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In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes,(...)
Digital art and meaning: reading kinetic poetry, text machines, mapping art, and interactive installations
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In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done. Digital Art and Meaning offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture. For instance, Simanowski deciphers the complex meaning of words that not only form an image on a screen but also react to the viewer’s behavior; images that are progressively destroyed by the human gaze; text machines generating nonsense sentences out of a Kafka story; and a light show above Mexico City’s historic square, created by Internet users all over the world. Simanowski combines these illuminating explanations with a theoretical discussion that employs art philosophy and history to achieve a deeper understanding of each particular example of digital art and, ultimately, of the genre as a whole.
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Things make us just as much as we make things. And yet, unlike the study of languages or places, there is no discipline devoted to the study of material things. This book shows why it is time to acknowledge and confront this neglect and how much we can learn from focusing our attention on stuff. It presents the theories that are required to understand the way we are(...)
Stuff
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Things make us just as much as we make things. And yet, unlike the study of languages or places, there is no discipline devoted to the study of material things. This book shows why it is time to acknowledge and confront this neglect and how much we can learn from focusing our attention on stuff. It presents the theories that are required to understand the way we are created by material as well as social relations. It takes us inside the very private worlds of our home possessions and our processes of accommodating. It considers issues of materiality in relation to the media, as well as the implications of such an approach in relation, for example, to poverty. Finally, the book considers objects which we use to define what it is to be alive and how we use objects to cope with death.
Design Theory
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How has humanity’s relationship with the land been documented by, and altered through, photography? How has the ever-increasing pace of image-making changed the environment and human ecology? These are the driving questions of "Widening the lens: Photography, ecology, and the contemporary landscape", a publication inspired by a generation of contemporary artists who have(...)
Widening the lens: Photography, ecology, and the contemporary landscape
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How has humanity’s relationship with the land been documented by, and altered through, photography? How has the ever-increasing pace of image-making changed the environment and human ecology? These are the driving questions of "Widening the lens: Photography, ecology, and the contemporary landscape", a publication inspired by a generation of contemporary artists who have endeavored to chart the past, present and potential futures of photography and the landscape. Through a collection of essays, poetry and newly commissioned artwork, "Widening the lens" aims to ignite renewed ecological awareness through visual representations of the environment that reveal underlying historical, social, geological and political processes.
Photography Collections
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How do we challenge the prevailing visual discourse of contemporary architecture? Is there a more harmonious architectural production path? Can we inhabit Earth without annihilating the very conditions sustaining us and others? "Dominio" confronts architecture’s grand narrative by illuminating its production processes. These images strive to trigger a critical(...)
Dominio: This is a book on architecture
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How do we challenge the prevailing visual discourse of contemporary architecture? Is there a more harmonious architectural production path? Can we inhabit Earth without annihilating the very conditions sustaining us and others? "Dominio" confronts architecture’s grand narrative by illuminating its production processes. These images strive to trigger a critical introspection about architectural production and its socio-ecological footprint, while contesting the dominant visual narrative that perpetuates its existence. This publication, then, is a mosaic of queries, contradictions, and internal conflict. It serves as my introspective critique of how my role as an architectural photographer might have inadvertently contributed to architecture’s fetishization.
Photography monographs
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So much writing about architecture tends to evaluate it on the basis of its intentions: how closely it corresponds to the artistic will of the designer, the technical skills of the builder, or whether it reflects the spirit of the place and time in which it was built, making it not much more than the willful (or even subconscious) assemblage of objects that result from(...)
Architecture oriented otherwise
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So much writing about architecture tends to evaluate it on the basis of its intentions: how closely it corresponds to the artistic will of the designer, the technical skills of the builder, or whether it reflects the spirit of the place and time in which it was built, making it not much more than the willful (or even subconscious) assemblage of objects that result from design and construction techniques. Renowned writer and thinker David Leatherbarrow argues for a richer and more profound, but also simpler, way of thinking about architecture, namely on the basis of how it performs.
Architectural Theory
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'Seeing, Selling, and Situating Radio in Canada, 1922-1956' examines the visual, material, and spatial presence of radio as it reshaped Canadian society in the second quarter of the twentieth century. Through an analysis of radio sets and advertisements, the authors explain how marketing and design were crucial to convincing Canadians to adopt this modern technology. They(...)
Seeing, selling and situating radio in Canada, 1922-1956
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'Seeing, Selling, and Situating Radio in Canada, 1922-1956' examines the visual, material, and spatial presence of radio as it reshaped Canadian society in the second quarter of the twentieth century. Through an analysis of radio sets and advertisements, the authors explain how marketing and design were crucial to convincing Canadians to adopt this modern technology. They also discuss how new kinds of spaces were produced by radio, by tracing its intersecting networks of communication and commercialism, public and private places, material and imagined sites. Contains a series foreword by Michelangelo Sabatino and an introduction by Christine Macy.
Architecture in Canada
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An intricate tapestry of personal and collective memory, Mashid Mohadjerin’s work interweaves photography, text, video, and archival material to explore displacement, resistance, and identity. She reconstructs the past not as a distant realm but as something tangible, living within language, inherited trauma, and memory. In "Riding in silence & the crying dervish," the(...)
Riding in silence & the crying dervish
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An intricate tapestry of personal and collective memory, Mashid Mohadjerin’s work interweaves photography, text, video, and archival material to explore displacement, resistance, and identity. She reconstructs the past not as a distant realm but as something tangible, living within language, inherited trauma, and memory. In "Riding in silence & the crying dervish," the tension between imposed identity and self-definition is key to the artist’s exploration of masculinity and how it is shaped by war, colonialism, nationalism, and religious ideology. Through the lens of her father’s memories, Mohadjerin reveals how even the simplest actions become acts of quiet defiance.
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«The anthropology of space and place: locating Culture» is an unprecedented collection of key anthropological articles that illustrate how the conceptual and material dimensions of space are central to the production of social life. Assembles key anthropological articles that challenge accepted definitions and ideas of space and place. Reveals how both the(...)
Architectural Theory
March 2002, Oxford
The anthropology of space and place : locating culture
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«The anthropology of space and place: locating Culture» is an unprecedented collection of key anthropological articles that illustrate how the conceptual and material dimensions of space are central to the production of social life. Assembles key anthropological articles that challenge accepted definitions and ideas of space and place. Reveals how both the conceptual and material dimensions of space as well as of built forms and landscape characteristics are central to the production of social life. Includes introduction that synthesizes existing literature, highlights core issues, and maps potential directions for future research. Brings classics in cultural anthropology together with new theoretical approaches.
Architectural Theory
Metropolis: mapping the city
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This volume looks at the development of the mapping and representation of the city revealing how we organize the urban space. From skyline profiles, bird's eye views and panoramas, to the schematic maps of transport networks and road layouts to help us navigate, and statistical maps that can provide information on human aspirations, cities can reveal themselves in many(...)
Metropolis: mapping the city
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This volume looks at the development of the mapping and representation of the city revealing how we organize the urban space. From skyline profiles, bird's eye views and panoramas, to the schematic maps of transport networks and road layouts to help us navigate, and statistical maps that can provide information on human aspirations, cities can reveal themselves in many ways. Focusing on key points in the development of urban representation and including visions of the future of how we would be living today, this enlightening book illustrates some of the oldest, youngest, liveliest, and most contested cities in the world
Architectural Plans and Cartography
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An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized(...)
The Book of Images: A dictionary of visual experiences
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An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized in alphabetical order, it boasts 299 contemporary artists and photographers; 310 stories and legends; 957 color and black-and-white pictures; and 1,215 ideas and concepts. As Kessels writes: “Learn how to look differently and see more, and get inspired by this book on how to SHOW photography.”
Photography Collections