and sometimes contradictory sequences and double-page spreads, Höch created startling and often jarring photo collages. Never before published, Album can be considered to represent a heretofore unknown aspect of Höch's work, since its style of collage differs strongly from her well-known photomontages. This publication presents the entire Album in an exquisite facsimile reproduction, maintaining the filmic quality of its order and layout. In an accompanying essay, Gunda Luyken considers the content and history of the Album, locating it in the wider context of Höch’s oeuvre.
Form:
books
books
Publication:
February 2004, Ostfildern
February 2004, Ostfildern
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Aki-wayn-zih
Aki-wayn-zih
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$27.95
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Summary:
Members of Eli Baxter’s generation are the last of the hunting and gathering societies living on Turtle Island. They are also among the last fluent speakers of the Anishinaabay language known as Anishinaabaymowin. 'Aki-wayn-zih' is a story about the land and its spiritual relationship with the Anishinaabayg, from the beginning of their life on Miss-koh-tay-sih Minis(...)
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Summary:
Members of Eli Baxter’s generation are the last of the hunting and gathering societies living on Turtle Island. They are also among the last fluent speakers of the Anishinaabay language known as Anishinaabaymowin. 'Aki-wayn-zih' is a story about the land and its spiritual relationship with the Anishinaabayg, from the beginning of their life on Miss-koh-tay-sih Minis(...)
Title:
Aki-wayn-zih
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$27.95
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Members of Eli Baxter’s generation are the last of the hunting and gathering societies living on Turtle Island. They are also among the last fluent speakers of the Anishinaabay language known as Anishinaabaymowin. 'Aki-wayn-zih' is a story about the land and its spiritual relationship with the Anishinaabayg, from the beginning of their life on Miss-koh-tay-sih Minis (Turtle Island) to the present day. Baxter writes about Anishinaabay life before European contact, his childhood memories of trapping, hunting, and fishing with his family on traditional lands in Treaty 9 territory, and his personal experience surviving the residential school system. Examining how Anishinaabay Kih-kayn-daa-soh-win (knowledge) is an elemental concept embedded in the Anishinaabay language, 'Aki-wayn-zih' explores history, science, math, education, philosophy, law, and spiritual teachings, outlining the cultural significance of language to Anishinaabay identity. Recounting traditional Ojibway legends in their original language, fables in which moral virtues double as survival techniques, and detailed guidelines for expertly trapping or ensnaring animals, Baxter reveals how the residential school system shaped him as an individual, transformed his family, and forever disrupted his reserve community and those like it. Through spiritual teachings, historical accounts, and autobiographical anecdotes, 'Aki-wayn-zih' offers a new form of storytelling from the Anishinaabay point of view.
Aki-wayn-zih
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$27.95
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Summary:
Members of Eli Baxter’s generation are the last of the hunting and gathering societies living on Turtle Island. They are also among the last fluent speakers of the Anishinaabay language known as Anishinaabaymowin. 'Aki-wayn-zih' is a story about the land and its spiritual relationship with the Anishinaabayg, from the beginning of their life on Miss-koh-tay-sih Minis (Turtle Island) to the present day. Baxter writes about Anishinaabay life before European contact, his childhood memories of trapping, hunting, and fishing with his family on traditional lands in Treaty 9 territory, and his personal experience surviving the residential school system. Examining how Anishinaabay Kih-kayn-daa-soh-win (knowledge) is an elemental concept embedded in the Anishinaabay language, 'Aki-wayn-zih' explores history, science, math, education, philosophy, law, and spiritual teachings, outlining the cultural significance of language to Anishinaabay identity. Recounting traditional Ojibway legends in their original language, fables in which moral virtues double as survival techniques, and detailed guidelines for expertly trapping or ensnaring animals, Baxter reveals how the residential school system shaped him as an individual, transformed his family, and forever disrupted his reserve community and those like it. Through spiritual teachings, historical accounts, and autobiographical anecdotes, 'Aki-wayn-zih' offers a new form of storytelling from the Anishinaabay point of view.
Form:
books
books
Publication:
September 2021
September 2021
Subject:
Environment and environmental theory
Environment and environmental theory
Form:
books
books
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$37.95
(available to order)
Summary:
People are key elements of wild places. At the same time, human entanglements with wild ecologies involve extractivism, the growth of resource-based economies, and imperial-colonial expansion, activities that are wreaking havoc on our planet. Through an ethnographic exploration of Canada’s ten UNESCO Natural World Heritage sites, ''Inhabited'' reflects on the meanings(...)
$37.95
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Summary:
People are key elements of wild places. At the same time, human entanglements with wild ecologies involve extractivism, the growth of resource-based economies, and imperial-colonial expansion, activities that are wreaking havoc on our planet. Through an ethnographic exploration of Canada’s ten UNESCO Natural World Heritage sites, ''Inhabited'' reflects on the meanings(...)
Subject:
Environment and environmental theory
Environment and environmental theory
Publication:
November 2021
November 2021
Title:
Inhabited: Wildness and the vitality of the land
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$37.95
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Summary:
People are key elements of wild places. At the same time, human entanglements with wild ecologies involve extractivism, the growth of resource-based economies, and imperial-colonial expansion, activities that are wreaking havoc on our planet. Through an ethnographic exploration of Canada’s ten UNESCO Natural World Heritage sites, ''Inhabited'' reflects on the meanings of wildness, wilderness, and natural heritage. As we are introduced to local inhabitants and their perspectives, Phillip Vannini and April Vannini ask us to reflect on the colonial and dualist assumptions behind the received meaning of wild, challenging us to reimagine wildness as relational and rooted in vitality. Over the three years they spent in and around these sites, they learned from Indigenous and non-Indigenous peoples about their entanglements with each other and with non-human animals, rocks, plants, trees, sky, water, and spirits. The stories, actions, and experiences they encountered challenge conventional narratives of wild places as uninhabited by people and disconnected from culture and society. While it might be tempting to dismiss the idea of wildness as outdated in the Anthropocene era, ''Inhabited'' suggests that rethinking wildness offers a better – if messier – way forward. Part geography and anthropology, part environmental and cultural studies, and part politics and ecology, ''Inhabited'' balances a genuine love of nature’s vitality with a culturally responsible understanding of its interconnectedness with more-than-human ways of life.
Inhabited: Wildness and the vitality of the land
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(available to order)
Summary:
People are key elements of wild places. At the same time, human entanglements with wild ecologies involve extractivism, the growth of resource-based economies, and imperial-colonial expansion, activities that are wreaking havoc on our planet. Through an ethnographic exploration of Canada’s ten UNESCO Natural World Heritage sites, ''Inhabited'' reflects on the meanings of wildness, wilderness, and natural heritage. As we are introduced to local inhabitants and their perspectives, Phillip Vannini and April Vannini ask us to reflect on the colonial and dualist assumptions behind the received meaning of wild, challenging us to reimagine wildness as relational and rooted in vitality. Over the three years they spent in and around these sites, they learned from Indigenous and non-Indigenous peoples about their entanglements with each other and with non-human animals, rocks, plants, trees, sky, water, and spirits. The stories, actions, and experiences they encountered challenge conventional narratives of wild places as uninhabited by people and disconnected from culture and society. While it might be tempting to dismiss the idea of wildness as outdated in the Anthropocene era, ''Inhabited'' suggests that rethinking wildness offers a better – if messier – way forward. Part geography and anthropology, part environmental and cultural studies, and part politics and ecology, ''Inhabited'' balances a genuine love of nature’s vitality with a culturally responsible understanding of its interconnectedness with more-than-human ways of life.
Form:
books
books
Publication:
November 2021
November 2021
Subject:
Environment and environmental theory
Environment and environmental theory
Form:
books
books
Price:
$39.95
(available to order)
Summary:
"Borderwall as architecture" is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven(...)
$39.95
(available to order)
Summary:
"Borderwall as architecture" is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven(...)
Title:
Borderwall as architecture: a manifesto for the US-Mexico boundary
Actions:
Price:
$39.95
(available to order)
Summary:
"Borderwall as architecture" is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a “third nation”—the Divided States of America. On the way the transformative effects of the wall on people, animals, and the natural and built landscape are exposed and interrogated through the story of people who, on both sides of the border, transform the wall, challenging its existence in remarkably creative ways. Coupled with these real-life accounts are counterproposals for the wall, created by Rael’s studio, that reimagine, hyperbolize, or question the wall and its construction, cost, performance, and meaning. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz.
Borderwall as architecture: a manifesto for the US-Mexico boundary
Actions:
Price:
$39.95
(available to order)
Summary:
"Borderwall as architecture" is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a “third nation”—the Divided States of America. On the way the transformative effects of the wall on people, animals, and the natural and built landscape are exposed and interrogated through the story of people who, on both sides of the border, transform the wall, challenging its existence in remarkably creative ways. Coupled with these real-life accounts are counterproposals for the wall, created by Rael’s studio, that reimagine, hyperbolize, or question the wall and its construction, cost, performance, and meaning. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz.
Form:
books
books
Publication:
May 2017
May 2017
Subject:
Architectural Theory
Architectural Theory
