9436 Results
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journals and magazines
journals and magazines
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No.7. "Uniformagazine" has so far published contributions by Derek Beaulieu, David Bellingham, John Bevis, Peter Blegvad, Janet Boulton, Paul Bowles, Angus Carlyle, J. R. Carpenter, Chiara Caterina, Rebecca Chesney, Les Coleman, Jeremy Cooper, Simon Cutts, Stephen Duncalf, Martin Fidler, Ian Hamilton Finlay, Michael Gibbs, Kenneth Goldsmith, Michael Hampton, Martha(...)
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No.7. "Uniformagazine" has so far published contributions by Derek Beaulieu, David Bellingham, John Bevis, Peter Blegvad, Janet Boulton, Paul Bowles, Angus Carlyle, J. R. Carpenter, Chiara Caterina, Rebecca Chesney, Les Coleman, Jeremy Cooper, Simon Cutts, Stephen Duncalf, Martin Fidler, Ian Hamilton Finlay, Michael Gibbs, Kenneth Goldsmith, Michael Hampton, Martha(...)
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Uniformagazine no.7 Autumn 2016
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No.7. "Uniformagazine" has so far published contributions by Derek Beaulieu, David Bellingham, John Bevis, Peter Blegvad, Janet Boulton, Paul Bowles, Angus Carlyle, J. R. Carpenter, Chiara Caterina, Rebecca Chesney, Les Coleman, Jeremy Cooper, Simon Cutts, Stephen Duncalf, Martin Fidler, Ian Hamilton Finlay, Michael Gibbs, Kenneth Goldsmith, Michael Hampton, Martha Hellion, Geoffrey Hutchings, Elizabeth James, Ronald Johnson, John Kannenberg, Brian Lane, Cathy Lane, David Matless, Chris McCabe, Claudia Molitor, Gavin Morrison, Reinhard Mucha, Stuart Mugridge, Maria Papadomanolaki, Mark Pawson, Kasper Pincis, Rick Poynor, Steve Roden, Colin Sackett, Dawn Scarfe, Theo Simpson, Grant Smith, Phil Smith, Tim Staples, Gertrude Stein, Peter Suchin, Michael Upton, Erica Van Horn, Jan Voss, Emmanuelle Waeckerle, Ian Waites, Nathan Walker, Eric Watier, Tom Wilkinson, Stephen Willats, Ken Worpole, L. L. Zamenhof.
Uniformagazine no.7 Autumn 2016
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No.7. "Uniformagazine" has so far published contributions by Derek Beaulieu, David Bellingham, John Bevis, Peter Blegvad, Janet Boulton, Paul Bowles, Angus Carlyle, J. R. Carpenter, Chiara Caterina, Rebecca Chesney, Les Coleman, Jeremy Cooper, Simon Cutts, Stephen Duncalf, Martin Fidler, Ian Hamilton Finlay, Michael Gibbs, Kenneth Goldsmith, Michael Hampton, Martha Hellion, Geoffrey Hutchings, Elizabeth James, Ronald Johnson, John Kannenberg, Brian Lane, Cathy Lane, David Matless, Chris McCabe, Claudia Molitor, Gavin Morrison, Reinhard Mucha, Stuart Mugridge, Maria Papadomanolaki, Mark Pawson, Kasper Pincis, Rick Poynor, Steve Roden, Colin Sackett, Dawn Scarfe, Theo Simpson, Grant Smith, Phil Smith, Tim Staples, Gertrude Stein, Peter Suchin, Michael Upton, Erica Van Horn, Jan Voss, Emmanuelle Waeckerle, Ian Waites, Nathan Walker, Eric Watier, Tom Wilkinson, Stephen Willats, Ken Worpole, L. L. Zamenhof.
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journals and magazines
journals and magazines
Publication:
November 2016
November 2016
Subject:
Magazines
Magazines
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books
books
Title:
L'univers Playboy
L'univers Playboy
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique(...)
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique(...)
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L'univers Playboy
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique créateur d'univers. Sexy pour les uns, sexiste pour les autres, l'excentricité érotique de ses penthouses cache en réalité une cosmétique bien plus vaste. Avec son jet privé Big Bunny, ses hôtesses, ses clubs, ses Manoirs Est et Ouest, sa Grotte, son zoo, son lit connecté et ses filiales multimédias, Hefner a finalement inventé un monde illusoire à l'image de l'Amérique : le sien.
L'univers Playboy
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique créateur d'univers. Sexy pour les uns, sexiste pour les autres, l'excentricité érotique de ses penthouses cache en réalité une cosmétique bien plus vaste. Avec son jet privé Big Bunny, ses hôtesses, ses clubs, ses Manoirs Est et Ouest, sa Grotte, son zoo, son lit connecté et ses filiales multimédias, Hefner a finalement inventé un monde illusoire à l'image de l'Amérique : le sien.
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books
books
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November 2016
November 2016
Subject:
Architectural Theory
Architectural Theory
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72 items : illustrations ; various sizes
Description:
72 items : illustrations ; various sizes
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Group of air raid precautions and civil defence publications 1935-1954.
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72 items : illustrations ; various sizes
Group of air raid precautions and civil defence publications 1935-1954.
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72 items : illustrations ; various sizes
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archives
archives
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1 videodisc (DVD-R) (approximately 63 min.) : sound, color ; 12 cm consultation copy, 1 videocassette (VHS) (approximately 83 min.) : sound, color ; 1/2 in. master, 1...
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1 videodisc (DVD-R) (approximately 63 min.) : sound, color ; 12 cm consultation copy, 1 videocassette (VHS) (approximately 83 min.) : sound, color ; 1/2 in. master, 1...
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Border postcards : chronicles from the edge = Cartes postales de la frontière ou les chronique du bord : recordings, 2004.
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1 videodisc (DVD-R) (approximately 63 min.) : sound, color ; 12 cm consultation copy, 1 videocassette (VHS) (approximately 83 min.) : sound, color ; 1/2 in. master, 1...
Border postcards : chronicles from the edge = Cartes postales de la frontière ou les chronique du bord : recordings, 2004.
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1 videodisc (DVD-R) (approximately 63 min.) : sound, color ; 12 cm consultation copy, 1 videocassette (VHS) (approximately 83 min.) : sound, color ; 1/2 in. master, 1...
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archives
archives
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books
books
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$34.95
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Many consider Barry Schwabsky to be the critic on painting today, even if he does write copiously on other art forms,” write editors Rob Colvin and Sherman Sam in their foreword to this selection of Schwabsky's writings. Written since the turn of the millennium, the texts in 'The Oberver Effect' include meditations on the broader context of painting today alongside(...)
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Many consider Barry Schwabsky to be the critic on painting today, even if he does write copiously on other art forms,” write editors Rob Colvin and Sherman Sam in their foreword to this selection of Schwabsky's writings. Written since the turn of the millennium, the texts in 'The Oberver Effect' include meditations on the broader context of painting today alongside(...)
Title:
The observer effect: on contemporary painting
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Many consider Barry Schwabsky to be the critic on painting today, even if he does write copiously on other art forms,” write editors Rob Colvin and Sherman Sam in their foreword to this selection of Schwabsky's writings. Written since the turn of the millennium, the texts in 'The Oberver Effect' include meditations on the broader context of painting today alongside reflections on such well-known American painters as Alex Katz, Kerry James Marshall, Nicole Eisenman, and Dana Schutz, as well as practitioners from Europe and beyond?Bernard Frize, Tal R, and Ha Chonghyun among them. As Colvin and Sam point out, the book “documents a dialogue between abstraction and the image” in which “images serve less to represent their described subject than to articulate the sort of painting each one desires to be.
The observer effect: on contemporary painting
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Many consider Barry Schwabsky to be the critic on painting today, even if he does write copiously on other art forms,” write editors Rob Colvin and Sherman Sam in their foreword to this selection of Schwabsky's writings. Written since the turn of the millennium, the texts in 'The Oberver Effect' include meditations on the broader context of painting today alongside reflections on such well-known American painters as Alex Katz, Kerry James Marshall, Nicole Eisenman, and Dana Schutz, as well as practitioners from Europe and beyond?Bernard Frize, Tal R, and Ha Chonghyun among them. As Colvin and Sam point out, the book “documents a dialogue between abstraction and the image” in which “images serve less to represent their described subject than to articulate the sort of painting each one desires to be.
Form:
books
books
Publication:
December 2019
December 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
CLOG 13: Guggenheim
CLOG 13: Guggenheim
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In 1939 the Solomon R. Guggenheim Foundation opened its first gallery space—the Museum of Non-Objective Painting—in a former Manhattan automobile showroom on East 54th Street. Seventy-five years later, the Guggenheim Foundation operates museums in New York, Venice, Bilbao, and soon, Abu Dhabi. Until relatively recently, additional Guggenheims could be found in Berlin, Las(...)
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Summary:
In 1939 the Solomon R. Guggenheim Foundation opened its first gallery space—the Museum of Non-Objective Painting—in a former Manhattan automobile showroom on East 54th Street. Seventy-five years later, the Guggenheim Foundation operates museums in New York, Venice, Bilbao, and soon, Abu Dhabi. Until relatively recently, additional Guggenheims could be found in Berlin, Las(...)
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CLOG 13: Guggenheim
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In 1939 the Solomon R. Guggenheim Foundation opened its first gallery space—the Museum of Non-Objective Painting—in a former Manhattan automobile showroom on East 54th Street. Seventy-five years later, the Guggenheim Foundation operates museums in New York, Venice, Bilbao, and soon, Abu Dhabi. Until relatively recently, additional Guggenheims could be found in Berlin, Las Vegas, and downtown New York. Designed by some of the world’s most prominent architects, these museums have often been distinguished as much by their architecture as by the art displayed within. They have also sparked debates ranging from the intrusiveness of architecture in an art museum to the ability of a single building to transform an entire city. This new issue of CLOG will critically examine the past, present, and future architectural impact of this global institution.
CLOG 13: Guggenheim
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In 1939 the Solomon R. Guggenheim Foundation opened its first gallery space—the Museum of Non-Objective Painting—in a former Manhattan automobile showroom on East 54th Street. Seventy-five years later, the Guggenheim Foundation operates museums in New York, Venice, Bilbao, and soon, Abu Dhabi. Until relatively recently, additional Guggenheims could be found in Berlin, Las Vegas, and downtown New York. Designed by some of the world’s most prominent architects, these museums have often been distinguished as much by their architecture as by the art displayed within. They have also sparked debates ranging from the intrusiveness of architecture in an art museum to the ability of a single building to transform an entire city. This new issue of CLOG will critically examine the past, present, and future architectural impact of this global institution.
Form:
books
books
Publication:
March 2015
March 2015
Subject:
Magazines
Magazines
Form:
books
books
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Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with(...)
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Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with(...)
Title:
Italian futurism, 1909-1944: reconstructing the universe
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Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with F.T. Marinetti’s manifesto in 1909 through the movement’s demise at the end of World War II. Presenting over 300 works created between 1909 and 1944, by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance.
Italian futurism, 1909-1944: reconstructing the universe
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Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with F.T. Marinetti’s manifesto in 1909 through the movement’s demise at the end of World War II. Presenting over 300 works created between 1909 and 1944, by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
journals and magazines
journals and magazines
Title:
Praxis 8, re:programing
Praxis 8, re:programing
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of(...)
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of(...)
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Praxis 8, re:programing
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of computer culture, has empowered architects to see what was traditionally considered a given, as something that can be reprogrammed at will. FEATURED ARCHITECTS & DESIGNERS Rem Koolhaas, Bernard Tschumi, Studio(n-1), Mack Scogin Merrill Elam, Taller de Chile, Interboro, Stoner Meek, Meyer Rosenberg, Central Office of Architecture, Pierre de Angelis and Carmen Suero, R, WW. FEATURED WRITERS Vincent James and Jennifer Yoos, Penelope Dean, Thomas de Monchaux, Kazys Varnelis, Ron Witte, John McMorrough, WORKac.
Praxis 8, re:programing
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"Praxis 8, re:programming" reflects upon the complex, ambiguous and ultimately paradoxical set of ideas denoted by the term program. The elusive definition of program is not only because of its complex history but more importantly because of its continuous redefinition in contemporary architectural practice. A broader shift in the term program, with the emergence of computer culture, has empowered architects to see what was traditionally considered a given, as something that can be reprogrammed at will. FEATURED ARCHITECTS & DESIGNERS Rem Koolhaas, Bernard Tschumi, Studio(n-1), Mack Scogin Merrill Elam, Taller de Chile, Interboro, Stoner Meek, Meyer Rosenberg, Central Office of Architecture, Pierre de Angelis and Carmen Suero, R, WW. FEATURED WRITERS Vincent James and Jennifer Yoos, Penelope Dean, Thomas de Monchaux, Kazys Varnelis, Ron Witte, John McMorrough, WORKac.
Form:
journals and magazines
journals and magazines
Publication:
May 2006, Colombus
May 2006, Colombus
Subject:
Magazines
Magazines
Form:
books
books
Title:
Duchamp-isms
Duchamp-isms
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''Duchamp-isms'' is a selection of illuminating quotations from Marcel Duchamp (1887–1968), one of the most important figures in the history of modern art. A painter, sculptor, writer, and chess player, Duchamp changed the very definition of art with his “readymades”—everyday objects such as a bicycle wheel or bottle rack that he titled, signed, and presented as art. He(...)
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''Duchamp-isms'' is a selection of illuminating quotations from Marcel Duchamp (1887–1968), one of the most important figures in the history of modern art. A painter, sculptor, writer, and chess player, Duchamp changed the very definition of art with his “readymades”—everyday objects such as a bicycle wheel or bottle rack that he titled, signed, and presented as art. He(...)
Title:
Duchamp-isms
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''Duchamp-isms'' is a selection of illuminating quotations from Marcel Duchamp (1887–1968), one of the most important figures in the history of modern art. A painter, sculptor, writer, and chess player, Duchamp changed the very definition of art with his “readymades”—everyday objects such as a bicycle wheel or bottle rack that he titled, signed, and presented as art. He provoked critics and the public with works such as the Cubist-Futurist painting ''Nude Descending a Staircase, No. 2'' (1912) and ''Fountain'' (1917), a readymade composed of a men’s urinal signed “R. Mutt.” Prizing the intellectual over the aesthetic, Duchamp inspired later movements like Minimalism, Conceptualism, and Pop Art. Delightful and witty, ''Duchamp-isms'' offers rich insights into the mind of a true icon of modern art.
Duchamp-isms
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''Duchamp-isms'' is a selection of illuminating quotations from Marcel Duchamp (1887–1968), one of the most important figures in the history of modern art. A painter, sculptor, writer, and chess player, Duchamp changed the very definition of art with his “readymades”—everyday objects such as a bicycle wheel or bottle rack that he titled, signed, and presented as art. He provoked critics and the public with works such as the Cubist-Futurist painting ''Nude Descending a Staircase, No. 2'' (1912) and ''Fountain'' (1917), a readymade composed of a men’s urinal signed “R. Mutt.” Prizing the intellectual over the aesthetic, Duchamp inspired later movements like Minimalism, Conceptualism, and Pop Art. Delightful and witty, ''Duchamp-isms'' offers rich insights into the mind of a true icon of modern art.
Form:
books
books
Publication:
March 2026
March 2026
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Frank Lloyd Wright presents a stunning overview of the work of this towering American genius, encompassing the entirety of Wright’s long and extraordinarily prolific career. From his earliest work, such as the Home and Studio in Oak Park, IL, of 1889, to the wonderfully evocative textile block houses of Los Angeles of the mid-1920s, to such seminal masterpieces as(...)
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Frank Lloyd Wright presents a stunning overview of the work of this towering American genius, encompassing the entirety of Wright’s long and extraordinarily prolific career. From his earliest work, such as the Home and Studio in Oak Park, IL, of 1889, to the wonderfully evocative textile block houses of Los Angeles of the mid-1920s, to such seminal masterpieces as(...)
Title:
Frank Lloyd Wright American master
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Frank Lloyd Wright presents a stunning overview of the work of this towering American genius, encompassing the entirety of Wright’s long and extraordinarily prolific career. From his earliest work, such as the Home and Studio in Oak Park, IL, of 1889, to the wonderfully evocative textile block houses of Los Angeles of the mid-1920s, to such seminal masterpieces as Fallingwater, of 1935, in the Pennsylvania wilderness, and the Solomon R. Guggenheim Museum, of 1956, in New York, the book offers an extraordinarily abundant trove of architectural riches. Featuring more than a hundred discrete works, from the well known to the obscure, expertly discussed in the text of highly respected Wright scholar Kathryn Smith, Frank Lloyd Wright weaves a gorgeous tapestry that will engage the mind and delight the eye.
Frank Lloyd Wright American master
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Frank Lloyd Wright presents a stunning overview of the work of this towering American genius, encompassing the entirety of Wright’s long and extraordinarily prolific career. From his earliest work, such as the Home and Studio in Oak Park, IL, of 1889, to the wonderfully evocative textile block houses of Los Angeles of the mid-1920s, to such seminal masterpieces as Fallingwater, of 1935, in the Pennsylvania wilderness, and the Solomon R. Guggenheim Museum, of 1956, in New York, the book offers an extraordinarily abundant trove of architectural riches. Featuring more than a hundred discrete works, from the well known to the obscure, expertly discussed in the text of highly respected Wright scholar Kathryn Smith, Frank Lloyd Wright weaves a gorgeous tapestry that will engage the mind and delight the eye.
Form:
books
books
Publication:
April 2009
April 2009
Subject:
Architecture Monographs
Architecture Monographs
