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$32.95
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Young architects practicing today are working with diversified tools as a result of technological advances in building methodologies, expanded communication networks, and cross-fertilization from other disciplines and industries. Competition entrants were asked to consider whether this increased the potential for architectural ideas to resonate with issues and concerns(...)
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Young architects practicing today are working with diversified tools as a result of technological advances in building methodologies, expanded communication networks, and cross-fertilization from other disciplines and industries. Competition entrants were asked to consider whether this increased the potential for architectural ideas to resonate with issues and concerns(...)
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Young architects 10 : resonance
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Young architects practicing today are working with diversified tools as a result of technological advances in building methodologies, expanded communication networks, and cross-fertilization from other disciplines and industries. Competition entrants were asked to consider whether this increased the potential for architectural ideas to resonate with issues and concerns outside of their discipline. The competition winners—Gage/Clemenceau Architects, PellOverton Architecture R + D, Easton + Combs, Xu Tiantian, Project Open, and RVTR—each incorporated variations of the "resonance" to frame their portfolios and demonstrate the necessity for architecture to look outside its disciplinary boundaries for solutions to the global challenges facing the world today.
Young architects 10 : resonance
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Young architects practicing today are working with diversified tools as a result of technological advances in building methodologies, expanded communication networks, and cross-fertilization from other disciplines and industries. Competition entrants were asked to consider whether this increased the potential for architectural ideas to resonate with issues and concerns outside of their discipline. The competition winners—Gage/Clemenceau Architects, PellOverton Architecture R + D, Easton + Combs, Xu Tiantian, Project Open, and RVTR—each incorporated variations of the "resonance" to frame their portfolios and demonstrate the necessity for architecture to look outside its disciplinary boundaries for solutions to the global challenges facing the world today.
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books
books
Publication:
January 2009
January 2009
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
books
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$38.00
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In this book William Morris the man, and ‘The Firm’, are considered by Pat Kirkham, of the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture in New York. British design after Morris is surveyed by Gillian Naylor, an established authority on nineteenth- and twentieth-century design and Edward R. Bosley, Director of the Gamble House in Pasadena,(...)
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In this book William Morris the man, and ‘The Firm’, are considered by Pat Kirkham, of the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture in New York. British design after Morris is surveyed by Gillian Naylor, an established authority on nineteenth- and twentieth-century design and Edward R. Bosley, Director of the Gamble House in Pasadena,(...)
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The beauty of life : William Morris & the art of design
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In this book William Morris the man, and ‘The Firm’, are considered by Pat Kirkham, of the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture in New York. British design after Morris is surveyed by Gillian Naylor, an established authority on nineteenth- and twentieth-century design and Edward R. Bosley, Director of the Gamble House in Pasadena, California, looks at Morris and American Arts and Crafts. These essays frame detailed studies by Diane Waggoner of Morris’s stained glass, interior decoration designs and book publishing ventures, and of his successor at Morris & Company, J. H. Dearle.
The beauty of life : William Morris & the art of design
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In this book William Morris the man, and ‘The Firm’, are considered by Pat Kirkham, of the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture in New York. British design after Morris is surveyed by Gillian Naylor, an established authority on nineteenth- and twentieth-century design and Edward R. Bosley, Director of the Gamble House in Pasadena, California, looks at Morris and American Arts and Crafts. These essays frame detailed studies by Diane Waggoner of Morris’s stained glass, interior decoration designs and book publishing ventures, and of his successor at Morris & Company, J. H. Dearle.
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books
books
Publication:
September 2003, New York
September 2003, New York
Subject:
Design Monographs
Design Monographs
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books
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Description:
xii, 265 pages : illustrations ; 26 cm.
Description:
xii, 265 pages : illustrations ; 26 cm.
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Philadelphia : University of Pennsylvania Press, ©2002.
Philadelphia : University of Pennsylvania Press, ©2002.
Title:
Theory in landscape architecture : a reader / edited by Simon Swaffield.
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xii, 265 pages : illustrations ; 26 cm.
Theory in landscape architecture : a reader / edited by Simon Swaffield.
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xii, 265 pages : illustrations ; 26 cm.
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books
books
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Philadelphia : University of Pennsylvania Press, ©2002.
Philadelphia : University of Pennsylvania Press, ©2002.
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books
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$86.00
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Album covers, concert posters, flyers, fanzines, comics and photographs by Swiss graphic designers, musicians and photographers from the past 50 years of rock and pop history make The Swiss Art of Rock a terrific graphic design document and resource. Lurker Grand’s third and most recent book project in a trilogy published by Edition Patrick Frey, Die Not hat Ein Ende(...)
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Album covers, concert posters, flyers, fanzines, comics and photographs by Swiss graphic designers, musicians and photographers from the past 50 years of rock and pop history make The Swiss Art of Rock a terrific graphic design document and resource. Lurker Grand’s third and most recent book project in a trilogy published by Edition Patrick Frey, Die Not hat Ein Ende(...)
Title:
Die not hat ein ende: the Swiss art of rock
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Album covers, concert posters, flyers, fanzines, comics and photographs by Swiss graphic designers, musicians and photographers from the past 50 years of rock and pop history make The Swiss Art of Rock a terrific graphic design document and resource. Lurker Grand’s third and most recent book project in a trilogy published by Edition Patrick Frey, Die Not hat Ein Ende (Need Comes to an End) is packed with images and interwoven with texts on both musical and graphic history. Here the focus is not so much on a musical era and its protagonists as on the visualization of the subcultures. In addition to visualizing the music, much space is devoted to the history of the music itself. Music journalist, collector and curator Samuel Mumenthaler, co-author of this book, offers a detailed chronology of the development of rock music in Switzerland. Roland Fischbacher, Director of the Visual Communications Program at the Bern School for the Arts, and Robert Lzicar, design researcher and designer, discuss the roots of Swiss rock graphics. Additional essays cover international influences, montage and image construction, sampling, remix and craft. Also featured is an extensive artist index including works by contemporary greats from H. R. Geiger and Peter Fischli to R. Crumb and Roy Lichtenstein, plus an index of bands from Aerosmith to Frank Zappa. This is a pioneering work that no one in Switzerland has undertaken to date, making for a fascinating and comprehensive study of the aesthetics of an artistic avant-garde.
Die not hat ein ende: the Swiss art of rock
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$86.00
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Album covers, concert posters, flyers, fanzines, comics and photographs by Swiss graphic designers, musicians and photographers from the past 50 years of rock and pop history make The Swiss Art of Rock a terrific graphic design document and resource. Lurker Grand’s third and most recent book project in a trilogy published by Edition Patrick Frey, Die Not hat Ein Ende (Need Comes to an End) is packed with images and interwoven with texts on both musical and graphic history. Here the focus is not so much on a musical era and its protagonists as on the visualization of the subcultures. In addition to visualizing the music, much space is devoted to the history of the music itself. Music journalist, collector and curator Samuel Mumenthaler, co-author of this book, offers a detailed chronology of the development of rock music in Switzerland. Roland Fischbacher, Director of the Visual Communications Program at the Bern School for the Arts, and Robert Lzicar, design researcher and designer, discuss the roots of Swiss rock graphics. Additional essays cover international influences, montage and image construction, sampling, remix and craft. Also featured is an extensive artist index including works by contemporary greats from H. R. Geiger and Peter Fischli to R. Crumb and Roy Lichtenstein, plus an index of bands from Aerosmith to Frank Zappa. This is a pioneering work that no one in Switzerland has undertaken to date, making for a fascinating and comprehensive study of the aesthetics of an artistic avant-garde.
Form:
books
books
Publication:
July 2015
July 2015
Subject:
Printed Matter
Printed Matter
Form:
books
books
Title:
Donald Judd interviews
Donald Judd interviews
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$53.95
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Summary:
This collection of interviews engages a diverse range of topics, from philosophy and politics to Judd’s insightful critiques of his own work and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Kusama, Barnett Newman, and Jackson Pollock. The opening discussion of the volume between Judd, Dan Flavin, and Frank Stella provides the foundation for many of the(...)
$53.95
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Summary:
This collection of interviews engages a diverse range of topics, from philosophy and politics to Judd’s insightful critiques of his own work and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Kusama, Barnett Newman, and Jackson Pollock. The opening discussion of the volume between Judd, Dan Flavin, and Frank Stella provides the foundation for many of the(...)
Title:
Donald Judd interviews
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$53.95
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This collection of interviews engages a diverse range of topics, from philosophy and politics to Judd’s insightful critiques of his own work and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Kusama, Barnett Newman, and Jackson Pollock. The opening discussion of the volume between Judd, Dan Flavin, and Frank Stella provides the foundation for many of the succeeding conversations, focusing on the nature and material conditions of the new art developing in the 1960s. The publication also gathers a substantial body of unpublished material across a range of mediums including extensive interviews with art historians Lucy R. Lippard and Barbara Rose.
Donald Judd interviews
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$53.95
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Summary:
This collection of interviews engages a diverse range of topics, from philosophy and politics to Judd’s insightful critiques of his own work and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Kusama, Barnett Newman, and Jackson Pollock. The opening discussion of the volume between Judd, Dan Flavin, and Frank Stella provides the foundation for many of the succeeding conversations, focusing on the nature and material conditions of the new art developing in the 1960s. The publication also gathers a substantial body of unpublished material across a range of mediums including extensive interviews with art historians Lucy R. Lippard and Barbara Rose.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$65.00
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Summary:
"Design agendas: Modern architecture in St. Louis, 1930s–1970s" features essays on the modernist architects Charles E. Fleming, R. Buckminster Fuller, Eric Mendelsohn, and Gyo Obata by contributing scholars Shantel Blakely, John C. Guenther, Kathleen James-Chakraborty, and Winifred Elysse Newman, as well as a memoir by Michael E. Willis, FAIA, NOMA. Editor and(...)
$65.00
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Summary:
"Design agendas: Modern architecture in St. Louis, 1930s–1970s" features essays on the modernist architects Charles E. Fleming, R. Buckminster Fuller, Eric Mendelsohn, and Gyo Obata by contributing scholars Shantel Blakely, John C. Guenther, Kathleen James-Chakraborty, and Winifred Elysse Newman, as well as a memoir by Michael E. Willis, FAIA, NOMA. Editor and(...)
Subject:
Modernism
Modernism
Publication:
January 2025
January 2025
Title:
Design agendas: Modern architecture in St. Louis 1930s-1970s
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$65.00
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"Design agendas: Modern architecture in St. Louis, 1930s–1970s" features essays on the modernist architects Charles E. Fleming, R. Buckminster Fuller, Eric Mendelsohn, and Gyo Obata by contributing scholars Shantel Blakely, John C. Guenther, Kathleen James-Chakraborty, and Winifred Elysse Newman, as well as a memoir by Michael E. Willis, FAIA, NOMA. Editor and architectural historian Eric P. Mumford situates the work of these architects and others within the context of St. Louis urban development against the midcentury backdrop of New Deal planning, the Great Migration, and the civil rights and Great Society eras. This publication adds to the small but growing number of studies on modern architecture in St. Louis.
Design agendas: Modern architecture in St. Louis 1930s-1970s
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$65.00
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Summary:
"Design agendas: Modern architecture in St. Louis, 1930s–1970s" features essays on the modernist architects Charles E. Fleming, R. Buckminster Fuller, Eric Mendelsohn, and Gyo Obata by contributing scholars Shantel Blakely, John C. Guenther, Kathleen James-Chakraborty, and Winifred Elysse Newman, as well as a memoir by Michael E. Willis, FAIA, NOMA. Editor and architectural historian Eric P. Mumford situates the work of these architects and others within the context of St. Louis urban development against the midcentury backdrop of New Deal planning, the Great Migration, and the civil rights and Great Society eras. This publication adds to the small but growing number of studies on modern architecture in St. Louis.
Form:
books
books
Publication:
January 2025
January 2025
Subject:
Modernism
Modernism
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books
books
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$37.50
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Working from her own lived experience in a New Mexico village and inspired by gravel pits in the landscape, author, curator, and activist Lucy R. Lippard weaves a number of fascinating themes—among them fracking, mining, land art, adobe buildings, ruins, Indian land rights, the Old West, tourism, photography, and water—into a tapestry that illuminates the relationship(...)
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Working from her own lived experience in a New Mexico village and inspired by gravel pits in the landscape, author, curator, and activist Lucy R. Lippard weaves a number of fascinating themes—among them fracking, mining, land art, adobe buildings, ruins, Indian land rights, the Old West, tourism, photography, and water—into a tapestry that illuminates the relationship(...)
Title:
Undermining: a wild ride through land use, politics and art in the changing west
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Working from her own lived experience in a New Mexico village and inspired by gravel pits in the landscape, author, curator, and activist Lucy R. Lippard weaves a number of fascinating themes—among them fracking, mining, land art, adobe buildings, ruins, Indian land rights, the Old West, tourism, photography, and water—into a tapestry that illuminates the relationship between culture and the land. From threatened Native American sacred sites to the history of uranium mining, she offers a skeptical examination of the 'subterranean economy.' ''Undermining'' is a must-read for anyone eager to explore a new way of understanding the relationship between art and place in a rapidly shifting society.
Undermining: a wild ride through land use, politics and art in the changing west
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$37.50
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Summary:
Working from her own lived experience in a New Mexico village and inspired by gravel pits in the landscape, author, curator, and activist Lucy R. Lippard weaves a number of fascinating themes—among them fracking, mining, land art, adobe buildings, ruins, Indian land rights, the Old West, tourism, photography, and water—into a tapestry that illuminates the relationship between culture and the land. From threatened Native American sacred sites to the history of uranium mining, she offers a skeptical examination of the 'subterranean economy.' ''Undermining'' is a must-read for anyone eager to explore a new way of understanding the relationship between art and place in a rapidly shifting society.
Form:
books
books
Publication:
May 2014
May 2014
Subject:
Art Theory
Art Theory
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books
books
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$40.00
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Summary:
Jack Masey served with the United States Information Agency from 1951 to 1979, for many years as Director of Design. He commissioned numerous American architects and designers including R. Buckminster Fuller, Charles and Ray Eames, George Nelson, Peter Blake, Ivan Chermayeff and Thomas Geismar to design the US presence at major world Expos including Expo ’67 in Montreal(...)
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Summary:
Jack Masey served with the United States Information Agency from 1951 to 1979, for many years as Director of Design. He commissioned numerous American architects and designers including R. Buckminster Fuller, Charles and Ray Eames, George Nelson, Peter Blake, Ivan Chermayeff and Thomas Geismar to design the US presence at major world Expos including Expo ’67 in Montreal(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
November 2008, Baden
November 2008, Baden
Title:
Cold war confrontations: US exhibitions and their role in the cultural cold war
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Jack Masey served with the United States Information Agency from 1951 to 1979, for many years as Director of Design. He commissioned numerous American architects and designers including R. Buckminster Fuller, Charles and Ray Eames, George Nelson, Peter Blake, Ivan Chermayeff and Thomas Geismar to design the US presence at major world Expos including Expo ’67 in Montreal and Expo ’70 in Osaka. This book draws on Masey’s recollections, recently declassified documents, unpublished memoirs and photographs, interviews with surviving members of U.S. design teams, and others, to detail the significant role played by architects and designers in shaping America’s image during the cultural Cold War.
Cold war confrontations: US exhibitions and their role in the cultural cold war
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$40.00
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Summary:
Jack Masey served with the United States Information Agency from 1951 to 1979, for many years as Director of Design. He commissioned numerous American architects and designers including R. Buckminster Fuller, Charles and Ray Eames, George Nelson, Peter Blake, Ivan Chermayeff and Thomas Geismar to design the US presence at major world Expos including Expo ’67 in Montreal and Expo ’70 in Osaka. This book draws on Masey’s recollections, recently declassified documents, unpublished memoirs and photographs, interviews with surviving members of U.S. design teams, and others, to detail the significant role played by architects and designers in shaping America’s image during the cultural Cold War.
Form:
books
books
Publication:
November 2008, Baden
November 2008, Baden
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$99.00
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Summary:
Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring(...)
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Summary:
Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring(...)
Title:
The third mind: american artists contemplate Asia, 1860-1989
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$99.00
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Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring 270 objects in an array of media including painting, works on paper, books and ephemera, sculptures, video art and installations, this richly illustrated catalogue also includes scholarly essays by museum curators and academics specializing in art history, intellectual history, Asian studies and Postcolonial religious and cultural studies and representing a range of interdisciplinary perspectives.
The third mind: american artists contemplate Asia, 1860-1989
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$99.00
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Summary:
Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring 270 objects in an array of media including painting, works on paper, books and ephemera, sculptures, video art and installations, this richly illustrated catalogue also includes scholarly essays by museum curators and academics specializing in art history, intellectual history, Asian studies and Postcolonial religious and cultural studies and representing a range of interdisciplinary perspectives.
Form:
books
books
Publication:
January 2009, New York
January 2009, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Le livre des tables
Le livre des tables
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$35.95
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49 artistes invités à présenter des œuvres créées pendant ou après le confinement, avec la contrainte de devoir tenir sur une petite table : un projet mettant en lumière les pratiques artistiques intimes et domestiques à travers les diverses créations qui naissent sur des plans de travail, consoles ou autres dessertes ordinaires. Conçue dans les interstices du confinement(...)
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49 artistes invités à présenter des œuvres créées pendant ou après le confinement, avec la contrainte de devoir tenir sur une petite table : un projet mettant en lumière les pratiques artistiques intimes et domestiques à travers les diverses créations qui naissent sur des plans de travail, consoles ou autres dessertes ordinaires. Conçue dans les interstices du confinement(...)
Title:
Le livre des tables
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$35.95
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49 artistes invités à présenter des œuvres créées pendant ou après le confinement, avec la contrainte de devoir tenir sur une petite table : un projet mettant en lumière les pratiques artistiques intimes et domestiques à travers les diverses créations qui naissent sur des plans de travail, consoles ou autres dessertes ordinaires. Conçue dans les interstices du confinement lié à la crise sanitaire du printemps 2020, l’exposition « La vie des tables » invite des artistes à exposer sur une multitude de tables placées dans un même espace. Sous l’influence des expositions et des textes produits par la critique d’art américaine Lucy R. Lippard et prenant le parti de soutenir la création contemporaine.
Le livre des tables
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Price:
$35.95
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Summary:
49 artistes invités à présenter des œuvres créées pendant ou après le confinement, avec la contrainte de devoir tenir sur une petite table : un projet mettant en lumière les pratiques artistiques intimes et domestiques à travers les diverses créations qui naissent sur des plans de travail, consoles ou autres dessertes ordinaires. Conçue dans les interstices du confinement lié à la crise sanitaire du printemps 2020, l’exposition « La vie des tables » invite des artistes à exposer sur une multitude de tables placées dans un même espace. Sous l’influence des expositions et des textes produits par la critique d’art américaine Lucy R. Lippard et prenant le parti de soutenir la création contemporaine.
Form:
books
books
Publication:
January 2022
January 2022
Subject:
Group Exhibitions
Group Exhibitions
