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books
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Title:
Inform Giuliana Michelotti
Inform Giuliana Michelotti
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For 20 years, Giuliana Michelotti has designed fashion, objects and jewelry of uncommon organic sensuality in collaboration with such leading firms as Valentino, Versace, Dolce & Gabbana and Christian Lacroix. Always a passionate and inquisitive traveler, Michelotti has been as influenced by the tribal and ethnic traditions of Asia and Africa as the contemporary trends of(...)
$46.00
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Summary:
For 20 years, Giuliana Michelotti has designed fashion, objects and jewelry of uncommon organic sensuality in collaboration with such leading firms as Valentino, Versace, Dolce & Gabbana and Christian Lacroix. Always a passionate and inquisitive traveler, Michelotti has been as influenced by the tribal and ethnic traditions of Asia and Africa as the contemporary trends of(...)
Subject:
Crafts and Jewelry
Crafts and Jewelry
Publication:
February 2008, Milan
February 2008, Milan
Title:
Inform Giuliana Michelotti
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$46.00
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Summary:
For 20 years, Giuliana Michelotti has designed fashion, objects and jewelry of uncommon organic sensuality in collaboration with such leading firms as Valentino, Versace, Dolce & Gabbana and Christian Lacroix. Always a passionate and inquisitive traveler, Michelotti has been as influenced by the tribal and ethnic traditions of Asia and Africa as the contemporary trends of her native Italy or current home, New York City. In 1995 Michelotti launched her own line of jewelry inspired by nature and the sea. All of the pieces in the GM collection are cast in silver using an ancient Indian “lost wax” technique. The stones are uncut and natural, worn by rain and sand. Shells and madrepores eroded by waves, corals ramified in infinite ways, sticks and small rocks--in Michelotti’s hands, these humble organic materials are transformed into necklaces, bracelets and earrings of such highly refined shape and physical lightness that one cannot mistake them for anyone else’s work. With an essay by The New York Times’ revered style editor, Stefano Tonchi, this volume features exquisite close-up photographs of Michelotti’s jewelry, and details the life and creative path of an artist who has achieved an extraordinarily sophisticated aesthetic synthesis
Inform Giuliana Michelotti
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$46.00
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Summary:
For 20 years, Giuliana Michelotti has designed fashion, objects and jewelry of uncommon organic sensuality in collaboration with such leading firms as Valentino, Versace, Dolce & Gabbana and Christian Lacroix. Always a passionate and inquisitive traveler, Michelotti has been as influenced by the tribal and ethnic traditions of Asia and Africa as the contemporary trends of her native Italy or current home, New York City. In 1995 Michelotti launched her own line of jewelry inspired by nature and the sea. All of the pieces in the GM collection are cast in silver using an ancient Indian “lost wax” technique. The stones are uncut and natural, worn by rain and sand. Shells and madrepores eroded by waves, corals ramified in infinite ways, sticks and small rocks--in Michelotti’s hands, these humble organic materials are transformed into necklaces, bracelets and earrings of such highly refined shape and physical lightness that one cannot mistake them for anyone else’s work. With an essay by The New York Times’ revered style editor, Stefano Tonchi, this volume features exquisite close-up photographs of Michelotti’s jewelry, and details the life and creative path of an artist who has achieved an extraordinarily sophisticated aesthetic synthesis
Form:
books
books
Publication:
February 2008, Milan
February 2008, Milan
Subject:
Crafts and Jewelry
Crafts and Jewelry
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books
books
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$58.00
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280 mostly full page color illustrations. Text by Ann Temkin, Briony Fer. Melissa Ho, Nora Lawrence. Published to accompany a major exhibition at The Museum of Modern Art, New York, this volume begins with Marcel Duchamp’s Tu m’, the artist’s final painting, made in 1918, with its long array of color samples looming across the canvas. This early recognition of color’s(...)
$58.00
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Summary:
280 mostly full page color illustrations. Text by Ann Temkin, Briony Fer. Melissa Ho, Nora Lawrence. Published to accompany a major exhibition at The Museum of Modern Art, New York, this volume begins with Marcel Duchamp’s Tu m’, the artist’s final painting, made in 1918, with its long array of color samples looming across the canvas. This early recognition of color’s(...)
Title:
Color Chart: Reinventing Color, 1950 to Today
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280 mostly full page color illustrations. Text by Ann Temkin, Briony Fer. Melissa Ho, Nora Lawrence. Published to accompany a major exhibition at The Museum of Modern Art, New York, this volume begins with Marcel Duchamp’s Tu m’, the artist’s final painting, made in 1918, with its long array of color samples looming across the canvas. This early recognition of color’s commercial nature was fully explored more than three decades later by artists such as Robert Rauschenberg, Andy Warhol, Gerhard Richter and Alighiero Boetti, who in the 1950s to the 1970s, with a host of others, redefined the parameters of color from a matter of personal expression to one of arbitrary systems and random processes. The repercussions of this transformation continue to be felt into the twenty-first century, in work by artists including Sherrie Levine, Mike Kelley and Damien Hirst, as well as others who explore color in digital technology This volume traces the lineage of the questions provoked by color’s new status, and the variety of answers that have resulted.
Color Chart: Reinventing Color, 1950 to Today
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$58.00
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Summary:
280 mostly full page color illustrations. Text by Ann Temkin, Briony Fer. Melissa Ho, Nora Lawrence. Published to accompany a major exhibition at The Museum of Modern Art, New York, this volume begins with Marcel Duchamp’s Tu m’, the artist’s final painting, made in 1918, with its long array of color samples looming across the canvas. This early recognition of color’s commercial nature was fully explored more than three decades later by artists such as Robert Rauschenberg, Andy Warhol, Gerhard Richter and Alighiero Boetti, who in the 1950s to the 1970s, with a host of others, redefined the parameters of color from a matter of personal expression to one of arbitrary systems and random processes. The repercussions of this transformation continue to be felt into the twenty-first century, in work by artists including Sherrie Levine, Mike Kelley and Damien Hirst, as well as others who explore color in digital technology This volume traces the lineage of the questions provoked by color’s new status, and the variety of answers that have resulted.
Form:
books
books
Publication:
March 2008, New York
March 2008, New York
Subject:
Colour Theory and Design
Colour Theory and Design
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books
books
Title:
Peter Blake Alphabet
Peter Blake Alphabet
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Best known for designing the seminal Beatles album cover, Sgt. Pepper's Lonely Hearts Club Band, Sir Peter Blake, born in 1932, is widely considered the godfather of British Pop art. Across his oeuvre, Blake has always drawn inspiration from popular culture, often collaging disparate elements or quoting from works by other artists. Over the years he has continued to(...)
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Best known for designing the seminal Beatles album cover, Sgt. Pepper's Lonely Hearts Club Band, Sir Peter Blake, born in 1932, is widely considered the godfather of British Pop art. Across his oeuvre, Blake has always drawn inspiration from popular culture, often collaging disparate elements or quoting from works by other artists. Over the years he has continued to(...)
Title:
Peter Blake Alphabet
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Best known for designing the seminal Beatles album cover, Sgt. Pepper's Lonely Hearts Club Band, Sir Peter Blake, born in 1932, is widely considered the godfather of British Pop art. Across his oeuvre, Blake has always drawn inspiration from popular culture, often collaging disparate elements or quoting from works by other artists. Over the years he has continued to produce art for many musicians, including Ian Dury, Paul Weller and Oasis. And today, he is hugely influential among contemporary fine artists such as Damien Hirst and Tracey Emin. In 2007, Tate Liverpool presented a major retrospective exhibition of Blake's paintings. At the same time, London's Paul Stolper Gallery collaborated with the renowned fine art printmakers, Coriander Studio, to publish a new portfolio of prints and the accompanying book, Peter Blake: An Alphabet. Since the 1950s Blake has maintained a deep interest in the letters of the alphabet. This exquisitely fashioned volume reproduces all 26 of the new prints--one for each letter of the alphabet. Each visual interpretation is a collage of images from vintage cards, magazines and books, and the finished works are at once nostalgic and whimsical, humorous and fascinating. This spectacular abecedarium celebrates the interest, from childhood onwards, that we all share in letters and words. With an interview by the renowned art writer Mel Gooding and a specially designed cover by the artist, it is required reading for all Peter Blake fans.
Peter Blake Alphabet
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Best known for designing the seminal Beatles album cover, Sgt. Pepper's Lonely Hearts Club Band, Sir Peter Blake, born in 1932, is widely considered the godfather of British Pop art. Across his oeuvre, Blake has always drawn inspiration from popular culture, often collaging disparate elements or quoting from works by other artists. Over the years he has continued to produce art for many musicians, including Ian Dury, Paul Weller and Oasis. And today, he is hugely influential among contemporary fine artists such as Damien Hirst and Tracey Emin. In 2007, Tate Liverpool presented a major retrospective exhibition of Blake's paintings. At the same time, London's Paul Stolper Gallery collaborated with the renowned fine art printmakers, Coriander Studio, to publish a new portfolio of prints and the accompanying book, Peter Blake: An Alphabet. Since the 1950s Blake has maintained a deep interest in the letters of the alphabet. This exquisitely fashioned volume reproduces all 26 of the new prints--one for each letter of the alphabet. Each visual interpretation is a collage of images from vintage cards, magazines and books, and the finished works are at once nostalgic and whimsical, humorous and fascinating. This spectacular abecedarium celebrates the interest, from childhood onwards, that we all share in letters and words. With an interview by the renowned art writer Mel Gooding and a specially designed cover by the artist, it is required reading for all Peter Blake fans.
Form:
books
books
Publication:
March 2008, London
March 2008, London
Subject:
Children's Books
Children's Books
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books
books
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$34.00
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Along with Russian constructivism and surrealism, Dada stands as one of the three most significant movements of the historical avant-garde. Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art(...)
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Along with Russian constructivism and surrealism, Dada stands as one of the three most significant movements of the historical avant-garde. Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art(...)
Title:
Dada: Zurich,Berlin, Hannover, Cologne, New York, Paris
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Along with Russian constructivism and surrealism, Dada stands as one of the three most significant movements of the historical avant-garde. Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art objects as well as its interest in performance, sound poetry, and manifestos fundamentally shaped the terms of modern art practice and created an abiding legacy for postwar art. Yet, while the word Dada has common currency, few know much about Dada art itself. In contrast to other key avant-garde movements, there has never been a major American exhibition that explores Dada specifically in broad view. Dada--the catalogue to the exhibition on view in 2006 at the National Gallery of Art in Washington and The Museum of Modern Art in New York presents the hybrid forms of Dada art through an examination of city centers where Dada emerged: Zurich, Berlin, Cologne, Hannover, New York, and Paris. Covered here are works by some 40 artists made in the period from circa 1916, when the Cabaret Voltaire was founded in Zurich, to 1926, by which time most of the Dada groups had dispersed or significantly transformed. The city sections bring together painting, sculpture, photography, collage, photomontage, prints and graphic work. Relying on dynamic design and vivid documentary images, Dada takes us through these six cities via topical essays and extensive plate sections; an illustrated chronology of the movement; witty chronicles of events in each city center; a selected bibliography; and biographies of each artist--accompanied by Dada-era photographs.
Dada: Zurich,Berlin, Hannover, Cologne, New York, Paris
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Along with Russian constructivism and surrealism, Dada stands as one of the three most significant movements of the historical avant-garde. Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art objects as well as its interest in performance, sound poetry, and manifestos fundamentally shaped the terms of modern art practice and created an abiding legacy for postwar art. Yet, while the word Dada has common currency, few know much about Dada art itself. In contrast to other key avant-garde movements, there has never been a major American exhibition that explores Dada specifically in broad view. Dada--the catalogue to the exhibition on view in 2006 at the National Gallery of Art in Washington and The Museum of Modern Art in New York presents the hybrid forms of Dada art through an examination of city centers where Dada emerged: Zurich, Berlin, Cologne, Hannover, New York, and Paris. Covered here are works by some 40 artists made in the period from circa 1916, when the Cabaret Voltaire was founded in Zurich, to 1926, by which time most of the Dada groups had dispersed or significantly transformed. The city sections bring together painting, sculpture, photography, collage, photomontage, prints and graphic work. Relying on dynamic design and vivid documentary images, Dada takes us through these six cities via topical essays and extensive plate sections; an illustrated chronology of the movement; witty chronicles of events in each city center; a selected bibliography; and biographies of each artist--accompanied by Dada-era photographs.
Form:
books
books
Publication:
March 2008, Washington
March 2008, Washington
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$75.00
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Best known for his epic mural production, Mexican artist Diego Rivera was also an important easel painter and--as this book eloquently demonstrates--an extraordinary illustrator.
$75.00
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Summary:
Best known for his epic mural production, Mexican artist Diego Rivera was also an important easel painter and--as this book eloquently demonstrates--an extraordinary illustrator.
Subject:
Graphic Design and Typography
Graphic Design and Typography
Publication:
April 2008, Mexico
April 2008, Mexico
Title:
Diego Rivera. Gran illustrador / Great illustrator
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Best known for his epic mural production, Mexican artist Diego Rivera was also an important easel painter and--as this book eloquently demonstrates--an extraordinary illustrator.
Diego Rivera. Gran illustrador / Great illustrator
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Best known for his epic mural production, Mexican artist Diego Rivera was also an important easel painter and--as this book eloquently demonstrates--an extraordinary illustrator.
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books
books
Publication:
April 2008, Mexico
April 2008, Mexico
Subject:
Graphic Design and Typography
Graphic Design and Typography
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books
books
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$51.00
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Summary:
How much do criminal acts and their representation in cinema, literature and music really have in common? Is the execution of crime in everyday life as appealing or as inspired as creative artists have made it seem since, say, Arthur Conan Doyle’s Professor Moriarty? Does the film industry continue to learn from the real-life Mafia, or have the imaginings of scriptwriters(...)
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Summary:
How much do criminal acts and their representation in cinema, literature and music really have in common? Is the execution of crime in everyday life as appealing or as inspired as creative artists have made it seem since, say, Arthur Conan Doyle’s Professor Moriarty? Does the film industry continue to learn from the real-life Mafia, or have the imaginings of scriptwriters(...)
Title:
Crime: a series of interviews
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$51.00
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How much do criminal acts and their representation in cinema, literature and music really have in common? Is the execution of crime in everyday life as appealing or as inspired as creative artists have made it seem since, say, Arthur Conan Doyle’s Professor Moriarty? Does the film industry continue to learn from the real-life Mafia, or have the imaginings of scriptwriters had their own effect on organized crime? And what experience do these people who mold our perceptions of crime and criminals have of the real thing? This remarkable book is the first to explore our images of crime by interviewing those involved on, in and around all sides of the law, both real and fictional, and often somewhere in between. Through a series of exclusive interviews with artists, authors and actors such as Ben Affleck, David Cronenberg, Elmore Leonard, Viggo Mortensen, Ice-T, David Mamet and Takeshi Kitano, as well as real life bank robbers, gangsters and current prison inmates, editor Alix Lambert (artist, photographer of Russian prisoners’ tattoos and writer for HBO’s Deadwood) explores the gaps and overlaps between real crime and its representation in the arts, each commenting on and assessing the impact of the other.
Crime: a series of interviews
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$51.00
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Summary:
How much do criminal acts and their representation in cinema, literature and music really have in common? Is the execution of crime in everyday life as appealing or as inspired as creative artists have made it seem since, say, Arthur Conan Doyle’s Professor Moriarty? Does the film industry continue to learn from the real-life Mafia, or have the imaginings of scriptwriters had their own effect on organized crime? And what experience do these people who mold our perceptions of crime and criminals have of the real thing? This remarkable book is the first to explore our images of crime by interviewing those involved on, in and around all sides of the law, both real and fictional, and often somewhere in between. Through a series of exclusive interviews with artists, authors and actors such as Ben Affleck, David Cronenberg, Elmore Leonard, Viggo Mortensen, Ice-T, David Mamet and Takeshi Kitano, as well as real life bank robbers, gangsters and current prison inmates, editor Alix Lambert (artist, photographer of Russian prisoners’ tattoos and writer for HBO’s Deadwood) explores the gaps and overlaps between real crime and its representation in the arts, each commenting on and assessing the impact of the other.
Form:
books
books
Publication:
June 2008, London
June 2008, London
Subject:
Art Theory
Art Theory
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books
books
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$45.00
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As the world’s population swells and the need for sustainable ways of living grows ever more urgent and obvious, prefabricated architecture has taken center stage. Even before our current predicaments, the mass-produced, factory-made home had a distinguished history, having served as a vital precept in the development of Modern architecture. Today, with the digital(...)
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As the world’s population swells and the need for sustainable ways of living grows ever more urgent and obvious, prefabricated architecture has taken center stage. Even before our current predicaments, the mass-produced, factory-made home had a distinguished history, having served as a vital precept in the development of Modern architecture. Today, with the digital(...)
Subject:
Prefabricated Architecture
Prefabricated Architecture
Publication:
August 2008, New York
August 2008, New York
Title:
Home delivery, fabricating the modern dwelling
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As the world’s population swells and the need for sustainable ways of living grows ever more urgent and obvious, prefabricated architecture has taken center stage. Even before our current predicaments, the mass-produced, factory-made home had a distinguished history, having served as a vital precept in the development of Modern architecture. Today, with the digital revolution reorganizing the relationship between drafting board and factory, it continues to spur innovative manufacturing and design, and its potential has clearly not yet come to fruition. Home Delivery traces the history of prefabrication in architecture, from its early roots in colonial cottages though the work of such figures as Jean Prouvé and Buckminster Fuller, and mass-produced variants such as the Lustron house, to a group of full-scale contemporary houses commissioned specifically for the MoMA exhibition that this book accompanies. In addition to an introductory essay by Barry Bergdoll, Chief Curator in the Museum’s Department of Architecture and Design, this volume contains essays on prefabricated housing in Japan and in Nordic countries by Ken Tadashi Oshima and Rasmus Waern, respectively. It also includes focused texts on approximately 40 historical projects and five commissions, as well as a bibliography.
Home delivery, fabricating the modern dwelling
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$45.00
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As the world’s population swells and the need for sustainable ways of living grows ever more urgent and obvious, prefabricated architecture has taken center stage. Even before our current predicaments, the mass-produced, factory-made home had a distinguished history, having served as a vital precept in the development of Modern architecture. Today, with the digital revolution reorganizing the relationship between drafting board and factory, it continues to spur innovative manufacturing and design, and its potential has clearly not yet come to fruition. Home Delivery traces the history of prefabrication in architecture, from its early roots in colonial cottages though the work of such figures as Jean Prouvé and Buckminster Fuller, and mass-produced variants such as the Lustron house, to a group of full-scale contemporary houses commissioned specifically for the MoMA exhibition that this book accompanies. In addition to an introductory essay by Barry Bergdoll, Chief Curator in the Museum’s Department of Architecture and Design, this volume contains essays on prefabricated housing in Japan and in Nordic countries by Ken Tadashi Oshima and Rasmus Waern, respectively. It also includes focused texts on approximately 40 historical projects and five commissions, as well as a bibliography.
Form:
books
books
Publication:
August 2008, New York
August 2008, New York
Subject:
Prefabricated Architecture
Prefabricated Architecture
Form:
books
books
Price:
$29.00
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Summary:
Preface by Fritz Haeg. Texts by Fritz Haeg, Diana Balmori, Rosalind Creasy, Michael Pollan, Lesley Stern, Michelle Christman, Stan Cox, Michael Foti. The Edible Estates project proposes the replacement of the domestic front lawn with a highly productive edible landscape. It was initiated by architect and artist Fritz Haeg on Independence Day, 2005, with the planting of(...)
$29.00
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Summary:
Preface by Fritz Haeg. Texts by Fritz Haeg, Diana Balmori, Rosalind Creasy, Michael Pollan, Lesley Stern, Michelle Christman, Stan Cox, Michael Foti. The Edible Estates project proposes the replacement of the domestic front lawn with a highly productive edible landscape. It was initiated by architect and artist Fritz Haeg on Independence Day, 2005, with the planting of(...)
Title:
Edible estates: Attack on the front lawn. A project by Fritz Haeg
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Preface by Fritz Haeg. Texts by Fritz Haeg, Diana Balmori, Rosalind Creasy, Michael Pollan, Lesley Stern, Michelle Christman, Stan Cox, Michael Foti. The Edible Estates project proposes the replacement of the domestic front lawn with a highly productive edible landscape. It was initiated by architect and artist Fritz Haeg on Independence Day, 2005, with the planting of the first regional prototype garden in the geographic center of the United States, Salina, Kansas. Since then three more prototype gardens have been created, in Lakewood, California; Maplewood, New Jersey and London, England. Edible Estates regional prototype gardens will ultimately be established in nine cities across the United States. Edible Estates: Attack on the Front Lawn documents the first four gardens with personal accounts written by the owners, garden plans and photographs illustrating the creation of the gardens--from ripping up the grass to harvesting a wide variety of fruits, vegetables and herbs. Essays by Haeg, landscape architect Diana Balmori, garden and food writer Rosalind Creasy, author Michael Pollan and artist and writer Lesley Stern set the Edible Estates project in the context of larger issues concerning the environment, global food production and the imperative to generate a sense of community in our urban and suburban neighborhoods. This smart, affordable and well-designed book also includes reports and photographs from the owners of other edible front yards around the country, as well as helpful resources to guide you in making your own Edible Estate.
Edible estates: Attack on the front lawn. A project by Fritz Haeg
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$29.00
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Preface by Fritz Haeg. Texts by Fritz Haeg, Diana Balmori, Rosalind Creasy, Michael Pollan, Lesley Stern, Michelle Christman, Stan Cox, Michael Foti. The Edible Estates project proposes the replacement of the domestic front lawn with a highly productive edible landscape. It was initiated by architect and artist Fritz Haeg on Independence Day, 2005, with the planting of the first regional prototype garden in the geographic center of the United States, Salina, Kansas. Since then three more prototype gardens have been created, in Lakewood, California; Maplewood, New Jersey and London, England. Edible Estates regional prototype gardens will ultimately be established in nine cities across the United States. Edible Estates: Attack on the Front Lawn documents the first four gardens with personal accounts written by the owners, garden plans and photographs illustrating the creation of the gardens--from ripping up the grass to harvesting a wide variety of fruits, vegetables and herbs. Essays by Haeg, landscape architect Diana Balmori, garden and food writer Rosalind Creasy, author Michael Pollan and artist and writer Lesley Stern set the Edible Estates project in the context of larger issues concerning the environment, global food production and the imperative to generate a sense of community in our urban and suburban neighborhoods. This smart, affordable and well-designed book also includes reports and photographs from the owners of other edible front yards around the country, as well as helpful resources to guide you in making your own Edible Estate.
Form:
books
books
Publication:
February 2008, New York
February 2008, New York
Subject:
Landscape Theory
Landscape Theory
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books
books
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$34.95
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Text by John Archer, David Brooks, Robert Bruegmann, Beatriz Colomina, Malcolm Gladwell. Worlds Away: New Suburban Landscapes is the first major museum exhibition to examine both the art and architecture of the contemporary American suburb. Featuring paintings, photographs, prints, architectural models, sculptures and video from more than 30 artists and architects,(...)
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Text by John Archer, David Brooks, Robert Bruegmann, Beatriz Colomina, Malcolm Gladwell. Worlds Away: New Suburban Landscapes is the first major museum exhibition to examine both the art and architecture of the contemporary American suburb. Featuring paintings, photographs, prints, architectural models, sculptures and video from more than 30 artists and architects,(...)
Title:
Worlds Away. New Suburban Landscapes
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Text by John Archer, David Brooks, Robert Bruegmann, Beatriz Colomina, Malcolm Gladwell. Worlds Away: New Suburban Landscapes is the first major museum exhibition to examine both the art and architecture of the contemporary American suburb. Featuring paintings, photographs, prints, architectural models, sculptures and video from more than 30 artists and architects, including Christopher Ballantyne, Center for Land Use Interpretation, Gregory Crewdson, Estudio Teddy Cruz, Dan Graham and Larry Sultan
Worlds Away. New Suburban Landscapes
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Text by John Archer, David Brooks, Robert Bruegmann, Beatriz Colomina, Malcolm Gladwell. Worlds Away: New Suburban Landscapes is the first major museum exhibition to examine both the art and architecture of the contemporary American suburb. Featuring paintings, photographs, prints, architectural models, sculptures and video from more than 30 artists and architects, including Christopher Ballantyne, Center for Land Use Interpretation, Gregory Crewdson, Estudio Teddy Cruz, Dan Graham and Larry Sultan
Form:
books
books
Publication:
February 2008, Minneapolis
February 2008, Minneapolis
Subject:
Suburbs
Suburbs
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books
books
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$47.00
(available to order)
Summary:
Rich picture material accompanied by detailed explanations. Structured in the following chapters: Point, Line, Plane / Rhythm and Balance / Scale / Texture / Color / Figure, Ground / Framing / Hierarchy / Layers / Transparency / Modularity / Grid / Pattern / Diagram / Time and Motion / Rules and Randomness. Bibliography, Index. Ellen Lupton is the author, coauthor,(...)
$47.00
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Summary:
Rich picture material accompanied by detailed explanations. Structured in the following chapters: Point, Line, Plane / Rhythm and Balance / Scale / Texture / Color / Figure, Ground / Framing / Hierarchy / Layers / Transparency / Modularity / Grid / Pattern / Diagram / Time and Motion / Rules and Randomness. Bibliography, Index. Ellen Lupton is the author, coauthor,(...)
Subject:
Graphic Design and Typography
Graphic Design and Typography
Publication:
October 2008, New York / Baltimore
October 2008, New York / Baltimore
Title:
Graphic design: the new basics
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$47.00
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Rich picture material accompanied by detailed explanations. Structured in the following chapters: Point, Line, Plane / Rhythm and Balance / Scale / Texture / Color / Figure, Ground / Framing / Hierarchy / Layers / Transparency / Modularity / Grid / Pattern / Diagram / Time and Motion / Rules and Randomness. Bibliography, Index. Ellen Lupton is the author, coauthor, or editor of 13 books with PAPress, including Design Culture Now; Skin: Surface, Substance + Design; Inside Design Now; Thinking with Type; D.I.Y.: Design It Yourself; and D.I.Y. Kids. She is Curator of Contemporary Design, Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York and Director, Graphic Design MFA Program, Maryland Institute College of Art, Baltimore. she is hte recipient of numerous awards including I.D. Forty, 1992; Chrysler Design Award, 1996; and AIGA Gold Medal, 2007. Jennifer Phillips is Principal of J. Cole Phillips Design–a design studio specializing in visual identity and branding, as well as packaging, environmental and new media design for the arts, education, and corporations. She is Associate Director of the Graphic Design MFA program at the Maryland Institute College of Art. She was an Advisory Board Member, American Institute of Graphic Arts, Baltimore Chapter, 2001–2007 and has received awards from Graphic Design USA, The Art Directors' Clubs of New York and Metropolitan Washington, and AIGA 50.
Graphic design: the new basics
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(available to order)
Summary:
Rich picture material accompanied by detailed explanations. Structured in the following chapters: Point, Line, Plane / Rhythm and Balance / Scale / Texture / Color / Figure, Ground / Framing / Hierarchy / Layers / Transparency / Modularity / Grid / Pattern / Diagram / Time and Motion / Rules and Randomness. Bibliography, Index. Ellen Lupton is the author, coauthor, or editor of 13 books with PAPress, including Design Culture Now; Skin: Surface, Substance + Design; Inside Design Now; Thinking with Type; D.I.Y.: Design It Yourself; and D.I.Y. Kids. She is Curator of Contemporary Design, Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York and Director, Graphic Design MFA Program, Maryland Institute College of Art, Baltimore. she is hte recipient of numerous awards including I.D. Forty, 1992; Chrysler Design Award, 1996; and AIGA Gold Medal, 2007. Jennifer Phillips is Principal of J. Cole Phillips Design–a design studio specializing in visual identity and branding, as well as packaging, environmental and new media design for the arts, education, and corporations. She is Associate Director of the Graphic Design MFA program at the Maryland Institute College of Art. She was an Advisory Board Member, American Institute of Graphic Arts, Baltimore Chapter, 2001–2007 and has received awards from Graphic Design USA, The Art Directors' Clubs of New York and Metropolitan Washington, and AIGA 50.
Form:
books
books
Publication:
October 2008, New York / Baltimore
October 2008, New York / Baltimore
Subject:
Graphic Design and Typography
Graphic Design and Typography
