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ix, 279 pages : illustrations (some color), 1 map ; 26 cm
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ix, 279 pages : illustrations (some color), 1 map ; 26 cm
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Baltimore : Johns Hopkins University Press, [1999]., ©1999
Baltimore : Johns Hopkins University Press, [1999]., ©1999
Title:
"Perfectly delightful" : the life and gardens of Harvey Ladew / Christopher Weeks.
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ix, 279 pages : illustrations (some color), 1 map ; 26 cm
"Perfectly delightful" : the life and gardens of Harvey Ladew / Christopher Weeks.
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ix, 279 pages : illustrations (some color), 1 map ; 26 cm
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books
books
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Baltimore : Johns Hopkins University Press, [1999]., ©1999
Baltimore : Johns Hopkins University Press, [1999]., ©1999
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books
books
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127 pages : color illustrations ; 33 cm
Description:
127 pages : color illustrations ; 33 cm
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Heidelberg : Kehrer Verlag, [2024], ©2024
Heidelberg : Kehrer Verlag, [2024], ©2024
Title:
Locations from a movie I never made / David Graham ; text, Leah Modigliani.
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127 pages : color illustrations ; 33 cm
Locations from a movie I never made / David Graham ; text, Leah Modigliani.
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127 pages : color illustrations ; 33 cm
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books
books
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Heidelberg : Kehrer Verlag, [2024], ©2024
Heidelberg : Kehrer Verlag, [2024], ©2024
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books
books
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239 pages : illustrations ; 27 cm
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239 pages : illustrations ; 27 cm
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Rotterdam : NAi Publishers, [2011], ©2011.
Rotterdam : NAi Publishers, [2011], ©2011.
Title:
Walk on a line, the idea to deviate from it, for example in a film : photos from Japan and my archive / Paulien Oltheten.
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239 pages : illustrations ; 27 cm
Walk on a line, the idea to deviate from it, for example in a film : photos from Japan and my archive / Paulien Oltheten.
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239 pages : illustrations ; 27 cm
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books
books
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Rotterdam : NAi Publishers, [2011], ©2011.
Rotterdam : NAi Publishers, [2011], ©2011.
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books
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xxiii, 575 pages, 16 unnumbered pages of plates : illustrations, maps, portraits ; 20 cm
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xxiii, 575 pages, 16 unnumbered pages of plates : illustrations, maps, portraits ; 20 cm
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London : HarperCollins, 1998.
London : HarperCollins, 1998.
Title:
Empires of the monsoon : a history of the Indian Ocean and its invaders / Richard Hall.
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xxiii, 575 pages, 16 unnumbered pages of plates : illustrations, maps, portraits ; 20 cm
Empires of the monsoon : a history of the Indian Ocean and its invaders / Richard Hall.
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xxiii, 575 pages, 16 unnumbered pages of plates : illustrations, maps, portraits ; 20 cm
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books
books
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London : HarperCollins, 1998.
London : HarperCollins, 1998.
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books
books
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An alliterative lexicon of architectural memories : a compendious compendium / Alberto Pérez-Gómez.
An alliterative lexicon of architectural memories : a compendious compendium / Alberto Pérez-Gómez.
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2 volumes : illustrations ; 26 cm
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2 volumes : illustrations ; 26 cm
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Montreal : Rightangle International, [2024], ©2024
Montreal : Rightangle International, [2024], ©2024
Title:
An alliterative lexicon of architectural memories : a compendious compendium / Alberto Pérez-Gómez.
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2 volumes : illustrations ; 26 cm
An alliterative lexicon of architectural memories : a compendious compendium / Alberto Pérez-Gómez.
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2 volumes : illustrations ; 26 cm
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books
books
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Montreal : Rightangle International, [2024], ©2024
Montreal : Rightangle International, [2024], ©2024
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books
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x, 218 pages : illustrations ; 26 cm
Description:
x, 218 pages : illustrations ; 26 cm
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Cambridge ; New York : Cambridge University Press, 1979.
Cambridge ; New York : Cambridge University Press, 1979.
Title:
Ephesus after antiquity : a late antique, Byzantine, and Turkish city / Clive Foss.
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x, 218 pages : illustrations ; 26 cm
Ephesus after antiquity : a late antique, Byzantine, and Turkish city / Clive Foss.
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x, 218 pages : illustrations ; 26 cm
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books
books
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Cambridge ; New York : Cambridge University Press, 1979.
Cambridge ; New York : Cambridge University Press, 1979.
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xii, 285 pages, 8 unnumbered pages of plates : illustrations (some color) ; 25 cm
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xii, 285 pages, 8 unnumbered pages of plates : illustrations (some color) ; 25 cm
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New York : Pantheon Books, ©2005.
New York : Pantheon Books, ©2005.
Title:
The ongoing moment / Geoff Dyer.
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xii, 285 pages, 8 unnumbered pages of plates : illustrations (some color) ; 25 cm
The ongoing moment / Geoff Dyer.
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xii, 285 pages, 8 unnumbered pages of plates : illustrations (some color) ; 25 cm
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books
books
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New York : Pantheon Books, ©2005.
New York : Pantheon Books, ©2005.
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books
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Frank Lloyd Wright : the complete works = das Gesamtwerk = l'œuvre complète / Bruce Brooks Pfeiffer.
Frank Lloyd Wright : the complete works = das Gesamtwerk = l'œuvre complète / Bruce Brooks Pfeiffer.
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3 volumes : illustrations (some color), plans ; 32 x 41 cm
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3 volumes : illustrations (some color), plans ; 32 x 41 cm
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Hong Kong ; Los Angeles : Taschen, ©2009.
Hong Kong ; Los Angeles : Taschen, ©2009.
Title:
Frank Lloyd Wright : the complete works = das Gesamtwerk = l'œuvre complète / Bruce Brooks Pfeiffer.
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3 volumes : illustrations (some color), plans ; 32 x 41 cm
Frank Lloyd Wright : the complete works = das Gesamtwerk = l'œuvre complète / Bruce Brooks Pfeiffer.
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3 volumes : illustrations (some color), plans ; 32 x 41 cm
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books
books
Publication:
Hong Kong ; Los Angeles : Taschen, ©2009.
Hong Kong ; Los Angeles : Taschen, ©2009.
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books
books
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$67.50
(available to order)
Summary:
Today we are so accustomed to seeing photographs wedded to text--whether in the family album or daily newspaper--that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes(...)
$67.50
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Summary:
Today we are so accustomed to seeing photographs wedded to text--whether in the family album or daily newspaper--that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes(...)
Subject:
Photography Collections
Photography Collections
Publication:
November 1998, Cambridge, Mass.
November 1998, Cambridge, Mass.
Title:
Scenes in a library : reading the photograph in the book, 1843-1875
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Today we are so accustomed to seeing photographs wedded to text--whether in the family album or daily newspaper--that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes clear and self-evident, as if by the evidence of the photograph itself. In Scenes in a Library, Carol Armstrong explores the experimental moment, at the inception of the new medium, when the word came to haunt the photographic image, and the forty or so years--roughly from the 1840s to the 1880s--during which the photographic image alternately resisted and became assimilated to the printed page. Armstrong's emphasis is on British books. Not only was it in an English book that the paper photograph was first described and published, but the range of subject matter of nineteenth-century British photographically illustrated books prior to the 1880s was as rich as it was peculiar and sometimes recalcitrant. Armstrong focuses on one book about photography (Talbot's The Pencil of Nature); one "scientific" book (Anna Atkins's Photographs of British Algae); two travel narratives, one factual and one fictional (Francis Frith's Egypt and Palestine Photographed and Observed and his illustrated edition of Longfellow's novel Hyperion: A Romance); and one book of poetry (Julia Margaret Cameron's Illustrations to Alfred Lord Tennyson's Idylls of the King); as well as some miscellaneous books from the 1870s. According to Armstrong, art history has tended to remove the historic photograph from its printed and published context. Moving back and forth between close looking and equally close reading, she reinserts the photograph into the book from which it was taken.
Scenes in a library : reading the photograph in the book, 1843-1875
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$67.50
(available to order)
Summary:
Today we are so accustomed to seeing photographs wedded to text--whether in the family album or daily newspaper--that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes clear and self-evident, as if by the evidence of the photograph itself. In Scenes in a Library, Carol Armstrong explores the experimental moment, at the inception of the new medium, when the word came to haunt the photographic image, and the forty or so years--roughly from the 1840s to the 1880s--during which the photographic image alternately resisted and became assimilated to the printed page. Armstrong's emphasis is on British books. Not only was it in an English book that the paper photograph was first described and published, but the range of subject matter of nineteenth-century British photographically illustrated books prior to the 1880s was as rich as it was peculiar and sometimes recalcitrant. Armstrong focuses on one book about photography (Talbot's The Pencil of Nature); one "scientific" book (Anna Atkins's Photographs of British Algae); two travel narratives, one factual and one fictional (Francis Frith's Egypt and Palestine Photographed and Observed and his illustrated edition of Longfellow's novel Hyperion: A Romance); and one book of poetry (Julia Margaret Cameron's Illustrations to Alfred Lord Tennyson's Idylls of the King); as well as some miscellaneous books from the 1870s. According to Armstrong, art history has tended to remove the historic photograph from its printed and published context. Moving back and forth between close looking and equally close reading, she reinserts the photograph into the book from which it was taken.
Form:
books
books
Publication:
November 1998, Cambridge, Mass.
November 1998, Cambridge, Mass.
Subject:
Photography Collections
Photography Collections
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books
books
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$105.00
(available in store)
Summary:
In April 2013, photographers Nico Krebs and Taiyo Onorato, who have been working together for a dozen years, loaded up their 1987 Toyota Land Cruiser in Switzerland and headed east. They'd already roughly traced their route by running a finger across the map of Eurasia to their ultimate destination, Ulan Bator, the capital of Mongolia. It felt like setting forth on an(...)
$105.00
(available in store)
Summary:
In April 2013, photographers Nico Krebs and Taiyo Onorato, who have been working together for a dozen years, loaded up their 1987 Toyota Land Cruiser in Switzerland and headed east. They'd already roughly traced their route by running a finger across the map of Eurasia to their ultimate destination, Ulan Bator, the capital of Mongolia. It felt like setting forth on an(...)
Title:
Continental drift: Nico Krebs, Taiyo Onorato
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$105.00
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In April 2013, photographers Nico Krebs and Taiyo Onorato, who have been working together for a dozen years, loaded up their 1987 Toyota Land Cruiser in Switzerland and headed east. They'd already roughly traced their route by running a finger across the map of Eurasia to their ultimate destination, Ulan Bator, the capital of Mongolia. It felt like setting forth on an expedition to the mystical realms of the East: Eurasia, Central Asia, the foothills of the Himalayas, the forests of Siberia, the Stan Republics, the gigantic expanse of the former Soviet Union. A vast land mass, very few images of which are lodged in our minds, at least no clear and well-defined images, rather a haze of history and global politics. Nico Krebs and Taiyo Onorato went out in search of these images, to reproduce them, and to create them themselves. "Continental drift" is a travel log straddling the fine line between documentation and fiction about unknown lands, their possible past and conjectured future. It relates encounters with the utterly bizarre and inaccessibly alien, as well as with a remarkable openness and lavish hospitality they'd never known before, in striking contrast to their previous trip across the United States (The Great Unreal, now in its third edition at Edition Patrick Frey). Many of the countries and regions they traversed are in the throes of upheaval, caught between thousand-year-old traditions and post-Communist history and geopolitics, religious, territorial and ethnic turmoil, and the spreading desire to jump on the bandwagon of global turbocapitalism. The search for identity here is palpable—a search, along with the attendant confusion, graphically depicted in "Continental drift".
Continental drift: Nico Krebs, Taiyo Onorato
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Price:
$105.00
(available in store)
Summary:
In April 2013, photographers Nico Krebs and Taiyo Onorato, who have been working together for a dozen years, loaded up their 1987 Toyota Land Cruiser in Switzerland and headed east. They'd already roughly traced their route by running a finger across the map of Eurasia to their ultimate destination, Ulan Bator, the capital of Mongolia. It felt like setting forth on an expedition to the mystical realms of the East: Eurasia, Central Asia, the foothills of the Himalayas, the forests of Siberia, the Stan Republics, the gigantic expanse of the former Soviet Union. A vast land mass, very few images of which are lodged in our minds, at least no clear and well-defined images, rather a haze of history and global politics. Nico Krebs and Taiyo Onorato went out in search of these images, to reproduce them, and to create them themselves. "Continental drift" is a travel log straddling the fine line between documentation and fiction about unknown lands, their possible past and conjectured future. It relates encounters with the utterly bizarre and inaccessibly alien, as well as with a remarkable openness and lavish hospitality they'd never known before, in striking contrast to their previous trip across the United States (The Great Unreal, now in its third edition at Edition Patrick Frey). Many of the countries and regions they traversed are in the throes of upheaval, caught between thousand-year-old traditions and post-Communist history and geopolitics, religious, territorial and ethnic turmoil, and the spreading desire to jump on the bandwagon of global turbocapitalism. The search for identity here is palpable—a search, along with the attendant confusion, graphically depicted in "Continental drift".
Form:
books
books
Publication:
April 2017
April 2017
Subject:
Photography monographs
Photography monographs
