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The squares of Venice as a source of inspiration for modern architects and urban planners. Is it possible to interpret the urban spaces in ancient Venice as we would analyse those in Los Angeles or Rotterdam? This book is the attempt to analyse Venice's Campi in the same way we would consider public space today. It focuses on those places so essential to public life(...)
Auftritte/ Scenes : interaction with architectural space : the Campi of Venice
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The squares of Venice as a source of inspiration for modern architects and urban planners. Is it possible to interpret the urban spaces in ancient Venice as we would analyse those in Los Angeles or Rotterdam? This book is the attempt to analyse Venice's Campi in the same way we would consider public space today. It focuses on those places so essential to public life and which offer an endless number of variations in our urban surroundings. We are actors on the stages of the city. The continual fascination with Venice's campi shows that this feature of urban architecture still has a significant role to play in modern life and they have a great creative potential to offer today's architects and planners. This publication documents Venice's squares in detail, analysing them precisely. Extensive visual material including plans, photographs of models, and photo sequences of the actual squares complement the texts to provide a comprehensive reference on this topic. Alban Janson and Thorsten Bürklin led this research project from the University of Karlsruhe in Venice.
Urban Theory
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From the targeted demolition of Mostar's Stari-Most Bridge in 1993 to the physical and social havoc caused by the 2004 Boxing Day Tsunami, the history of cities is often a history of destruction and reconstruction. But what political and aesthetic criteria should guide us in the rebuilding of cities devastated by war and natural calamities? This publication points to(...)
Architects without frontiers: war, reconstruction and design responsibility
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From the targeted demolition of Mostar's Stari-Most Bridge in 1993 to the physical and social havoc caused by the 2004 Boxing Day Tsunami, the history of cities is often a history of destruction and reconstruction. But what political and aesthetic criteria should guide us in the rebuilding of cities devastated by war and natural calamities? This publication points to the potential for architects to play important roles in post-war relief and reconstruction. Charlesworth suggests that architects and design professionals have a significant opportunity to assist peace-making and reconstruction efforts in the period immediately after conflict or disaster, when much of the housing, hospital, educational, transport, civic and business infrastructure has been destroyed or badly damaged. Through selected case studies, Charlesworth examines the role of architects, planners, urban designers and landscape architects in three cities following conflict - Beirut, Nicosia and Mostar - three cities where the mental and physical scars of violent conflict still remain. This book expands the traditional role of the architect from 'hero' to 'peacemaker' and discusses how design educators can stretch their wings to encompass the proliferating agendas and sites of civil unrest.
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April 2006
Architectural Theory
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“Transparency is overrated,” Jacques Herzog asserted roughly a year ago at the opening of the Vitra Schaudepot in Weil am Rhein. Is that really the case? In the present issue, we explore this topic and take stock of the present situation. Admittedly, the emblematic character of transparent architecture has lost much of its relevance since the post-war years – its charisma(...)
Detail 6 2017: glass construction
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“Transparency is overrated,” Jacques Herzog asserted roughly a year ago at the opening of the Vitra Schaudepot in Weil am Rhein. Is that really the case? In the present issue, we explore this topic and take stock of the present situation. Admittedly, the emblematic character of transparent architecture has lost much of its relevance since the post-war years – its charisma as a symbol of democracy. Yet buildings of glass are far more varied today, and their architecture is in many ways unique. In this issue of Detail, Heide Wessely has selected some groundbreaking schemes. With its printed-glass facade, the Ryerson University structure in Toronto by Snøhetta offers students variously lighted internal spaces, which they, in turn, can use for different study scenarios. With pivoting, printed-glass louvres, the facade of the bank in Nantes by AIA Associés responds to insolation to create a climatic buffer zone. The thermally insulated cast-glass elements in the outer skin of the Sainsbury Wellcome Centre in London by Ian Ritchie Architects screen the interior of the research institute from the street, while allowing diffused, non-glare light into the working spaces. In contrast, the glass pavilion in Manchester and the glazed atrium in Baker Street, London, are functional and restrained extensions to existing buildings. The Discussion section in this issue explores the potential of glass in the many housing towers that are springing up in cities today; and in his Technology article, Kars Haarhuis takes a look at innovative hybrid structures in which concrete or steel are combined with glass in a load-bearing form.
Magazines
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This book relates circular economy principles to housing design and construction and highlights how those principles can result in both monetary savings, positive environmental impact, and socio-ecological change. Chapters focus on three key circular economy principles and apply them to architectural construction and design, namely rethinking of the end-of-use phase of a(...)
Sustainable housing in a circular economy
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This book relates circular economy principles to housing design and construction and highlights how those principles can result in both monetary savings, positive environmental impact, and socio-ecological change. Chapters focus on three key circular economy principles and apply them to architectural construction and design, namely rethinking of the end-of-use phase of a building and the potential of design-for-disassembly; the role of digitization and data standardization in fostering evidence-based circular economy design decision-making; and presenting space as a resource to conserve, via exploration of the sharing economy and flexibility principles. Beyond waste management and material cycles, this book provides a holistic understanding of the opportunities across the building life cycle that can allow for sustainable and affordable circular housing. With case studies from 13 different countries, including but not limited to the Hammarby Sjöstad district in Sweden, the Circle House in Denmark, Benny Farm in Canada, VMD Prefabricated House in Mexico, and the Deep Performance Dwelling in China, authors pair theoretical frameworks with real-world examples. This will be a useful resource for upper-level students and academics of architecture, construction, and planning, especially those studying and researching housing design, building technology, green project management, and environmental design.
Humans and cities
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Overcrowding, noise and air pollution, long commutes and lack of daylight can take a huge toll on the mental well-being of city-dwellers. With mental healthcare services under increasing pressure, could a better approach to urban design and planning provide a solution? The restrictions faced by city residents around the world during the COVID-19 pandemic has brought home(...)
Restorative cities: urban design for mental health and wellbeing
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Overcrowding, noise and air pollution, long commutes and lack of daylight can take a huge toll on the mental well-being of city-dwellers. With mental healthcare services under increasing pressure, could a better approach to urban design and planning provide a solution? The restrictions faced by city residents around the world during the COVID-19 pandemic has brought home just how much urban design can affect our mental health – and created an imperative to seize this opportunity. ''Restorative cities'' explores a new way of designing cities, one which places mental health and wellness at the forefront. Establishing a blueprint for urban design for mental health, it examines a range of strategies – from sensory architecture to place-making for creativity and community – and brings a genuinely evidence-based approach that will appeal to designers and planners, health practitioners and researchers alike - and provide compelling insights for anyone who cares about how our surroundings affect us. Written by a psychiatrist and public health specialist, and an environmental psychologist with extensive experience of architectural practice, this much-needed work will prompt debate and inspire built environment students and professionals to think more about the positive potential of their designs for mental well-being.
Humans and cities
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Adam Bartos: darkroom
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Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms(...)
Adam Bartos: darkroom
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Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms switch to digital printing or close shop altogether, we become more aware that the tangible elements of darkroom printing may one day be lost. Bartos' recent large-format work documents and explores in equal measure the visual language and ethos of that analogue printing culture before it slips beyond our experience forever. The acrid odour of chemistry, an uncanny stillness hanging in damp air - Bartos records the descriptive aspects and spatial constraints of the darkroom but also visualizes the lab as a site of limitless creative potential, invested with as much aura as a photographic print. Heroic and humbling at the same time, these portraits speak to the individuality of the workspaces and their inhabitants but also to the shared architecture of all darkrooms. Bartos presents us with the perceptual tools to know the darkroom as it is today and to remember it one day as it will have been.
books
November 2011
Photography monographs
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Support structures is a manual for what bears, sustains, and props, for those things that encourage, care for, and assist; for that which advocates, articulates; for what stands behind, frames, and maintains: it is a manual for those things that give support. While the work of supporting might traditionally appear as subsequent, unessential, and lacking value in itself,(...)
Céline Condorelli: support structures
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Support structures is a manual for what bears, sustains, and props, for those things that encourage, care for, and assist; for that which advocates, articulates; for what stands behind, frames, and maintains: it is a manual for those things that give support. While the work of supporting might traditionally appear as subsequent, unessential, and lacking value in itself, this manual is an attempt to restore attention to one of the neglected, yet crucial modes through which we apprehend and shape the world. Support structures is a critical enquiry into what constitutes “support,” and documents the collaborative project “Support Structure” by Céline Condorelli and Gavin Wade. While registering and collecting reference projects in a new archive of support structures alongside its ten-phase project, different writers, thinkers, and practitioners were invited from various fields to elaborate on frameworks and work on texts , which form the theoretical backbone of the publication. The collection of contributions offers different possibilities for engaging in this unchartered territory, from propositions to projects, existing systems to ones invented for specific creative processes. Support structures offers support through potential methodologies, inspirations and activations for practice, and addresses important questions for art and architecture practices on forms of display, organization, articulation, appropriation, autonomy, and temporariness, and the manifestations of blindness towards them.
Contemporary Art Monographs
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In this text, Brenner, Peck and Theodore question the claim that neoliberalism has ended in the wake of the global economic crisis that began in September of 2008. The authors argue that this assumption rests upon an inadequate understanding of the reach and tenacity of the crisis-induced, market-disciplinary forms of regulatory restructuring that have accompanied the(...)
July 2011
Civic city cahier 4 : Afterlives of neoliberalism
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In this text, Brenner, Peck and Theodore question the claim that neoliberalism has ended in the wake of the global economic crisis that began in September of 2008. The authors argue that this assumption rests upon an inadequate understanding of the reach and tenacity of the crisis-induced, market-disciplinary forms of regulatory restructuring that have accompanied the neoliberalisation of cities, regions and states across the world. In contrast with the over-simplified, monolithic conceptualisations of the global economy that prevail in many popular and academic accounts, the authors emphasise the constitutively uneven, institutionally hybrid and chronically unstable character of neoliberalism. For urban designers, planners and activists working to promote more socially just and democratic forms of urbanism, Brenner, Peck and Theodore insist on the need to radically restructure the macroinstitutional "rules of the game" that variously encourage and disallow localities, cities and regions to adapt to market-based approaches to (re)investment, collective-goods provisioning, and social reproduction. "Absent this", they argue, "the potential of progressive postneoliberal projects will continue to be frustrated by the dead hand of market rule".
books
The arts and crafts movement
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Dating from the 1850s to the First World War, the Arts and Crafts movement was an international phenomenon of enormous scope and influence. It encompassed everything from architecture to town planning, metalwork and embroidery, in places as diverse as California and Budapest. Born of thinkers and practitioners in Victorian England its ideological currents reflect the(...)
The arts and crafts movement
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Dating from the 1850s to the First World War, the Arts and Crafts movement was an international phenomenon of enormous scope and influence. It encompassed everything from architecture to town planning, metalwork and embroidery, in places as diverse as California and Budapest. Born of thinkers and practitioners in Victorian England its ideological currents reflect the era’s most pressing social, political and artistic concerns. In this book Rosalind Blakesley explores the common ideas that give cohesion to a movement of otherwise bewildering breadth and stylistic heterogeneity. At the origins of the movement was a reaction against industrialization, the long-standing division between traditional crafts and fine art and the over-elaborate ornamentation which disguised an object or building’s true 'function'. Early British Arts and Crafts practitioners campaigned for a revival of old craft techniques, for the elevation of the applied arts and for 'honesty' in design, ideas that were picked up and developed across Europe and the United States, with national variants quickly emerging. Germany, for example, recognized the potential of industrial techniques and experimented with standardization in design; in Finland, then annexed to Russia, Arts and Crafts was allied to the search for self-expression and a national style in art. Examining both acknowledged Arts and Crafts centres and lesser-known communities, Rosalind Blakesley concludes her survey with an evaluation of the Movement’s significance in the twenty-first century.
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October 2006, London
Interior Design
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As gentrification threatens to uproot neighbourhoods across the world, the flame of co-operative housing has been reignited while the concept of community landownership has the potential to turn the tide and put the destiny of our cities into the hands of residents.Villages in Cities takes us across North America to Montreal, Boston, Vermont, and Mississippi,(...)
January 2019
Villages in cities: community land ownership, cooperative housing, and the Milton Parc story
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As gentrification threatens to uproot neighbourhoods across the world, the flame of co-operative housing has been reignited while the concept of community landownership has the potential to turn the tide and put the destiny of our cities into the hands of residents.Villages in Cities takes us across North America to Montreal, Boston, Vermont, and Mississippi, presentingconcrete examples of citizens taking back the land and claiming their right to secure housing. It also acts as a guidebook to contemporary urban struggles through fertile archival material from the Milton Parc struggle, which is as relevant today as it was 50 years ago.Villages in Cities presents a succinct portrait of the problems facing the ownership of urban land, the challenge of contesting the State’s presupposed legitimacy in determining our urban future, and the contradictions these elements imply. n Montreal in 1968, speculators announced their ‘urban renewal’ plan to demolish six blocks of the downtown heritage neighborhood of Milton Parc in order to build enormous high-rise condos, hotels, office buildings, and shopping malls. The local community viewed this as a declaration of war. What followed was a remarkable struggle that not only saved the heritage architecture from destruction but also protected local residents from gentrification through the creation of the largest nonprofit cooperative housing project on an urban community land trust in North America. And Milton Parc is not unique. Villages in Cities takes us across North America—to New York, Boston, Burlington, Oakland, Jackson, Montreal, Toronto, Ottawa, and Vancouver—to show concrete examples of citizens taking back the land and claiming their right to secure housing. The book draws connections among these projects, examines their underlying causes, and connects them with a holistic “Right to the City” movement that is emerging internationally.