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CIAM (Congrès Internationaux d'Architecture Moderne), founded in Switzerland in 1928, was an avant-garde association of architects intended to advance both modernism and internationalism in architecture. CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth(...)
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CIAM (Congrès Internationaux d'Architecture Moderne), founded in Switzerland in 1928, was an avant-garde association of architects intended to advance both modernism and internationalism in architecture. CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth(...)
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Urban Theory
Urban Theory
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October 2002, Cambridge, Massachusetts
October 2002, Cambridge, Massachusetts
Title:
The CIAM discourse on urbanism, 1928-1960
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CIAM (Congrès Internationaux d'Architecture Moderne), founded in Switzerland in 1928, was an avant-garde association of architects intended to advance both modernism and internationalism in architecture. CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth century, such as Le Corbusier, Walter Gropius, and Richard Neutra, but also hundreds of others who looked to it for doctrines on how to shape the urban environment in a rapidly changing world. In this first book-length history of the organization, architectural historian Eric Mumford focuses on CIAM's discourse to trace the development and promotion of its influential concept of the "Functional City." He views official doctrines and pronouncements in relation to the changing circumstances of the members, revealing how CIAM in the 1930s began to resemble a kind of syndicalist party oriented toward winning over any suitable authority, regardless of political orientation. Mumford also looks at CIAM's efforts after World War II to find a new basis for a socially engaged architecture and describes the attempts by the group of younger members called Team 10 to radically revise CIAM's mission in the 1950s, efforts that led to the organization's dissolution in 1959.
The CIAM discourse on urbanism, 1928-1960
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CIAM (Congrès Internationaux d'Architecture Moderne), founded in Switzerland in 1928, was an avant-garde association of architects intended to advance both modernism and internationalism in architecture. CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth century, such as Le Corbusier, Walter Gropius, and Richard Neutra, but also hundreds of others who looked to it for doctrines on how to shape the urban environment in a rapidly changing world. In this first book-length history of the organization, architectural historian Eric Mumford focuses on CIAM's discourse to trace the development and promotion of its influential concept of the "Functional City." He views official doctrines and pronouncements in relation to the changing circumstances of the members, revealing how CIAM in the 1930s began to resemble a kind of syndicalist party oriented toward winning over any suitable authority, regardless of political orientation. Mumford also looks at CIAM's efforts after World War II to find a new basis for a socially engaged architecture and describes the attempts by the group of younger members called Team 10 to radically revise CIAM's mission in the 1950s, efforts that led to the organization's dissolution in 1959.
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books
books
Publication:
October 2002, Cambridge, Massachusetts
October 2002, Cambridge, Massachusetts
Subject:
Urban Theory
Urban Theory
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books
books
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the(...)
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the(...)
Title:
Drawing and reinventing landscape
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the onset of rapid urbanisation and our shifting relationship with nature, landscape architecture has proved a potent lens for expressing a wider dialogue taking place in the world. It is, however, only through the introduction of innovative forms of representation – whether digital, analogue or hybrid – that one most vividly sees the emergence of the new. In this book, Diana Balmori explores notions of representation in the discipline at large and across time. She takes us back to landscape design’s roots in the seventeenth century in France and the eighteenth century in England, when it first grappled with questions of imagined exterior space. She explores the discipline’s relationship to painting and the influence of cartography with its bird's-eye views, topographic sections and perspectives. She highlights how new attempts at representation by modern landscape artists such as Patricia Johanson, Ian Hamilton Finlay and David Hockney continue to wrestle with the depiction of landscape.
Drawing and reinventing landscape
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the onset of rapid urbanisation and our shifting relationship with nature, landscape architecture has proved a potent lens for expressing a wider dialogue taking place in the world. It is, however, only through the introduction of innovative forms of representation – whether digital, analogue or hybrid – that one most vividly sees the emergence of the new. In this book, Diana Balmori explores notions of representation in the discipline at large and across time. She takes us back to landscape design’s roots in the seventeenth century in France and the eighteenth century in England, when it first grappled with questions of imagined exterior space. She explores the discipline’s relationship to painting and the influence of cartography with its bird's-eye views, topographic sections and perspectives. She highlights how new attempts at representation by modern landscape artists such as Patricia Johanson, Ian Hamilton Finlay and David Hockney continue to wrestle with the depiction of landscape.
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books
books
Publication:
January 2015
January 2015
Subject:
Landscape Theory
Landscape Theory
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books
books
Title:
Venice and the East
Venice and the East
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This lively and richly illustrated book investigates the influence of oriental trade and travel on medieval Venice and its architecture. Architectural historian Deborah Howard examines the experiences of Venetian merchants overseas, focusing on links (...)
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This lively and richly illustrated book investigates the influence of oriental trade and travel on medieval Venice and its architecture. Architectural historian Deborah Howard examines the experiences of Venetian merchants overseas, focusing on links (...)
Publication:
October 2000, New Haven
October 2000, New Haven
Title:
Venice and the East
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This lively and richly illustrated book investigates the influence of oriental trade and travel on medieval Venice and its architecture. Architectural historian Deborah Howard examines the experiences of Venetian merchants overseas, focusing on links with Egypt, Syria, and Palestine, as well as with Persia and the Silk Route. She argues that many Venetians gained insight into Islamic culture through personal contacts with their Muslim trading partners. Based on wide-ranging multidisciplinary research, this book examines the mechanisms that governed the exchange of visual culture across ideological boundaries before the age of printing. Howard explores a range of building types that reflect the impact of Islamic imagery, paying special attention to two icon buildings, San Marco and the Palazzo Ducale. She considers the complexities of importing Muslim ideas to an unambiguously Christian city, itself the point of embarkation for pilgrims to the Holy Land.
Venice and the East
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This lively and richly illustrated book investigates the influence of oriental trade and travel on medieval Venice and its architecture. Architectural historian Deborah Howard examines the experiences of Venetian merchants overseas, focusing on links with Egypt, Syria, and Palestine, as well as with Persia and the Silk Route. She argues that many Venetians gained insight into Islamic culture through personal contacts with their Muslim trading partners. Based on wide-ranging multidisciplinary research, this book examines the mechanisms that governed the exchange of visual culture across ideological boundaries before the age of printing. Howard explores a range of building types that reflect the impact of Islamic imagery, paying special attention to two icon buildings, San Marco and the Palazzo Ducale. She considers the complexities of importing Muslim ideas to an unambiguously Christian city, itself the point of embarkation for pilgrims to the Holy Land.
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books
books
Publication:
October 2000, New Haven
October 2000, New Haven
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books
books
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$69.95
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How does the world’s fifth largest population express itself in terms of architecture? Is there any common language when it comes to planning and construction? For the past seven decades, both Indonesian and international architects have developed new ideas in order to fulfill the demands of the country’s 250 million inhabitants, in line with economic progress. Imelda(...)
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How does the world’s fifth largest population express itself in terms of architecture? Is there any common language when it comes to planning and construction? For the past seven decades, both Indonesian and international architects have developed new ideas in order to fulfill the demands of the country’s 250 million inhabitants, in line with economic progress. Imelda(...)
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Indonesia architectural guide
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How does the world’s fifth largest population express itself in terms of architecture? Is there any common language when it comes to planning and construction? For the past seven decades, both Indonesian and international architects have developed new ideas in order to fulfill the demands of the country’s 250 million inhabitants, in line with economic progress. Imelda Akmal’s Architectural Guide Indonesia presents over one hundred must-visit buildings which date from the post-independence era, starting in 1945, to the present day. This book explores buildings that still embrace traditional Indonesian architectural heritage as well as those whose design is based on practical considerations, thus offering a valuable insight into the works of emerging and established architects. In total the guide features carefully selected buildings with all salient information as to their dates of construction, architects and locality by way of QR codes.
Indonesia architectural guide
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$69.95
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Summary:
How does the world’s fifth largest population express itself in terms of architecture? Is there any common language when it comes to planning and construction? For the past seven decades, both Indonesian and international architects have developed new ideas in order to fulfill the demands of the country’s 250 million inhabitants, in line with economic progress. Imelda Akmal’s Architectural Guide Indonesia presents over one hundred must-visit buildings which date from the post-independence era, starting in 1945, to the present day. This book explores buildings that still embrace traditional Indonesian architectural heritage as well as those whose design is based on practical considerations, thus offering a valuable insight into the works of emerging and established architects. In total the guide features carefully selected buildings with all salient information as to their dates of construction, architects and locality by way of QR codes.
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books
books
Publication:
October 2015
October 2015
Subject:
City Guides
City Guides
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books
books
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An essay collection exploring the board game's relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space. Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural landscapes. This thesis forms the throughline of(...)
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An essay collection exploring the board game's relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space. Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural landscapes. This thesis forms the throughline of(...)
Title:
Playing place: Board games, popular culture, space
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An essay collection exploring the board game's relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space. Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural landscapes. This thesis forms the throughline of pieces reflecting on subjects as diverse as the rigidly gendered fantasies of classic mass-market games; the imperial convictions embedded in games that position player-protagonists as conquerors establishing dominion over their “discoveries”; and even the uncanny prescience of games that have players responding to a global pandemic. Representing a thrilling convergence of historiography, architectural history, and media studies scholarship, Playing Place suggests not only that tabletop games should be taken seriously but also that the medium itself is uniquely capable of facilitating our critical consideration of structures that are often taken for granted.
Playing place: Board games, popular culture, space
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$53.95
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An essay collection exploring the board game's relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space. Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural landscapes. This thesis forms the throughline of pieces reflecting on subjects as diverse as the rigidly gendered fantasies of classic mass-market games; the imperial convictions embedded in games that position player-protagonists as conquerors establishing dominion over their “discoveries”; and even the uncanny prescience of games that have players responding to a global pandemic. Representing a thrilling convergence of historiography, architectural history, and media studies scholarship, Playing Place suggests not only that tabletop games should be taken seriously but also that the medium itself is uniquely capable of facilitating our critical consideration of structures that are often taken for granted.
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books
books
Publication:
August 2023
August 2023
Subject:
Architectural Theory
Architectural Theory
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books
books
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Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not(...)
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Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not(...)
Title:
The remittance landscape: spaces of migration in rural Mexico and urban USA
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Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not only identifies a clear correspondence between the flow of remittances and the recent building boom in rural Mexico but also proposes that this construction boom itself motivates migration and changes social and cultural life for migrants and their families. At the same time, migrants are changing the landscapes of cities in the United States: for example, Chicago and Los Angeles are home to buildings explicitly created as headquarters for Mexican workers from several Mexican states such as Jalisco, Michoacán, and Zacatecas.
The remittance landscape: spaces of migration in rural Mexico and urban USA
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$44.95
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Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not only identifies a clear correspondence between the flow of remittances and the recent building boom in rural Mexico but also proposes that this construction boom itself motivates migration and changes social and cultural life for migrants and their families. At the same time, migrants are changing the landscapes of cities in the United States: for example, Chicago and Los Angeles are home to buildings explicitly created as headquarters for Mexican workers from several Mexican states such as Jalisco, Michoacán, and Zacatecas.
Form:
books
books
Publication:
October 2015
October 2015
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
All we need
All we need
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On the occasion of Luxemburg European Capital of Culture 2007, the exhibition All We Need is being mounted on the subject of needs, resources, and fairness. The exhibition’s point of departure is the ten needs of every person as formulated by the economist Manfred Max-Neef: subsistence, protection, affection, participation, recreation, creativity, understanding, identity,(...)
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On the occasion of Luxemburg European Capital of Culture 2007, the exhibition All We Need is being mounted on the subject of needs, resources, and fairness. The exhibition’s point of departure is the ten needs of every person as formulated by the economist Manfred Max-Neef: subsistence, protection, affection, participation, recreation, creativity, understanding, identity,(...)
Title:
All we need
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On the occasion of Luxemburg European Capital of Culture 2007, the exhibition All We Need is being mounted on the subject of needs, resources, and fairness. The exhibition’s point of departure is the ten needs of every person as formulated by the economist Manfred Max-Neef: subsistence, protection, affection, participation, recreation, creativity, understanding, identity, freedom, and transcendence. Each of these needs has a single area of the exhibition devoted to it: Survive, Protect, Love, Stand Up, Relax, Create, Understand, Choose, Dream. The book mirrors the exhibition with photographs and texts and provides additional windows on the complex subject with introductory texts on the exhibition, resources, and fairness. An extensive collage of texts and images illustrates the needs, supplemented by journalistic and art-historical images and philosophical quotations that do not appear in the exhibition itself. The catalogue is designed by the well-known graphic designer Emanuel Tschumi.
All we need
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$39.95
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On the occasion of Luxemburg European Capital of Culture 2007, the exhibition All We Need is being mounted on the subject of needs, resources, and fairness. The exhibition’s point of departure is the ten needs of every person as formulated by the economist Manfred Max-Neef: subsistence, protection, affection, participation, recreation, creativity, understanding, identity, freedom, and transcendence. Each of these needs has a single area of the exhibition devoted to it: Survive, Protect, Love, Stand Up, Relax, Create, Understand, Choose, Dream. The book mirrors the exhibition with photographs and texts and provides additional windows on the complex subject with introductory texts on the exhibition, resources, and fairness. An extensive collage of texts and images illustrates the needs, supplemented by journalistic and art-historical images and philosophical quotations that do not appear in the exhibition itself. The catalogue is designed by the well-known graphic designer Emanuel Tschumi.
Form:
books
books
Publication:
June 2007, Luxembourg
June 2007, Luxembourg
Subject:
Architectural Theory
Architectural Theory
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books
books
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$34.95
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Summary:
Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the(...)
$34.95
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Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the(...)
Title:
The Art Museum from Boullée to Bilbao
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Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the present offers an essential framework for understanding contemporary debates as they have evolved in Europe and the United States. From the visionary museums of Boullée in the eighteenth century to the new Guggenheim in Bilbao and beyond, it explores key aspects of museum theory and practice: ideals and mission; architecture; collecting, classification, and display; the public; commercialism; and restitution and repatriation. The only single volume to give a comprehensive account of the issues critical to museums, the book also highlights the challenges they will face in the future.
The Art Museum from Boullée to Bilbao
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$34.95
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Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the present offers an essential framework for understanding contemporary debates as they have evolved in Europe and the United States. From the visionary museums of Boullée in the eighteenth century to the new Guggenheim in Bilbao and beyond, it explores key aspects of museum theory and practice: ideals and mission; architecture; collecting, classification, and display; the public; commercialism; and restitution and repatriation. The only single volume to give a comprehensive account of the issues critical to museums, the book also highlights the challenges they will face in the future.
Form:
books
books
Publication:
November 2007, Berkeley, Los Angeles
November 2007, Berkeley, Los Angeles
Subject:
Museology
Museology
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books
books
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$52.95
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The style of the medieval period, which flows through the bloodstream of western culture, was vigorously re-established in post-Enlightenment England. This one-volume history of the Medieval Revival is the first coherent account of it, especially those aspects that are expressed and reflected in literature. The book focuses on the period 1760 to 1971, with an Epilogue on(...)
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The style of the medieval period, which flows through the bloodstream of western culture, was vigorously re-established in post-Enlightenment England. This one-volume history of the Medieval Revival is the first coherent account of it, especially those aspects that are expressed and reflected in literature. The book focuses on the period 1760 to 1971, with an Epilogue on(...)
Title:
Medievalism : the Middle Ages in modern England
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The style of the medieval period, which flows through the bloodstream of western culture, was vigorously re-established in post-Enlightenment England. This one-volume history of the Medieval Revival is the first coherent account of it, especially those aspects that are expressed and reflected in literature. The book focuses on the period 1760 to 1971, with an Epilogue on the reverberations of medievalism in the present day. The rebuilding of the Palace of Westminster, after its destruction by fire in 1834, re-established Gothic as the national style. But medieval imitation manifests itself wherever one cares to look: in literature, architecture, the applied arts, religion, politics, and even Hollywood. In this skilled dissection of the components of this pervasive cultural movement, Michael Alexander rejects the idea that medievalism was confined to the Victorian period, and overturns the suspicion that it is by its nature escapist.
Medievalism : the Middle Ages in modern England
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The style of the medieval period, which flows through the bloodstream of western culture, was vigorously re-established in post-Enlightenment England. This one-volume history of the Medieval Revival is the first coherent account of it, especially those aspects that are expressed and reflected in literature. The book focuses on the period 1760 to 1971, with an Epilogue on the reverberations of medievalism in the present day. The rebuilding of the Palace of Westminster, after its destruction by fire in 1834, re-established Gothic as the national style. But medieval imitation manifests itself wherever one cares to look: in literature, architecture, the applied arts, religion, politics, and even Hollywood. In this skilled dissection of the components of this pervasive cultural movement, Michael Alexander rejects the idea that medievalism was confined to the Victorian period, and overturns the suspicion that it is by its nature escapist.
Form:
books
books
Publication:
March 2007, New Haven, London
March 2007, New Haven, London
Subject:
History until 1900
History until 1900
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books
books
Title:
Global design
Global design
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$60.00
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and(...)
$60.00
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and(...)
Title:
Global design
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$60.00
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and of production processes. The focus is on the formation of global networks in the areas of communication, production, commerce, finance, and mobility. The diverse phenomena of globalization are visualized through film, products, clothing, images, and models by well-known artists such as Armin Linke, Fischli Weiss, Didier Faustino, and Thomas Demand. Alongside the shipping container, an indispensable element of globalization, the presentation provides insights into cultural transfer both in the present day and historically, and presents -globalization in relationship to regionalism as well as to worldwide trends.
Global design
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$60.00
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and of production processes. The focus is on the formation of global networks in the areas of communication, production, commerce, finance, and mobility. The diverse phenomena of globalization are visualized through film, products, clothing, images, and models by well-known artists such as Armin Linke, Fischli Weiss, Didier Faustino, and Thomas Demand. Alongside the shipping container, an indispensable element of globalization, the presentation provides insights into cultural transfer both in the present day and historically, and presents -globalization in relationship to regionalism as well as to worldwide trends.
Form:
books
books
Publication:
March 2010
March 2010
Subject:
Industrial Design
Industrial Design
