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Audio CD, 24:43 Minutes. Originally released by Mass Art in 1966, the record never saw thorough distribution as the publisher went bankrupt shortly after its release. Later, in 1968, How to Make a Happening was distributed on a limited basis through Something Else Press—A laminated and silk-screened cover by Alison Knowles distinguished this edition from its(...)
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Audio CD, 24:43 Minutes. Originally released by Mass Art in 1966, the record never saw thorough distribution as the publisher went bankrupt shortly after its release. Later, in 1968, How to Make a Happening was distributed on a limited basis through Something Else Press—A laminated and silk-screened cover by Alison Knowles distinguished this edition from its(...)
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Allan Kaprow: how to make a happening
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Audio CD, 24:43 Minutes. Originally released by Mass Art in 1966, the record never saw thorough distribution as the publisher went bankrupt shortly after its release. Later, in 1968, How to Make a Happening was distributed on a limited basis through Something Else Press—A laminated and silk-screened cover by Alison Knowles distinguished this edition from its predecessor. Simple in construction, yet profound in context, How to Make a Happening is Allan Kaprow delivering 11 rules on how, and how not, to make a Happening, a movement begun by Kaprow in the late fifties that is known for its unpredictability, open scores, and constantly-evolving form.
Allan Kaprow: how to make a happening
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Audio CD, 24:43 Minutes. Originally released by Mass Art in 1966, the record never saw thorough distribution as the publisher went bankrupt shortly after its release. Later, in 1968, How to Make a Happening was distributed on a limited basis through Something Else Press—A laminated and silk-screened cover by Alison Knowles distinguished this edition from its predecessor. Simple in construction, yet profound in context, How to Make a Happening is Allan Kaprow delivering 11 rules on how, and how not, to make a Happening, a movement begun by Kaprow in the late fifties that is known for its unpredictability, open scores, and constantly-evolving form.
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books
books
Publication:
January 2009
January 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$21.95
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In 1997 the United Kingdom returned control of Hong Kong to China, ending the city’s status as one of the last remnants of the British Empire and initiating a new phase for it as both a modern city and a hub for global migrations. Hong Kong is a tour of the city’s postcolonial urban landscape, innovatively told through fieldwork and photography. Caroline(...)
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In 1997 the United Kingdom returned control of Hong Kong to China, ending the city’s status as one of the last remnants of the British Empire and initiating a new phase for it as both a modern city and a hub for global migrations. Hong Kong is a tour of the city’s postcolonial urban landscape, innovatively told through fieldwork and photography. Caroline(...)
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Hong Kong; migrant lives, landscapes, and journeys
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In 1997 the United Kingdom returned control of Hong Kong to China, ending the city’s status as one of the last remnants of the British Empire and initiating a new phase for it as both a modern city and a hub for global migrations. Hong Kong is a tour of the city’s postcolonial urban landscape, innovatively told through fieldwork and photography. Caroline Knowles and Douglas Harper’s point of entry into Hong Kong is the unusual position of the British expatriates who chose to remain in the city after the transition. Now a relatively insignificant presence, British migrants in Hong Kong have become intimately connected with another small minority group there: immigrants from Southeast Asia. The lives, journeys, and stories of these two groups bring to life a place where the past continues to resonate for all its residents, even as the city hurtles forward into a future marked by transience and transition.
Hong Kong; migrant lives, landscapes, and journeys
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In 1997 the United Kingdom returned control of Hong Kong to China, ending the city’s status as one of the last remnants of the British Empire and initiating a new phase for it as both a modern city and a hub for global migrations. Hong Kong is a tour of the city’s postcolonial urban landscape, innovatively told through fieldwork and photography. Caroline Knowles and Douglas Harper’s point of entry into Hong Kong is the unusual position of the British expatriates who chose to remain in the city after the transition. Now a relatively insignificant presence, British migrants in Hong Kong have become intimately connected with another small minority group there: immigrants from Southeast Asia. The lives, journeys, and stories of these two groups bring to life a place where the past continues to resonate for all its residents, even as the city hurtles forward into a future marked by transience and transition.
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books
books
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July 2009
July 2009
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
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books
books
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$54.95
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In the vibrant downtown Manhattan art scene of the late 1970s and early 1980s, the Taiwanese-American artist Tehching Hsieh made an exceptional series of artworks. Hsieh realized five separate one-year-long performances that were unprecedented in their use of physical difficulty over extreme durations and in their absolute conception of art and life as simultaneous(...)
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In the vibrant downtown Manhattan art scene of the late 1970s and early 1980s, the Taiwanese-American artist Tehching Hsieh made an exceptional series of artworks. Hsieh realized five separate one-year-long performances that were unprecedented in their use of physical difficulty over extreme durations and in their absolute conception of art and life as simultaneous(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2009, London (U.K.), Cambridge, (MA)
March 2009, London (U.K.), Cambridge, (MA)
Title:
Out of now : the Lifeworks of Tehching Hsieh
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In the vibrant downtown Manhattan art scene of the late 1970s and early 1980s, the Taiwanese-American artist Tehching Hsieh made an exceptional series of artworks. Hsieh realized five separate one-year-long performances that were unprecedented in their use of physical difficulty over extreme durations and in their absolute conception of art and life as simultaneous processes.After years of near-invisibility Hsieh has now collaborated with the writer and curator Adrian Heathfield to create this meticulous record of the complete body of his artworks from 1978-1999. This publication is the first extensive critical account of these works. Heathfield's meditation is complemented by an intensive exchange with the artist and a set of letters from art theorists Peggy Phelan and Carol Becker, and the artists Marina Abramovic, Santiago Sierra, and Tim Etchells.
Out of now : the Lifeworks of Tehching Hsieh
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In the vibrant downtown Manhattan art scene of the late 1970s and early 1980s, the Taiwanese-American artist Tehching Hsieh made an exceptional series of artworks. Hsieh realized five separate one-year-long performances that were unprecedented in their use of physical difficulty over extreme durations and in their absolute conception of art and life as simultaneous processes.After years of near-invisibility Hsieh has now collaborated with the writer and curator Adrian Heathfield to create this meticulous record of the complete body of his artworks from 1978-1999. This publication is the first extensive critical account of these works. Heathfield's meditation is complemented by an intensive exchange with the artist and a set of letters from art theorists Peggy Phelan and Carol Becker, and the artists Marina Abramovic, Santiago Sierra, and Tim Etchells.
Form:
books
books
Publication:
March 2009, London (U.K.), Cambridge, (MA)
March 2009, London (U.K.), Cambridge, (MA)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Agnes Martin
Agnes Martin
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$86.00
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Gorgeously quiet in color and composition, Agnes Martin's paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for(...)
$86.00
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Gorgeously quiet in color and composition, Agnes Martin's paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for(...)
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Agnes Martin
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$86.00
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Gorgeously quiet in color and composition, Agnes Martin's paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for this reason, critical and scholarly analysis of her paintings has been scarce--until now. This important new anthology brings together the most current scholarship on Martin's paintings by twelve multidisciplinary essayists who consider various aspects of the artist's four-decade career. Organized by Dia Art Foundation, whose extensive holdings of Martin's paintings and ambitions to support in-depth research on the works are unparalleled, the publication brings renewed focus and energy to Martin's career and her contributions to the art historical narrative
Agnes Martin
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Gorgeously quiet in color and composition, Agnes Martin's paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for this reason, critical and scholarly analysis of her paintings has been scarce--until now. This important new anthology brings together the most current scholarship on Martin's paintings by twelve multidisciplinary essayists who consider various aspects of the artist's four-decade career. Organized by Dia Art Foundation, whose extensive holdings of Martin's paintings and ambitions to support in-depth research on the works are unparalleled, the publication brings renewed focus and energy to Martin's career and her contributions to the art historical narrative
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Auras and levitations
Auras and levitations
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Susan Hiller’s most recent artist’s book pays homage to two images of aspiration, fantasy and sublimation. Yves Klein’s 'Leap Into The Void', and Marcel Duchamp’s 'Portrait of Dr. R. Dumouchel'. Both embrace the phastasmagorical legacy of modernist art; in the former, the shaman's defiance of gravity, in the latter, the clairvoyant's perception of human auras. In her(...)
$28.50
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Summary:
Susan Hiller’s most recent artist’s book pays homage to two images of aspiration, fantasy and sublimation. Yves Klein’s 'Leap Into The Void', and Marcel Duchamp’s 'Portrait of Dr. R. Dumouchel'. Both embrace the phastasmagorical legacy of modernist art; in the former, the shaman's defiance of gravity, in the latter, the clairvoyant's perception of human auras. In her(...)
Title:
Auras and levitations
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$28.50
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Summary:
Susan Hiller’s most recent artist’s book pays homage to two images of aspiration, fantasy and sublimation. Yves Klein’s 'Leap Into The Void', and Marcel Duchamp’s 'Portrait of Dr. R. Dumouchel'. Both embrace the phastasmagorical legacy of modernist art; in the former, the shaman's defiance of gravity, in the latter, the clairvoyant's perception of human auras. In her miniature book, Hiller has assembled images sourced from the internet, all paying indirect homage to these two artists' gestures. She presents a sequence of levitations, back-to-back with a series of images of auras, so constructing an occult legacy thriving in popular culture, in which the artist’s gesture is reincarnated in the democratic medium of the internet.
Auras and levitations
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$28.50
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Summary:
Susan Hiller’s most recent artist’s book pays homage to two images of aspiration, fantasy and sublimation. Yves Klein’s 'Leap Into The Void', and Marcel Duchamp’s 'Portrait of Dr. R. Dumouchel'. Both embrace the phastasmagorical legacy of modernist art; in the former, the shaman's defiance of gravity, in the latter, the clairvoyant's perception of human auras. In her miniature book, Hiller has assembled images sourced from the internet, all paying indirect homage to these two artists' gestures. She presents a sequence of levitations, back-to-back with a series of images of auras, so constructing an occult legacy thriving in popular culture, in which the artist’s gesture is reincarnated in the democratic medium of the internet.
Form:
books
books
Publication:
January 2008, London
January 2008, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$20.00
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This publication, a cross-pollination of fact and fiction, takes the form of an illustrated natural history guide (volume 1), offset by the artists' interventions.
$20.00
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Summary:
This publication, a cross-pollination of fact and fiction, takes the form of an illustrated natural history guide (volume 1), offset by the artists' interventions.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 2006, London
January 2006, London
Title:
Alien invaders: a guide to non-native species of britisher isle, volume 1
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This publication, a cross-pollination of fact and fiction, takes the form of an illustrated natural history guide (volume 1), offset by the artists' interventions.
Alien invaders: a guide to non-native species of britisher isle, volume 1
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This publication, a cross-pollination of fact and fiction, takes the form of an illustrated natural history guide (volume 1), offset by the artists' interventions.
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books
books
Publication:
January 2006, London
January 2006, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$45.95
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Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected(...)
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Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected(...)
Title:
Make everything new: a project on communism
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Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected counter-narratives, abstract and unrealistic ideas, engaged political commentary and satirical work, that presents neither an historical or comprehensive overview nor a requiem for the past. It is a collection of partial and subjective accounts of various creative practices, an experimental platform for ideas and an attempt to see in what ways the communist imagination can be materialised as art. Contributors include: 16Beaver, Gopal Balakrishnan, Michael Blum, AA Bronson, Maria Eichorn, Factotum, Dmitry Gutov, Wu Ming, Aleksandra Mir, Sarah Pierce/The Metropolitan Complex, CK Rajan, Raqs Media Collective, Dont Rhine, Martha Rosler, Rob Stone, Alberto Toscano, and Klaus Weber.
Make everything new: a project on communism
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$45.95
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Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected counter-narratives, abstract and unrealistic ideas, engaged political commentary and satirical work, that presents neither an historical or comprehensive overview nor a requiem for the past. It is a collection of partial and subjective accounts of various creative practices, an experimental platform for ideas and an attempt to see in what ways the communist imagination can be materialised as art. Contributors include: 16Beaver, Gopal Balakrishnan, Michael Blum, AA Bronson, Maria Eichorn, Factotum, Dmitry Gutov, Wu Ming, Aleksandra Mir, Sarah Pierce/The Metropolitan Complex, CK Rajan, Raqs Media Collective, Dont Rhine, Martha Rosler, Rob Stone, Alberto Toscano, and Klaus Weber.
Form:
books
books
Publication:
January 2006, London
January 2006, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$26.95
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Summary:
Literally No Place was published to coincide with Liam Gillick's exhibition, The Wood Day at Whitechapel Art Gallery, London, May 2002.
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Literally No Place was published to coincide with Liam Gillick's exhibition, The Wood Day at Whitechapel Art Gallery, London, May 2002.
Title:
Literally no place communes, bars, and greenrooms: Liam Gillick book works
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Literally No Place was published to coincide with Liam Gillick's exhibition, The Wood Day at Whitechapel Art Gallery, London, May 2002.
Literally no place communes, bars, and greenrooms: Liam Gillick book works
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Literally No Place was published to coincide with Liam Gillick's exhibition, The Wood Day at Whitechapel Art Gallery, London, May 2002.
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books
books
Publication:
January 2002, London
January 2002, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$35.00
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Vinyl record. Side one: ABN-AMRO, Gershwin, Ing, Ito, Mahler, WTC Side two: Shotgun architecture Play at 45 RMP. All tracks recorded by Justin Bennett. Made during a residency at the 'Free Spaces 2008' project of the Vitueel Museum Zuidas, Amsterdam.
$35.00
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Vinyl record. Side one: ABN-AMRO, Gershwin, Ing, Ito, Mahler, WTC Side two: Shotgun architecture Play at 45 RMP. All tracks recorded by Justin Bennett. Made during a residency at the 'Free Spaces 2008' project of the Vitueel Museum Zuidas, Amsterdam.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
December 2008, Amsterdam, Eindoven
December 2008, Amsterdam, Eindoven
Title:
Shotgun architecture by Justin Bennett
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Vinyl record. Side one: ABN-AMRO, Gershwin, Ing, Ito, Mahler, WTC Side two: Shotgun architecture Play at 45 RMP. All tracks recorded by Justin Bennett. Made during a residency at the 'Free Spaces 2008' project of the Vitueel Museum Zuidas, Amsterdam.
Shotgun architecture by Justin Bennett
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$35.00
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Vinyl record. Side one: ABN-AMRO, Gershwin, Ing, Ito, Mahler, WTC Side two: Shotgun architecture Play at 45 RMP. All tracks recorded by Justin Bennett. Made during a residency at the 'Free Spaces 2008' project of the Vitueel Museum Zuidas, Amsterdam.
Form:
books
books
Publication:
December 2008, Amsterdam, Eindoven
December 2008, Amsterdam, Eindoven
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$40.00
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May 10 - June 21, 2008, Peres Projects, Los Angeles
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May 10 - June 21, 2008, Peres Projects, Los Angeles
Title:
Terence Koh: the whole family
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$40.00
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May 10 - June 21, 2008, Peres Projects, Los Angeles
Terence Koh: the whole family
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$40.00
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May 10 - June 21, 2008, Peres Projects, Los Angeles
Form:
books
books
Publication:
May 2008, Los Angeles
May 2008, Los Angeles
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
