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In three recent video installations, Zachary Formwalt focuses on the architecture of OMA’s new Shenzhen Stock Exchange and the Amsterdam stock and commodities exchange by H.P. Berlage. Although our economy is dictated by financial transactions, the activity of trading itself has become increasingly remote, without actual human encounter. The architecture of the two(...)
Zachary Formwalt: three exchanges. OMA, H.P Berlage
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In three recent video installations, Zachary Formwalt focuses on the architecture of OMA’s new Shenzhen Stock Exchange and the Amsterdam stock and commodities exchange by H.P. Berlage. Although our economy is dictated by financial transactions, the activity of trading itself has become increasingly remote, without actual human encounter. The architecture of the two buildings serves as a starting point for a investigation into the limitations of photography to represent global capital and into the interrelationships between financial capitalism and image-making.
Contemporary Art Monographs
Simulation city
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Dubai, in its newness, has redefined the notion of authenticity: city and spectacle have been intertwined. Mall culture, airports, and theme parks may seem strange and vacuous in other cities, but in Dubai, they are the essence of life. Shortly before the outbreak of the global pandemic, Dirk Gebhardt and Lars Harmsen visited Dubai. Nowhere in the world had they seen(...)
Architecture since 1900, Middle-East
July 2022
Simulation city
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Dubai, in its newness, has redefined the notion of authenticity: city and spectacle have been intertwined. Mall culture, airports, and theme parks may seem strange and vacuous in other cities, but in Dubai, they are the essence of life. Shortly before the outbreak of the global pandemic, Dirk Gebhardt and Lars Harmsen visited Dubai. Nowhere in the world had they seen drama and comedy so powerfully together as in Dubai’s theme parks. In the drive to bring more tourists to the UAE, develop the real estate industry, and retain a huge labor force of expatriate workers, Dubai itself resembles and operates in many ways like a theme park. In his essay Simulation City: The Theming of Dubai Jason Carlow explores the uncanny atmosphere of spectacle, spatial control, and remarkable societal and cultural overlaps and adjacencies that have become an integral part of life for many residents of and visitors to contemporary Dubai.
Architecture since 1900, Middle-East
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Transition is a condition that creates opportunities for architecture and urbanism. Zagreb is the perfect site for examining this generative dynamic: practicing in conditions of continuous instability, its architects and planners developed strategies for creatively engaging the conditional and openended for anticipating and instrumentalizing the condition of irresolution.(...)
Project Zagreb: transition as condition, strategy, practice
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Transition is a condition that creates opportunities for architecture and urbanism. Zagreb is the perfect site for examining this generative dynamic: practicing in conditions of continuous instability, its architects and planners developed strategies for creatively engaging the conditional and openended for anticipating and instrumentalizing the condition of irresolution. Moving between texts, maps, and diagrams, Project Zagreb reads the city as an open work, dynamic but coherent, in which architecture plays an active role in the formation of both urban practices and the city itself.
Urban Theory
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Heat | Cool offers strategies for an energetically sensible and suitable approach to building conditioning as well as its design and constructional integration. In addition to building and facilities services, it places special emphasis on construction and design measures. How much the building itself can achieve in the context of the given climatic, topographical, and(...)
March 2011
Heat | cool: energy concepts, principles, installations
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Heat | Cool offers strategies for an energetically sensible and suitable approach to building conditioning as well as its design and constructional integration. In addition to building and facilities services, it places special emphasis on construction and design measures. How much the building itself can achieve in the context of the given climatic, topographical, and town planning framework conditions and to what extent additional installations are required for conditioning, which construction measures are appropriate for which types of tasks within a sustainable and integrated planning approach - all of these topics are discussed on the basis of project examples. The book highlights both the currently available heating, ventilation, and cooling systems as well as the supporting aspects of material properties and the building lifecycle, thus enabling the reader to make a balanced and well - informed selection.
Postmodern design complete
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Originating as a rebellious movement in philosophy and literature, Postmodernism proclaimed the death of modernism and promoted a new, nonlinear way of approaching architecture and design, spearheaded by Michael Graves, Robert Venturi, Ettore Sottsass, and Alessandro Mendini. It became a style in itself and the defining look of the 1980s. Postmodern Design Complete is(...)
Postmodern design complete
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Originating as a rebellious movement in philosophy and literature, Postmodernism proclaimed the death of modernism and promoted a new, nonlinear way of approaching architecture and design, spearheaded by Michael Graves, Robert Venturi, Ettore Sottsass, and Alessandro Mendini. It became a style in itself and the defining look of the 1980s. Postmodern Design Complete is the comprehensive reference to this period of vibrant design, as it profiles key creators including Graves, Mendini, Sottsass, Venturi, Charles Jencks, and Denise Scott Brown and covers the fields of architecture, furniture, graphic design, textiles, and product and industrial design.
Design, Periods and Styles
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Photography has become an obsession in Japan where only a few unspoiled spots can be found. For three months, Veronika Spierenburg moved from Japan’s south to its north. From this, Spierenburg created an artist’s book which shows the richness of textures, artifacts, traditional as well as modern architecture in an idiosyncratic mood. The photographs shed light on how(...)
Veronika Spierenburg: Oya-Ishi-Oya-Stone
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Photography has become an obsession in Japan where only a few unspoiled spots can be found. For three months, Veronika Spierenburg moved from Japan’s south to its north. From this, Spierenburg created an artist’s book which shows the richness of textures, artifacts, traditional as well as modern architecture in an idiosyncratic mood. The photographs shed light on how Japanese culture manifests itself in its craftsmanship. The buildings of famous architects such as Kenzo Tange, Togo Murano, Tadao Ando, Kazuo Shinohara and Kisho Kurokawa are presented in the book along with folk architecture.
Photography monographs
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We tend to think of architecture as a practice in permanence, but what if we looked instead for an architecture of transience? In "Things that move," Tim Anstey does just that: rather than assuming that architecture is, at a certain level, stationary, he considers how architecture moves subjects (referring to its emotive potential in the experience it creates); how it(...)
Things that move: A hinterland in architectural history
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We tend to think of architecture as a practice in permanence, but what if we looked instead for an architecture of transience? In "Things that move," Tim Anstey does just that: rather than assuming that architecture is, at a certain level, stationary, he considers how architecture moves subjects (referring to its emotive potential in the experience it creates); how it moves objects (referring to how it choreographs bodies in motion); and how it is itself moved (referring to the mixture of materials, laws, affordances, and images that introduce movement into any architectural condition). The first of the book's three sections, "Cargoes," highlights the mobile peripheries of architectural history through the eighteenth and nineteenth centuries. It asks what kinds of knowledge can be included in a discussion of architecture, noting the connections between discourses of the lithe and the technical, on the one hand, and those associated with the production of monumental, static compositions on the other. The second section, “Dispatches,” reinterprets early architectural theory by examining the Renaissance ideal of decorum, the nature of the architectural work, and the ways in which architects are constituted as authors. The last part of the book, “Vehicles,” considers building in terms of literal and metaphorical movement, using two cases from the twentieth century that investigate the relationship between architecture and cultural memory. Using a broadly forensic approach to connect details in otherwise disparate cases, "Things that move" is a breathtakingly capacious architectural account that will change the way readers understand buildings, their becoming, and their significance.
Architectural Theory
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The Cold War was the war that never happened. Nonetheless, it spurred the most significant buildup of military contingency this country has ever known: from the bunkers of Greenbrier, West Virginia, to the "proving grounds" of Nevada, where entire cities were built only to be vaporized. The Cold War was waged on a territory that knew no boundaries but left few traces.(...)
Survival city : adventures among the ruins of atomic America
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The Cold War was the war that never happened. Nonetheless, it spurred the most significant buildup of military contingency this country has ever known: from the bunkers of Greenbrier, West Virginia, to the "proving grounds" of Nevada, where entire cities were built only to be vaporized. The Cold War was waged on a territory that knew no boundaries but left few traces. In this fascinating--and at turns frightening and comical--travelogue to the hidden battlefields of the Cold War, Tom Vanderbilt travels the Interstate (itself a product of the Cold War) to uncover the sites of Cold War architecture and reflect on their lasting heritage. In the process, Vanderbilt shows us what the Cold War landscape looked like, how architecture tried to adapt to the threat of mass destruction, how cities coped with the knowledge that they were nuclear targets, and finally what remains of the Cold War theater today, both its visible and invisible legacies. Ultimately, Vanderbilt gives us a deep look into our cultural soul, the dreams and fears that drove us for the last half of the 20th century.
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March 2002, New York
Architectural Theory
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Architecture, we like to believe, is an elevated art form that shapes the world as it pleases. Four Walls and a Roof challenges this notion, presenting a candid account of what it is really like to work as an architect. Drawing on his own tragicomic experiences in the field, Reinier de Graaf reveals the world of contemporary architecture in vivid snapshots: from suburban(...)
Four walls and a roof: the complex nature of a simple profession
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Architecture, we like to believe, is an elevated art form that shapes the world as it pleases. Four Walls and a Roof challenges this notion, presenting a candid account of what it is really like to work as an architect. Drawing on his own tragicomic experiences in the field, Reinier de Graaf reveals the world of contemporary architecture in vivid snapshots: from suburban New York to the rubble of northern Iraq, from the corridors of wealth in London, Moscow, and Dubai to garbage-strewn wastelands that represent the demolished hopes of postwar social housing. We meet oligarchs determined to translate ambitions into concrete and steel, developers for whom architecture is mere investment, and the layers of politicians, bureaucrats, consultants, and mysterious hangers-on who lie between any architectural idea and the chance of its execution. Four Walls and a Roof tells the story of a profession buffeted by external forces that determine—at least as much as individual inspiration—what architects design. Perhaps the most important myth debunked is success itself. To achieve anything, architects must serve the powers they strive to critique, finding themselves in a perpetual conflict of interest. Together, architects, developers, politicians, and consultants form an improvised world of contest and compromise that none alone can control.
Architectural Theory
The accident of art
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982(...)
Architectural Theory
May 2003, Cambridge, Mass.
The accident of art
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982 with Pure War and continued with Crepuscular Dawn, their 2002 work on architecture and biotechnology. In The Accident of Art, Virilio and Lotringer argue that a direct relation exists between war trauma and art. Why has art failed to reinvent itself in the face of technology, unlike performing art? Why has art simply retreated into painting, or surrendered to digital technology? Accidents, Virilio claims, can free us from speed's inertia. As technological catastrophes, accidents are inventions in their own right.
Architectural Theory