12414 Results
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1935.PR1
Description:
Oud designed studio residences in 1935. In creating his design, Oud consulted with the architectural firm, Zanstra, Giesen & Sijmons. He designed a kitchen, toilet and dining room and back studio. The upper level consisted of a half-floor and featured two bedrooms, a balcony, a wardrobe and staircase to connect the floors (Taverne et al. 2001, 400). Project series includes drawings of plans.
CI005.S1.1935.PR1
Description:
Oud designed studio residences in 1935. In creating his design, Oud consulted with the architectural firm, Zanstra, Giesen & Sijmons. He designed a kitchen, toilet and dining room and back studio. The upper level consisted of a half-floor and featured two bedrooms, a balcony, a wardrobe and staircase to connect the floors (Taverne et al. 2001, 400). Project series includes drawings of plans.
People:
Date:
1935
1935
Title:
Studio Dwellings, Hillegersberg, Netherlands (1935)
Actions:
CI005.S1.1935.PR1
Description:
Oud designed studio residences in 1935. In creating his design, Oud consulted with the architectural firm, Zanstra, Giesen & Sijmons. He designed a kitchen, toilet and dining room and back studio. The upper level consisted of a half-floor and featured two bedrooms, a balcony, a wardrobe and staircase to connect the floors (Taverne et al. 2001, 400). Project series includes drawings of plans.
Studio Dwellings, Hillegersberg, Netherlands (1935)
Actions:
CI005.S1.1935.PR1
Description:
Oud designed studio residences in 1935. In creating his design, Oud consulted with the architectural firm, Zanstra, Giesen & Sijmons. He designed a kitchen, toilet and dining room and back studio. The upper level consisted of a half-floor and featured two bedrooms, a balcony, a wardrobe and staircase to connect the floors (Taverne et al. 2001, 400). Project series includes drawings of plans.
Level of archival description:
project
project
Date:
1935
1935
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:101:010
Description:
Assorted documents in English, including printouts of elevations, photocopies of elevations, diazotypes of an architectural drawing of an elevation, reference materials on indigenous peoples, correspondence (primarily printouts of emails), newspaper clippings, and notes related to the Aboriginal language plaques for the Canadian tribute to human rights.
DR2012:0012:101:010
Description:
Assorted documents in English, including printouts of elevations, photocopies of elevations, diazotypes of an architectural drawing of an elevation, reference materials on indigenous peoples, correspondence (primarily printouts of emails), newspaper clippings, and notes related to the Aboriginal language plaques for the Canadian tribute to human rights.
People:
Date:
1990-1993, 2001, 2007-2012
1990-1993, 2001, 2007-2012
Title:
Elevations, reference materials about indigenous peoples in Canada, and correspondence, The Canadian tribute to human rights
Actions:
DR2012:0012:101:010
Description:
Assorted documents in English, including printouts of elevations, photocopies of elevations, diazotypes of an architectural drawing of an elevation, reference materials on indigenous peoples, correspondence (primarily printouts of emails), newspaper clippings, and notes related to the Aboriginal language plaques for the Canadian tribute to human rights.
Elevations, reference materials about indigenous peoples in Canada, and correspondence, The Canadian tribute to human rights
Actions:
DR2012:0012:101:010
Description:
Assorted documents in English, including printouts of elevations, photocopies of elevations, diazotypes of an architectural drawing of an elevation, reference materials on indigenous peoples, correspondence (primarily printouts of emails), newspaper clippings, and notes related to the Aboriginal language plaques for the Canadian tribute to human rights.
Form:
textual records
textual records
Date:
1990-1993, 2001, 2007-2012
1990-1993, 2001, 2007-2012
People:
Level of archival description:
Sub-series
Sub-series
Title:
Education
Education
Reference number:
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
People:
Date:
[1776?]-1868
[1776?]-1868
Title:
Education
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
Education
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
Level of archival description:
File 1
File 1
Date:
[1776?]-1868
[1776?]-1868
People:
Level of archival description:
Series
Series
Title:
Carl Krayl
Carl Krayl
Reference number:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
People:
Date:
1918-1945
1918-1945
Title:
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Level of archival description:
series
series
Date:
1918-1945
1918-1945
People:
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Actions:
Reference number:
DR2004:0277
Description:
population, education, employment, income, and housing statistics, office memoranda, notes, notes on learning programs and existing campuses, notes on "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971) and on other publications, photomechanical prints of drawings, draft publication layout with annotations, sketch layouts, negatives, photographs and contact sheets of exterior views, aerial views, sketches, publications, promotional materials, clippings, brochures, reports, menu, and course brochures
DR2004:0277
Description:
population, education, employment, income, and housing statistics, office memoranda, notes, notes on learning programs and existing campuses, notes on "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971) and on other publications, photomechanical prints of drawings, draft publication layout with annotations, sketch layouts, negatives, photographs and contact sheets of exterior views, aerial views, sketches, publications, promotional materials, clippings, brochures, reports, menu, and course brochures
People:
Title:
Population, education, employment, income, and housing statistics
Actions:
DR2004:0277
Description:
population, education, employment, income, and housing statistics, office memoranda, notes, notes on learning programs and existing campuses, notes on "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971) and on other publications, photomechanical prints of drawings, draft publication layout with annotations, sketch layouts, negatives, photographs and contact sheets of exterior views, aerial views, sketches, publications, promotional materials, clippings, brochures, reports, menu, and course brochures
Population, education, employment, income, and housing statistics
Actions:
DR2004:0277
Description:
population, education, employment, income, and housing statistics, office memoranda, notes, notes on learning programs and existing campuses, notes on "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971) and on other publications, photomechanical prints of drawings, draft publication layout with annotations, sketch layouts, negatives, photographs and contact sheets of exterior views, aerial views, sketches, publications, promotional materials, clippings, brochures, reports, menu, and course brochures
Form:
drawings, textual records, photographs
drawings, textual records, photographs
People:
Level of archival description:
Series
Series
Title:
Library
Library
Actions:
Reference number:
AP144.S4
Description:
Series documents materials from the office library of Cedric Price as it existed in 2001 when it was housed at 38 Alfred Place in London, England, the United Kingdom. Series contains textual records including trade literature and publications on architecture, and includes trade brochures, trade specifications, promotional material, pamphlets, books, periodicals, clippings, price lists, reference drawings, technical drawings, correspondence, office memoranda, notes, annual reports, yearbooks, albums, dissertations, exhibition catalogues, programmes, booklets, prospectuses, newsletters, ephemera, photographic material, and a puzzle. Library contents illustrate Cedric Price's interests in topics such as transportation, demolition, underwater research, oil rigs, fish farming, portable structures, air structures, lightweight enclosures, construction and mechanical processes, and architectural education.
AP144.S4
Description:
Series documents materials from the office library of Cedric Price as it existed in 2001 when it was housed at 38 Alfred Place in London, England, the United Kingdom. Series contains textual records including trade literature and publications on architecture, and includes trade brochures, trade specifications, promotional material, pamphlets, books, periodicals, clippings, price lists, reference drawings, technical drawings, correspondence, office memoranda, notes, annual reports, yearbooks, albums, dissertations, exhibition catalogues, programmes, booklets, prospectuses, newsletters, ephemera, photographic material, and a puzzle. Library contents illustrate Cedric Price's interests in topics such as transportation, demolition, underwater research, oil rigs, fish farming, portable structures, air structures, lightweight enclosures, construction and mechanical processes, and architectural education.
People:
Date:
[1959-2000]
[1959-2000]
Title:
Library
Actions:
AP144.S4
Description:
Series documents materials from the office library of Cedric Price as it existed in 2001 when it was housed at 38 Alfred Place in London, England, the United Kingdom. Series contains textual records including trade literature and publications on architecture, and includes trade brochures, trade specifications, promotional material, pamphlets, books, periodicals, clippings, price lists, reference drawings, technical drawings, correspondence, office memoranda, notes, annual reports, yearbooks, albums, dissertations, exhibition catalogues, programmes, booklets, prospectuses, newsletters, ephemera, photographic material, and a puzzle. Library contents illustrate Cedric Price's interests in topics such as transportation, demolition, underwater research, oil rigs, fish farming, portable structures, air structures, lightweight enclosures, construction and mechanical processes, and architectural education.
Library
Actions:
AP144.S4
Description:
Series documents materials from the office library of Cedric Price as it existed in 2001 when it was housed at 38 Alfred Place in London, England, the United Kingdom. Series contains textual records including trade literature and publications on architecture, and includes trade brochures, trade specifications, promotional material, pamphlets, books, periodicals, clippings, price lists, reference drawings, technical drawings, correspondence, office memoranda, notes, annual reports, yearbooks, albums, dissertations, exhibition catalogues, programmes, booklets, prospectuses, newsletters, ephemera, photographic material, and a puzzle. Library contents illustrate Cedric Price's interests in topics such as transportation, demolition, underwater research, oil rigs, fish farming, portable structures, air structures, lightweight enclosures, construction and mechanical processes, and architectural education.
Level of archival description:
Series
Series
Date:
[1959-2000]
[1959-2000]
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
People:
Date:
1983-1989
1983-1989
Title:
Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
Level of archival description:
Project
Project
Date:
1983-1989
1983-1989
People:
Level of archival description:
Project
Project
Title:
Atom
Atom
Reference number:
AP144.S2.D71
Description:
File documents Cedric Price's participation in the design charette organized by the School of Architecture at Rice University, for Design Fete IV (4 June 1967 - 16 June 1967), in Houston, Texas. Six teams, each composed of one professional architect and six architecture students, were given a hypothetical location and program for a new town along with its educational needs and asked to create an 'educationally integrated' community. The results were published by Rice University in 'New Schools for New Towns'. File contains conceptual sketches showing plans for self-pace learning, intensive learning, large volume social activities, variable volume social activities, and commercial activities. Other drawings show links between diverse activity elements and illustrate a communications network with a central 'town brain'. Material in this group includes network analysis diagrams, diagrammatic plans showing activity nodes, and charts depicting design components ('kit of parts'). Some material in this file was published in: "Total Learning Environment with a Kit of Parts", 'Progressive Architecture' (April 1968), 208-210; 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 26-29; "Atom: Design for New Learning for a New Town", 'Architectural Design' (May 1968), 232-235. Material in this file was produced between 1967 and 1968. Charles Colbert, Paul Kennon, Niklaus Morganthaler, Robert Venturi and Thomas Vreeland appear as professional participants in the design charette. William Cannady appears as the director of Rice University's Design Fete IV. File contains conceptual drawings and textual records.
AP144.S2.D71
Description:
File documents Cedric Price's participation in the design charette organized by the School of Architecture at Rice University, for Design Fete IV (4 June 1967 - 16 June 1967), in Houston, Texas. Six teams, each composed of one professional architect and six architecture students, were given a hypothetical location and program for a new town along with its educational needs and asked to create an 'educationally integrated' community. The results were published by Rice University in 'New Schools for New Towns'. File contains conceptual sketches showing plans for self-pace learning, intensive learning, large volume social activities, variable volume social activities, and commercial activities. Other drawings show links between diverse activity elements and illustrate a communications network with a central 'town brain'. Material in this group includes network analysis diagrams, diagrammatic plans showing activity nodes, and charts depicting design components ('kit of parts'). Some material in this file was published in: "Total Learning Environment with a Kit of Parts", 'Progressive Architecture' (April 1968), 208-210; 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 26-29; "Atom: Design for New Learning for a New Town", 'Architectural Design' (May 1968), 232-235. Material in this file was produced between 1967 and 1968. Charles Colbert, Paul Kennon, Niklaus Morganthaler, Robert Venturi and Thomas Vreeland appear as professional participants in the design charette. William Cannady appears as the director of Rice University's Design Fete IV. File contains conceptual drawings and textual records.
People:
Date:
1967-1968
1967-1968
Title:
Atom
Actions:
AP144.S2.D71
Description:
File documents Cedric Price's participation in the design charette organized by the School of Architecture at Rice University, for Design Fete IV (4 June 1967 - 16 June 1967), in Houston, Texas. Six teams, each composed of one professional architect and six architecture students, were given a hypothetical location and program for a new town along with its educational needs and asked to create an 'educationally integrated' community. The results were published by Rice University in 'New Schools for New Towns'. File contains conceptual sketches showing plans for self-pace learning, intensive learning, large volume social activities, variable volume social activities, and commercial activities. Other drawings show links between diverse activity elements and illustrate a communications network with a central 'town brain'. Material in this group includes network analysis diagrams, diagrammatic plans showing activity nodes, and charts depicting design components ('kit of parts'). Some material in this file was published in: "Total Learning Environment with a Kit of Parts", 'Progressive Architecture' (April 1968), 208-210; 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 26-29; "Atom: Design for New Learning for a New Town", 'Architectural Design' (May 1968), 232-235. Material in this file was produced between 1967 and 1968. Charles Colbert, Paul Kennon, Niklaus Morganthaler, Robert Venturi and Thomas Vreeland appear as professional participants in the design charette. William Cannady appears as the director of Rice University's Design Fete IV. File contains conceptual drawings and textual records.
Atom
Actions:
AP144.S2.D71
Description:
File documents Cedric Price's participation in the design charette organized by the School of Architecture at Rice University, for Design Fete IV (4 June 1967 - 16 June 1967), in Houston, Texas. Six teams, each composed of one professional architect and six architecture students, were given a hypothetical location and program for a new town along with its educational needs and asked to create an 'educationally integrated' community. The results were published by Rice University in 'New Schools for New Towns'. File contains conceptual sketches showing plans for self-pace learning, intensive learning, large volume social activities, variable volume social activities, and commercial activities. Other drawings show links between diverse activity elements and illustrate a communications network with a central 'town brain'. Material in this group includes network analysis diagrams, diagrammatic plans showing activity nodes, and charts depicting design components ('kit of parts'). Some material in this file was published in: "Total Learning Environment with a Kit of Parts", 'Progressive Architecture' (April 1968), 208-210; 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 26-29; "Atom: Design for New Learning for a New Town", 'Architectural Design' (May 1968), 232-235. Material in this file was produced between 1967 and 1968. Charles Colbert, Paul Kennon, Niklaus Morganthaler, Robert Venturi and Thomas Vreeland appear as professional participants in the design charette. William Cannady appears as the director of Rice University's Design Fete IV. File contains conceptual drawings and textual records.
Level of archival description:
File 71
File 71
Date:
1967-1968
1967-1968
People:
Form:
events
events
Title:
Devices of Design
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
18 November 2004 to 19 November 2004
18 November 2004 to 19 November 2004
Title:
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Form:
events
events
Date:
18 November 2004 to
19 November 2004
18 November 2004 to
19 November 2004
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Level of archival description:
Project
Project
Title:
World Museum
World Museum
Actions:
Reference number:
AP144.S2.D2
Description:
File documents an unexecuted proposal for a maritime museum in Liverpool, England, and a proposal for citizen participation in urban development in Glasgow, Scotland, published in Baumeister (1968) and in Architectural Design (1970). The project documents the publication and conceptual idea that incorporated the Queen Mary Museum (AP144.S2D.18) proposal. Some material in this file was produced in 1968. File contains publication drawings, photographic material, and a textual record.
AP144.S2.D2
Description:
File documents an unexecuted proposal for a maritime museum in Liverpool, England, and a proposal for citizen participation in urban development in Glasgow, Scotland, published in Baumeister (1968) and in Architectural Design (1970). The project documents the publication and conceptual idea that incorporated the Queen Mary Museum (AP144.S2D.18) proposal. Some material in this file was produced in 1968. File contains publication drawings, photographic material, and a textual record.
People:
Date:
1968
1968
Title:
World Museum
Actions:
AP144.S2.D2
Description:
File documents an unexecuted proposal for a maritime museum in Liverpool, England, and a proposal for citizen participation in urban development in Glasgow, Scotland, published in Baumeister (1968) and in Architectural Design (1970). The project documents the publication and conceptual idea that incorporated the Queen Mary Museum (AP144.S2D.18) proposal. Some material in this file was produced in 1968. File contains publication drawings, photographic material, and a textual record.
World Museum
Actions:
AP144.S2.D2
Description:
File documents an unexecuted proposal for a maritime museum in Liverpool, England, and a proposal for citizen participation in urban development in Glasgow, Scotland, published in Baumeister (1968) and in Architectural Design (1970). The project documents the publication and conceptual idea that incorporated the Queen Mary Museum (AP144.S2D.18) proposal. Some material in this file was produced in 1968. File contains publication drawings, photographic material, and a textual record.
Level of archival description:
File 2
File 2
Date:
1968
1968
People:
