books
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255 pages : color illustrations, color map ; 31 cm.
San Francisco : Sierra Club Books, 1994.
Material world : a global family portrait / by Peter Menzel ; introduction by Paul Kennedy ; text by Charles C. Mann ; photo editing by Sandra Eisert.
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255 pages : color illustrations, color map ; 31 cm.
books
San Francisco : Sierra Club Books, 1994.
books
The Oxford history of the classical world / edited by John Boardman, Jasper Griffin, Oswyn Murray.
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vii, 882 pages, 16 unnumbered pages of plates : illustrations, maps (some color) ; 25 cm
Oxford [Oxfordshire] ; New York : Oxford University Press, 1986.
The Oxford history of the classical world / edited by John Boardman, Jasper Griffin, Oswyn Murray.
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vii, 882 pages, 16 unnumbered pages of plates : illustrations, maps (some color) ; 25 cm
books
Oxford [Oxfordshire] ; New York : Oxford University Press, 1986.
books
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224 pages : colour illustrations ; 26 cm
London : British Library, 2014.
Pleasures of the garden : a literary anthology / selected by Christina Hardyment.
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224 pages : colour illustrations ; 26 cm
books
London : British Library, 2014.
books
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2 v. : ill. (some col., plans) ; 36 cm.
London, Longman and Co. : W. Pickering : J. Weale ; Oxford : I.H. Parker ; York : R. Sunter : J. Browne, 1847.
The history of the metropolitan church of St. Peter, York : illustrated by extracts from authentic records, by plans, sections, and engravings of architectural and sculptural details / by John Browne.
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2 v. : ill. (some col., plans) ; 36 cm.
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London, Longman and Co. : W. Pickering : J. Weale ; Oxford : I.H. Parker ; York : R. Sunter : J. Browne, 1847.
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"The anatomy of the architectural book" examines approaches to structuring, constructing and designing architectural books and traces how they have changed over time. The discipline has been exposed to debates, just as building construction has been exposed to the charms of book making. Examining the crossovers between book culture and building culture makes the axes(...)
The anatomy of the architectural book, 2nd edition
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"The anatomy of the architectural book" examines approaches to structuring, constructing and designing architectural books and traces how they have changed over time. The discipline has been exposed to debates, just as building construction has been exposed to the charms of book making. Examining the crossovers between book culture and building culture makes the axes visible along which architectural knowledge circulates through books into buildings and back – from the celebration of specific architectural practices to the production of unique books, using pages and print to convey architectural ideas. Dissecting a wealth of books through five conceptual tools – texture, surface, rhythm, structure and scale – André Tavares analyzes the material qualities of books in order to assess their crossovers with architectural knowledge. The detailed history of Sigfried Giedion’s Befreites Wohnen and the two incarnations of the Crystal Palace in Hyde Park and Sydenham provide a background that confront us not only with the rise of the industrialized book but also with the configuration of the book as a unique visual device. Richly illustrated with samples from the library of the Canadian Centre for Architecture, the volume discusses a wide range of authors, including Vitruvius, William Morris, Gottfried Semper, El Lissitzky and Le Corbusier.
Architectural Theory
books
Description:
70 unnumbered leaves : illustrations, plans ; 26 x 34 cm
New York : Railroad Gazette, 1895.
Sketch portfolio of railroad stations and kindred structures : with nearly two hundred illustrations / including drawings by H.P. Kirby, E.J. Meeker, Gray Parker, Jas. A. Johnson, Chas. Vanderhoof, Geo. Beekman, F. Colburn, the author and others ; from original designs by Bradford Lee Gilbert.
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70 unnumbered leaves : illustrations, plans ; 26 x 34 cm
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New York : Railroad Gazette, 1895.
$42.00
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This volume examines the garden as an enduring and evolving cultural resource, in two hundred works by more than one hundred artists. Prints, drawings, photographs, and paintings illuminate the changing aesthetics and uses of gardens from sixteenth-century Italian villas and Louis XIV's Versailles to urban parks like New York City's Central Park and San Francisco's Crissy(...)
The changing garden : four centuries of European and American art
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$42.00
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This volume examines the garden as an enduring and evolving cultural resource, in two hundred works by more than one hundred artists. Prints, drawings, photographs, and paintings illuminate the changing aesthetics and uses of gardens from sixteenth-century Italian villas and Louis XIV's Versailles to urban parks like New York City's Central Park and San Francisco's Crissy Field, adapted from a former military base. Artists' representations of gardens have been organized first to highlight design concepts and individual features, then to focus on historic gardens and parks, and finally to survey the activities within those settings. Among the earliest works included is an engraving of a drawing made in 1570 by Pieter Bruegel the Elder of a garden being vigorously cultivated by many workers. Two centuries later, Giovanni Battista Piranesi and Jean-Honore Fragonard represented the Villa d'Este at Tivoli in a state of neglected grandeur; Hubert Robert's painting of Mereville depicted a garden he helped design. By 1900 Eugene Atget's photographs of Versailles and Camille Pissarro's paintings of the Tuileries convey the enduring structure of French formal gardens. In contrast, American artists Maurice Prendergast, John Singer Sargent, and James McNeill Whistler depicted the pleasures of social activities in that setting. Photographs by Michael Kenna and Bruce Davidson offer contemporary perspectives on these issues.
Gardens
Atelier Van Lieshout
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When Joep van Lieshout (b. 1963) founded the art and architecture studio that bears his name, he set in motion what has been described as "a new Dutch architectural style dirty, delicious and direct." Now Atelier Van Lieshout is 10, and the first major monograph devoted to it, A Manual (1997), has been sold out for years. This new overview brings readers into AVL's(...)
Atelier Van Lieshout
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$58.00
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When Joep van Lieshout (b. 1963) founded the art and architecture studio that bears his name, he set in motion what has been described as "a new Dutch architectural style dirty, delicious and direct." Now Atelier Van Lieshout is 10, and the first major monograph devoted to it, A Manual (1997), has been sold out for years. This new overview brings readers into AVL's contrarian applied art via luxuriously appointed "mobile homes," autonomous communes and surreal art projects, with equal time given to AVL-Ville (2001), a "free state" in Rotterdam's port, complete with its own flag, its own constitution and its own currency, and the revealing minutia of AVL's portfolio, from furniture to the "Bar Rectum," a perverse take on the Oscar-Meyer Weiner Mobile. The idea of art that can be used for a self-sufficient and independent lifestyle hits a uniquely high point in AVL-Ville, a culmination of all the work AVL has done before. And it lives on: After a successful and tumultuous year of work, AVL has recently located its first AVL-Ville export product in Park Middelheim in Antwerp: the AVL Franchise Unit. This richly illustrated survey tracks AVL's serious and often provocative portfolio through a crucial period in its growth and development.
Contemporary Art Monographs
Elvis road
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This long, speechless comic is read as one 20-ft fold-out page; it's half Saul Steinberg on drugs, half insane doodle. Porn shops, playgrounds and sports arenas mix in the crowded urban scene, where everyone seems to be going somewhere, really desperate, or about to do something wicked and fun. Strange vehicles crowd the road, which serves up race cars, tanks, and a huge(...)
Elvis road
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This long, speechless comic is read as one 20-ft fold-out page; it's half Saul Steinberg on drugs, half insane doodle. Porn shops, playgrounds and sports arenas mix in the crowded urban scene, where everyone seems to be going somewhere, really desperate, or about to do something wicked and fun. Strange vehicles crowd the road, which serves up race cars, tanks, and a huge "parfum" tanker truck in one long traffic jam. The simple line drawings use images from World War II, as well as from underground comics of the late '60s through to the present (any references to superheroes and Disney-like characters are purely ironic). The depictions of Klansmen and Nazis seem part of the social critique, perhaps reinforcing the underlying idea that life stuffed to the gills with items that fulfill our every need is itself a form of fascism. There's always something new to see, and much occurs in the cramped spaces, such as when a happy cop ushers small creatures into a theme park called "Cuteland," or when fascist worshipers are hit by a flaming asteroid that leaves a trail of yogurt in which people drown. A strong art-book that's actually a lot of fun.
Graphic Design and Typography
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The gardener labours to harmonize nature's most subtle forms with his or her own most elaborate plans. Gardens present a succession of ever-rephrased dialogues between nature and culture, design and delight, work and play. Yet they are also mutable and fragile, vulnerable to the rigors of the changing seasons. The most stimulating thought and research on the history(...)
The history of garden design : the Western tradition from the Renaissance to the present day
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$67.99
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The gardener labours to harmonize nature's most subtle forms with his or her own most elaborate plans. Gardens present a succession of ever-rephrased dialogues between nature and culture, design and delight, work and play. Yet they are also mutable and fragile, vulnerable to the rigors of the changing seasons. The most stimulating thought and research on the history of the garden from the fifteenth century to the present day are organized chronologically here in sections that cover the humanist garden in Renaissance Italy; the Baroque garden and classical park; picturesque, arcadian, and sublime gardens of the Enlightenment; mazes, grottoes, and other curiosities; town and city parks; and even Disneyland. In each section, individual gardens are analyzed as paradigms of their type: the Hortus Palatinus in Heidelberg, the Parc Monceau in Paris, Stowe in England, and many others, including contemporary gardens designed by Roberto Burle Marx, Ian Hamilton Finlay, and Geoffrey Jellicoe. Many hitherto unrecorded examples are detailed, and well-known aspects of the history of the garden are reinterpreted from totally new perspectives. The essays are supported by paintings, reliefs, and drawings as well as figurative illustrations and photographs. A specially commissioned series of fifty-one plans of each epoch's most significant gardens completes this survey of the evolution of the Western garden.
books
May 2000, New York
Gardens